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I saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't waitI saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't waitHonestly, I do feel bad for Elfman, because for Chrissakes hes been doing 50 Shades of Grey these days, and the last memorable scores I have of him are from 2012. But I don't think Zimmer or even Elfman for that matter are done as yet. I predict by the end of this decade Zimmer will have a new wave in popularity wash in. I'm just waiting for Elfman's wave right now...not quite seeing it yet.Glad you caught it Rockhound. Think the others were too wound up to notice !!i was trying to be funny.Pete you are funny, although u demand from others to talk about the actual soundtrack from this page, you start to talk also about another soundtrack. but ok.... i think Forgotten is a very boring track and adds nothing to the actual scene. a variation of his theme from the track Hero would have been much more intense for the ending. sadly we got 9 boring minutes of thematic development and instrumentation. Lorne can do much better as the track Hero from the same soundtrack shows.
Zimmer got X-Men: Dark Phoenix this year. And I have a hard time believing he is only scoring that film this year. Zimmer always does more than 1 film a year.No need for petty cursing .<br><br>We can discuss the soundtrack instead ! <br><br>Forgotten is cool track.It’s definitely one of Bay’s best movies. Wish he would make more drama based film obvious with some action. Can’t cope with more robots ! The ending of the film is so emotional and this track gave goosebumps at the end. Did sound very similar to the end of The Last Knight"Boring . Talk about the actual soundtrack or change the subject."<br><br>Ok, so someone else gets us on this topic, an arguement occurs, and NOW, only when you've realized you're losing the arguement, do you decide that this page is only for 12 strong. Which it's not. This is a forum we talk about whatever we want here.<br><br>But what a childish and pathetic attempt at avoiding our points. Just dismissively saying "Boring! Change the subject! My ears can't handle this criticism!!! Wah, wah, wah!" I guarantee you the next step after this is going to be petty cursing.Boring . Talk about the actual soundtrack or change the subjectUpset about success? Sounds like someone doesn't know a thing about reasonable criticism. :p<br><br>If anyone likes Balfe, then good on them. I only get annoyed when people decide he's suddenly the most amazing thing ever, which he really isn't. Even on his most competent scores, it's unlikely many would recognize him as one of the greats. Respect him, sure, but not think he's out of this world. Especially if people are still gonna be excited about hearing the work of someone else when a different person is hired (i.e. what JL might've been).
Can we please change the subject !!!!!!!!it is so boring now.This page is ment to be about the sound track to 12 StrongThere you go again, accusing me of being upset about Balfe's success when I never said anything like that. Stop putting words in my mouth.AgreedThe point is Edmund and others  don’t need to keep getting upset about Balfes success.Dont reply and just focus on other conversations.No one here is interested in hearing anyone bashing any of the great composers on this site from Remote. Grow up or move on.Appreciate the voice of support. :)
Good god, this Balfe/Anonymous guys is wreaking havoc! Good thing Djawadi's fans are calmer than Balfe's.Jesus Christ, what a mess! What is wrong with you Balfe fanboys? Edmund comes in trying to settle down the situation and add some nuance and you just curse him out? He even admits to liking Lorne, basically states how the top comment is far too harsh, defends Balfe, and all he does against him is call out Michael for borderline bullying someone else into worshiping Balfe.<br><br>After all of that, all you can possibly say in response to him is "go away you John Powell fanboy"? For saying one thing against a guy basically being a mindless fanboy. Which by the way is an unbelievably poor argument because I've seen Edmund criticize Powell scores before. Is Edmund not aloud to prefer Powell? He didn't even bring his music up once in this discussion! Oh no I can see the responses now...<br><br>"superultramegoo go listen to Transformers 5 for the 50th time.we dont need youre stupidumb comments here !!!!!!!!!!!!!! Balfe has won many awardso tyou cant say any thing bad about him you Jablonsky fnaboy.stop with these demoralizing comments.!A Star Wars score that John Williams himself worked on, however briefly. An interesting time to be a film music fan indeed. <br><br>Hybrid, do you know if Powell was already hired before the director switch on Solo?Happy birthday Mr BalfeI have the same concern, but at the same time I'm really really excited and curious to hear what Williams' sensibilities filtered through Powell's voice will sound like. Those are two of my absolute favorite composers (like, honestly, those two and Hans, top three). I just hope Powell can figure out a way to make it sound natural and organic and not forced/awkward. And maybe if Powell doesn't have to worry about coming up with a main theme it leaves him more time to fine-tune the balance between the two composers' voices (or else write cool secondary material). Giacchino only had four weeks on Rogue One and while he did a decent job, it wasn't as smooth an adaptation as I'd have hoped, especially coming from the composer of Medal of Honor. My expectations are higher for Solo.<br><br>I couldn't give two shits about the movie itself but I'm grateful it exists if only because it will give us this exciting, one-of-a-kind score situation. :)<br><br>Also, there's gonna be a Star Wars score with a page on hans-zimmer.com - who'd ever have thought?
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This page contains cover versions arranged and produced by fans ("cover version" means a recording of a music that was previously recorded)

