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I wouldn't say "Battlefield" sounds nothing like Steve, it is pretty in line with his TF style, but yeah, I definitely see the Lorne involvement in there. Interesting though, our first official additional composer credit on this score!John Powell would be an amazing choice, if only to get him more mainstream exposure. <br><br>The thing is, if you strip away the drums, sound design, and harsh-mixing Tom is a actually a pretty gifted “classical” composer imo. His string writing has always impressed me, and seeing his use of woodwinds in Alita definitely proved that he can write outside of the mold Hollywood had put him in post-Mad Max.<br><br>Avatar 2 is most likely going to need a pretty diverse score, if the first one is any indicator. James Horner combined traditional orchestra, tribal drums, ethnic elements, electronics, and masculine action writing. All of which I could see Tom doing quite well.Chrono order goes like this :<br><br>Dublin 1996<br>Driving<br>Deceit<br>Second Warning<br>First Warning<br>Research<br>Conversations<br>The Beating<br>Traynor Lies<br>Never Show Your Fear<br>Preparations<br>The Killing<br>Bad News<br>The Funeral<br>One More Day<br><br>But some tracks have cues edited together, and some titles are not exactly perfect lol...Atli is fine in Iceland, maybe he just doesn't want to look for trouble anymore... :)Lorne did work on this score. At the very end, when the film (and therefore, the score) was getting butchered by editors to shorten it, there was very little time to rework the score to adapt it to the new cut. So Steve called Lorne for help, who agreed but asked not to be credited (his team was, so it kinda defeated the purpose lol)... They didn't do THAT much on the score, but Battlefield is indeed a LB cue (it sounds nothing like SJ).<br><br>Not the first time this happened. Lorne extensively worked on TF1 & 2 (credited), but also helped (uncredited) on TF3 (there again, his assistant back then Andrew K. was credited).
Alright, that's ^^ a bit too far, but I agree that there's not enough evidence to really support the theory. The only compositions that seem like Balfe might have had a hand in are the various reprises of "Bumblebee" (aka the Journey theme) that was always rumored to be co-composed by Balfe, and the big choral section in "Your Voice" when the knights begin attacking Optimus, as that is also a progression I associate heavily with Balfe's involvement in the first 2 scores. But that's still not enough to prove that he was involved.<br><br>By the way Bayhem, I don't believe that John Williams or Howard Shore have lied about doing their work by themselves. John Williams has worked with William Ross and probably others, but I don't think they're lying when they say they've done a score themselves. They seem like they can compose on their own just fine.Yep, if "deserving" existed, Atli would've gotten many more movies than he currently does.Anyone know of a proper chronological listing of this score? I tried cross-referencing it with the expanded listed here and made this:<br><br>01 Dublin, 1996<br>02 <br>03 <br>04 <br>05 Second Warning<br>06 Research<br>07 Driving<br>08 The Beating<br>09 Traynor Lies<br>10 Never Show Your Fear<br>11 Preparations<br>12 The Killing<br>13 Bad News<br>14 The Funeral<br>15 One More Day<br><br>But I have no idea where Conversations, First Warning, and Deceit goes, and I'm not sure if Traynor Lies and Driving are placed correctlyif you read my first sentence you can see I dismisded this rumor as crap<br>..................<br><br>Fair enough....But look back on the comment itself. It's kinda confusing. The way you wrote it created the illusion that Lorne not only ghostwrote the score, but he also dismissed it as crap. You didn't say "I dismissed the rumor". You said: "...a rumor stating that Lorne Balfe ghostwrote this score and dismissed it as crap." <br> <br><br>Anyway, moving on.....<br><br>Steve was interviewed a lot about The Last Knight and it's pretty obvious that he worked hard on that score. From the day they started shooting the movie. Was he supported by other composers? Absolutely. You can't score such a huge movie by yourself. Any composer who claims that is lying.<br><br>So there's nothing shocking or surprising about the fact that other composers were involved here. As for them being "Lorne's people"......well, considering how MV/RC-related composers work and how interconnected everything is, the "Lorne guys" could very well be friends with Steve too and perhaps he simply brought them on board. Or they were recommended by Lorne. It certainly doesn't mean that there was this top secret plan of them and Lorne actually ghostwriting the entire score. I still wonder tho......how do these rumors even come up? Who spreads them? And why? I ask because this is not the first time I've heard rumors about Zimmer scores and Jablonsky scores. It's always these two guys. Which happen to be two of the most prominent and popular MV/RC guys. Coincidence? Not to sound like a conspiracy nut, but it kinda makes me think that someone is intentionally trying to undermine the biggest MV/RC names by constantly throwing shade at their work."Deserving" is a word that doesn't exist in Hollywood, so stop thinking that way... lol
