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Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there Mikeal
Typical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.
Great work, Macejko. Do you have a lossless link for this?Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.Heh, if it's anything like the 1994 score, then you'll be waiting a LOOOOOOOOOOOOOONG time.OST is a very horrible realise. Thanks La La Land for sharing Complete score! Score in La La Land is great!i like Rafiki theme. When Rafiki gets his old stick.
We need the complete and expanded score available to us! This includes the score playing during mufasa's entrance to rescue zazu <br><br>Anyone else with me?? Hans is a legendary genius! <3Irrelevant, there are quite a few RCP composers represented by them, for instance Geoff Zanelli, John Powell, Henry Jackman and Heitor Pereira.The movie is awesome, the score is great. Excellent work from Max and Stteffen@Hybrid, Junkie is with Kraft-Engel Agency. Is this a good or bad thing in terms of working with RCP?Soooo... Balfe is scoring the new HBO Series 'His Dark Materials'.<br><br>I'm glad that Lorne gets so much work, but I really wanted somebody else for this series.<br><br>Lorne is doing so much, that I'm afraid some things will turn out generic. Hope this doesn't happen. But we'll see (hear).<br><br>No very excited at the moment, but maybe this will change when I hear it.
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additional music
Graham Preskett
Additional Music
Tomorrow Never Dies
Label: AM Records
Length:
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3909 votes)
  1. Tomorrow Never Dies - Sheryl Crow
  2. White Knight
  3. The Sinking Of The Devonshire
  4. Company Car
  5. Station Break
  6. Paris And Bond
  7. The Last Goodbye
  8. Hamburg Break In
  9. Hamburg Break Out
  10. Doctor Kaufman
  11. *-3-Send
  12. Underwater Discovery
  13. Surrender - K.D. Lang
  14. James Bond Theme - Moby
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Anthony reply Replies: 0 || 2007-12-29 00:00:00
I emailed Graham ages ago now (forgot I first saw this here). Turns out he did arrangements of the "party" music in the film. That's all. Nothing on this disc is actually by Preskett.

Anthony reply Replies: 0 || 2007-01-24 00:00:00
Any idea which cues he did?

matteo from italy reply Replies: 0 || 2006-04-05 00:00:00
WHAT ABOUT THIS SCORE WITH REMOTE CONTROL ?? :S

Antas, Webmaster reply Replies: 0 || 2006-04-05 00:00:00
Nothing in fact.
Graham Preskett (who worked at MV) did additional music for this soundtrack -- That's why this score is listed here (on his discography).

matteo from italy reply Replies: 0 || 2006-04-05 00:00:00
ah ok thank you Antas!!
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