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One of the greatest scores from videogame industry.<br><br>This and Angel of Darkness (2003), the Best of Tomb Raider Saga.<br><br><br>Hello,<br><br>Any news of DVD/Bluray of live on tour ?<br>Thx!Just listened to this, agree with you Edmund.  The sound design stuff (noise) might work on film, and that's Hans' job after all, however, it isn't very enjoyable to listen to on the album. Half of it could be cut out. <br><br>I think the best parts of Inferno were the softer cues and reprisals of A&D themes. Basically the last few tracks. Elizabeth is pleasant enough. I actually really like the part towards the end (3:50) where the main theme is dissonant and uneasy and yet it's strangely beautiful. <br><br>I think what A&D did much better are the cues/tracks meant to signify action or urgency or drama like 160 bpm, Black Smoke, parts of Air and Fire. The blend of contemporary and classical/religious elements stood out as pretty cool and unique to me. A lot of catchy hooks and melodies and ostinti on those tracks too. <br><br>This has a much more limited sound to it both in instrumentation and emotional range. Either that was a creative decision or production was more limited.<br><br>I forgive Hans, they can't all be home-runs. <br>Ha, you're right.Wait 'till it leaks or something
Dang, I'm surprised this page hasn't exploded with comments.The film's existence really went dark on me, found out today because of the trailer. Always wanted a horror score by Hans, oh well. Let's see how Ben<br><br>Well ok that was more than a year ago lol.<br><br>I'm so very sad Hans dropped it, it looks amazing and it's a genre he almost never does... I'd take that over a Boss Baby any time... Still curious what Ben cooked, Hans praised his work on it...I just assumed he'd be back, they were working for a while, I didn't knwo a thing about the film till now. I'm sorry, I won't ask anything anymoreFacepalm... I'm really disappointed in you Everan... Not YOU ! :( ;)<br><br>No Hans was signed to score it but score production happened exactly during the tour era so Hans let Benjamin Wallfisch score it. It was completed a few months ago.
So, kinda off topic of Inferno, will Hans work again with Gore Verbinsky for Cure for Wellness?Making the connection and Checking in are my favorite tracks2nd yes :)I think some tiny bits of Desert and Post Apocalypse are used in the extended cut, just to add those few seconds of cut content. Wreckage is definetely new, and the start of Post Apocalypse sounds a bit different in the film due to the World Engine sound effect.Oh yes! :)
They removed the beginning of Logic of Tyrants?<br>but that was one of the better parts of the OST<br>lunacyHe did the score before the tour.Actually the first 30 or so seconds of Post Apocalypse are unreleased, although it's nothing substantial.As usual with HZ it complements the movie perfectly. It gives a continuous pulse, a modern edge, and it's in sync with the quick and sharp editing. Actually I think the score plays a very important role in maintaining a sense of urgency; a classical score like TDVC probably wouldn't have fitted; this is a completely different kind of filmmaking, with shaky-cam, quick cuts, weird camera angles, etc. The most hardcore sound design plays very well with the disturbing hallucination scenes. And the few bombastic cues are even more impressive, I was litterally wowed by The Cistern. And Elizabeth made for a really beautiful, haunting scene. Another very nice job by Hans!To me the only unreleased cue is "Wreckage"! The rest were actually released. "The Desert" is just edited "Blood Of My Blood", "Post Apocalypse" is "Must There Be A Superman?", "Thug Fight" is "Fight Night", "Underground Torture" is an edited part of "New Rules". In case anyone didn't know that already. <br><br>Some of the cues I wish were released are: <br>Bruce checking the drive (Meta humans)<br>Bruce training <br>Variations of "Day Of The Dead" (when superman arrives at the capitol building, when he fights doomsday, the cue right after "Black and Blue" when he flight to go fight Lex, Supes statue vandalism) <br>Variations of Lex's theme (Lex Corp Helipad scene - choir parts) <br><br>

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All Media Non-film CD Live DVD Video Interview Various

Man Of Steel Soundtrack - Percussion sessions - Hans Zimmer

Hans Zimmer : celebrate the music - the 84th academy awards

Man Of Steel Soundtrack - Sculptural Percussion - Hans Zimmer

Making Of The Weather Man Soundtrack

Making of Gladiator Soundtrack 1/3

Making of Gladiator Soundtrack 2/3

50th anniversary of the founding of Amnesty International

Making of Gladiator Soundtrack 3/3

Making of Spirit - Stallion Of The Cimarron Soundtrack

Making Of Gears Of War 2 Soundtrack

making of Desperate Housewives Season 4 Soundtrack

making of Desperate Housewives Season 2 Soundtrack

Making Of The Da Vinci Code Soundtrack

Making Of King Arthur Soundtrack

Making of Pirates Of The Caribbean (from the Treasure Collection DVD) 1/2

Making of Pirates Of The Caribbean (from the Treasure Collection DVD) 2/2

Making of Pirates Of The Caribbean - Interview 1/2

Making of Pirates Of The Caribbean - Interview 2/2

Making of Black Hawk Down Soundtrack 1/2

Making of Black Hawk Down Soundtrack 2/2

Making of Matchstick Men soundtrack

Game Of Thrones 'Official' Show Open (HBO)

The secret adventures of Jules Vernes - opening credits

Casi Divas - Scoring Session with Hans Zimmer

Behind the scenes of the 'Sherlock Holmes' soundtrack by Aleksey Igudesman

Stand Up To Cancer - Hans Zimmer - Promotional Video

Making Of Inception Soundtrack

Sherlock Holmes- Discombobulate Music Video

Au Coeur De La Nuit - When John Carpenter meets Hans Zimmer

WorldSoundtrackAwards - Ghent, 12 Octobre 2003

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