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I'm so mad at DC right now I'd rather promote Marvel !! lol<br><br><br>Well jokes aside I add cause Andrew worked on it. And btw he posted another 5 min cue on his Soundcloud, dunno if it's unreleased, there'll better specialists of that score than me !Yeah, I happen to have seen the film and the score is not really "coherent", it's more like many different cues put together...Okay, thanks for clearing that up. The Tracks released were kind of interesting, a kind of mix of soundsAnyone else think Hans knew about all the studio meddling during pre-production, the rewrites etc and walked away ? I mean, when I heard Elfman's score I thought it was generic and wouldn't fit the movie. Then I watched the movie and it fits well. The movie is just as bland as the music in the background.I don't have to ask, that movie was a failure that barely got distributed... No one had any interest in releasing this score...
Hybrid, did you ever ask Hans why this score wasn't released?After watching the movie, I just have to say it was okay. It had some great moments but for me it had also many problems. And one of them was the music. For most of the part it wasn't even noticeable and when it was, it was like random background music with no really emotion or heart.<br><br>BvS and MoS movies can be criticized for some things but the score is not one of them. The movie gave the movie a strong and powerful side, as well as a heart and emotion into it. In this movie there were so many moments that needed different score. <br>***SPOILERS***<br>Superman's resurrection needed the MoS in full epic form. Wonder Woman at the bank at the beggining needed her theme with the electric cello in full power.<br>The Batman theme at the beginning when he is after that Parademon.<br>We should have a really memorable theme for the whole Justice League as well as for each individual member.<br>The scenes with Clark and Lois at the house in Kansas and when his mother sees him, this needed the piano theme from This Is Clark kent or something like that.<br>And that final moments with Superman opening his shirt showing the Superman logo and then flying to the sky, we needed something like "What Are You Going To Do When You're Not Saving The World?" or "Flight" and not that unmemorable music we got.<br><br>I really hope that the petition of the Extended Cut of the movie made by Zack with Junkie's music gets to be released someday, but for now, I'm disappointed.Sounds fun!!<br>Thanks for the linkAny ideas on the Chronological Order of the Tracks?<br>I made a start here...<br><br><br>Logos<br>Batman On The Roof<br>Everybody Knows - Titles<br>Wonder Woman Rescue<br><br>...<br>Icky Thump<br>Aquaman In Atlantis<br>...<br>1m1a Krypton (from Man Of Steel)<br>Spark Of The Flash<br>Friends And Foes<br>...<br>Come Together - Credits<br>Anti-Hero Theme - CreditsNo, they are the full score cues- as presented in the film. The presentation of the final three tracks on the first disc are edited down for timing.
* I posted this at filmtracks and wanted to share it here as well. <br><br>Danny Elfman's comments are very disrespectful and so disappointing for a creative person to hear, especially for composers. Nostalgia is a big problem with Hollywood and it's a simple Jedi mind trick. It's slightly different, but the same meal over and over with different seasoning. Imagine if James Horner didn't get to write the score he wanted for Spider-Man? Or Zimmer had to use Elfmans Batman theme for the DK triliolgy or BvS? Or Shirley Walkers incredible Batman theme for Batman: Mask of the Phantasm. Or Giacchino just used the original star trek theme, or the original Star Wars themes for Rogue One and created nothing new at all? How boring and uninspiring for the composers not being able to challenge themselves to create new original music.<br><br>Whether you like these scores or not isn't important, the pursuit to create something new is what drives a creative person and gives us freedom in choosing something to enjoy and not enjoy. I love the original Batman theme by Elfman but I love it in the Burton films. I love Zimmer scores for both the DK trilogy and BvS. I am happy I can enjoy both types of scores and films but there are those who don't and that's a great thing because that means we are not all the same and that brings variety of opinion and taste which creates real conversation and most importantly gives an identity to a project.<br><br>It's easy to go back to original ideas, but I respect the creators who actually take the risk and want to try and do something new. If Danny Elfman stands by his words he should have just used the original Batman theme from the Tv Show and film or the original Spider-Man theme. Oops he didn't and we got a whole new Batman theme and Spider-man theme which most of us love. Thank god he didn't stick to using the original themes. The Batman reboots and superman and Spider-man reboots are completely different takes on the characters and that's why they deserve their own new themes and soundscapes. The only time I think an original theme from a film should be used in a new film with the same characters is if it's actually a sequel or prequel connected to that actual original film. Re-boots should always have new original music.