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Oh my god. It's time to put an end to this. There is NO timeline as to when complete scores are leaked. They leak when the person in possession of them feels like leaking them. TF4 was November of 2014 because that's when the files were uploaded to Paramount's guilds/FYC site for academy members to listen to. Same with interstellar. It has absolutely nothing to do with time. I have some scores that haven't leaked yet. And I'm not going to. Why? Because I was asked not to. Not because I feel the time is right. K? Glad we cleared that up.Does anyone remember around when the TF2 and TF3 complete scores were leaked? I know TF4's was around November 2014, I figured that might give an idea of when TF5's will get out.hybrid created a very good suite from this movie, also because he left out the more uninteresting action stuff. the whole score is not original, but the themes are great because they transport emotions and excitement. the quiter parts are also very nice. im sure the actionmusic is very functional in the movie, but as a stand alone listening experience it is not very convincing. too much electronics which make too much noise. when the themes kick in, it sounds good, but a better mix of orchestra and electronics would have helped. sadly you won't find a second "Burn around the moon" or "Goodbye/Landing" from Armageddon in this score.Yep. He will be in Nightwing's next solo movie<br>I think we all agree, Lorne Balfe is getting better and better, he's working at the speed of light and handles many different genres. Plus, he seems to be a very cool person. I'm really happy he got there, and I believe he'll be getting some major movies in the next few years (Terminator Genysis, Geostorm & Ghost in the Shell don't count, they were predicted failures undergoing a damage control process).<br><br>But anyway, I think his best solo score is still Home.
Maybe there is a big surprise and Disc 2 is different from the actual release. If you look at the download files you see 01-01 to 01-24. I think Disc 2 must be named 02-01, 02-02...etc.Can I ask why there is no page made for The Nut Job 2 by Heitor Pereira?I'm not upset, nor am I disinterested in Balfe's work. Don't get me wrong. I welcome any and all discussion! But there's a difference between "discussion" and "blind fanboy gushing", and I've seen way more of the latter here this year than the former.Have to agree because if you havenít an interest in Lorneís work then just donít goto his films topics ! Either way I like the suite here good old school MVIf you have an issue with Balfe simply donít click on Geostorm etc! Just ignore it . God knows why Edmund gets so upset !!!! You donít have to read the posts
This is already a much more interesting conversation than all the blind praise that was being spilled earlier. Thanks guys! :DEverybody is free to love whatever music they want, but I agree that the Balfe praise is a bit over the top. I mean I saw a comment that said that all of Balfe's scores from 2017 were the best of their genre which I think is over the top. I mean nothing against Balfe, he's a very good composer, but I just don't think he deserves all that praise about him being the best.Anything, @LP. I myself have spent several hours of my life listening Balfe's work and, of course, commenting here.<br><br>It's okay to get on a page and say "this is the best score of all ages" or "this is the worst shit I've ever heard", as long as this behavior is restricted to a minority who has make the mistake of making this kind of comment because not listened to many jobs of the same composer or of other composers or who do not respect his efforts to carry out the work.<br><br>> Waymann - Ramin did good work on A Mountain Between us.  Completely atypical of his recent outputs, and showed more range.  It is rooted a bit in his work on Hans' rom-com scores (i.e. The Holiday) and sounds excellent overall.Just wondering, why would anyone have an issue with people who go into a Lorne Balfe soundtrack page to rave about the work of Lorne Balfe?
I'm not saying that I don't like his music, because I really do, but I think there are also a lot of composers this year that have created amazing scores and they don't get the same talk. Let's mention Ramin Djawadi for The Mountain Between Us, Benjamin Wallfisch for A Cure For Wellness and It, and even outside of RCP like Giacchino with his fantastic War for the Planet of the Apes, Beltrami with The Snowman or the recent Ragnarok by Mothersbaugh (well, this does not belong in this page, so I understand why there is no talk about him).<br>And I repeat that I like Balfe, but not everything he does is perfect, and for example this, I don't consider it too original, because it reminds me to a lot of older scores. And for example, from Balfe I think one of the best was Churchill, and that didn't get much talk or praise neither.I do not think anyone here is hurting because another composer besides of the HZ - JP - HGW triad is being well received by the audience. Well, I agree that this behavior in any session regardless of who the composer is, is very uncomfortable. But we have to understand that each an of the RCP guys has its glory days. Balfe is conquering his. The problem is the proportions of compliments. Many people liked PoTc 5 (best RCP score of the year in my opinion, of course), for example, many also hated, the justifications were many, but the discussion was balanced. If you enter on the forum of  any score of any composer you find diverse but balanced opinions, what is missing in the forums about Balfe scores is this balance. Nothing against the growth of his popularity or the reception of his scores, only the judgments that seem a little too exaggerated. It's even a little weird.Due to Edmund getting upset !!!! Iím scared to ask about if anyone knows about The Florida Project ????How pathietic that it bothers some ,that some of us are excited about another composers music. Get a life people. Balfe has become a great composer this year so give him a break . If you donít like it , you can find another forumI agree, I'm shocked no one is talking about how great Ramin Djawadi's score is for The Mountain Between Us. Much better than this new Lorne Balfe score, I'm mean really, this Geostorm score is just a constant reminder to other scores from RCP from the past. Nothing original here. Only the track May Day is memorable.

