Guys? Where do you make all this amazing stuff? Where do you get the instrument library from? Which program do you work with?
If anyone could help me get started to do some music. I would be in your dept forever. My biggest dream is to become a music composer, some people where I live, laugh at it but why can't I have dreams of my own.. I am only 17 and got many years left do become something, but if somone could answer what i should start with. Then I will practice and work with it every day.
|Well, Hans works with a program called Cubase. It isn't cheap but it's worth your money. I currently use FL Studio and I'm pretty fine with it. The producer's edition only costs about 200$ or sth., so you would be able to afford it. I'm also looking forward to buy some software from EastWest. They have the best orchestral samples you can find.|
|Logic pro is good to.|
|Can you program cubase for a Mac?|
|Yes. If you have a Mac, it's not really difficult to find good music programs.|
Just one more question. How do you start with a new song?
Do you first start with the whole melody and complete it or? And after that, what do you do? Do you start layer different instruments? Is precussion important to start with early?
If somone can just make a quick short step by step list I would be grateful :)
|Do whatever you want to do.|
|Hey there, look I'm currently in a composition class in college, you really work at it how you want. I would suggest if you want a free program: MuseScore, I think it's fantastic despite the MIDI sounds, and it's super simple to use. If you don't know how to do something you can just Google "MuseScore (question)", ex: "MuseScore, how to tie notes" and Google their manual will come up easily.|
I suggest learning some basic musical terminology (if you don't already know) because it will make your life a whole lot easier.
In class some suggestions to start if you are unsure of what to do is to:
A. Create a chord progression and build your melodies and harmonies off of that.
B. Create a melody line and use the notes in it to determine what chords you want to use to harmonize with it.
Personally, I hear melody and harmonies in my head, so I put that down, but I get stumped a lot, so I bring in the music theory and general musical knowledge into play and that helps.
Mind you, I've only made 1 composition and am working on my second, but these things help.
Be sure you understand what your tempo is and try to write out the rhythm first if you are having a heard time getting it from your head to the staff. Then figure out what key you are in, you can use an instrument to uncover what notes they are and where your sharps and flats lie. Is it major? Is it natural, harmonic, melodic, or synthetic minor?
If you don't have an instrument at your disposal, it's easy to figure it out on MuseScore anyway, but you can also always use the Virtual Piano, just google it. ;)
Understanding the basics of piano is a must for composers, it is basically Music Theory laid out as an instrument for you. It also helps to sing your melody lines and note where you have to stop to breath, you those areas to add rests. Instruments that don't require breath support still need to pause at point and "breath," this adds a feeling of emotion and helps instrumentalists to make your melody lines sing, despite their instrument.
Those are only a grain of tips for you, but I hope it helps regardless! Keep dreaming, and dream big! As long as you put your heart into it, you'll go places.
|For a new user who has not become welded to the hardware model interface, I recommend Tracktion. It is very inexpensive and now has Celemony integrated into it. EWQL orchestral samples are indeed wonderful. With their 450 MB 70-piece string section in my left hand and my Modular Moog in my right, I feel like the wrath of God. But don't overlook older samples. The Emulator X software has all the samples of the newer Proteus family. They may not sound so good naked but they sit well in mixes. The Planet Earth samples are still up there with RA as the most useful world music samples in my setup. Now if I could just play keyboards...|
How to go about it? Peter Gabriel puts in many tracks, then takes them away one by one. Sort of like the sculptor freeing a statue from a block of marble. Try creating a drum track and then giving it to different instruments. That should get the juices flowing.