<br><br>In the end the comments from Elfman are simply stupid and uninspiring and it's definitely a hidden ego coming through I never new he had which is a shame. I remember what Zimmer said about Danny Elfman's Batman theme being a bit jolly, but that's not attacking Elfman at all, it's how he felt and heard the music and felt that that style wouldn't fit in the new batman films ect.. I have always found the original Batman theme a bit on the jolly side too and I love it because it nails Burton's take on the character and world. That theme is for Keaton's Batman, no one else's.<br><br>One final point, if we keep wanting to just revisit the past and hear and see the same thing over and over and not be challenged with new ideas, what a damn uninspiring and boring world of creativity we will live in.<br><br>All the best to you all!<br><br>so...based on what junkie says here, Elfman is basically just rehashing old shit, as well as other people's old shit....Unless you want to say he's taking his Batman theme into a whole different direction that he didn't really have a desire to do before...until now....<br><br>In that case, "whatever" is all I have to say.Nice stuff! I still can't believe this score hasn't gotten a release.That's unfortunate. With this score, I think it's obvious that the majority is Jablonsky, as it has a ton of elements from scores he's composed exclusively, but it would still be nice to know who did what, especially with the first and second films. Not sure why there's rarely any proper additional music credits for a lot of the RCP guys, especially considering Zimmer's credits are almost always complete. <br><br>However that cuesheet of the extended score is very interesting. Hopefully if it leaks, all those cues remain there.Damn that sounds different from Elfman's comments
The funny thing is an interview he gave 1 months before being replaced... Saying pretty much the opposite of Elfman !<br><br>"Itís a massive undertaking. And I canít say anything about Justice League specifically, but Iíll tell you this, and this was exactly the same experience that Hans and I had when we did work together on Man of Steel and Batman v Superman: Itís like when you see a movie like that, these iconic superhero movies, some of them have a 60 to 80 year legacy, multiple composers had a go at their themes, multiple filmmakers did their version of these charactersóitís very scary. You watch a movie and itís like, ďHoly shit, now I have to come up with something.Ē Youíve got sweaty hands and youíre nervous, and you talk about it over and over againóand I have exactly that relationship with Zack Snyderóand then Zack said, ĒThereís only one thing you can do, and that is embrace this character as if itís your own, keep it close to your musical soul, and just do whatever you feel is the right thing to do for this character.Ē Thatís the only thing we can do. Thatís what all these great directors did back in the day, and thatís what all these great composers did back in the day. It makes no sense for me to do extensive quoting of Hansí score of the really amazing Batmans. It makes no sense for me to quote Superman from John Williams. Because all fantastic composers, they all did the same thing, they did something that was close to their heart, and I have to do exactly the same thing on this movie. You know this is Movie Number 4 that Iím doing with Zack, so you build a friendship and itís built on trust and loyalty. You know how to challenge each other, you know what to expect on the other side, and itís this really open, amazing dialogue about where to take this franchise."I can confirm that he had already worked on it quite a bit, because he said so in one of his Studio Time episodes.I wouldnít be surprised if he wrote another long sketchbook for it...I honestly have no idea... But I can't believe back in June when he left he hadn't done a bunch of the score already...The thing is with Jablonsky scores composers rarely get cuesheet credits, so you can't really draw conclusions out of it. Here's a small part of the cuesheet :<br><br>QUINTESSA PT 1<br>QUINTESSA PT 2<br>QUINTESSA PT 3 OPTIMUS REDEMPTION<br>KNIGHTED<br>WE HAVE TO GO ZERO GRAVITY<br><br>OPENING BATTLE<br>MERLIN<br>MERLIN GETS THE STAFF - BATTLE WON<br>TROUBLED TIMES<br>CADE DRIVING - AMULET<br>WE HUNT - DECEPTICONS HUNT<br>KEEP A SECRET - VIV ARRIVES CASTLE FOLGEN<br>WITWICCANS<br>ROUNDTABLE ORGAN SOURCE<br>COGMAN CHOIR<br>STAFF<br>BETTER GET CRACKING<br>PLANETARY VAMPIRISM<br>TOO OLD<br>SUBMARINE<br>TWO MOONS<br>MERLIN'S TOMB<br>SPACE STATION<br>CLAIM THE STAFF<br>SHIP RISE<br>YOUR VOICE<br>SOLDIERS TAKE POSITION - BURTON DIES<br>FALL AND GRAB<br>ENDING
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This page contains cover versions arranged and produced by fans ("cover version" means a recording of a music that was previously recorded)

