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New YouTube playlist: <br>Hans Zimmer - Film Scores. <br> vla_glc<br><br>I don't understand how they chose that cover:<br>Time (arr. guitar) [Music Lab Collective]<br><br><br>Strength and honor!<br><br>One of this score's best and most underrated moments, especially in the context of the film, is the introduction of the Kraken's theme in "Row to Tia Dalma". The tense buildup while Gibbs describes the creature's horrors, then the brief pause as he names it, followed by the theme in the absolute lowest registers of the orchestra, quiet, but so so so menacing and also just SUPER FUCKING COOL.<br><br>It gives me goosebumps every time, in a *dialogue scene*. That is incredibly good musical storytelling.Edmund: And posted their one-sentence review of it on the Hans Zimmer fan site.Anything missed from the official release?oh damn really? huh that would be cool. even with the ultimate edition there’s still deleted scenes and I wish they were put on the Blu ray.<br><br>it plays during the scene after the knightmare when Clark is looking through the polaroids that say judge jury executioner on them. i don’t remember if that’s an extended scene or not as I’ve only seen the theatrical cut once in theaters. one and done lol
"Chicken Run really makes you FEEL like you're in a concentration camp." - IGNI guess it comes from a deleted scene where Jesse Eisenberg gets playful with his dinner. Rumor has it it's gonna be included in the Snyder Cut.I love the notion of Barack Obama and IGN teaming up to review 20 year old film scores.Smoothly done soundtrack. IGN - 10/10what the hell is Quaker steak and lube????
I disagree on Catwoman. I love Zimmer's theme and I thought it is one of his most underrated themes.Loved the new tracks!<br><br>Hans & Chris really did something special.<br><br>I enjoyed the Tenet score, but honestly Ludwig's work doesn't compare to Zimmer's. I just hope they work together again instead of Chris choosing Ludwig as his main collaborator from now on.Agreed.<br><br>I don’t know, TDKR feels a little oppressive to me in comparison with BB and TDK , probably as a result of Nolan’s musical tastes veering away from symphonic to more abstract. Reading the new book on Nolan gives me the impression that he has a very similar approach to his music as he does his filmmaking. With that said though, TDKR is still a solid conclusion to the franchise. Bane’s theme is excellent and the culmination of the various “Bat-Themes” do feel well earned. Catwoman’s theme is solid, but for some reason is dropped from most of the movie in favor of the repeating two-note phrase.<br><br>@Moggyman<br>Honestly I feel as if JNH’s work on the first two Hunger Games sequels showed a strong improvement in writing and theme building. The last score was a bit too much of a pastiche, but orchestrally a stronger fit than the first one. And “Crimes of Grindelwald” is easily one of the best sequel scores in the past few years (alongside Star Wars and HTTYD). Unfortunately we still don’t have a good album situation for that though. -_-Counterpoint: I liked Crimes of Grindelwald more than the first Fantastic Beasts. And forget Hanging Tree - "Air Raid Drill" from the first and "Sewer Attack" from the second Mockingjay are the best cues from that series. Plus, JNH honestly hasn't worked on that many sequels so we don't really have enough to go on here. <br><br>I think having JNH on board for Catwoman would have done wonders for this score. Hans' theme is okay, but feels like a bit of an afterthought compared to Bane.TDK & TDKR have amazing theme suites.<br><br>But as for the scores in film, they don't even get close to Batman Begins !
I like Tom but idk he's gone downhill in my book. Alita was boring, i was over the moon excited for Terminator cause that was a perfect mix and it was disappointed big time. I'd love to hear Steve Jablonsky tackle that and get back to being as great as he used to, he has been phoning it in big time latelyOk, before I eat my words, JNH did create the Hanging Tree in Mockingjay p1 which was good, but nothing else other than that in the sequels.For being the so called "weakest", it's very good. And if you think that Bane's theme is repetitive, I would say the same about the Joker's theme in TDK (to me they are both good though). <br><br>Now in all fairness, JNH could have probably added good material to the score since he's a genius, but I personally think he doesn't do well on sequels. Sure, in TDK he gave harvey dent a theme that resonated with his character (but was similar to material already used in BB). Yet, if you look at his work in the hunger games, its seems to me that he couldn't bring something both new and compelling to the sequels as he did in the first movie. I will agree with you that Batman Begins has the best music of the series though.After re-listening to this one, it's clearly the weakest of the trilogy. Of course it's not bad, the new themes are pretty good (though I think Bane's theme is a bit too repetitive and dry at times), there's still emotional moments, but JNH's absence really left a hole in this score.<br><br>I get to an extent that's the point, that all of Bruce's potential for a happy life is gone, but even the emotional tracks to me have nowhere near the emotional resonance that JNH's themes brought to the films. <br><br>"Come With Me" is the best example, where the slow emotional Selina Kyle chords just don't leave much of an impact. Definitely could have used JNH's "Courthouse Pt. 1" or the main theme from "Bruce Left For Dead" to emphasize Bruce's giving up of a quiet life. <br><br>Of course I still appreciate the way the 2 note motif is developed into a theme of its own, as well as the score as a whole, but then you get tracks like "Many Forms of Immortality" which just emphasize how much more effective the thematic work in Batman Begins was.It could also be Tom, who worked on Run All Night, and is already an established DC composer<br>Either way I'll be happy

