NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Indeed, this score reminds me — in a good way — of The Rock.Track 11, Onwards, here is my most favorite cue from the CoH franchise. It has that old school "power anthem" thing going on about it with full force. I truly wish this style is brought back to life again soon.Are there any more tour dates planned?Lord of the Rings - Shore<br>Battlestar Galactica - McCreary<br><br>Both are up there as my two favorite collection of works. GOT doesn't even compare to BSG. <br><br>For solo albums, my candidates are:<br><br>Titanic<br>The Lion King<br>Interstellar<br>Memoirs of a Geisha<br>Jurassic Park<br><br><br> <br><br>@superultramega<br>Honestly I feel like most of the issues with AUJ (and the other two hobbit films) were stemming from Peter Jackson editing the hell out of the music after the fact. It could be why they ended up dumping some themes in the following films.<br><br>Still, I don’t understand some of the criticism that the Hobbit trilogy scores received. DoS has some of the best action material imo, and the interpolations of Smaug’s theme(s) throughout the films are personally some of my favorite music from any LoTR project.<br><br>And this might be controversial, but I would put PoTC (the first three at least) on the level of Lord of the Rings in terms of the sheer amount of themes and development they receive. Maybe not quite as complex but they shouldn’t be overlooked.
The Lion King and The Last Samurai are good choices, but I'm not as much of a fan as Zimmer's aesthetic or thematic work nearly as much as Howard Shore, or even Jablonskly at times. Game of Thrones I still can't comment on as I've never watched the show, or payed attention to Djawadi in general.<br><br>I would say Shore's heart wasn't in Desolation and Five Armies, but to say that about Unexpected Journey doesn't really feel right to me. Even themes like Gondor Restored and Nazgul's uses have some logic to them. <br><br>Gondor Restored was also used when the Ring is destroyed, meaning it also has a secondary meaning of victory against evil, (yes I know it affected Gondor too, but Gondor it isn't as direct). Which also applies in The Hobbit, as Bilbo saving Thorin was not only important for their relationship but also the future of Middle Earth as Thorin is vital to the battle against the orcs in Five Armies. <br><br>The Nazgul theme also makes sense as its first appearance is in Fellowship's opening, playing over Sauron's army of orcs, then Sauron himself. So it's linked both to Sauron himself and his servants, which includes Azog. Plus the version that plays in the film is the exact same variant (and lyrics) that plays in the Fellowship prologue. It serves almost as a precursor to the Nazgul. Plus I don't see why themes can't have several meanings anyway.  <br><br>Plus I love most of the new themes of AUJ (before they were abandoned in later films).Not really a fair comparison, Hybrid, since videogames as a medium are much younger than films, and their scores weren't using real orchestras right until... mid 90's, would be my guess (feel free to correct me, guys).<br><br>The all time best film score for me would be a battle between The Last Samurai and Lion King. If "movie" includes TV shows, then it's Game of Thrones without a doubt, but I'm not gonna have this argument again ;)<br><br>Btw. I wouldn't mention Hobbit in the same sentence with LotR, even music-wise. A couple of great cues cannot hide the fact that Shore's heart wasn't in it.IS * lion kingBest film score of all time in lion king. Without any doubt. ;-)Can I just add, the album presentation for MW2 is really lame? It's a big, dare I say "epic" score in the 1990s Media Ventures mold. I think it's really solid. There are lots of different ideas from the first mission to the last, and a lot of them are written in the power anthem style that Hans ans co. don't really use much these days. Even Opening Titles is a throwback for Hans himself. <br><br>Unfortunately, almost none of the music as heard through the game is here. Instead, we got a bunch of shortened theme suites. :P<br><br>But the Gulag mission, the oil rig stuff, The Enemy of My Enemy, and lots of other missions all have pretty engaging and powerful music. I wish the RCP guys would do scores like this one more.
Lord of the Rings (and even The Hobbit), are the only film scores that I'm buying an entire book for, just to fully understand the themes and motifs.Every time I revisit this score the first cue I automatically go back to is “This Isn’t Right”. Something about RGW’s string writing always stuck with me, even if he isn’t the most memorable when it comes to themes.<br><br>As for this score itself, I feel like it might have become a classic had it not been paired with such a shitty film. It’s funny, the score sounds less like Hans’ style to me and more like James Horner’s. Granted he only wrote one cue apparently...But the best film score of all time is Lord of the Rings... :>Guys... Video Game music didn't start in 2008... lol<br><br><br>Your little game is actually impossible... It's pretty much like trying find "what is the best film score of all time"...I agree with Araujo and Knorr wholeheartedly. Cannot say the same for Soule; I always found his music lackluster and unfocused, sans the main theme of course. I'd like to mention my first runner-up, which is Destiny: Rise of Iron alongside Destiny 2. I was never a huge fan of the first two scores (original game + the first expansion), but the moment a guy named Rotem Moav got on Salvatori's team, the music became incredible (even though I have no evidence that those two events are related). Nevertheless, since it's stylistically so different from old-school and symphonic LAIR, I'd probably name it my No.1 alongside it.<br><br>If you guys are looking for recommendations, be sure to check these out:<br>The Witcher 3 (Marcin Przybyłowicz, Mikolai Stroinski, and a band called Percival), LotRO: Riders of Rohan (Chance Thomas), Assassin's Creed IV (Brian Tyler), Alone In The Dark (Olivier Deriviére), Eagle Flight (Inon Zur), Final Fantasy: Brave Exvius (Noriyasu Agematsu), Ni No Kuni I/II (Joe Hisaishi), and of course Medal of Honor and Gears of War IV by Ramin ;)
Gonna have to chip in for Skyrim as well, although I'm biased because I used to put hundreds of hours into that game :p<br><br>Oscar Araujo's music for the Castlevania: Lords of Shadow games is pretty good, as well as Geoff Knorr and his team's work on the last few Civ games.Donkey Kong Country 1, 2, Returns and Tropical Freeze.The Elder Scrolls V: Skyrim is by far on top for me. It feels like the ultimate culmination of Jeremy Soule's work on the the series along with symphony-level quality for the town and exploration music.I go with Lair and Outcast as most favorite.<br><br>And also the Blizzard games music like Word Of Warcraft, StarCraft and Heroes of The StormI think a big part of it is that half of the cues written for the film are 30 seconds or less (or even 10 seconds in some cases). It’s almost impossible to have thematic development when you are constrained like that, so I do understand. Still, it’s hilarious hearing Zimmer give the Simpsons theme “Lion King” treatment in the main theme suite, shame that wasn’t used at all in film.<br><br>As far as the shorter cues go though, the Church Prophecy is pretty cool, and I personally love the Green Day organ cues. That was genius on whoever’s part decided to do it...
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