The problem I have with Junkie XL scoring Avatar is just that there are so many RCP composers better or more deserving. You have Zimmer, Powell, Gregson-Williams, Mancina, Jackman, Wallfisch...it is just so wrong to think Junkie XL is scoring Avatar and none of those guys are.I think that Tim Miller played a greater role in case of Terminator and Sonic. And I really don't see Junkie as good choice for Avatar 2.@Edmund <br>I still stand by my opinion that Holkenborg scoring Avatar 2 could be pretty interesting. Pairing him up with a director who is known to be strict with his musical choices and continuing on from James Horner’s classic might produce something really good. And seeing his gradual progress as a composer with Mortal Engines and Alita have personally given me some hope (2 years ago I would have said hell no).<br><br>And I’m not surprised by the choice for T6. Not looking forward to this project at all but we did get a cool score from Balfe for the last one so maybe there is some hope for the music at least.I think Terminator is a decent match for JXL's talents (listen to "The March" from Divergent), but this feels like further evidence that James Cameron is grooming him for Avatar 2, which I really hope ends up not being the case.Yes, Tom will be scoring the new Terminator movie
Chill out Bayhem, if you read my first sentence you can see I dismisded this rumor as crap.<br>But seeing people from his team ivolved and considering the fast and furious situation, I can’t help but wondering if there’s some truth to that rumor.<br>Now for a guy talking about haters, saying that Lorne scores 36million projects and B movies (forgetting mission impossible) I think you’re pushing it a bit.<br>Anyway no hate I don’t care who wrote it I’m just curious about the behind the scenes stuff.You're reaching there a bit Bayhem, I see no one in this thread trying to undermine Steve's work or the score. Hell the first poster was just asking if Lorne worked on it and if so, to what extent. And the "rumor comment" is a logical extension of Lorne's whole regular team being credited on the score, therefore it is possible that he did additional work on it.Again a "rumor" comment that's trying to undermine Steve's work. And in this case, an entire score. Lorne fans, please stop trying to constantly undermine other composers in favor of your guy. It's childish and extremely disrespectful. You've done it multiple times on these boards. What's next? You gonna claim that Lorne secretly scored the entire Transformers franchise? And Lord of the Rings. And Harry Potter. <br><br>Seriously, it's getting really old, really fast. <br><br>Not to mention the fact that Steve, as a composer, is much, much more experienced and established than Lorne. He's got nothing to prove. Steve takes his time when it comes to scoring. He's choosing carefully. He's got more than enough time to focus on his projects. While Lorne's name is attached to 30 million different projects, some of them cheap B-movies like Hurricane Heist. And you think he's scoring them all by himself? The irony of it all is that if anyone is using ghostwriters most of the time, it's Lorne. Not Steve. And I'm saying that as a Lorne fan as well. I'm not just a Jablonsky fan. I appreciate Lorne's work as well. But I'm not undermining other composers in favor of him.Bay has Lorne scoring his films now cause they established a relationship on 13 Hours, and Bay didn't even want Lorne for that; he wanted Hans but he didn't want to go through the exhausting process of another Bay blockbuster so he brought in Lorne instead.<br>And even then, Hans still worked together with Lorne very closely on the project (Hybrid said he was there for all the meetings, helped with synth programming, etc)Of cause Balfe worked on it .That is why Bay now uses Balfe
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This page contains cover versions arranged and produced by fans ("cover version" means a recording of a music that was previously recorded)