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Additional MusicAdditional MusicAdditional Music
Ramin DjawadiGeoff ZanelliBobby TahouriNoah Sorota
ComposerAdditional MusicAdditional MusicAdditional Music
Clash Of The Titans
Label: WaterTower Music
Length: 75'18 rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (18576 votes)
  1. The Storm That Brought Me To You (4:50)
    Tina Dico, Neil Davidge, Ramin Djawadi
  2. There Is A God In You (1:38)
    Ramin Djawadi
  3. Perseus (6:33)
    Ramin Djawadi
  4. You Can't Hide From Hades (3:30)
    Ramin Djawadi, Noah Sorota
  5. Medusa (4:07)
    Ramin Djawadi
  6. Scorpiox (3:23)
    Ramin Djawadi, Noah Sorota
  7. Argos (1:53)
    Ramin Djawadi
  8. You Fall, You Die (1:14)
    Ramin Djawadi
  9. Written In The Stars (2:54)
    Ramin Djawadi
  10. Pegasus (2:22)
    Ramin Djawadi
  11. Bring Everything (But The Owl) (1:47)
    Ramin Djawadi
  12. Killed By A God (1:50)
    Ramin Djawadi
  13. Djinn (1:56)
    Ramin Djawadi, Bobby Tahouri
  14. Eyes Down (4:19)
    Ramin Djawadi, Dominic Lewis
  15. You Were Saved For A Reason (1:20)
    Ramin Djawadi
  16. Redemption Through Blood (2:14)
    Ramin Djawadi, Noah Sorota
  17. I Have Everything I Need (3:15)
    Ramin Djawadi
  18. King Acrisius (2:27)
    Ramin Djawadi
  19. It's Expensive Where You're Going (2:50)
    Ramin Djawadi, Dominic Lewis
  20. Be My Weapon (10:09)
    Neil Davidge, Bobby Tahouri
  21. The Best Of Both (1:29)
    Ramin Djawadi
  22. Release The Kraken (6:03)
    Ramin Djawadi, Geoff Zanelli
  23. It's Almost Human Of You (3:15)
    Ramin Djawadi
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Danny reply Replies: 0 || 2010-04-01 00:00:00
Ramin Djawadi was a replacement. You should ask what happened to Craig Armstongs score.

Danny reply Replies: 0 || 2010-04-01 00:00:00
Actually the score is not that bad. It actually has some very enjoyable elements and tracks. Like Scorpiox (I dont get why memorable tracks come out of scorpions. I.E. Skorpinok) and There is a god in you. The only complaint I have is that the Neil Davidage track needs to go. Put more score in there but that is a bad track and the song at the beginning too. But its not a bad score it has more in common with The Last Samurai and Sherlock Holmes than Transformers being that Transformers was a influenced by other scores too. But it just has that Hans Zimmer sound. The staccato strings, the double layer brass, its all quintessential Zimmer. But there are interesting elements too like the track Medusa which has bassoon unheard of for a score like this. Its certainly an enjoyable score.

Antas, Webmaster reply Replies: 0 || 2010-04-01 00:00:00
ps: Miles is right -- I have deleted Simon's post. It has nothing to do in that place

joanveta reply Replies: 0 || 2010-04-01 00:00:00

Dakota reply Replies: 0 || 2010-04-01 00:00:00
April 12th for the physical CD release? That's not even a Tuesday......

tomPoland reply Replies: 0 || 2010-03-31 00:00:00
I still want rejected score!

