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After watching the movie, I just have to say it was okay. It had some great moments but for me it had also many problems. And one of them was the music. For most of the part it wasn't even noticeable and when it was, it was like random background music with no really emotion or heart.<br><br>BvS and MoS movies can be criticized for some things but the score is not one of them. The movie gave the movie a strong and powerful side, as well as a heart and emotion into it. In this movie there were so many moments that needed different score. <br>***SPOILERS***<br>Superman's resurrection needed the MoS in full epic form. Wonder Woman at the bank at the beggining needed her theme with the electric cello in full power.<br>The Batman theme at the beginning when he is after that Parademon.<br>We should have a really memorable theme for the whole Justice League as well as for each individual member.<br>The scenes with Clark and Lois at the house in Kansas and when his mother sees him, this needed the piano theme from This Is Clark kent or something like that.<br>And that final moments with Superman opening his shirt showing the Superman logo and then flying to the sky, we needed something like "What Are You Going To Do When You're Not Saving The World?" or "Flight" and not that unmemorable music we got.<br><br>I really hope that the petition of the Extended Cut of the movie made by Zack with Junkie's music gets to be released someday, but for now, I'm disappointed.Sounds fun!!<br>Thanks for the linkAny ideas on the Chronological Order of the Tracks?<br>I made a start here...<br><br><br>Logos<br>Batman On The Roof<br>Everybody Knows - Titles<br>Wonder Woman Rescue<br><br>...<br>Icky Thump<br>Aquaman In Atlantis<br>...<br>1m1a Krypton (from Man Of Steel)<br>Spark Of The Flash<br>Friends And Foes<br>...<br>Come Together - Credits<br>Anti-Hero Theme - CreditsNo, they are the full score cues- as presented in the film. The presentation of the final three tracks on the first disc are edited down for timing.* I posted this at filmtracks and wanted to share it here as well. <br><br>Danny Elfman's comments are very disrespectful and so disappointing for a creative person to hear, especially for composers. Nostalgia is a big problem with Hollywood and it's a simple Jedi mind trick. It's slightly different, but the same meal over and over with different seasoning. Imagine if James Horner didn't get to write the score he wanted for Spider-Man? Or Zimmer had to use Elfmans Batman theme for the DK triliolgy or BvS? Or Shirley Walkers incredible Batman theme for Batman: Mask of the Phantasm. Or Giacchino just used the original star trek theme, or the original Star Wars themes for Rogue One and created nothing new at all? How boring and uninspiring for the composers not being able to challenge themselves to create new original music.<br><br>Whether you like these scores or not isn't important, the pursuit to create something new is what drives a creative person and gives us freedom in choosing something to enjoy and not enjoy. I love the original Batman theme by Elfman but I love it in the Burton films. I love Zimmer scores for both the DK trilogy and BvS. I am happy I can enjoy both types of scores and films but there are those who don't and that's a great thing because that means we are not all the same and that brings variety of opinion and taste which creates real conversation and most importantly gives an identity to a project.<br><br>It's easy to go back to original ideas, but I respect the creators who actually take the risk and want to try and do something new. If Danny Elfman stands by his words he should have just used the original Batman theme from the Tv Show and film or the original Spider-Man theme. Oops he didn't and we got a whole new Batman theme and Spider-man theme which most of us love. Thank god he didn't stick to using the original themes. The Batman reboots and superman and Spider-man reboots are completely different takes on the characters and that's why they deserve their own new themes and soundscapes. The only time I think an original theme from a film should be used in a new film with the same characters is if it's actually a sequel or prequel connected to that actual original film. Re-boots should always have new original music.<br><br>In the end the comments from Elfman are simply stupid and uninspiring and it's definitely a hidden ego coming through I never new he had which is a shame. I remember what Zimmer said about Danny Elfman's Batman theme being a bit jolly, but that's not attacking Elfman at all, it's how he felt and heard the music and felt that that style wouldn't fit in the new batman films ect.. I have always found the original Batman theme a bit on the jolly side too and I love it because it nails Burton's take on the character and world. That theme is for Keaton's Batman, no one else's.<br><br>One final point, if we keep wanting to just revisit the past and hear and see the same thing over and over and not be challenged with new ideas, what a damn uninspiring and boring world of creativity we will live in.<br><br>All the best to you all!<br><br>