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Roz reply Replies: 0 || 2017-04-13 20:27:43
Dear Hanz , since I was 9yrs old I knew what my calling was !!
And surprisingly the film music I write is in the same mode ,vibe .. The feeling on which chord I do and which sound and how softy or hard you okay the song ... It all comes down to emotion !!!

You were my hero , well still is !

How can I send my work to you ?? I live in South Adrica ... It's . Everything is an effort to try and make contact !! While your dream is on a train and its busy getting away without you ... That's how I feel here in South Africa .. My hands are cut off and my calling and dream ... I can't just give up I can't !!! I was born to do this !!!! And By God I will try my best to succeed !!!

Thank you For sharing your talent to the world *

MissBuggle reply Replies: 0 || 2017-03-29 16:46:21
Hans Zimmer...Take me to your planet.





Kantor Ralph J. Cupper, Eid church, Nordfjordeid, reply Replies: 0 || 2017-03-04 01:40:43
Dear Hans.

Thank you so much for your inspiring links on YouTube about your Master Class. Despite the amount of disparaging and scathing comments from some people, I think your comments about setting composers free to create new life shattering music at the drop of a hat with computers, I phones is definitely the way forward. You have proved this yourself with your career and inspiring music. Yes, you have to break the rules and splosh new ideas manuscript paper through the computer so that you can say new things.

The rules are only necessary for the young student to get into professional music and start writing. Once you are there, you must set them aside so that you can create something new. After all that is what Bach and Mozart did like Stravinsky after them because there are new things to be said musically. But all ideas, be it a film school, a symphony or even a simple song, classical or pop, come about through a story. You must have a story, something to tell, to inspire the composer to make music.

There is just one thing which I personally have never found out of and that is how does one get into the film/music world? I was at the London film school earlier. They taught me many things but not how to get into the profession. Frequently one has asked what films or TV programmes have you written music for before? Without having anything concrete to refer too one is automatically bypassed. In other words you have to have a proven track record before you can get into the profession.

If you have any ideas about this Hans, I would be extremely grateful to hear from you.

Best of luck with your next film project.

Sincerely,

Ralph J. Cupper,
kantor@eid.kommune.no
www.ralphcupper.com
www.karincupper.com
Tlf: 00 47 90881265


Graeme Cruickshank reply Replies: 1 || 2017-01-04 11:17:00
Greetings,
I'm engaging information about the masterclass held soon on Fridays. I'm living in Australia and wandering if the classes are only live or if recorded since I'm having to use only my spare time in watching these classes. I'm hoping it's ina Format I'm able to save and watch at a later stage. Is this true? Thanks for your assistance and look forward to hearing from you.
Regards, Graeme Cruickshank


Jaz Düx2017-01-04 20:24:08
Hey! The classes are not live and can be taken at your own pace. That's the beauty of it!

NotaPix reply Replies: 3 || 2016-09-26 19:11:16
x Cyberpunk88
yes, I will put on youtube.
However, this site belongs to Hans Zimmer.
I here are just a guest.
I do not know if I have the permission of the admin Antas to put the link.


Cyberpunk882016-10-13 18:31:30
Hi Notapix, thanks for uploading it to youtube! Is there any chance you could put a download link for the flac or mp3 version in the description? I really like your mix and would like to have the best quality of it possible :)


NotaPix2016-10-14 11:54:32

I have done :)


Cyberpunk882016-10-15 15:25:31
Thanks a lot!

