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Re-listening the score again...….Have to say, Lisbeth Scott's beautiful vocals are definitely one of the highlights. She's amazing. On par with Lisa Gerrard.<br><br>Speaking of, what the hell happened to MV/RC guys incorporating female vocalists in their scores? I've always loved that approach. But it seems that it kinda went away......replaced by more and more sound design! So except for this score (and Steve's Your Highness) is there a recent big MV/RC score that actually features female vocals? Maybe I'm missing some...…..I was wondering that is there a Hans Zimmer library you need to license from Remote Control.<br><br>I kinda saw a composer's Cubase setup and he labeled one of his folders, HZ STR, HZ BRS, and HZ Choir.<br><br>Does Zimmer have a brass and choir sample library you need to have a license for?Easy now Mr. Anonymous, no need to be so superior. <br>I looked up that tracklist, and couldn't find 'Tai Lung Escapes' specifficaly listed, hence asking. Closest there is 'Shogun Mongol Prison', but it's too short to be the whole scene.   <br><br>But I'll try to get a hold of that complete version somehow, looks super interesting."It's the first action score by Balfe i didn't hate this year, thank god!"<br><br>This is an actual comment from the FRIGGING Hans Zimmer fan site. Balfe is so winning over everyone with his talent isn't he! <br><br>Of course, he has no fans - Krascynzki - are you posting here? Have you been told by a Balfe to make great comments about his weekend wankjob?<br><br>Seriously - Balfe is a total joke and we need to treat him as such - he laughs at anyone trying to 'listen' to him. He is on record saying no one listens to soundtracks which is why his work is so bad - you fanboys are thick to him. He is a professional driller - he fills a space and that is that.<br><br>Go listen to the latest Reality TV shit - you get the same talent and much more exciting music<br><br>Well, I don't know why a track called The Syndicate might refer to the villains of the piece - the Syndicate. If you think this is a good villain theme you may want to look around for others including Kramer's Solomon Lane which is here referenced in Barfe passing out on a synth and pressing the opening notes of Kramer's complex theme
Its just three short bursts of sound, really.Oh, yeah, I forgot to mention there's also a short track that plays when K walks through Las Vegas past the statues and beehives, but is not listed on the cuesheetIt should be noted that I think a few tracks like 'new model' are put together with the track that came before it on the CD.<br><br>Ossuary<br>Return to Sappers<br>Must Protect the Child<br>Bomb<br>Like a Real Girl<br>Luv in Apartment<br>Mesa Hijack<br><br>I think are the only real missing tracks, and some of them are pretty short anyway.You guys are dumb. the composers are listed on the complete version. break down Tai Lung Escapes by finding those curable off the complete version and see who wrote those cues. presto.I keep listening to "The Syndicat", which is what I assume to be the theme for The Syndicate. Honestly one of the better villain themes i've heard in a while
Flight has a new Andrew Kawczynski credit...We're getting there!Yeah, you're probably right. <br><br>I guess I thought of it as a Powell cue mostly because between the two main composers, it matched more with his style than Hans', but yeah it's probably Jackman's stuff. <br><br>Either way, I love that track.Yeah<br><br>BTW, John Paesano is credited as additional musicI'm pretty sure that the majority of it is Henry Jackman (maybe with a bit of Hans). I don't get much of a Powell vibe off that particular cue at all.This film and score are ten years old! The first seven minutes of Hans’ New Batman Theme (A Dark Knight) are still one of my favorite individual Zimmer themes. <br><br>And the movie itself is still one of my favorites, comic book or not.