so...based on what junkie says here, Elfman is basically just rehashing old shit, as well as other people's old shit....Unless you want to say he's taking his Batman theme into a whole different direction that he didn't really have a desire to do before...until now....<br><br>In that case, "whatever" is all I have to say.Nice stuff! I still can't believe this score hasn't gotten a release.That's unfortunate. With this score, I think it's obvious that the majority is Jablonsky, as it has a ton of elements from scores he's composed exclusively, but it would still be nice to know who did what, especially with the first and second films. Not sure why there's rarely any proper additional music credits for a lot of the RCP guys, especially considering Zimmer's credits are almost always complete. <br><br>However that cuesheet of the extended score is very interesting. Hopefully if it leaks, all those cues remain there.Damn that sounds different from Elfman's commentsThe funny thing is an interview he gave 1 months before being replaced... Saying pretty much the opposite of Elfman !<br><br>"It’s a massive undertaking. And I can’t say anything about Justice League specifically, but I’ll tell you this, and this was exactly the same experience that Hans and I had when we did work together on Man of Steel and Batman v Superman: It’s like when you see a movie like that, these iconic superhero movies, some of them have a 60 to 80 year legacy, multiple composers had a go at their themes, multiple filmmakers did their version of these characters—it’s very scary. You watch a movie and it’s like, “Holy shit, now I have to come up with something.” You’ve got sweaty hands and you’re nervous, and you talk about it over and over again—and I have exactly that relationship with Zack Snyder—and then Zack said, ”There’s only one thing you can do, and that is embrace this character as if it’s your own, keep it close to your musical soul, and just do whatever you feel is the right thing to do for this character.” That’s the only thing we can do. That’s what all these great directors did back in the day, and that’s what all these great composers did back in the day. It makes no sense for me to do extensive quoting of Hans’ score of the really amazing Batmans. It makes no sense for me to quote Superman from John Williams. Because all fantastic composers, they all did the same thing, they did something that was close to their heart, and I have to do exactly the same thing on this movie. You know this is Movie Number 4 that I’m doing with Zack, so you build a friendship and it’s built on trust and loyalty. You know how to challenge each other, you know what to expect on the other side, and it’s this really open, amazing dialogue about where to take this franchise."
I can confirm that he had already worked on it quite a bit, because he said so in one of his Studio Time episodes.I wouldn’t be surprised if he wrote another long sketchbook for it...I honestly have no idea... But I can't believe back in June when he left he hadn't done a bunch of the score already...The thing is with Jablonsky scores composers rarely get cuesheet credits, so you can't really draw conclusions out of it. Here's a small part of the cuesheet :<br><br>QUINTESSA PT 1<br>QUINTESSA PT 2<br>QUINTESSA PT 3 OPTIMUS REDEMPTION<br>KNIGHTED<br>WE HAVE TO GO ZERO GRAVITY<br><br>OPENING BATTLE<br>MERLIN<br>MERLIN GETS THE STAFF - BATTLE WON<br>TROUBLED TIMES<br>CADE DRIVING - AMULET<br>WE HUNT - DECEPTICONS HUNT<br>KEEP A SECRET - VIV ARRIVES CASTLE FOLGEN<br>WITWICCANS<br>ROUNDTABLE ORGAN SOURCE<br>COGMAN CHOIR<br>STAFF<br>BETTER GET CRACKING<br>PLANETARY VAMPIRISM<br>TOO OLD<br>SUBMARINE<br>TWO MOONS<br>MERLIN'S TOMB<br>SPACE STATION<br>CLAIM THE STAFF<br>SHIP RISE<br>YOUR VOICE<br>SOLDIERS TAKE POSITION - BURTON DIES<br>FALL AND GRAB<br>ENDINGrumor has it Lorne Balfe did this score<br><br>I guess if we do not get any credits then that proves it
Any chance of proper artist credits for this score?@Hybrid <br><br>Did Tom actually record anything for the film or did he just do demos?It's the same 24 tracks divided on two CDs. I'm truly hoping for a nice numbered digipak that separates the limited editions from the regular release otherwise it would be quite a crappy move from the record label. <br><br>"Joss said, ‘Let’s do it [Batman’s theme] on the nose. Fans love this kind of stuff.’" Why do you have to ruin everything, Joss?This film is atrocious. Suicide Squad was a mess but that film was forgivable. What WB decided to with JL is embarrassing, to say the least. Forcing Zack to change the tone and add forced childish humor and quips, demanding a less than 2-hour runtime, extensive reshoots with Whedon in charge... wtf were they thinking?<br><br>It's interesting to note that Zack hasn't even seen this abomination yet.
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All Media Non-film CD Live DVD Video Interview Various