  Call Of Duty - Modern Warfare 2 (VG)2018-08-14 15:19:43
Mike
Indeed, this score reminds me — in a good way — of The Rock.
  Call Of Duty - Modern Warfare 2 (VG)2018-08-14 13:34:31
Ro
Track 11, Onwards, here is my most favorite cue from the CoH franchise. It has that old school "power anthem" thing going on about it with full force. I truly wish this style is brought back to life again soon.
  The World Of Hans Zimmer - A Symphonic Celebration (Shows)2018-08-14 09:41:07
Rebecca
Are there any more tour dates planned?
  Call Of Duty - Modern Warfare 2 (VG)2018-08-13 22:28:02
Mephariel
Lord of the Rings - Shore
Battlestar Galactica - McCreary

Both are up there as my two favorite collection of works. GOT doesn't even compare to BSG.

For solo albums, my candidates are:

Titanic
The Lion King
Interstellar
Memoirs of a Geisha
Jurassic Park




  Call Of Duty - Modern Warfare 2 (VG)2018-08-13 22:12:11
mpolonest123
@superultramega
Honestly I feel like most of the issues with AUJ (and the other two hobbit films) were stemming from Peter Jackson editing the hell out of the music after the fact. It could be why they ended up dumping some themes in the following films.

Still, I don’t understand some of the criticism that the Hobbit trilogy scores received. DoS has some of the best action material imo, and the interpolations of Smaug’s theme(s) throughout the films are personally some of my favorite music from any LoTR project.

And this might be controversial, but I would put PoTC (the first three at least) on the level of Lord of the Rings in terms of the sheer amount of themes and development they receive. Maybe not quite as complex but they shouldn’t be overlooked.
  Call Of Duty - Modern Warfare 2 (VG)2018-08-13 21:22:52
superultramegaa
The Lion King and The Last Samurai are good choices, but I'm not as much of a fan as Zimmer's aesthetic or thematic work nearly as much as Howard Shore, or even Jablonskly at times. Game of Thrones I still can't comment on as I've never watched the show, or payed attention to Djawadi in general.

I would say Shore's heart wasn't in Desolation and Five Armies, but to say that about Unexpected Journey doesn't really feel right to me. Even themes like Gondor Restored and Nazgul's uses have some logic to them.

Gondor Restored was also used when the Ring is destroyed, meaning it also has a secondary meaning of victory against evil, (yes I know it affected Gondor too, but Gondor it isn't as direct). Which also applies in The Hobbit, as Bilbo saving Thorin was not only important for their relationship but also the future of Middle Earth as Thorin is vital to the battle against the orcs in Five Armies.