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Harry Gregson-WilliamsHalli CautheryAnthony LledoJustin Burnett
ComposerAdditional MusicAdditional MusicAdditional Music
Label: La-La Land Records
Length: 42'20 rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6559 votes)


  1. Stanton, PA (3:33)
  2. Frank Barnes (2:11)
  3. Will's Story (1:56)
  4. Ned (2:08)
  5. Dewey (2:25)
  6. Not A Coaster (2:18)
  7. "Are You In Or Are You Out?" (6:13)
  8. Realign The Switch (3:10)
  9. Galvin's Strategy (2:25)
  10. Playing Chicken With Trains (1:35)
  11. Will Guides 1206 (4:04)
  12. The Stanton Curve (6:02)
  13. "Who Do I Kiss First?" (4:20)
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Snake reply Replies: 5 || 2011-07-18 06:01:09
There are two missing musicians there. Heitor Pereira and Tony Morales. I have the soundtrack so if you ask me an image of it I'll gladly send you that guys.

Anonymous2011-07-18 06:07:04
you have unreleased music?

Snake2011-07-19 01:44:23
Unrealesed music?WTF?

Snake2011-07-26 07:36:41
I bought the Original Soundtrack and there are missing credits such as Heitor Pereira and Tony Morales on Guitars and Hugh Marsh on violin and Ryeland Allison isn't the music programmer, that is Anthony Lledo. Richard Whitfield, Jamie Luker and Del Spiva are also included in the Soundtrack.

Snake2011-07-26 07:39:47
I bought the Original Soundtrack and there are missing credits such as Heitor Pereira and Tony Morales on Guitars and Hugh Marsh on violin and Ryeland Allison isn't the music programmer, that is Anthony Lledo. Richard Whitfield, Jamie Luker and Del Spiva are also included in the Soundtrack.

Snake2011-07-26 07:52:29
I forgot some other credits: Halli Cauthery and Hybrid as additional music programmers, Booker White as copyist and Tim Lauber as recordist

Anonymous reply Replies: 0 || 2011-02-11 00:00:00
I felt the same when I heard it, but i don't think that he wanted to steal the tune. What really feds me up is the fact that some cues sound almost exacly like Pelham 123 :S

Prott reply Replies: 0 || 2011-02-11 00:00:00
Rango: I don`t think it`s Harry`s fault (I can`t imagine he did it because he wanted to).
... Probably someone really liked the temp track.

Rango reply Replies: 0 || 2011-02-11 00:00:00
this is a soundtrack where i have to say, and I am a HGW-fan, shame on you harry!!!
Such a bad score, just some ugly cracking beats and that's it. And then having the idea of doing such an immense copy of WHY SO SERIOUS is absolutely... oh man. I can't believe that he earned with that score so much money.

I'm wondering if Hans has heard some cues of it, especially the brutally rip-off of his track for the Joker. Everything is there, the guitar theme, the one note that gets higher, the rusty violins and cellos...

Absolutely wow, and really shame on you Harry for this :/

It has a beautiful melody in there but too short and then always put together with that immense rip-off.

Anonymous reply Replies: 0 || 2010-12-30 00:00:00
The Stanton Curve = Why So Serious?