Submit your own version : antas@hans-zimmer.com


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NotaPix reply Replies: 0 || 2017-09-16 11:22:35
thanks Antas for uploading my covers.
a greeting to all of you and in particular who has allowed all this:
Hans Zimmer.
:)

Sandun reply Replies: 0 || 2017-08-29 09:11:47
Dear Hans, I would like to send one of my creations for you. I named it "Hans" I have not learnt music but....Thank you

veronica reply Replies: 0 || 2017-08-20 08:21:45
m ur biggest fan....always stay alive

Soundborne reply Replies: 0 || 2017-08-04 05:12:58
Hello Hans Zimmer fans! I very glad to share you with some of my works:
1. Mole: Escape - tribute to Dunkirk. I tried to recreate the stuff, tension atmosphere and some motifs from the first half of the film. Track has nervous strings play in shepard tone with dynamic tempo, that rises and rises with the ticking and heartbeat.

LINK: https://soundcloud.com/soundborne_n1/mole-escape-tribute-to- dunkirk
LINK: https://www.youtube.com/watch?v=oYiOn-06Unk

2. LIMBO - "TIME" Variation. LIMBO IS VERY CLOSE RECREATION OF INCEPTION'S MAIN THEME - TIME. I TRIED TO GET VERY IDENTICAL SOUND LIKE IN
ORIGINAL SCORE - RESONATING, PULSING, BREATHING and VIBING. IN CREATION I USED DARK ZEBRA presets (little-bit modified Forlorn and Ringmod Pulser patch, because Mr. Zimmer is using custom version of synth - Zebra HZ) for U-HE ZEBRA 2 SYNTH. "BREATHING" ORCHESTRA SOUND is CineOrch Low patch library. For piano parts I used great, for my opinion, Soundiron's Emotional Piano (Soft Piano patch). Drums part is modified Titan Drums from Drums of War library. Guitar part created with mixed combination of different vst guitars and own custom guitar-like preset for U-he Zebra 2. In mastering I used one EQ and Compressor. Happy listening!!!

LINK: https://soundcloud.com/soundborne_n1/limbo
LINK: https://www.youtube.com/watch?v=cIAcTRZYVIs

JPiercey reply Replies: 0 || 2017-07-17 07:05:39
Hey guys, i'm in a competition to meet Hans himself in the next couple of weeks. My entry is a cover of his piece "503" from angels and demons. Unfortunately i entered the contest super super late. some people have had their entries up for almost a month. However, after uploading 2 days ago i have had an overwhelming response. I AM IN 2nd place. I would love if you guys could listen to my cover and possibly help me win this competition.

here is the link indi.com/9439k

U guys hold the keys that could enable me to meet my musical hero!

Thank you for the support and id love to hear your feedback on my cover.


Josh

Praveen reply Replies: 2 || 2016-10-26 07:16:04
Should I submit the audio in mp3 format or wav format? Pls anyone help me out? What are the things should I send along with the audio?


Piyush VC2017-05-02 13:03:50
Mp3 Format. Just your name and the file will work.