Concerto Antico

Kyrie

Il Falco Bianco

Man Of Steel Soundtrack - Percussion sessions - Hans Zimmer

Hans Zimmer : celebrate the music - the 84th academy awards

Man Of Steel Soundtrack - Sculptural Percussion - Hans Zimmer

The Best Of Brand X Music

Making of HANNIBAL Soundtrack - Hans Zimmer Interview

Making of THE ROAD TO EL DORADO Soundtrack - Hans Zimmer Interview

Making of SHERLOCK HOLMES Soundtrack - Hans Zimmer Interview

Making of THE LION KING Soundtrack - Hans Zimmer Interview

Making of MADAGASCAR 2 Soundtrack - Hans Zimmer Interview

Making of RAIN MAN Soundtrack - Hans Zimmer Interview

Making of DRIVING MISS DAISY Soundtrack - Hans Zimmer Interview

Making of BACKDRAFT Soundtrack - Hans Zimmer Interview

Making of HANNIBAL Soundtrack - Hans Zimmer Interview

Making of THE ROAD TO EL DORADO Soundtrack - Hans Zimmer Interview

World Soundtrack Awards 2011

The Journey

Making Of The Weather Man Soundtrack

Making of Gladiator Soundtrack 1/3

Making of Gladiator Soundtrack 2/3

50th anniversary of the founding of Amnesty International

Making of Gladiator Soundtrack 3/3

Making of Spirit - Stallion Of The Cimarron Soundtrack

Making Of Gears Of War 2 Soundtrack

making of Desperate Housewives Season 4 Soundtrack

making of Desperate Housewives Season 2 Soundtrack

Making Of The Da Vinci Code Soundtrack

Making Of King Arthur Soundtrack

Making of Pirates Of The Caribbean (from the Treasure Collection DVD) 1/2

Making of Pirates Of The Caribbean (from the Treasure Collection DVD) 2/2

Making of Pirates Of The Caribbean - Interview 1/2

Making of Pirates Of The Caribbean - Interview 2/2

Making of Black Hawk Down Soundtrack 1/2

Making of Black Hawk Down Soundtrack 2/2

Making of Matchstick Men soundtrack

Pirates of the Caribbean: On Stranger Tides - Interview - Hans Zimmer

Making of HOW DO YOU KNOW Soundtrack - Hans Zimmer Interview Part 1/3

Making of HOW DO YOU KNOW Soundtrack - Hans Zimmer Interview Part 2/3

Making of HOW DO YOU KNOW Soundtrack - Hans Zimmer Interview Part 3/3

Game Of Thrones 'Official' Show Open (HBO)

Linkin Park & Jablonsky on "Iridescent" in Transformers 3

The secret adventures of Jules Vernes - opening credits

Mombasa - Performed LIVE at Inception Premiere

Concert at Dreamworks Animation

Casi Divas - Scoring Session with Hans Zimmer

Behind the scenes of the 'Sherlock Holmes' soundtrack by Aleksey Igudesman

Sherlock Holmes Exclusive Interview with Hans Zimmer from C Music TV

About Henri 4 - Interview

Save An Angel

Stand Up To Cancer - Hans Zimmer - Promotional Video

Ramin Djawadi - FMM: Composer Interview

Making Of Inception Soundtrack

The Dark Knight - Live

Inception Premiere - Live

Pirates Of The Caribbean: At World's End - Live

Sherlock Holmes- Discombobulate Music Video

Au Coeur De La Nuit - When John Carpenter meets Hans Zimmer

WorldSoundtrackAwards - Ghent, 12 Octobre 2003

The Contender - Media informations

Musketeer of Richelieu - Nick Glennie-Smith Interview

Musketeer of Richelieu at the rhythm of Nick Glennie-Smith

Musketeer of Richelieu

Yoshiki Symphonic concert

The Wings Of A Film (Gent Show Compilation)