Sato reply Replies: 0 || 2010-03-31 00:00:00
12 April
Sony Music

Dakota reply Replies: 0 || 2010-03-31 00:00:00
Ugh!!! Why do they always do this?!?! They release the album digitally the Tuesday before the film opens, then they release the album physically WEEKS after the film opens. They did this with Sherlock Holmes. It opened Christmas Day and the soundtrack was released in mid January. Does anyone know when it will be released physically?

Miles reply Replies: 0 || 2010-03-31 00:00:00
I would say that this is probably Djawadi's best score to date.

Sato reply Replies: 0 || 2010-03-31 00:00:00
I love this score !!

Andrew reply Replies: 0 || 2010-03-31 00:00:00
Physical disc comes some time in April, or so I read around here somewhere.

Anonymous reply Replies: 0 || 2010-03-31 00:00:00
This score is a complete ripoff from other RC scores.

There is the POTC Kraken theme, several adaptations from Transformers 2 themes and much more.

This is more of a "8 years of rejected remote control cues" album instead of an original new soundtrack.

Cloud reply Replies: 0 || 2010-03-31 00:00:00
Man, what a mess. I literally got bored halfway through listening to this. It's probably gonna do the right things in the movie, which matters the most, but compared to something like the God of War III score it's pretty much a joke.

Bondo reply Replies: 0 || 2010-03-31 00:00:00
Listening to it now, totally digging it! It's exactly what I expected, no surprises

Nick reply Replies: 0 || 2010-03-31 00:00:00
Agree, this comment zone is not ment to curse each other, criticism is okay, but not disrespecting a person's comment. Please stay on topic.

Miles reply Replies: 0 || 2010-03-31 00:00:00

That is a hateful and uncalled for comment. People are free to express their own opinions, but not to insult other posters.

Man With No Name reply Replies: 0 || 2010-03-31 00:00:00
This score is mediocre. I'll let it all pass though, one thing I absolutely won't let slide however...

"Be My Weapon" It's absolutely AWFUL. I hope it isn't in the film itself. Put that crap over the end credits if you have to. :/

Zan reply Replies: 0 || 2010-03-31 00:00:00
It's nothing new for Remote Control Productions, But It's a new Ramin Djawadi. This guy has made very a impressive score. After Iron Man to this major film, I think he'll be more "the one to watch".

bar reply Replies: 0 || 2010-03-31 00:00:00
this is a wonderfull score guys so shut up!

I enjoy listening to this.....

Alt reply Replies: 0 || 2010-03-31 00:00:00
another bad djawadi score

Al reply Replies: 0 || 2010-03-30 00:00:00
"The most satisfying element is Ramin Djawadi's operatic score".

Don't forget the horde of additional composers & ghost writers !

Anonymous reply Replies: 0 || 2010-03-30 00:00:00
Yep, even the ghost writers have ghost writers these days...

Miles reply Replies: 0 || 2010-03-30 00:00:00
Any haters here need to GTFO pronto! There are other message boards for you to talk about this kind of thing!

Adrian reply Replies: 0 || 2010-03-30 00:00:00
What's wrong with ghost writers? It's such a nice term!!
And besides everyone has ghost writers... Even James 'Titanic' Horner and John Williams!

Even I am thinking to let my essays ghost write, the more help, the better the outcome!

Zan reply Replies: 0 || 2010-03-30 00:00:00
It's not bad to have ghost writers, Zimmer's style of composition has really helped many young composers to be famous & experienced before they make their own solo. However, the main composer still composes most of the scores anyway.

Andrew reply Replies: 0 || 2010-03-30 00:00:00
Not to mention the comments on this website could benefit from more variations than the usual "OMG this is the best ever!!!!", "u r god!!!", or "where can i download the mp3 for my ipod?".

Anonymous reply Replies: 0 || 2010-03-30 00:00:00
In this situation given the 3 weeks...
This score is a really a hasty collaboration with lots of people-done very quickly.
Its basically- all hands on deck!

Dakota reply Replies: 0 || 2010-03-30 00:00:00
Is there a physical release today? Every website I check says the release date is today, March 30th. Yet I've been to FYE and Best Buy and cannot find it. I really had my hopes up cause I was convinced that it was being physically released today. I guess not. If anyone knows, please respond

Weidi reply Replies: 0 || 2010-03-30 00:00:00
Shame Geoff Zanelli doesn't get more credit, Release the Kracken is an amazing cue, and i think its one of his.

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Clash Of The Titans soundtrack - Ramin Djawadi 2010