Antas, Webmaster2017-06-22 15:23:25
mp3 format indeed

DT-1138 reply Replies: 0 || 2017-06-21 15:07:55
For those who want to make their own Hans Zimmer-style covers, but don't have money to spend out on expensive sound libraries, I'd highly recommend looking into Soundsonline's ComposerCloud subscription service. It has practically everything you could want, even including heavy percussion like that used in Zimmer's 90s scores and in Lorne Balfe's Terminator Genisys. And it's not expensive: you can go for a monthly plan that gets you 9000+ instrument patches for as little as $29.99. I'm on the ComposerCloudX scheme and that is even better because it has close mic recordings for some of the included sets.

Gemma Louise Doyle reply Replies: 0 || 2017-06-16 04:55:09
Dear Hans Zimmer friends,

Thank you for receiving this message.
I will give the World for you to kindly submit my message to Hans himself.
Thank you

I attended your Hans Zimmer Live concert tonight in London.
I saw you living my vision (life achievement and my purpose) and will be thrilled to feature on your music/ create music with you.

I am an exceptionally ambitious, driven & committed 25 years of age musician, having last year taken flights to Las Vegas and previously around the World (to meet and perform for audiences and people who show a keen interest in my career)

However, I know, in my heart, that I am here to give much more to a greater, wider range of groups. People who deserve to know and experience the same sense which you provide with your music. I also feel very connected to you by the way in which you communicate this message in your delivery and words on stage. I have never seen anything as superbly brilliant in my life. Nor imagined it. Well done and thank you.
In addition, I felt that your donation of proceeds from the show was a beautiful, a selfless personal token of generosity, which every one of the thousands of people at the concert (and I'm sure many more) deeply respected.
I too am sharing this message with the World, it is my dream to do so on a scale like you do. As you may see from my personal message videos: https://youtu.be/CSI60fv0pT0
(I also speak German, my strong favourite among six languages!)

I have a website where you can find out a little more about me, what people say and explore my social media.
However first, perhaps you may be most interested listen to which demos of my voice I have on SoundCloud: https://soundcloud.com/gemmalouisedoyle
MySpace website is www.gemma-doyle.com and you should also see my other links within the email signature.

It could change more lives, to have me sing your unbelievable incredible & outstanding music.
One of my favourite masterpieces of yours is of course the theme from my all time favourite movie Gladiator.

Your music touches and moves all people, in ways which are incomparable.

Should you happen to find me, and have any interest to hear or meet me, kindly get in touch.
I will be eternally invigorated and grateful to speak with/hear from you.

Thank you,
One of your forever true allies (whether known by yourself or not)
Gemma Louise Doyle
International Singer Entertainer
+44 7757 216112

Elit.Novum reply Replies: 0 || 2017-06-15 18:16:53
Hi, I'm waiting for new Zimmer's, masterpiece - Dunkirk, so I'm created in free time my versions of film score

https://soundcloud.com/user-646217196

«i&#287;dem UÁar reply Replies: 0 || 2017-06-12 10:15:04
Thank you for the great movie music.My daughter and I see your name at the end of almost every movie.You are so glad that you do music.

Lucas Lima reply Replies: 0 || 2017-06-06 06:09:00
Hello, I'm Brazilian and a super fan of the movie Miss You Already! It's been five months since I've been looking for the Scores in the movie. Do you know where I can find it? Could you send me? It seems that copyright blocked Brazil. Thank you.

Lucas Lima reply Replies: 0 || 2017-06-06 04:59:38
OlŠ por favor, onde encontro o Score Completo do Filme Miss You Already? Por favor, ajudem!

DarkKnight reply Replies: 0 || 2017-05-30 23:41:48
Pradeep Pande 'The Dark Knight Rockz'. . YAS! Fantastic!! *****

Debra reply Replies: 0 || 2017-05-27 09:57:41
Love Maestro in The Holiday! The music keeps bringing me back to the movie. Something delightful about it!

giovdan reply Replies: 1 || 2017-05-11 18:22:58
Hi All,
My version of Zimmer's "Pirates of the Caribbean" film's soundtrack; a suite with some famous film's themes, arranged for Organ (but some parts are improvisations).
Youtube link is:
https://www.youtube.com/watch?v=vHIV3XCY8SI

Is possible to upload .mp3 file directly? How I cant upload
it (is a big file)?...
Thanks to All, Zimmer's Fans!!!

