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New YouTube playlist: <br>Hans Zimmer - Film Scores. <br> vla_glc<br><br>I don't understand how they chose that cover:<br>Time (arr. guitar) [Music Lab Collective]<br><br><br>Strength and honor!<br><br>One of this score's best and most underrated moments, especially in the context of the film, is the introduction of the Kraken's theme in "Row to Tia Dalma". The tense buildup while Gibbs describes the creature's horrors, then the brief pause as he names it, followed by the theme in the absolute lowest registers of the orchestra, quiet, but so so so menacing and also just SUPER FUCKING COOL.<br><br>It gives me goosebumps every time, in a *dialogue scene*. That is incredibly good musical storytelling.Edmund: And posted their one-sentence review of it on the Hans Zimmer fan site.Anything missed from the official release?oh damn really? huh that would be cool. even with the ultimate edition there’s still deleted scenes and I wish they were put on the Blu ray.<br><br>it plays during the scene after the knightmare when Clark is looking through the polaroids that say judge jury executioner on them. i don’t remember if that’s an extended scene or not as I’ve only seen the theatrical cut once in theaters. one and done lol
"Chicken Run really makes you FEEL like you're in a concentration camp." - IGNI guess it comes from a deleted scene where Jesse Eisenberg gets playful with his dinner. Rumor has it it's gonna be included in the Snyder Cut.I love the notion of Barack Obama and IGN teaming up to review 20 year old film scores.Smoothly done soundtrack. IGN - 10/10what the hell is Quaker steak and lube????
I disagree on Catwoman. I love Zimmer's theme and I thought it is one of his most underrated themes.Loved the new tracks!<br><br>Hans & Chris really did something special.<br><br>I enjoyed the Tenet score, but honestly Ludwig's work doesn't compare to Zimmer's. I just hope they work together again instead of Chris choosing Ludwig as his main collaborator from now on.Agreed.<br><br>I don’t know, TDKR feels a little oppressive to me in comparison with BB and TDK , probably as a result of Nolan’s musical tastes veering away from symphonic to more abstract. Reading the new book on Nolan gives me the impression that he has a very similar approach to his music as he does his filmmaking. With that said though, TDKR is still a solid conclusion to the franchise. Bane’s theme is excellent and the culmination of the various “Bat-Themes” do feel well earned. Catwoman’s theme is solid, but for some reason is dropped from most of the movie in favor of the repeating two-note phrase.<br><br>@Moggyman<br>Honestly I feel as if JNH’s work on the first two Hunger Games sequels showed a strong improvement in writing and theme building. The last score was a bit too much of a pastiche, but orchestrally a stronger fit than the first one. And “Crimes of Grindelwald” is easily one of the best sequel scores in the past few years (alongside Star Wars and HTTYD). Unfortunately we still don’t have a good album situation for that though. -_-Counterpoint: I liked Crimes of Grindelwald more than the first Fantastic Beasts. And forget Hanging Tree - "Air Raid Drill" from the first and "Sewer Attack" from the second Mockingjay are the best cues from that series. Plus, JNH honestly hasn't worked on that many sequels so we don't really have enough to go on here. <br><br>I think having JNH on board for Catwoman would have done wonders for this score. Hans' theme is okay, but feels like a bit of an afterthought compared to Bane.TDK & TDKR have amazing theme suites.<br><br>But as for the scores in film, they don't even get close to Batman Begins !
I like Tom but idk he's gone downhill in my book. Alita was boring, i was over the moon excited for Terminator cause that was a perfect mix and it was disappointed big time. I'd love to hear Steve Jablonsky tackle that and get back to being as great as he used to, he has been phoning it in big time latelyOk, before I eat my words, JNH did create the Hanging Tree in Mockingjay p1 which was good, but nothing else other than that in the sequels.For being the so called "weakest", it's very good. And if you think that Bane's theme is repetitive, I would say the same about the Joker's theme in TDK (to me they are both good though). <br><br>Now in all fairness, JNH could have probably added good material to the score since he's a genius, but I personally think he doesn't do well on sequels. Sure, in TDK he gave harvey dent a theme that resonated with his character (but was similar to material already used in BB). Yet, if you look at his work in the hunger games, its seems to me that he couldn't bring something both new and compelling to the sequels as he did in the first movie. I will agree with you that Batman Begins has the best music of the series though.After re-listening to this one, it's clearly the weakest of the trilogy. Of course it's not bad, the new themes are pretty good (though I think Bane's theme is a bit too repetitive and dry at times), there's still emotional moments, but JNH's absence really left a hole in this score.<br><br>I get to an extent that's the point, that all of Bruce's potential for a happy life is gone, but even the emotional tracks to me have nowhere near the emotional resonance that JNH's themes brought to the films. <br><br>"Come With Me" is the best example, where the slow emotional Selina Kyle chords just don't leave much of an impact. Definitely could have used JNH's "Courthouse Pt. 1" or the main theme from "Bruce Left For Dead" to emphasize Bruce's giving up of a quiet life. <br><br>Of course I still appreciate the way the 2 note motif is developed into a theme of its own, as well as the score as a whole, but then you get tracks like "Many Forms of Immortality" which just emphasize how much more effective the thematic work in Batman Begins was.It could also be Tom, who worked on Run All Night, and is already an established DC composer<br>Either way I'll be happy