I'm curious, who do you think mostly wrote 'Tai Lung Escapes'? <br><br>I've always loved that track, and always felt that it was mostly a John Powell cue, although that very dark first part could easily be Hans' work. I could also see it being a Henry Jackman cue though... I don't know. :pStairs and Rooftops....WOOOW Easily one of the best film tracks of 2018. Simply Amazing!!!It's the first action score by Balfe i didn't hate this year, thank god!<br><br>It's not the best thing in years, but is a fun action score (Free Fall and Escape Through Paris, are good action tracks), plus, altough is 96 minutes, never get boredAnd the link for the CD<br><br>https:/ /www. amazon.com/gp/product/B07F3QP2HX/ref=as_li_qf_asin_il_tl?ie= UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creativeASI N=B07F3QP2HX&linkId=8fcd06899e5999dd491abf60fe6dcf6dTracklist for The Darkest Minds (Milan Records)<br><br>1. The Darkest Minds<br>  2. Ruby's Theme<br>  3. Lady Jane<br>  4. Escape<br>  5. Cate<br>  6. Runaway<br>  7. Picnic<br>  8. Zu's Dream<br>  9. E.D.O.<br>  10. Home<br>  11. The Slip Kid<br>  12. Mind Control<br>  13. Memories<br>  14. Red<br>  15. Liam<br>  16. The Children's League
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Hans ZimmerJim DooleyLorne BalfeHenry Jackman
ComposerAdditional MusicAdditional MusicAdditional Music
The Simpsons Movie (Complete Score)
Label: Unofficial Release
Length: 76'10
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5370 votes)
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  1. 1m02v3 (0:32)
  2. 1m03-04v4 (0:24)
  3. 1m05v2 (0:20)
  4. 1m06v11 (0:30)
  5. 1m07s - Green Day Theme (1:24)
  6. 1m03s v2 (0:15)
  7. 1m09s - American Idiot Funeral Version (0:46)
  8. 1m10sv04 c13 (0:20)
  9. 1m11-12v17 (1:11)
  10. 1m13v8.10 (0:38)
  11. 2m14-15v2 (0:54)
  12. 2m16v5.1 ALT (0:31)
  13. 2m18v5.1 (0:50)
  14. 2m19v8FIX (1:11)
  15. 2m20-23v5 (0:47)
  16. 2m21s - Turtles Happy Together (2:57)
  17. 3m24v4.6 (1:21)
  18. 3m26v3 (0:32)
  19. 3m28v3 (0:15)
  20. 3m29v5 (0:24)
  21. 3m30s Town Hall Guitar (0:17)
  22. 3m32 w Whistling (0:19)
  23. 3m33v1 (0:09)
  24. 4m34v1 (0:27)
  25. 4m35v10.0 (1:28)
  26. 4m36v13 (0:27)
  27. 4m37v20 (1:26)
  28. 4m38v3 (0:18)
  29. 4m39v16 (0:48)
  30. 5m40x v3.1 (0:07)
  31. 5m42v3 (0:31)
  32. 5m44v1 (0:08)
  33. 5m46v5 (4:30)
  34. 5m49-50v15 (0:59)
  35. 6m51v2 (0:24)
  36. 6m52v5 (1:29)
  37. 6m53v2 (0:22)
  38. 6m54s Carousel Ride (1:16)
  39. 6m55-56v5 (0:54)
  40. 6m57-58v10 (1:08)
  41. 6m59-60v6 (1:06)
  42. 7m61v6.2 (1:03)
  43. 7m62-63v13 (1:40)
  44. 7m64s Grand Canyon AD (1:44)
  45. 7m66v3.1 (0:51)
  46. 7m67as v4 (0:24)
  47. 7m67bs v1 (0:06)
  48. 7m68v1.2 (0:42)
  49. 7m69s - Carpenter Close To You (3:42)
  50. 7m70v1.2 (0:31)
  51. 8m72-73v6 (2:22)
  52. Spiderpig v1.7 (1:06)
  53. 8m74v3.1 (0:36)
  54. 8m75-76v3 (0:35)
  55. 8m78v1.6 (0:25)
  56. 8m79s Sax (0:16)
  57. 8m80v5 (0:56)
  58. 8m81v3.1 (0:07)
  59. 8m82v1.2 (0:15)
  60. 8m83v2 (0:34)
  61. 9m84-86v1.10 (0:36)
  62. 9m85s Harmonica v3 Dry (0:07)
  63. Untitled Track 18 (0:51)
  64. 9m87-89v6 (1:39)
  65. 9m90v91v.1.8 (0:48)
  66. 9m92v1.14 (2:28)
  67. 10m93v7 (0:41)
  68. 10m93v8 (0:43)
  69. 10m94v3 (1:51)
  70. Homer v3 (5:08)
  71. Giddyup v1.1 (3:08)
  72. Theme v2.0 (4:57)
  73. Springfield Anthem (Cast) (0:40)
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vced reply Replies: 9 || 2015-04-19 20:49:37
Great score. But its a pity the credited composer wrote almost none of it.