NotaPix reply Replies: 2 || 2016-09-30 13:54:06
Can Akcan, you have very well done your 'Time' cover as it is my opinion.
I like it :)


Can Akcan2016-10-01 00:00:38
Hey NotaPix!
Thank you for your good comment :) I liked your covers too. Actually there is nothing new on my version but as a composer I learned a lot while doing this cover.
Kind regards,
Can Akcan


Adam Adams2016-10-04 09:59:50
That's what I did - I think of it as an exercise and great opportunity to look inside the track. And it has been a really good experience. I have learned a lot from it.

Great job, fellow composers!
Adam Adams

NotaPix reply Replies: 12 || 2016-08-26 08:04:02
many thanks for hosting my covers on this page. it is an honor for me.
a big hug to all of you and Hans Zimmer :)


Marco2016-09-04 11:31:43
Interstellar cover is really very nice. Well done!


NotaPix2016-09-07 14:34:44
grazie marco :)
sei tu che hai rifatto
''like a dog chasing cars'' e ''eptesicus''?

the covers are yours on
''like a dog chasing cars'' and ''eptesicus''?




Marco2016-09-10 19:46:45
Si, ho rifatto io i due brani. Ho ascoltato anche il tuo eccellente "Da Vinci Code - Chevaliers de Sangreal". Impressive...
Molto bello, che librerie hai usato?
Io ero a Praga per il concerto di Hans Zimmer.
Ciao.


NotaPix2016-09-11 14:48:21
le tue cover, e qualche altra fatta da altri utenti, mi sono piaciute per l'impressionante fedelt&#224; con le musiche originali di hans zimmer. non ho librerie come unico riferimento. cerco di usare, per esempio, vari tipi di piccole ''librerie-cello'' per rendere il timbro meno stereotipato possibile, a mio avviso.
per una questione di pochi soldi a mia disposizione, mi accontento di guardare i concerti di Hans Zimmer su you tube.
quello che mi piace di Hans Zimmer, &#232; che nelle colonne sonore riesce sempre a cogliere l'anima dei films. lui non si accontenta di seguire solo l'immagine o/e l'aspetto emotivo.
&#232; un grande.
ciao ;)


ENGLISH: your cover, and a few others made by other users, I liked the awesome fidelity with the original music by Hans Zimmer. I do not have great sound libraries as the only reference. I try to use, e.g, various types of little ''library-cello'' to make the tone less stereotyped as possible, in my opinion.

as a matter of very little money available to me, I'll settle for watching the concerts of Hans Zimmer on you tube.
what I like about Hans Zimmer, it is that the soundtracks always manages to capture the soul of the film.
he is not content to just follow the image or / and the emotional aspect.
He is a great.


Laura2016-09-20 16:25:55
Sorry, but how did you get the original score? It's so amazing your cover!!!!


NotaPix2016-09-21 15:19:30
(Excuse my bad English)
many thanks Laura.
I was highly motivated. very motivated.
'Detach' is the song that excited me especially compared to the other songs of 'Interstellar album' (beautiful them too).
I looked some tutorials in youtube... but there are not any.
so I wanted to copy the original song by Hans Zimmer listening carefully ... step by step. unfortunately I could not do better because I have not studied music, but I'm happy with the result.

a question please:
are you who made the covers 'The contender theme' and 'Now we are free'?
if so:
I really like your version 'Now we are free'.
if I understand correctly, I think the violin is real and not virtual. you play it you?
bye :)


Marco2016-09-24 11:03:18
I think the result is excellent especially if you haven't studied music. Can you please tell me about these cello libraries?
I like also small variations despite the cover being really matching the original, small variations with respect to the original (whether intended or result of the arrangment) give a touch of personal interpretation and originality. When it is the result of researching too much the original sound, it is not a good result (I believe I have this flaw in some parts my arrangment) but when it is not, then the result is good. Cannot explain better but in your "Da Vinci", I like that.


isildur2016-09-24 14:15:41
Both covers are awesome mate. Kudos!