Submit your own version : antas@hans-zimmer.com


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Vladimir reply Replies: 0 || 2008-01-03 00:00:00
is it some chabce for me to work with Zimmer

www.vladimirpersan.com

Lokken71 reply Replies: 0 || 2007-12-27 00:00:00
Love the acoustic guitar version. To me the perfect orchestral version is Hans' original, so I don't not see the need to replicate those. I think there is video on youtube using this acoustic guitar version...very cool!

Nicolas, Webmaster reply Replies: 0 || 2007-12-02 00:00:00
Hi,

For the medley broken arrow/gladiator, i composed it on my old synth (yamaha psr i don't know how much anymore) and did it for the very first release of this website in october 2001. Since my old synth passed away, I had only this bad recording i gave you ; nothing more as i didn't try to compose it longer.
Anyway, thank you for your feedbacks !

1 reply Replies: 0 || 2007-11-18 00:00:00
If

Ryan reply Replies: 0 || 2007-10-25 00:00:00
Alexander, I love the arrangement you did. It is fantastic. I think it sounds very cool. I like the way you closed it very much. Especially how you went up an octave at the very end. Very cool.

1 reply Replies: 0 || 2007-10-23 00:00:00
If

1001·ţĘÎÍř reply Replies: 0 || 2007-08-09 00:00:00
3545

ippy reply Replies: 0 || 2007-07-29 00:00:00
Alexander Shalyapin's arrangement of He's A Pirate isn't any different except for the transposition at the end

Apex reply Replies: 0 || 2007-07-12 00:00:00
hey Alexander Shalyapin great job! how do I contact you? I'm working on a project that could be a two way stream of benefit! let me know a.s.a.p.!

Keith Leonard reply Replies: 0 || 2007-07-10 00:00:00
I am arranging the Hans Zimmer Gladiator film score for brass band, I do not intend to try to have it published or sell it, but I would like to get permission for my own brass band in England to record it on a CD of film music we are making later this year. Would you be able to suggest where I go to seek the relevant permission (re publishers/copyrights etc)

ramin mousavi reply Replies: 0 || 2007-07-08 00:00:00
Helle dear webmaster, I've sent you my playing. I am so intrested to seeing my playing on hannnnnss zimmer's websiteee. When will you put it here?

Sonia reply Replies: 0 || 2007-07-01 00:00:00
please, i´m a spanish bride, and I am looking for the score of the Chevaliers the sangreal because I want a quartet play it on my wedding. Could anybody help me to find it? Where could I buy it??
Thank you all

Antas, Webmaster reply Replies: 0 || 2007-06-26 00:00:00
@Ramin :

cover music means in that case : music composed by artists from RCProd (Hans Zimmer, Klaus Badelt...) but played (and arranged) by fans

ramin mousavi reply Replies: 0 || 2007-06-19 00:00:00
aaaa, could you explain it to me please?
I mean what is a COVER for musics?
Is it the musics that a fanplayed it by his instrument?
aaa, I've played some of hans zimmer. I love playing his musics.
could you answer me?

Nuno Fernandes reply Replies: 0 || 2007-05-25 00:00:00
Hi. I´m amazed withthe quality of the work. It´s superb. Congratulations!

Rexor reply Replies: 0 || 2007-05-04 00:00:00
Hi,

I just listened to the Medley - Broken Arrow / Gladiator / The Prince OF Egypt and I was quite amazed by it :) Well done Nicolas, excellent!! The best moment in Broken Arrow played with a gently and wonderful piano....superbe!!!

Unfortunately it's only 29 seconds :((
Can you by any chance put the complete version please??
Or is it available somewhere??

Many Thanks for your response
Rexor

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