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www.youtube.com/watch?v= uzLk1Ar4DHw@Hybrid<br><br>I did manage to manage to listen to the Gelukkige score he did, it’s an interesting mix of horror music, emotional piano stuff, and some upbeat pop elements that reminded me of Megamind lol.<br><br>Btw, was his concert music for the “Battle of Peace” show ever released? It’s a pretty badass mix of 300, Mad Max, and some epic choral portions.Yeah,pretty goodHave you guys ever listened to anything Tom did in Nederland before saying it's "different" ? :PFrom what I've seen the score sounds so different because Antonio heavily worked on it (as almost every track is on his soundcloud, or was at one point).
Tracklist:<br><br>1. Cobolt (1:42)<br>2. Escape (4:28)<br>3. He’s Gone (3:37)<br>4. This Is What He Does (2:19)<br>5. We’ve Got That In Common (1:22)<br>6. Make It Rain (2:23)<br>7. Attack (2:46)<br>8. Why Me (3:00)<br>9. The Suit (2:16)<br>10. Asylum (3:31)<br>11. He’s Behind You (4:42)<br>12. House Fight (5:35)<br>13. It’s All a Lie (5:27)<br>14. Surprise (1:33)<br>15. Denouement (4:58)Up in Itunes NZ<br><br>https:// music.apple.com/nz/album/the-call-of-the-wild-original -motion-picture-soundtrack/1498520127<br><br>Sounds pretty, pretty goodUp in Itune NZ<br><br>https:/ /music.apple.com/nz/album/the-invisible-man-original-motion-  picture-soundtrack/1498868649oh yes!!! :-)Yeah, it is good.<br><br>Score comes this Friday, also vinyl 4th March
Actually, I prefer BB2 more than Pearl Harbor, thanks!<br><br>There is a quite of the trademark style of Tom in this, his percussion, synths and brassBay should work with Jerry Bruckheimer again. Except Bad Boys 2 (which was way too long) they made really entertaining films together.@Mark<br>You composed this?  It's pretty damn solid work, man.<br><br>Not sure if I hear a whole lot of 90's Zimmer in there, at least not until the last couple minutes.  If anything it gives me modern Lorne Balfe vibes.  But it's not a bad execution of that sound.  Far from it.<br><br>Could just be me.  I'm curious how the more attuned ears around here feel about it.Not bothering with any more of your bullshit.  This already gets down to the crux of the issue.<br><br>"Look at your first comment here, pal. Look at it good! Snarky, dismissive, almost trollish, and with a clear intention to provoke people."<br><br>You chose to take a comment whose only direct provocation was at Bay himself, as a direct insult to YOU.<br><br>Despite the fact that Bay and his work were the only things mentioned, despite the fact that those were the only things being dissed, you chose to take it as an attack against YOU.  <br><br>And when I elaborated on my full opinion, and even capped it off with a "you do you" olive branch, you chose to take it as me "unleashing my true self."<br><br>That speaks volumes about your mindset.<br><br>Y'know, we could keep talking and going in circles like this.  <br><br>We could talk about how you keep staking the worth of Bay as filmmaker on how much money he's made (and how much less money action films I considered better made) and then turning around and claiming "B-b-but I didn't say box office was a sign of quality!"  <br><br>We could talk about how 300 wasn't trying to start a franchise and how you keep pulling that uncited lie out of your ass to write off its merits under the very faint guise of "objectivity."<br><br>But that'd all be beside the point.<br><br>That point being, how people can only shit on a director according to your arbitrary standards, and how your inherent obsession with "disproving" them or "giving them what they deserve" or whatever self-serious crap you've concocted inside your head is dogmatic fanboyism at BEST.<br><br>Nice day indeed.
LOL @ 1/5 star rating, before release.<br><br>Good job, Internet.You should credit Trapanese wherever there is an orchestral prescence in the cues as he handled all the arranging and orchestration.I know what you mean. When I listen to this, I basically hear a Hans & Lorne score with some DP stylings.<br><br>It's fairly frustrating for me, as I'm big on proper crediting; I neither want to give anyone undue credit, nor fail to give credit. With this one, honestly, my only strong intuition is that DP did almost nothing.There's not much besides the general consensus that Joseph Trapanese did a lot of the heavy lifting with DP's ideas (though they still contributed a fair bit). Toby Chu doing "Adagio For TRON" is about it, unless you do count the cues that were once listed on JT's website.<br><br>Quite frankly, I'm still having a hard time believing the duo stayed on a project that apparently was primarily managed by someone else. These are guys that have always stressed to have full creative control on their albums and ventures, so to hear that they weren't really driving the wheel here sounds off to me. It certainly would explain why they haven't done a score since, but hey. I probably won't ever know the full story.Good question. I honestly get the sense this largely scored to picture, given how varied the cues are, plus the fact Hans did the Day of the Dead and Tuesday cues alone.<br><br>The Batman Suite itself almost sounds like it was done after the score itself was composed, but I could definitely be wrong about that.<br><br>By the way, pretty fucking cool Hans did all (six?) of the themes on this. IMO that goes a long way to show he can still do really solid thematic work when he wants to.
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All Media Non-film CD Live DVD Video Interview Various