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Additional MusicAdditional MusicAdditional Music
Ramin DjawadiGeoff ZanelliBobby TahouriNoah Sorota
ComposerAdditional MusicAdditional MusicAdditional Music
Clash Of The Titans
Label: WaterTower Music
Length: 75'18 rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (18576 votes)
  1. The Storm That Brought Me To You (4:50)
    Tina Dico, Neil Davidge, Ramin Djawadi
  2. There Is A God In You (1:38)
    Ramin Djawadi
  3. Perseus (6:33)
    Ramin Djawadi
  4. You Can't Hide From Hades (3:30)
    Ramin Djawadi, Noah Sorota
  5. Medusa (4:07)
    Ramin Djawadi
  6. Scorpiox (3:23)
    Ramin Djawadi, Noah Sorota
  7. Argos (1:53)
    Ramin Djawadi
  8. You Fall, You Die (1:14)
    Ramin Djawadi
  9. Written In The Stars (2:54)
    Ramin Djawadi
  10. Pegasus (2:22)
    Ramin Djawadi
  11. Bring Everything (But The Owl) (1:47)
    Ramin Djawadi
  12. Killed By A God (1:50)
    Ramin Djawadi
  13. Djinn (1:56)
    Ramin Djawadi, Bobby Tahouri
  14. Eyes Down (4:19)
    Ramin Djawadi, Dominic Lewis
  15. You Were Saved For A Reason (1:20)
    Ramin Djawadi
  16. Redemption Through Blood (2:14)
    Ramin Djawadi, Noah Sorota
  17. I Have Everything I Need (3:15)
    Ramin Djawadi
  18. King Acrisius (2:27)
    Ramin Djawadi
  19. It's Expensive Where You're Going (2:50)
    Ramin Djawadi, Dominic Lewis
  20. Be My Weapon (10:09)
    Neil Davidge, Bobby Tahouri
  21. The Best Of Both (1:29)
    Ramin Djawadi
  22. Release The Kraken (6:03)
    Ramin Djawadi, Geoff Zanelli
  23. It's Almost Human Of You (3:15)
    Ramin Djawadi
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Anonymous reply Replies: 0 || 2010-04-08 00:00:00 is shit.

victor emanuel reply Replies: 0 || 2010-04-08 00:00:00
Do you know what's the deal with a Hans Zimmer soundtrack on April 12th for this very same movie?.

Sato reply Replies: 0 || 2010-04-08 00:00:00
EU version

Risisco reply Replies: 0 || 2010-04-08 00:00:00
Personally I love the score, but I love the film too! There are certain extracts that haven't been included which would have made it so much better to listen to, so I hope a complete score pops up sooner or later :)

easton reply Replies: 0 || 2010-04-07 00:00:00
Anybody already read the review on It's great!