I know it's a tired debate, but I don't know how people here are so comfortable with the fact he takes full compositional credit for scores like this, Madagascars etc.

Scores like this you can't even earnestly say he wrote the themes like with Pirates. At least there the core of the material is coming from him. Here, the giddy up theme is Lorne, the villain theme and Homer suite are Jackman, the Lisa theme is Alti, etc. etc. Even the main theme arrangement isn't his.

I know due to his limitations, he needs others to arrange the complex, intricate Powell-esque stuff for him, that's not the problem. Those aren't his strengths, it's not a big deal. Hans is good at what he's good at, simple melodies and interesting sound-scapes. He's also good at organising his talent. The problem is all the material is labelled as *his*. It's gotten better recently, and I know in most scores he doesn't write as little as this one, but it still bugs me.


Hybrid Soldier2015-04-19 20:53:59
Well if you take the cue sheet every composer is credited for every cue on this score...

The name on the film credit is a contract.


I know composers who don't write their scores, and the co-composers don't get 1 cent of royalies...


Zimson2015-04-19 22:59:11
Exactly, ghostwriting is very common in the industry. At least his collaborators get credited here.

"Hans is good at what he's good at, simple melodies and interesting sound-scapes."

You're making it seem as if he was some sort of second rate composer, probably unintentionally, but let's not forget that he wrote Gladiator, Lion King and Prince of Egypt almost all on his own and those are considered film score classics. The first one even made it's way into many contemporary classical selections.

It's true that he took a step back in the 2000s focusing more on his role as a producer and this one is probably the prime example. However, his theme suites, especially for potc, are already a very good representation of the score's memorable parts and I'm sure the result wouldn't be very different if he did everything by himself.

And what exactly do mean by "his limitations"? You seem pretty new to Zimmer's music. He can do Powell as well if necessary as shown in Kung Fu Panda 2.


Hybrid Soldier2015-04-19 23:13:32
Don't think Hans can't do anything and needs people to do so... I think it was valid 25 years ago when Shirley Walker was orchestrating & arranging his scores...

But now, not really, he can do anything... He doesn't use add. composer because he HAS to, but because he wants to. Most of the times he starts the cues, gives direction and leads his guys where he wants them to go, and always has the final say...

I'll take an example, Rush... If you check the cuesheet, it's quite a mess, you basically have 0 cue with Hans alone... And yet he wrote most the themes to picture this time, with Ron Howard & Peter Morgan in the room. No theme suites... Then the guys just arranged slightly & added stuff... But a lot of the cues are him in the first place...


Edmund Meinerts2015-04-19 23:14:36
Except that was Powell himself doing Powell in KFP 2 (well, Powell and Palfe). ;)


NM2015-04-20 00:11:30
Palfe? haha... btw Edmund, do you still think "More Cannons" is Powell. I'm pretty sure I hear bits of it in Lorne's (excellent, btw) "Home" score!


Edmund Meinerts2015-04-20 00:35:44
"More Cannons" is Bowell/Palfe. What the weighting is, I don't know, though I'd be inclined to think something like 70-30. Bits of Home sounding like it isn't all that convincing an argument, since a composer doesn't need only to rip off his own repertoire ;) I'm more convinced by the Megamind similarity towards the end of that track.


isildur2015-04-20 22:59:38
"I know due to his limitations, he needs others to arrange the complex, intricate Powell-esque stuff for him"

LOL. How funny is this statement. Just can't stop laughing. Ignorance is bliss.


Leo2015-04-21 02:29:38
>I know composers who don't write their scores, and the co-composers don't get 1 cent of royalies...

Now you got me curious...


JamesT2015-04-21 04:43:13
@vced:
"The problem is all the material is labelled as *his*. It's gotten better recently, and I know in most scores he doesn't write as little as this one, but it still bugs me."

Interesting you impress upon this point with this score. Conversely, like Hybrid cites, a contract is a contract. Let us not pretend that Hans kicks and shoves his collaborators -- writers, arrangers, etc -- into a closet never to be mentioned or heard from again. Essentially everything he does is a collaboration, and credited so appropriately, minus an example or so by my observations.

I don't criticize Harry or Powell every time the liner notes from a score don't specifically praise Hans.