GD

giovdnd@gmail.com
via Cee 291, 21027 Ispra (VA)
Italy


NotaPix2017-05-16 13:12:06
penso ke mp3 vada bene. nn so nulla riguardo al peso. l'unica &#232; tentare. l'indirizzo &#232; sopra i brani dei fans, nella riga 'Submit your own version'.
:)

mpolonest123 reply Replies: 0 || 2017-04-21 00:13:37
Didn't know where else to post this but here goes....

Just finished with the Hans Zimmer Masterclass and have to say that it is truly worth it for anyone who

a.) Want to start a career in film scoring
and/or
b.) Loves Hans Zimmer and wants to really see a candid look into his writing process and thought style going into any project.

This really is one of the most informative types of classes which give you an "outside-the-box" approach. Props to Junkie Xl for his Studio time series as well!!!

And what I really want to know; if Zimmer ever plans to release a collection of his "diaries" lol :D

Roz reply Replies: 0 || 2017-04-13 20:27:43
Dear Hanz , since I was 9yrs old I knew what my calling was !!
And surprisingly the film music I write is in the same mode ,vibe .. The feeling on which chord I do and which sound and how softy or hard you okay the song ... It all comes down to emotion !!!

You were my hero , well still is !

How can I send my work to you ?? I live in South Adrica ... It's . Everything is an effort to try and make contact !! While your dream is on a train and its busy getting away without you ... That's how I feel here in South Africa .. My hands are cut off and my calling and dream ... I can't just give up I can't !!! I was born to do this !!!! And By God I will try my best to succeed !!!

Thank you For sharing your talent to the world *

MissBuggle reply Replies: 0 || 2017-03-29 16:46:21
Hans Zimmer...Take me to your planet.





Kantor Ralph J. Cupper, Eid church, Nordfjordeid, reply Replies: 0 || 2017-03-04 01:40:43
Dear Hans.

Thank you so much for your inspiring links on YouTube about your Master Class. Despite the amount of disparaging and scathing comments from some people, I think your comments about setting composers free to create new life shattering music at the drop of a hat with computers, I phones is definitely the way forward. You have proved this yourself with your career and inspiring music. Yes, you have to break the rules and splosh new ideas manuscript paper through the computer so that you can say new things.

The rules are only necessary for the young student to get into professional music and start writing. Once you are there, you must set them aside so that you can create something new. After all that is what Bach and Mozart did like Stravinsky after them because there are new things to be said musically. But all ideas, be it a film school, a symphony or even a simple song, classical or pop, come about through a story. You must have a story, something to tell, to inspire the composer to make music.

There is just one thing which I personally have never found out of and that is how does one get into the film/music world? I was at the London film school earlier. They taught me many things but not how to get into the profession. Frequently one has asked what films or TV programmes have you written music for before? Without having anything concrete to refer too one is automatically bypassed. In other words you have to have a proven track record before you can get into the profession.

If you have any ideas about this Hans, I would be extremely grateful to hear from you.

Best of luck with your next film project.

Sincerely,

Ralph J. Cupper,
kantor@eid.kommune.no
www.ralphcupper.com
www.karincupper.com
Tlf: 00 47 90881265


Graeme Cruickshank reply Replies: 1 || 2017-01-04 11:17:00
Greetings,
I'm engaging information about the masterclass held soon on Fridays. I'm living in Australia and wandering if the classes are only live or if recorded since I'm having to use only my spare time in watching these classes. I'm hoping it's ina Format I'm able to save and watch at a later stage. Is this true? Thanks for your assistance and look forward to hearing from you.
Regards, Graeme Cruickshank


Jaz DŁx2017-01-04 20:24:08
Hey! The classes are not live and can be taken at your own pace. That's the beauty of it!

NotaPix reply Replies: 3 || 2016-09-26 19:11:16
x Cyberpunk88
yes, I will put on youtube.
However, this site belongs to Hans Zimmer.
I here are just a guest.
I do not know if I have the permission of the admin Antas to put the link.