El Sueño de Toledo

Evensong


Les Musiques Du Puy Du Fou

The Moony Sessions


The Blue Road

Masaba Kan

The World Of James Horner (Hollywood In Vienna)

Normas

The Art Of Contrebass Guitar

Snow Owl Quartet

Woven

Kynren - An Epic Tale Of England

Le Dernier Panache

Le Signe Du Triomphe

Concerto Antico

Kyrie

Il Falco Bianco

The Best Of Brand X Music

The Journey

The Wings Of A Film (Gent Show Compilation)

The Outer Themes vol 5

The Outer Themes vol 4

The Outer Themes vol 3

The Outer Themes vol 2

Showreel 1/20/98

Position Music - Orchestral Series Volume 5

Position Music - Orchestral Series Volume 4

Position Music - Orchestral Series Volume 2

Position Music - Orchestral Series Advance Tracks

Music In Films

Music For Matrix

Music For Film And Television

Music For Film And Television

Music For Film 4

Music For Film 3

Music For Film

Millennium (KPM)

Melanesian Choirs - The Blessed Island

Mediaventures Sampler vol 9

Mediaventures Sampler vol 9

Mediaventures Sampler vol 8

Mediaventures Sampler vol 7

Mediaventures Sampler vol 6

Mediaventures Sampler vol 5

Mediaventures Sampler vol 4

Mediaventures Sampler vol 3 (fake version)

Mediaventures Sampler vol 3

Mediaventures Sampler vol 2bis

Mediaventures Sampler vol 2

Mediaventures Sampler vol 1

Media Ventures Masters

Media Ventures Jingles

Media Ventures Commercial Library vol.2

Media Ventures Commercial Library vol.1

KPM Library - Velocity

KPM Library - Urban Sounds Of America

KPM Library - Upbeats

KPM Library - The Human Experience Vol2

KPM Library - The Human Experience Vol1

KPM Library - The Hollywood Series : Dangerous Game

KPM Library - The Hollywood Series - Orchestral Promo

KPM Library - The Choral Experience

KPM Library - The Asia Experience

KPM Library - Strictly Jingles Vol2

KPM Library - Peaktime TV 2

KPM Library - Orchestral Dynamics - The LSO Vol2

KPM Library - Orchestral Dynamics - The LSO Vol1

KPM Library - My Story Begins

KPM Library - Morphology

KPM Library - Media Machine

KPM Library - Logos‚ Links and Stings part2

KPM Library - Logos‚ Links and Stings part1

KPM Library - Liquid Audio

KPM Library - Extreme Impact

KPM Library - Essential Beats vol1

KPM Library - Drones ans Soundscapes

KPM Library - Deadly Pursuits

KPM Library - Burning Groove

KPM Library - Beds And Beats

KPM Library - Adagio

John Powell Film Music 2

Invincible (Two Steps From Hell)

Illumina (Two Steps From Hell)


Fantasy Suites And Themes

Famine Remembrance

Dreams & Imaginations

Directors Cuts 45 - Light Drama 4

Directors Cuts 44 - Fantasy 3

Directors Cuts 43 - Romantic Comedy 2

Directors Cuts 38 - Action 4

Directors Cuts 36 - Romantic Comedy (Production Music)

Directors Cuts 01 - Audio Trailer (Production Music)

Directors Cut vol 9 - Comedy

Directors Cut vol 8 - Fantasy

Directors Cut vol 7 - Suspense

Directors Cut vol 6 - Chiller

Directors Cut vol 5 - Epic Themes

Directors Cut vol 4 - Drama

Directors Cut vol 3 - Romance

Directors Cut vol 21 - Horror

Directors Cut vol 2 - Action

Directors Cut vol 19 - Epic Choral

Directors Cut vol 18 - DrumScores

Directors Cut vol 17 - Epic Adventure

Directors Cut vol 16 - Light Drama

Directors Cut vol 15 - Underscores

Directors Cut vol 14 - Romance 2

Directors Cut vol 12 - Action 2

Directors Cut vol 11 - Drones

Directors Cut vol 10 - Ambience

Deirdre Of The Sorrows


Dead Can Dance

Cinevision

Catching The Stars

Braviseamo !

Ashes

Arco 2

Arco 1

All Drums Go To Hell

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