The Nazgul theme also makes sense as its first appearance is in Fellowship's opening, playing over Sauron's army of orcs, then Sauron himself. So it's linked both to Sauron himself and his servants, which includes Azog. Plus the version that plays in the film is the exact same variant (and lyrics) that plays in the Fellowship prologue. It serves almost as a precursor to the Nazgul. Plus I don't see why themes can't have several meanings anyway.

Plus I love most of the new themes of AUJ (before they were abandoned in later films).
  Call Of Duty - Modern Warfare 2 (VG)2018-08-13 20:44:25
Macejko
Not really a fair comparison, Hybrid, since videogames as a medium are much younger than films, and their scores weren't using real orchestras right until... mid 90's, would be my guess (feel free to correct me, guys).

The all time best film score for me would be a battle between The Last Samurai and Lion King. If "movie" includes TV shows, then it's Game of Thrones without a doubt, but I'm not gonna have this argument again ;)

Btw. I wouldn't mention Hobbit in the same sentence with LotR, even music-wise. A couple of great cues cannot hide the fact that Shore's heart wasn't in it.
  Call Of Duty - Modern Warfare 2 (VG)2018-08-13 17:26:55
Peter
IS * lion king
  Call Of Duty - Modern Warfare 2 (VG)2018-08-13 17:26:11
Peter
Best film score of all time in lion king. Without any doubt. ;-)
  Call Of Duty - Modern Warfare 2 (VG)2018-08-13 16:43:35
Mike
Can I just add, the album presentation for MW2 is really lame? It's a big, dare I say "epic" score in the 1990s Media Ventures mold. I think it's really solid. There are lots of different ideas from the first mission to the last, and a lot of them are written in the power anthem style that Hans ans co. don't really use much these days. Even Opening Titles is a throwback for Hans himself.

Unfortunately, almost none of the music as heard through the game is here. Instead, we got a bunch of shortened theme suites. :P

But the Gulag mission, the oil rig stuff, The Enemy of My Enemy, and lots of other missions all have pretty engaging and powerful music. I wish the RCP guys would do scores like this one more.
  Call Of Duty - Modern Warfare 2 (VG)2018-08-13 16:32:15
superultramegaa
Lord of the Rings (and even The Hobbit), are the only film scores that I'm buying an entire book for, just to fully understand the themes and motifs.
  Winter's Tale2018-08-13 15:36:14
mpolonest123
Every time I revisit this score the first cue I automatically go back to is “This Isn’t Right”. Something about RGW’s string writing always stuck with me, even if he isn’t the most memorable when it comes to themes.

As for this score itself, I feel like it might have become a classic had it not been paired with such a shitty film. It’s funny, the score sounds less like Hans’ style to me and more like James Horner’s. Granted he only wrote one cue apparently...
  Call Of Duty - Modern Warfare 2 (VG)2018-08-13 14:08:28
Edmund Meinerts
But the best film score of all time is Lord of the Rings... :>
  Call Of Duty - Modern Warfare 2 (VG)2018-08-13 12:28:49
Hybrid Soldier
Guys... Video Game music didn't start in 2008... lol


Your little game is actually impossible... It's pretty much like trying find "what is the best film score of all time"...
  Call Of Duty - Modern Warfare 2 (VG)2018-08-13 11:48:44
Macejko
I agree with Araujo and Knorr wholeheartedly. Cannot say the same for Soule; I always found his music lackluster and unfocused, sans the main theme of course. I'd like to mention my first runner-up, which is Destiny: Rise of Iron alongside Destiny 2. I was never a huge fan of the first two scores (original game + the first expansion), but the moment a guy named Rotem Moav got on Salvatori's team, the music became incredible (even though I have no evidence that those two events are related). Nevertheless, since it's stylistically so different from old-school and symphonic LAIR, I'd probably name it my No.1 alongside it.

If you guys are looking for recommendations, be sure to check these out:
The Witcher 3 (Marcin Przybyłowicz, Mikolai Stroinski, and a band called Percival), LotRO: Riders of Rohan (Chance Thomas), Assassin's Creed IV (Brian Tyler), Alone In The Dark (Olivier Deriviére), Eagle Flight (Inon Zur), Final Fantasy: Brave Exvius (Noriyasu Agematsu), Ni No Kuni I/II (Joe Hisaishi), and of course Medal of Honor and Gears of War IV by Ramin ;)
  Call Of Duty - Modern Warfare 2 (VG)2018-08-13 10:20:45
Edmund Meinerts
Gonna have to chip in for Skyrim as well, although I'm biased because I used to put hundreds of hours into that game :p

Oscar Araujo's music for the Castlevania: Lords of Shadow games is pretty good, as well as Geoff Knorr and his team's work on the last few Civ games.
  Call Of Duty - Modern Warfare 2 (VG)2018-08-13 04:05:48
Mephariel
Donkey Kong Country 1, 2, Returns and Tropical Freeze.
  Call Of Duty - Modern Warfare 2 (VG)2018-08-13 04:00:29
superultramegaa
The Elder Scrolls V: Skyrim is by far on top for me. It feels like the ultimate culmination of Jeremy Soule's work on the the series along with symphony-level quality for the town and exploration music.
  Call Of Duty - Modern Warfare 2 (VG)2018-08-13 01:00:59
Anonymous
I go with Lair and Outcast as most favorite.