NotaPix2016-09-24 18:59:53

Many thanks isildur. I hope to hear your own cover.

x marco:
hmmm. I'm a bit embarrassed.
google translator does not translate well from English, so do not understand the exact meaning of the text.
English words I know can be counted on the fingers of one hand. sorry.
about the libraries, I took as an example the 'cellos' section but also applies to other instruments.
I use different types of small libraries of the same instrument (without resorting to large libraries of last generation that are definitely good, but they are heavy for my pc).
the resulting sound as a whole is more 'full bodied' than using a single instrument (in our example: only one instument of cellos section).
but this should not, for me, make me lose sight of the overall sound of the song. This 'not lose sight of' it forces me to put some of my originality (perhaps appreciated or maybe not).
I hope I have correctly understood your question :)

it must be remembered, however, that is the musical composition that makes the difference. therefore, the compliments go to Hans Zimmer and staff ;)


Cyberpunk882016-09-25 22:03:26
Could you upload your Interstellar cover to Youtube? Or have a download link? I'd like to put it on my music player!


Laura2016-09-27 16:01:46
Hahaha no, I haven't done any cover at the moment. I'm searching the score from the vocal version (there's a version in youtube, I don't know if you know it) from "now we are free" and the orchestal score of "Chevaliers de Sangreal". I really love that theme!

And also sorry for my bad english, I'm spanish studying english :D


Marco2016-10-01 17:27:17
Hi Notapix,
You understood perfectly my question. Thanks

NotaPix reply Replies: 1 || 2016-09-30 14:41:03
Ciao Marco,
caspita (wow)!
You have remade a track complex with the addition of different musicals atmosphere. very nice.
whether there was a 'cover competition', for me you'd be one of those musicians who should participate.


Marco2016-10-01 17:24:15
Thanks for your comment. And thanks to Antas for hosting the cover.

Adam Adams reply Replies: 3 || 2016-09-30 09:57:07
Thank you for hosting my cover - you made my day! It's such an honour!

All the best for HZ and RCProd crew! ;)


NotaPix2016-09-30 13:41:49

You have very well done your 'Time' cover as it is my opinion.
I like it :)


NotaPix2016-09-30 13:45:16
sorry Adam.
'Time' cover &#232; di Can Akcan. ho sbagliato persona :P


NotaPix2016-09-30 13:51:08
sorry Adam.
'Time' cover is the Can Can. I got the wrong person (and language) :P

NotaPix reply Replies: 0 || 2016-09-28 14:35:29
Hola Laura ;)
yes, I listened to the vocal version of 'now we are free'... (different versions in youtube).
there is one that I really like, but no vocal, made by Tina Guo playing the cello. I believe that the originality of Tina has respected the soul that Hans Zimmer had evoked with this magnificent music.
:)

NotaPix reply Replies: 1 || 2016-08-04 08:12:38
Antas hello, I have sent to you two covers (interstellar and da vinci code) five days ago.
thank you and good continuation.


Antas, Webmaster2016-08-25 20:03:07
I just have updated the site with the latest covers ;)

NotaPix reply Replies: 1 || 2016-07-20 17:07:02
for admin:

good morning
(Sorry for my bad English ... google translator)

I'd put my cover as a tribute on this page 'fan covers' of Hans Zimmer.
I have some questions:
1) it is necessary that I possess some requirements or some permission?
2) the audio file I done, what specifications should have (* .wav, Hz, ...)?
3) where do I upload the file?
4) I prefer to put a nick name instead of my own name. it's possible?

Thanks for your attention.

a warm greeting to Hans Zimmer and to all of you who work with him.