Who knows @ the dynamics, influence, inspiration, success of a given cue? Those that work on it. From the idea, to the last note.




rEne. reply Replies: 0 || 2012-09-13 23:12:42
The Simpsons Movie - Complete Score Tracklist ;-
CD 1

01. Moon Landing (0:32)
02. Itchy the Hero (0:24)
03. An Accidental Launch (0:20)
04. Simpsons Theme (0:30)
05. Simpsons Green Day Theme (1:24)
06. Source Cue (0:15)
07. American Idiot Funeral Version (0:46)
08. Church Organ Source (0:20)
09. Church Prophecy (1:11)
10. Homers Chores (0:38)
11. Lisa Goes Door to Door (0:54)
12. Lisa and Colin (0:31)
13. Bart Skates (0:50)
14. Bart Humiliated (1:11)
15. A Twisted Tail (0:47)
16. Turtles Happy Together (2:57)
17. Thats What Snug Is (1:21)
18. Marge Cleans (0:32)
19. Fishing with Flanders (0:15)
20. The Lake (0:24)
21. Town Hall Guitar (0:17)
22. Town Cleanup (0:19)
23. Simpson Home (0:09)
24. Pig Crap (0:27)
25. Homer Takes A Dump (1:28)
26. EPA Arrive (0:27)
27. Operation Dome Drop (1:26)
28. Town Gathers (0:18)
29. Trapped Like Carrots (0:48)
30. Trappuccino Source (0:07)
31. Maggie Outside (0:31)
32. Sandbox (0:08)
33. Lynch Mob (4:30)
34. Outside the Dome (0:59)

CD 2

01. EPA Helicopter (0:24)
02. Homers Solution (1:29)
03. Believe In America (0:22)
04. Carousel Ride (1:16)
05. Homer Speeds Up (0:54)
06. Gas Station (1:08)
07. Alaska (1:06)
08. Homer and Marge (1:03)
09. Town Panics (1:40)
10. Grand Canyon AD (1:44)
11. One Choice (0:51)
12. Grand Theft Walrus Source (0:24)
13. Game Over Source (0:06)
14. Marge and the Kids Leave (0:42)
15. Carpenter Close to You (3:42)
16. Homer Out Cold (0:31)
17. Homers Epiphany (2:22)
18. Spiderpig (1:06)
19. Giddyup (0:36)
20. Must Keep Going-Boob Lady (0:35)
21. Homer Sees Dome (0:25)
22. Lisa Saxophone Source (0:16)
23. Wrecking Ball (0:56)
24. Town in Ruins (0:07)
25. Emperor Moe (0:15)
26. Operation Soaring Eagle (0:34)
27. Homer Climbs the Dome (0:36)
28. Harmonica Source (0:07)
29. Supply Shed-Tricked By An Idiot (0:51)
30. Bart Goes to Church (1:39)
31. Epiphany Tree (0:48)
32. Nice Knowing You Homer (2:28)
33. Cargill Ver. 1 (0:41)
34. Cargill Ver. 2 (0:43)
35. A Happy Ending (1:51)
36. Homer Suite (5:08)
37. Giddyup Suite (3:08)
38. Theme Suite (4:57)
39. Springfield Anthem (Cast) (0:40)

Dakota reply Replies: 0 || 2011-02-20 00:00:00
Ya ok, 1m11-12 Chruch Prophecy definitely belongs with Angels & Demons. I've heard it in the trailer. And you can hear the themes in there.

Dakota reply Replies: 0 || 2010-10-25 00:00:00
@Prott,

Very interesting, didn't even notice that one. It sounds like it belongs in Angels & Demons

Prott reply Replies: 0 || 2010-10-24 00:00:00
1m11-12v17
Source cue for Angels & Demons? :-)

Skyler reply Replies: 0 || 2010-08-28 00:00:00
I didn't realize until listening to this complete version just how much music there is on the commercial release that *wasn't* in the film.

Mikel Siw (a fan from Spain) reply Replies: 0 || 2010-08-28 00:00:00
Im sure this edition is very cool!! I love the music of the official release. Nice!!

Hybrid Soldier reply Replies: 0 || 2010-08-28 00:00:00
What, spending hours to create pages for this site ? Yeah that'd be me !!! :D

Anonymous reply Replies: 0 || 2010-08-28 00:00:00
is this your doing, hybrid soldier?

Hybrid Soldier reply Replies: 0 || 2010-08-27 00:00:00
And here we are (again) !

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