And also the Blizzard games music like Word Of Warcraft, StarCraft and Heroes of The Storm
  The Simpsons Movie (Complete Score)2018-08-12 20:08:05
mpolonest123
I think a big part of it is that half of the cues written for the film are 30 seconds or less (or even 10 seconds in some cases). It’s almost impossible to have thematic development when you are constrained like that, so I do understand. Still, it’s hilarious hearing Zimmer give the Simpsons theme “Lion King” treatment in the main theme suite, shame that wasn’t used at all in film.

As far as the shorter cues go though, the Church Prophecy is pretty cool, and I personally love the Green Day organ cues. That was genius on whoever’s part decided to do it...
  The Simpsons Movie (Complete Score)2018-08-12 14:13:49
Edmund Meinerts
Yeah it's weird how little overlap there is between the complete score and the album. I think over half of the music on the album didn't end up in the movie, at least not verbatim. I agree it makes for a much better listen, although in my version I've added a few of the better/more substantial cues from the complete score (like the cool Angels & Demons-style "Church Prophecy"/1m11-12v17, which I'm almost positive is an Atli Örvarsson contribution).
  Mission: Impossible - Fallout2018-08-12 12:40:01
Jacob Joosse
Ah thankyou, thankyou very much :)
  Mission: Impossible - Fallout2018-08-11 22:20:58
MrZimmerFan
And the Warrior Whispers Back

:)
  The Simpsons Movie (Complete Score)2018-08-11 20:20:24
mpolonest123
This might be one of the FEW rare instances where the album is actually better than the complete score. While I get that the film needed shorter cues to coincide with the comedic timing/pacing it’s still frustrating to see suite ideas completely shortchanged. “Giddyup” in particular...
In film the score does work very well though.
  Mission: Impossible - Fallout2018-08-11 20:07:51
Jacob Joosse
Hi,

Sorry for mabey spoiling a little bit. But does sombody know the soundtrack of the bit when Ethan is climbing the rope to the helicopter. You can check out the clip in this video.
https://www.youtube.com/watch?v=PJtLDmm2ds8

Its the first 20 seconds. Thankyou already for helping me :).
  Call Of Duty - Modern Warfare 2 (VG)2018-08-11 16:52:47
Backbiter
Medal of Honor: Frontline by Michael Giacchino it's one of the best for me.
  Jock Of The Bushveld2018-08-11 16:32:27
Macejko
Nobody gives a shit. Stop spamming.
  Jock Of The Bushveld2018-08-11 13:23:27
Michael Fields
MOVIE CREDITS:

Music Composed And Produced By
KLAUS BADELT
IAN HONEYMAN

Music Supervisor
TOMMY COSTER

Score Recorded At
XIN YING FILM STUDIO, BEJING;
THEME PARK STUDIOS, SANTA MONICA

Orchestra Recorded By
YUE - SONG LI

Score Orchestrated By
BRAD WARNAAR

Score Preparation By
GUANG - YING FENG
GE - FANG YANG

Orchestra
CHINA NATIONAL ORCHESTRA

Guitars
MARK ANTHONY YEAGER
DANIEL ROJAS

SLide Guitar
IAN HONEYMAN

Score Mixed By
KLAUS BADELT

Score Mixed At
THEME PARK STUDIOS, SANTA MONICA;
HLC, PARIS

Music Editor
DANIEL ROJAS

Music Supervisor (China)
FRANK GF YANG

Project Administrator (China)
TOM NW ZHANG

Executive In Charge Of Music
ROBYN KLEIN

Score Production Manager
SIMONE DE LEUW

Score Technical Advisor
NEAL CARMEN
  Call Of Duty - Modern Warfare 2 (VG)2018-08-11 13:20:20
Macejko
Best videogame score ever made is John Debney's LAIR. MW2 doesn't even fit my Top 10.
  Sammy 22018-08-11 12:37:58
Michael Fields
MOVIE CREDITS:

Music Composed And Produced By
RAMIN DJAWADI

Score Mixed By
DANIEL KRESCO

Assistant Mix Engineer
NILS MONTAN

Score Recorded By
NICK WOLLAGE

Conducted By
ERNST VAN TIEL

Orchestrated By
STEPHEN COLEMAN

Music Preparation By
JILL STREATER

Technical Music Advisors
BRANDON CAMPBELL
CATHERINE WILSON

Additonal Orchestrations By
TONY BLONDAL

Score Mixed At
REMOTE CONTROL PRODUCTIONS, SANTA MONICA, CALIFORNIA

Score Recorded At
STUDIO FLAGEY, BRUSSELS

Performed By
BRUSSELS PHILHARMONIC

Artistic Administrator
ALAIN DE LEY

Orchestra Coordinator
BART VAN DER ROOST

Librarians
EMMANUEL SPREOLANTS
NICOLE ROUCKHOUT

Music Editor
JULES FRADET

1st Engineer
JAREK FRANKOWSKI

2nd Engineer
PETER SOLDAN

1st Assistant
BASTIEN GILSON

2nd Assistant
SIMON LEENS

3rd Assistant
BART AGA
  The Reef 2 - High Tide2018-08-11 12:14:13
Michael Fields
MOVIE CREDITS:

Music By
TODD HABERMAN

Additional Music By
BRIAN H. KIM
MATTHEW MARGESON
JASON SOUDAH

Score Mixed By
PHIL McGOWAN

Score Mixed At
TREVOR MORRIS STUDIOS
  Despicable Me 22018-08-11 11:52:05
Michael Fields
MOVIE CREDITS:

Original Songs And Themes By
PHARRELL WILLIAMS

Score By
HEITOR PEREIRA

Conducted By
NICK GLENNIE - SMITH

Score Recorded And Mixed By
ALAN MEYERSON

Assistant Mixing Engineer
CHRISTIAN WEGNER

Digital Score Recordist
KEVIN GLOBERMAN

Orchestrated By
LADD McINTOSH

Music Preparation By
BOOKER WHITE

Additional Music By
BOBBY TAHOURI
ANTHONY B. WILLIS

Music Editor
SLAMM ANDREWS

Composer's Assistants
CAMERON HOTCHKIS
TED REEDY
AZEO TORRE
SEBASTIAN ZULETA

Orchestra Contractor
PETER ROTTER

Vocal Contractor
JASPER RANDALL

Scoring Crew
TOM STEEL
TIM LAUBER
DENIS ST. AMAND

Score And Choir Recorded At
THE NEWMAN SCORING STAGE, TWENTIETH CENTURY FOX

Additional Recordings At
THE VILLAGE RECORDER

Score Mixed At
REMOTE CONTROL PRODUCTIONS, STUDIO M
  The Smurfs 22018-08-11 11:04:30
Michael Fields
MOVIE CREDITS:

Music By
HEITOR PEREIRA

Music Editor
DOMINIC CERTO

Conducted By
NICK GLENNIE - SMITH

Orchestrated By
TIM DAVIES
JEREMY LEVY

Score Mixed By
ALAN MEYERSON

Music Production Services
STEVEN KOFSKY

Orchestra Contractor
PETER ROTTER

Music Preparation
BOOKER WHITE

Additional Arrangements And Synth Programming By
ANTHONY B. WILLIS
JOHN JENNINGS BOYD
  Legends Of Oz - Dorothy's Return2018-08-11 10:12:55
Michael Fields
MOVIE CREDITS:

Songs By
BRYAN ADAMS
JIM VALLENCE
TIFT MERRITT
JIM DOOLEY
MIKE HIMELSTEIN

Score Composed And Arranged By
TOBY CHU

Music Supervisor
VICKI HIATT

Supervising Music Editor
VICKI HIATT

Music Editor
SEBASTIAN ZULETA

Additional Arrangements By
PAUL CRISTO
IVANA LISAK

Score Recorded And Mixed By
JEFF BIGGERS

Digital Score Recordist
KEVIN GLOBERMAN

Assitant Score Engineer
DANIEL WALDMAN

IGLOO MUSIC STUDIOS

Songs Produced And Mixed By
GUSTAVO BORNER

Songs Arranged By
TOBY CHU
NICK BAXTER

Vocal Recordings By
GUSTAVO BORNER
NICK BAXTER
JUSTIN MOSHKEVICH

Music Assistants
SERGE COURTOIS
LEAH HERDER

Score Recorded At
SONY PICTURES STUDIOS

Conducted By
NICK GLENNIE - SMITH

Orchestra
THE HOLLYWOOD STUDIO SYMPHONY

Orchestrated By
LADD McINTOSH

Orchestration Coordinator
ESTHER McINTOSH

Music Prepration By
BOOKER WHITE

Scoring Stage Recordist
ADAM MICHALAK

Scoring Stage Engineer
GREG LOSKORN

Scoring Stage Hands
DAVID MARQUETTE
MARK ESHELMAN
DANTE REYNOLDS

Orchestra Contractor
PETER ROTTER

Choir Contractor
JASPER RANDALL

Music Business Affairs
GRETCHEN O'NEAL

Music Contractor
SHARI GIRDLESTON (SAVANT PRODUCTIONS, INC.)