The Outer Themes vol 5

The Outer Themes vol 4

The Outer Themes vol 3

The Outer Themes vol 2

Showreel 1/20/98

Position Music - Orchestral Series Volume 5

Position Music - Orchestral Series Volume 4

Position Music - Orchestral Series Volume 2

Position Music - Orchestral Series Advance Tracks

Nick Glennie-Smith Film Music

Music In Films

Music For Matrix

Music For Film And Television

Music For Film And Television

Music For Film 4

Music For Film 3

Music For Film

Millennium (KPM)

Melanesian Choirs - The Blessed Island

Mediaventures Sampler vol 9

Mediaventures Sampler vol 9

Mediaventures Sampler vol 8

Mediaventures Sampler vol 7

Mediaventures Sampler vol 6

Mediaventures Sampler vol 5

Mediaventures Sampler vol 4

Mediaventures Sampler vol 3 (fake version)

Mediaventures Sampler vol 3

Mediaventures Sampler vol 2bis

Mediaventures Sampler vol 2

Mediaventures Sampler vol 1

Media Ventures Masters

Media Ventures Jingles

Media Ventures Commercial Library vol.2

Media Ventures Commercial Library vol.1

KPM Library - Velocity

KPM Library - Urban Sounds Of America

KPM Library - Upbeats

KPM Library - The Human Experience Vol2

KPM Library - The Human Experience Vol1

KPM Library - The Hollywood Series : Dangerous Game

KPM Library - The Hollywood Series - Orchestral Promo

KPM Library - The Choral Experience

KPM Library - The Asia Experience

KPM Library - Strictly Jingles Vol2

KPM Library - Peaktime TV 2

KPM Library - Orchestral Dynamics - The LSO Vol2

KPM Library - Orchestral Dynamics - The LSO Vol1

KPM Library - My Story Begins

KPM Library - Morphology

KPM Library - Media Machine

KPM Library - Logos‚ Links and Stings part2

KPM Library - Logos‚ Links and Stings part1

KPM Library - Liquid Audio

KPM Library - Extreme Impact

KPM Library - Essential Beats vol1

KPM Library - Drones ans Soundscapes

KPM Library - Deadly Pursuits

KPM Library - Burning Groove

KPM Library - Beds And Beats

KPM Library - Adagio

John Powell in Ghent (Belgium) - Press Conference Part I

John Powell Film Music 2

Invincible (Two Steps From Hell)

Illumina (Two Steps From Hell)


Fantasy Suites And Themes

Famine Remembrance

Dreams & Imaginations

Directors Cuts 45 - Light Drama 4

Directors Cuts 44 - Fantasy 3

Directors Cuts 43 - Romantic Comedy 2

Directors Cuts 38 - Action 4

Directors Cuts 36 - Romantic Comedy (Production Music)

Directors Cuts 01 - Audio Trailer (Production Music)

Directors Cut vol 9 - Comedy

Directors Cut vol 8 - Fantasy

Directors Cut vol 7 - Suspense

Directors Cut vol 6 - Chiller

Directors Cut vol 5 - Epic Themes

Directors Cut vol 4 - Drama

Directors Cut vol 3 - Romance

Directors Cut vol 21 - Horror

Directors Cut vol 2 - Action

Directors Cut vol 19 - Epic Choral

Directors Cut vol 18 - DrumScores

Directors Cut vol 17 - Epic Adventure

Directors Cut vol 16 - Light Drama

Directors Cut vol 15 - Underscores

Directors Cut vol 14 - Romance 2

Directors Cut vol 12 - Action 2

Directors Cut vol 11 - Drones

Directors Cut vol 10 - Ambience

Deirdre Of The Sorrows


Dead Can Dance

Coca Cola : Hard Times (Commercial)

Cinevision

Catching The Stars

Braviseamo !

Ashes

Arco 2

Arco 1

All Drums Go To Hell

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