NotaPix2016-07-23 18:55:43
Please admin, there is any chance that I can receive answers to my questions?
or perhaps uploading is closed?
thank you :)

notapix reply Replies: 0 || 2016-07-23 18:54:52
Please admin, there is any chance that I can receive answers to my questions?
or perhaps uploading is closed?
thank you :)

Mara reply Replies: 1 || 2016-07-11 22:20:41
Dear Hans, thank you for the beautiful music that you create. I hope you have time to listen to the composition of Daniele Pelliccioni and their Oniricide. I think he has a real passion and maybe one day he will be a great composer like you. If you wish: www.oniricide.it
Thank you for your music... :) Amazing! :)
Hugs
Mara


John2016-07-14 09:53:26
Mara?? sure XD

marco nuvo reply Replies: 0 || 2016-06-23 01:23:20
secondo me la tua musica ha qualcosa di divino che va oltre la realt&#224; concreta. Ogni volta che ascolto una tua opera mi cimento nell'immaginazione, e come se viaggiassi in altre epoche e in altri mondi. Un esempio:quando ascolto the time immagino di stare nei campi di battaglia delle epoche passate in particolare le guerre mondiali immaginando il dolore e le sofferenza di un popolo che subisce la guerra e di chi effettivamente &#232; andato in guerra. A volte sempre ascoltando the time immagino di risolvere tutti i problemi che gravano nella societ&#224;.Per non parlare del brano di Burning the Bush colonna sonora del principe d'Egitto . Comunque ti auguro di comporre altri brani molto pi&#249; forti di quelli precedenti , ti incito a creare musica che entri ancora di pi&#249; nell'animo e sopratutto nell' immaginazione perche oltre a questa realt&#224; c &#232; qualcosa di molto pi&#249; forte e intenso
Grazie
Saluti
marco

marco nuv reply Replies: 0 || 2016-06-23 01:22:27
secondo me la tua musica ha qualcosa di divino che va oltre la realt&#224; concreta. Ogni volta che ascolto una tua opera mi cimento nell'immaginazione, e come se viaggiassi in altre epoche e in altri mondi. Un esempio:quando ascolto the time immagino di stare nei campi di battaglia delle epoche passate in particolare le guerre mondiali immaginando il dolore e le sofferenza di un popolo che subisce la guerra e di chi effettivamente &#232; andato in guerra. A volte sempre ascoltando the time immagino di risolvere tutti i problemi che gravano nella societ&#224;.Per non parlare del brano di Burning the Bush colonna sonora del principe d'Egitto . Comunque ti auguro di comporre altri brani molto pi&#249; forti di quelli precedenti , ti incito a creare musica che entri ancora di pi&#249; nell'animo e sopratutto nell' immaginazione perche oltre a questa realt&#224; c &#232; qualcosa di molto pi&#249; forte e intenso
Grazie
Saluti
marco

peter reply Replies: 0 || 2016-06-11 22:59:07
I would like to ask, which things do you have to do or be to be in RCP (instead to be the composer of course), anybody here, do you know something about it

MOUGENEL Yannick reply Replies: 0 || 2016-06-08 09:38:54
serait-il possible d'avoir une photo dédicacée car je suis venu au concert de ROUEN et nous n'avons pas eux la chance de vous remercie ainsi que de vous rencontré apr&#232;s le concert et quel concert ,je lis les commentaire si dessous ,il n'a rien compris quel dommage pour lui .En ce qui me concerne vous avez réaliser tous mes r&#234;ves et pour cela un grand merci du DOUBS...

  Your name :   

Please enter number: 90000 

lp reply Replies: 1 || 2016-06-06 09:33:19
Votre spectacle c'est l'arnaque du si&#232;cle
plus de blabla que de concert
sans parler du fait que la partie musicale est uniquement du 'tape &#224; l oeil'


moi2016-06-06 14:35:05
le blabla c'est la vie :-)

be careful reply Replies: 1 || 2016-06-06 09:34:45
N'y allez pas c'est une arnaque
1&#232;re partie 1h30 : 45 mn de blabla
6 morceaux sans âme
QUELLE ARNAQUE !!


moi2016-06-06 14:34:44
le blabla c'est la vie :-)

ggctuk reply Replies: 1 || 2016-04-10 00:28:55
To the admin: would a cover based on "Terminated" from Terminator Genisys be allowed, given it is based on Brad Fiedel's Terminator 2 theme?