Vocal Coach
DARLENE KOLDENHOVEN

Music Transcription
KRISTIN SUMMERS

Choir
VANGIE ARCHER
ERIC BRADLEY
REID BUTTON
HARRY J. CAMPBELL
ERIN CARLSON
DANIEL J. CHANEY
ALVIN K. SHEA
RANDY CRENSHAW
TIM DAVIS
AMBER ERWIN
CLAIRE FEDORUK
AMY FOGERSON
CHRISTOPHER GAMBOL
MICHAEL THOMAS GEIGER
ABDIEL GONZALES
SCOTT TOBY GRAFF
JENNIFER KAY GRAHAM
JEFFREY MICHAEL GUNN
WALTER S. HARRAH
KATIE HAMPTON
AYANA HAVIV
KAREN HOGLE
TODD HONEYCUTT
CLYDENE JACKSON
ANGIE JAREE
ELISSA JOHNSTON
BOB JOYCE
MICHAEL LIGHTENAUER
CHRIS M. MANN
ELYSE MARCHANT
DONNA MEDINE
JESSICA ROTTER
NIKE ST. CLAIR
NANCY SULAHIAN
KIMBERLY SWITZER
JASPER TITMAN
MARIJKE VAN NIEKERK
SUZANNE WALTER
GREG WHIPPLE
GERALD T. WHITE

Off Camera Singers
RANDY CRENSHAW
ARIA GUNN
MISSI HALE
AYANA HAVIV
KARISSA LEE
MICHA LEE
JOE MATTHEWS
DAN NAVARRO
JASPER RANDALL
RANDI SOYLAND
LESLIE STEVENS
GERALD T. WHITE

SONGS

"WHEN THE WORLD"

Written By
TIFT MERRITT

Performed By
LIA MICHELE

"CANDY, CANDY"

Written By
BRYAN ADAMS
JIM VALLANCE

Performed By
MARTIN SHORT

"CHINA PRINCESS"

Written By
JIM DOOLEY

Performed By
MEGAN HILTY

"JESTER"

Music By
JIM DOOLEY

Lyrics By
MIKE HIMELSTEIN

Performed By
MARTIN SHORT

"WORK WITH ME"

Written By
BRYAN ADAMS
JIM VALLANCE

Performed By
LIA MICHELE

"EVEN THEN"

Written By
TIFT MERRITT

Performed By
LEA MICHELE
MEGAN HILTY
HUGH DANCY

"ONE DAY"

Written By
BRYAN ADAMS
JIM VALLANCE

Performed By
LIA MICHELE
  Call Of Duty - Modern Warfare 2 (VG)2018-08-11 05:26:41
Backbiter
pffffff...
I think that there are far superior videogame soundtracks to this generic RCP Score. It's fun listening experience i'll give you that.
  Call Of Duty - Modern Warfare 2 (VG)2018-08-11 04:36:29
Brett
Call of duty modern warfare has ,by far, the best soundtrack of any video game ever made hands down. I give all of my childhood joy credit to mister Hans Zimmer. Thank you for making my childhood what it was. Much love, peace out.(;
  Genius - Picasso (TV Series)2018-08-10 23:49:35
Iamtommie
Does anybody else hear that the second part of 'Affairs' is almost exactly like 'Assassins Tango' by John Powell for Mr. & Mrs. Smith
  The Predator2018-08-10 20:21:37
ThePhantasm
He's a fan of Silvestris score for Predator 2 I'm sure he'll use it. this and MI Fallout are my most anticipated scores this year
  The Predator2018-08-10 18:50:12
Anonymous
jackman better include silvestri’s original themes
  Black Hawk Down (Expanded Score)2018-08-10 09:31:24
alihaidar paradox
the feeling that comes to me when I hear your music is indescribable. You interfere me in another world.. I m waiting your new music.. All the best
  Vikings (TV Series - Season 3)2018-08-09 23:02:43
mrstirland
Any word on a season four or season five soundtrack to Vikings?
  Captain America - The Winter Soldier (Complete Score)2018-08-09 23:01:56
Jean-Luc
Complete score is on YouTube
  Curious George 3 - Back To The Jungle (V)2018-08-09 17:59:28
Mike
....Yep... ;)
  Transformers - The Last Knight2018-08-09 15:25:49
superultramegaa
It's a pretty obvious conclusion to come to the way Hans and Steve have talked about the opportunities movies they clearly dislike gave them. Steve during his interview was clearly about to say how bad Dragon Wars was, but stopped himself because he felt bad for the director, and he compared it to what Hans said about Tears of the Sun.