Cyberpunk882016-10-13 18:31:30
Hi Notapix, thanks for uploading it to youtube! Is there any chance you could put a download link for the flac or mp3 version in the description? I really like your mix and would like to have the best quality of it possible :)


NotaPix2016-10-14 11:54:32

I have done :)


Cyberpunk882016-10-15 15:25:31
Thanks a lot!

NotaPix reply Replies: 2 || 2016-09-30 13:54:06
Can Akcan, you have very well done your 'Time' cover as it is my opinion.
I like it :)


Can Akcan2016-10-01 00:00:38
Hey NotaPix!
Thank you for your good comment :) I liked your covers too. Actually there is nothing new on my version but as a composer I learned a lot while doing this cover.
Kind regards,
Can Akcan


Adam Adams2016-10-04 09:59:50
That's what I did - I think of it as an exercise and great opportunity to look inside the track. And it has been a really good experience. I have learned a lot from it.

Great job, fellow composers!
Adam Adams

NotaPix reply Replies: 12 || 2016-08-26 08:04:02
many thanks for hosting my covers on this page. it is an honor for me.
a big hug to all of you and Hans Zimmer :)


Marco2016-09-04 11:31:43
Interstellar cover is really very nice. Well done!


NotaPix2016-09-07 14:34:44
grazie marco :)
sei tu che hai rifatto
''like a dog chasing cars'' e ''eptesicus''?

the covers are yours on
''like a dog chasing cars'' and ''eptesicus''?




Marco2016-09-10 19:46:45
Si, ho rifatto io i due brani. Ho ascoltato anche il tuo eccellente "Da Vinci Code - Chevaliers de Sangreal". Impressive...
Molto bello, che librerie hai usato?
Io ero a Praga per il concerto di Hans Zimmer.
Ciao.


NotaPix2016-09-11 14:48:21
le tue cover, e qualche altra fatta da altri utenti, mi sono piaciute per l'impressionante fedelt&#224; con le musiche originali di hans zimmer. non ho librerie come unico riferimento. cerco di usare, per esempio, vari tipi di piccole ''librerie-cello'' per rendere il timbro meno stereotipato possibile, a mio avviso.
per una questione di pochi soldi a mia disposizione, mi accontento di guardare i concerti di Hans Zimmer su you tube.
quello che mi piace di Hans Zimmer, &#232; che nelle colonne sonore riesce sempre a cogliere l'anima dei films. lui non si accontenta di seguire solo l'immagine o/e l'aspetto emotivo.
&#232; un grande.
ciao ;)


ENGLISH: your cover, and a few others made by other users, I liked the awesome fidelity with the original music by Hans Zimmer. I do not have great sound libraries as the only reference. I try to use, e.g, various types of little ''library-cello'' to make the tone less stereotyped as possible, in my opinion.

as a matter of very little money available to me, I'll settle for watching the concerts of Hans Zimmer on you tube.
what I like about Hans Zimmer, it is that the soundtracks always manages to capture the soul of the film.
he is not content to just follow the image or / and the emotional aspect.
He is a great.


Laura2016-09-20 16:25:55
Sorry, but how did you get the original score? It's so amazing your cover!!!!


NotaPix2016-09-21 15:19:30
(Excuse my bad English)
many thanks Laura.
I was highly motivated. very motivated.
'Detach' is the song that excited me especially compared to the other songs of 'Interstellar album' (beautiful them too).
I looked some tutorials in youtube... but there are not any.
so I wanted to copy the original song by Hans Zimmer listening carefully ... step by step. unfortunately I could not do better because I have not studied music, but I'm happy with the result.

a question please:
are you who made the covers 'The contender theme' and 'Now we are free'?
if so:
I really like your version 'Now we are free'.
if I understand correctly, I think the violin is real and not virtual. you play it you?
bye :)


Marco2016-09-24 11:03:18
I think the result is excellent especially if you haven't studied music. Can you please tell me about these cello libraries?
I like also small variations despite the cover being really matching the original, small variations with respect to the original (whether intended or result of the arrangment) give a touch of personal interpretation and originality. When it is the result of researching too much the original sound, it is not a good result (I believe I have this flaw in some parts my arrangment) but when it is not, then the result is good. Cannot explain better but in your "Da Vinci", I like that.


isildur2016-09-24 14:15:41
Both covers are awesome mate. Kudos!