Antas, Webmaster2016-05-22 10:31:18
Only original music from RCProd composers

Phil reply Replies: 0 || 2016-05-14 18:04:29
was in zurich.... was amazing.... pls come again =)

Pieter reply Replies: 6 || 2016-04-04 07:45:16
Will there be any recordings and possible dvd/blu ray of this tour?


Andreas2016-05-10 10:31:52
I hope so. I saw in Prague at least three (very very expensive looking) cameras. They also recorded the audience with multiple microphones.


Oto2016-05-12 09:39:32
yep, i was in front and saw it too :) and i got info about some concert film, i am not 100%sure, but a heard something....so we have hope to


Andreas2016-05-12 14:46:35
Yeah, Tina Guo (the awesome cellist) has just confirmed our assumption :-)
Please see the first comment on the following Facebook post:
https://de-de.facebook.com/TinaGuoMusic/photos/a.10150101386 776132.284840.61209576131/10154078576696132/?type=3

That is so incredible fantastic


Andreas2016-05-12 14:48:17
Sorry, my previous link is broken now.
The following link works fine:
https://www.facebook.com/TinaGuoMusic/photos/a.1015010138677 6132.284840.61209576131/10154078576696132/?type=3&theater


Andreas2016-05-12 14:51:18
Sorry for spamming. Both links are broken due to a whitespace.
The following link works really!
https://www.facebook.com/TinaGuoMusic/photos/a.1015010138677 6132.284840.61209576131/10154078576696132/?type=3&theater


Edmund Meinerts2016-05-12 16:25:13
Don't worry about the space, this site doesn't let you post links without them...

Haika D. Raigne reply Replies: 2 || 2016-04-29 15:47:52
I'm wondering what the average duration is of the live concerts. I hope someone could give an estimate?

I'd like to know so I can plan around it. ^^
Awesome music, looking forward to hearing it live!


Ds2016-04-29 16:47:24
Count about 3 hours in total.

My show started at 8.20pm (instead of 8.00pm), and ended at around 11.00pm.


Damien2016-04-29 18:46:15
Yes, exactly. There is 2 parts approximatively 1h15 by part and 20 min for the entract.

Have a good show

Damien reply Replies: 0 || 2016-04-26 19:49:37
Good morning,

I went to Brussels to see concert, it was incredible, so magic. I can't keep my tears, it was the best concert i have seen. I will see you again in Rouen (my origin city). I'd like to listen tears of sun soundtrack (soprano), is it possible ?

Thank you for all :)

Damien

Lara reply Replies: 0 || 2016-04-21 10:29:15
Thank you so much for the concert in Hamburg. It was so wonderful and emotional. I started to cry sometimes because the music and the way you played it was just beautiful.

Thank you!

Alyson reply Replies: 1 || 2016-04-15 13:50:11
Thanks for the concert in Brussels, it was magic! I will never forget this moment...


Etienne2016-04-15 20:28:20
Yes, it was magic! So powerful sometimes(Electro from Spiderman 2, Dark Night Rises, Inception) Very emotionnal with Gladiator and nostagia with Lion King.

choub reply Replies: 0 || 2016-04-15 14:13:53
Bonsoir,

Je vends deux places côte &#224; côte, assises catégorie 2 pour le concert de Hans Zimmer
le 23 avril 2016 &#224; 20H au Palais des Congr&#232;s

Veuillez me contacter au 0634624991 si vous &#234;tes intéressés.

Possibilité de les vendre séparément !

andrea reply Replies: 0 || 2016-04-05 20:30:05
never give it up, please

you are genius of music

i have never seen somebody like you

please stay the same

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