Sure Steve probably doesn't hate most of Michael Bay's films (besides maybe TF5 from his bad composing experiences and his frustrations with the editing team), but these type of dumb popcorn flicks do give them more room to have fun. Whether they think the film is bad or not is irrelevant.

Almost every Jablonsky score (with the exception of Steamboy) has had a film attached to it that I've not seen, thought it was nowhere above mediocre, or flat out hated it. But he either is able to enjoy the film enough to pull good composition out of it, or was able to "have fun" as Hans put it.
  Curious George 3 - Back To The Jungle (V)2018-08-09 13:45:21
Michael Fields
MOVIE CREDITS

Music By
HEITOR PEREIRA

Songs By
NICK NOLAN

Score Mixed By
SLAMM ANDREWS

Additional Music By
ALFRED TAPSCOTT

Score Coordinator
LEAH DENNIS

Score Technical Engineer
ALEXANDER VERBITSKIY

Percussion
M. B. GORDY
  Truth Or Dare2018-08-09 13:29:03
Michael Fields
MOVIE CREDITS:

Music By
MATTHEW MARGESON

Music Supervisor
SESSING MUSIC SERVICES

Music Editor
CATHERINE WILSON

Additional Music And Arrangements By
DANIEL JAMES
FABIO MARKS
JASON SOUDAH

Orchestra Conducted By
PETER PEJTSIK

Orchestra Recorded By
GABOR BUZCKO

Score Mixed By
ALAN MEYERSON

Score Mix Assistants
EVA REISTAD
DYLAN SHYKA

Score Technical Engineer
FABIO MARKS

Supervising Orchestrator
TIM DAVIES

Orchestrated By
JEREMY LEVY
JORDAN SIEGEL
SARAH LUTZ

Music Preparation
MARK CALLY

Orchestra Contractor
MIKLOS LUKACS

Librarian
ADRIENN LORINCZ

ProTools Engineer
MIKLOS LUKACS SR.

Score Recorded By
BUDAPEST ART ORCHESTRA
(EAST CONNECTION MUSIC RECORDING CO.)

Score Mixed At
REMOTE CONTROL PRODUCTIONS
SANTA MONICA, CA
  Minions2018-08-09 13:00:14
Michael Fields
MOVIE CREDITS:

Score By
HEITOR PEREIRA

Music Editor
SLAMM ANDREWS

Conducted By
NICK GLENNIE - SMITH

Score Recorded And Mixed By
SHAWN MURPHY

Digital Score Recordist
ERIK SWANSON

Scoring Editor
DAVID CHANNING

Additional Arrangements And Programming By
ALFRED TAPSCOTT
JOHN JENNINGS BOYD

Additional Recordings By
MOOGIE CANAZIO

Score Mix Assistant
SETH WALDMANN

Supervising Orchestrator
TIM DAVIES

Orchestrated By
JEREMY LEVY
RYAN HUMPHREY
SUSIE BENCHASIL - SEITER
PETER BOYER
RICK GIOVINAZZO

Music Preparation
BOOKER WHITE

Orhcestra Contractor
PETER ROTTER

Vocal Contractor
JASPER RANDALL

Featured Musicians
ALEX ACUNA
TED ATKATZ
KATISSE BUCKINGHAM
WADE CULBREATH
MICHAEL FELL
GRANT GEISSMAN
M. B. GORDY
BRIAN KILGORE
JOHN LEFTWICH
DAVE MELTON
HEITOR PEREIRA
JOE PEREIRA
TOM WALSH
DOUG WEBB
DON WILLIAMS

Score Coordinator
LEAH DENNIS

Score Technical Engineer
ALEXANDER VERBITSKIY

Scoring Crew
TOM STEEL
TIM LAUBER
DENIS ST. AMAND

Orchestra And Choir Recorded At
THE NEWMAN SCORING STAGE, TWENTIETH CANTURY FOX;
EASTWEST STUDIOS

Score Mixed At
REMOTE CONTROL PRODUCTIONS
  Transformers - The Last Knight2018-08-09 09:59:47
Bayhem
Since when a "fun movie" = a "bad movie"?? I've noticed this with certain film fans......If the movie is a colorful summer popcorn flick with tons of action and explosions, it automatically means it's a "dumb movie". While if the movie is dead serious and dark, it automatically means it's awesome and super cool.

This is a very ignorant way of judging cinema. ANY director can make a dark movie. The fact that most don't do it clearly shows that audiences prefer "colorful, fun" movies. So this notion that "fun movies" are automatically inferior to those dark, cold Nolan movies is a silly notion.