Falconet from Italy reply Replies: 0 || 2010-12-01 00:00:00
Here's some addittional credits :

Ryeland Allison: music programmer
Justin Caine Burnett: composer: additional music
Hybrid composer: additional music
Martin Tillman: soloist: electric cello

cameron reply Replies: 0 || 2010-11-25 00:00:00
Frank Barnes is great sound track was copies from Indian Bollywood music...but great work

Adrian reply Replies: 0 || 2010-11-19 00:00:00

Ah thanks! That strange American style... I don't get why they do it here, since they are French!
Maybe BECAUSE they're French...........

Cloud reply Replies: 0 || 2010-11-19 00:00:00
Yes, it's a little confusing, as it's usually year / month / day. Here it's month / day / year. Oh, well... btw. my (autographed) copy got shipped out today, yay! ;)

asd reply Replies: 0 || 2010-11-18 00:00:00
@Adrian: hahaha no buddy. not july ^^. it's the 7th december ;P

Mcbain reply Replies: 0 || 2010-11-18 00:00:00
Those are the best soundclips from a Tony Scott movie I've heard in a long time! Hopefully the rest of the score is just as good! Go Harry!

Adrian reply Replies: 0 || 2010-11-18 00:00:00
Thanks for the tip!

It sounds like a fusion of Bourne and Wolverine... especially Frank Barnes!

But it sounds very good, I'll most likely buy this one :-) Hopefully will offer the autographed copies too! Why did they announce it now, but release it in July? That's so long away... Are they waiting to see if the film is a succes? Or are they afraid of a Season of the Witch-repeat?

HGW4 reply Replies: 0 || 2010-11-17 00:00:00
La La Lands Records website has some sound clips up....they were also selling autographed copies...

tomPoland reply Replies: 0 || 2010-11-17 00:00:00
Sounds like Deja Vu 2 (at least in the movie)

Bondo reply Replies: 0 || 2010-11-17 00:00:00
Great score, just saw the film! Lots of samples from DEJA VU are used

Todd reply Replies: 0 || 2010-11-16 00:00:00
Where can we hear sound slips?

HGW4 reply Replies: 0 || 2010-11-12 00:00:00
So excited....

David reply Replies: 0 || 2010-11-10 00:00:00
I Love Harry Gregson WIlliams.
The Best Composer ever!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Harry reply Replies: 0 || 2010-11-10 00:00:00
100 Copies with the sign!!!!!

RuthlessGravity reply Replies: 0 || 2010-11-10 00:00:00
Wow, a month away from release of the actual movie? That sucks, but I guess it shouldn't be that much of a problem considering we are going to get it eventually.

Wayne reply Replies: 0 || 2010-11-10 00:00:00
One of the best Gregson!!!
I can't stop listening the track number 3(beautiful) and the top action track number 6,10,11.
''Who Do i Kiss First?'' i'ts amazing!!Wow!!
Great work Harry!!

Dakota reply Replies: 0 || 2010-11-09 00:00:00
Damn, why such a late release date? I hope it's good

Lasse reply Replies: 0 || 2010-11-09 00:00:00
i really look forward to this one :)
Harry Gregson Williams music in tony scott style :)
hell yeah :D

Anonymous reply Replies: 0 || 2010-11-09 00:00:00
from what reviews are saying it's totally forgettable. Typical Harry and Tony borefest

Bondo reply Replies: 0 || 2010-11-09 00:00:00
Considering I've enjoyed their past few collaborations (namely Deja Vu), I remain optimistic!

Jaros428 reply Replies: 0 || 2010-11-09 00:00:00
here's the tracklisting....

1. Stanton, PA
2. Frank Barnes
3. Will's Story
4. Ned
5. Dewey
6. Not A Coaster
7. Are You In Or Are You Out?
8. Realign The Switch
9. Galvin's Strategy
10. Playing Chicken With Trains
11. Will Guides 1206
12. The Stanton Curve
13. Who Do I Kiss First?

Jaros428 reply Replies: 0 || 2010-11-09 00:00:00
also, here's what a reviewer on Cine Talk said about the score....

"Harry Gregson-Williams score is very good, although it does sound very similar to THE DARK KNIGHT score, in some ways itís better, because it really fits the feel of the picture. When these two, Gregson-Williams and Scott, get together, its always great. I did notice that there were some cues from AVP2 score too".

Jon reply Replies: 0 || 2010-10-27 00:00:00
Awesome. And it comes from La-La-Land, which is an excellent label.

HGW4 reply Replies: 0 || 2010-10-27 00:00:00
I can't wait!!!!!© 2001-2017 OST 
Unstoppable soundtrack - Harry Gregson-Williams 2010