NotaPix2016-09-24 18:59:53

Many thanks isildur. I hope to hear your own cover.

x marco:
hmmm. I'm a bit embarrassed.
google translator does not translate well from English, so do not understand the exact meaning of the text.
English words I know can be counted on the fingers of one hand. sorry.
about the libraries, I took as an example the 'cellos' section but also applies to other instruments.
I use different types of small libraries of the same instrument (without resorting to large libraries of last generation that are definitely good, but they are heavy for my pc).
the resulting sound as a whole is more 'full bodied' than using a single instrument (in our example: only one instument of cellos section).
but this should not, for me, make me lose sight of the overall sound of the song. This 'not lose sight of' it forces me to put some of my originality (perhaps appreciated or maybe not).
I hope I have correctly understood your question :)

it must be remembered, however, that is the musical composition that makes the difference. therefore, the compliments go to Hans Zimmer and staff ;)


Cyberpunk882016-09-25 22:03:26
Could you upload your Interstellar cover to Youtube? Or have a download link? I'd like to put it on my music player!


Laura2016-09-27 16:01:46
Hahaha no, I haven't done any cover at the moment. I'm searching the score from the vocal version (there's a version in youtube, I don't know if you know it) from "now we are free" and the orchestal score of "Chevaliers de Sangreal". I really love that theme!

And also sorry for my bad english, I'm spanish studying english :D


Marco2016-10-01 17:27:17
Hi Notapix,
You understood perfectly my question. Thanks

NotaPix reply Replies: 1 || 2016-09-30 14:41:03
Ciao Marco,
caspita (wow)!
You have remade a track complex with the addition of different musicals atmosphere. very nice.
whether there was a 'cover competition', for me you'd be one of those musicians who should participate.


Marco2016-10-01 17:24:15
Thanks for your comment. And thanks to Antas for hosting the cover.

Adam Adams reply Replies: 3 || 2016-09-30 09:57:07
Thank you for hosting my cover - you made my day! It's such an honour!

All the best for HZ and RCProd crew! ;)


NotaPix2016-09-30 13:41:49

You have very well done your 'Time' cover as it is my opinion.
I like it :)


NotaPix2016-09-30 13:45:16
sorry Adam.
'Time' cover &#232; di Can Akcan. ho sbagliato persona :P


NotaPix2016-09-30 13:51:08
sorry Adam.
'Time' cover is the Can Can. I got the wrong person (and language) :P

NotaPix reply Replies: 0 || 2016-09-28 14:35:29
Hola Laura ;)
yes, I listened to the vocal version of 'now we are free'... (different versions in youtube).
there is one that I really like, but no vocal, made by Tina Guo playing the cello. I believe that the originality of Tina has respected the soul that Hans Zimmer had evoked with this magnificent music.
:)

NotaPix reply Replies: 1 || 2016-08-04 08:12:38
Antas hello, I have sent to you two covers (interstellar and da vinci code) five days ago.
thank you and good continuation.

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Antas, Webmaster2016-08-25 20:03:07
I just have updated the site with the latest covers ;)

NotaPix reply Replies: 1 || 2016-07-20 17:07:02
for admin:

good morning
(Sorry for my bad English ... google translator)

I'd put my cover as a tribute on this page 'fan covers' of Hans Zimmer.
I have some questions:
1) it is necessary that I possess some requirements or some permission?
2) the audio file I done, what specifications should have (* .wav, Hz, ...)?
3) where do I upload the file?
4) I prefer to put a nick name instead of my own name. it's possible?

Thanks for your attention.

a warm greeting to Hans Zimmer and to all of you who work with him.


NotaPix2016-07-23 18:55:43
Please admin, there is any chance that I can receive answers to my questions?
or perhaps uploading is closed?
thank you :)

notapix reply Replies: 0 || 2016-07-23 18:54:52
Please admin, there is any chance that I can receive answers to my questions?
or perhaps uploading is closed?
thank you :)

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