Also, I honestly don't know why Hans was apparently so negative toward Tears of the Sun. The movie is not some silly, low budget thing. It's a pretty serious and powerful war drama. I see nothing wrong with it.


P.S.

Mike, Hans received a Golden Globe nomination for Best Original Score for his work on Pearl Harbor. So no matter how tough it was working on the movie, it was all rewarded. That score still remains one of the most popular Zimmer scores and I'm sure he's proud of the finished result.
  The Angry Birds Movie2018-08-09 08:31:37
Michael Fields
MOVIE CREDITS:

Score Composed And Produced By
HEITOR PEREIRA

Music Supervisors
MANISH RAVAL
TOM WOLFE

Music Legal Counsel
MINNA RAITANEN

Supervising Music Editor
SLAMM ANDREWS

Additional Arrangements And Programming By
ALFRED TAPSCOTT
EMILY JOSEPH
LOGAN STAHLEY

Score Coordinator
LEAH DENNIS

Score Technical Engineer
ALEXANDER VERBITSKIY

Conducted By
GAVIN GREENAWAY

Orchestrated By
OSCAR SENEN
JOAN MARTORELL

Score Recorded By
NICK WOLLAGE

Score Mixed By
ALAN MEYERSON

ProTools Recordist
CHRIS BARRETT

Score Editing
FIONA CRUICKSHANK

Orchestra Contractor
ISOBEL GRIFFITHS

Assistant Orchestra Contractor
LUCY WHALLEY

Orhcestra Leader
EVERTON NELSON

Librarian
JILL STREATER (GLOBAL MUSIC SERVICE)

Score Mix Assistant
FOREST CHRISTENSON

Assistant Engineers
TOM LEACH
ALEX FERGUSON

Score Recorded At
AIR STUDIOS, LYNDHURST HALL

Choir Recorded At
SLOVAK RADIO BRATISLAVA (SLOVAKIA), STUDIO 1

Score Mixed At
REMOTE CONTROL PRODUCTIONS, STUDIO M

Music Prodiuction Services
STEVEN KOFSKY

Music Editors
MANISH RAVEL
TOM WOLFE

"THE ORIGINAL ANGRY BIRDS THEME"
Written By
ARI PULKKINEN

"THE MIGHTY EAGLE SONG"
Music By
SALLA HAKKOLA
Lyrics By
JON VITTI
Guitar
DOUGLAS BLACK HEATON

"THE MIGHTY RED SONG"
Music By
SALLA HAKKOLA
Lyrics By
JON VITTI
JOHN COHEN
Guitar
DOUGLAS BLACK HEATON
  Ferdinand2018-08-09 07:38:48
Michael Fields
MOVIE CREDITS:

Music Composed And Conducted By
JOHN POWELL

Additional Music And Arrangmements By
BATU SENER
ANTHONY B. WILLIS
PAUL MOUNSEY

Supervising Orchestrator
JOHN ASHTON THOMAS

Orchestrations By
PETE ANTHONY
RICK GIOVINAZZO
RANDY KERBER
ANDREW KINNEY
JON KULL

Music Contractors
GINA ZIMMITTI
WHITNEY MARTIN

Singers Contracted By
EDIE LEHMANN BODDICKER

Music Preparation By
MARK GRAHAM (JO ANN KANE MUSIC SERVICE)

Score Recorded And Mixed By
SHAWN MURPHY

Additional Recording And Mixing By
JOHN TRAUNWIESER

Scoring Editor
DAVID CHANNING

Digital Score Recordist
ERIK SWANSON

Stage Engineer
DENIS ST. AMAND

Stage Recordist
TIM LAUBER

Stage Managers
DAMON TEDESCO
PETER NELSON

Score Recorded At
THE NEWMAN SCORING STAGE;
5 CAT STUDIOS

Score Mixed At
5 CAT STUDIOS

Score Production Assistant
SOYA SOO

Music Editor
TOM CARLSON

Additional Music Editor
TERRY WILSON

"HOME" (FILM VERSION)

Written By
NICK JONAS
JUSTIN TRANTER
NICK MONSON

Performed By
NICK JONAS

Produced By
JOHN POWELL
NICK MONSON

Arranged By
JOHN POWELL

Courtesy Of
ISLAND RECORDS
Under License From
UNIVERSAL MUSIC ENTERPRISES

"HOME"

Written By
NICK JONAS
JUSTIN TRANTER
NICK MONSON

Performed By
NICK JONAS

Produced By
NICK MONSON

Courtesy Of
ISLAND RECORDS
Under License From
UNIVERSAL MUSIC ENTERPRISES
 HANS-ZIMMER.com© 2001-2017 OST