Miles reply Replies: 0 || 2010-04-07 00:00:00
Christian Clemmensen is a pompous, elitist pig who thinks that being musically trained gives him the right to look down his nose at anyone who doesn't slave over the score alone, tearing out their hair to create a work of Beethoven-esque beauty.

Cloud reply Replies: 0 || 2010-04-07 00:00:00
Yep, probably my favorite score review ever. Clemmensen at his best.

Easton reply Replies: 0 || 2010-04-07 00:00:00

Clemmenson can indeed be a bit elitist every now and then, but he's also very funny. His review for "CotT" was spot on, maybe not very subtle but that's what made it a great.

Miles reply Replies: 0 || 2010-04-07 00:00:00
Oh yes, I forgot. Hans Zimmer and his ilk are the cheap beer to John Williams and Alexandre Desplat's fine wine, the incestuous embarassments of the film music world. To even appreciate their scores is to mark yourself as a cultureless idiot who is satisfied with the lowest of the low. It is the duty of the educated to raise the standards of the stupid lower classes, and denying that Remote Control's bastard stepchildren are shit artists and enemies of creativity and diversity is practically a capital offense.

Perhaps you thought the review was a witty, Swiftian scathefire. I just found it egregiously mean and smug.

Evenstar reply Replies: 0 || 2010-04-06 00:00:00
It is available as CD-R on Amazon:

Dakota reply Replies: 0 || 2010-04-06 00:00:00
Is the CD available yet? Amazon says it came out April 1st. I'm confused....

MK reply Replies: 0 || 2010-04-05 00:00:00
Well not a masterpiece, but best Djawadi score so far and it is also very entertaining. I like "Perseus", "Argos" and "Release The Kraken" (by Zanelli).

tomPoland reply Replies: 0 || 2010-04-05 00:00:00
@ Dan

We don't want Elfman, we just want Armstrong score, simple.

Ian reply Replies: 0 || 2010-04-05 00:00:00
There are some memorable tracks you can listen to separately, such as Perseus, Medusa, Scorpiox, Release The Kraken. Then for the rests, I accept that they are rather boring.

Bob reply Replies: 0 || 2010-04-05 00:00:00
Score did not fit the film. Nothing memorable about it...

Dan reply Replies: 0 || 2010-04-05 00:00:00
Are you guys insane i think the movie was amazing what more do you spoiled people want?? Them to remake the entire movie don't forget this is based off myth its not like theres much to work with and the score works great inspired by another piece or not. Let me guess you all think you could do better? Sorry Danny Elfmann can't do every movie in the world but i think this fits well its dramatic when it needs to be and i say great job yes the Kraken part could have been a little more powerful but cmon give the people credit where credit is due

Sarah reply Replies: 0 || 2010-04-04 00:00:00
You guys are nuts!

This score was brilliantly done and takes its place amongst Lord of the Rings, Titanic, Star Wars and Indiana Jones and most importantly, my music collection.

Howard Shore, John Williams, Klaus Badelt, James Horner, Hans Zimmer (but of course) and now Djawadi.

I have been in musical performance and composition for over 20 years and you are foolish to believe that Djawadi's music is anything less than an exemplary performance.

Miles reply Replies: 0 || 2010-04-04 00:00:00

Djawadi's score is very good, but I think comparing it to John Williams or Howard Shore is a bit much...

Deakins reply Replies: 0 || 2010-04-04 00:00:00
Don't compare clothes and towels. (J. Williams, 6 oscars, hundreds of scores; Hans Zimmer : his master)

Andrew reply Replies: 0 || 2010-04-04 00:00:00
The score works tremendously well in the film. Good job!

Cloud reply Replies: 0 || 2010-04-04 00:00:00
"This score was brilliantly done and takes its place amongst Lord of the Rings, Titanic, Star Wars and Indiana Jones." - Ouch.

cvds reply Replies: 0 || 2010-04-04 00:00:00
I think this score can stand on its own. It works better than being in the movie.

Levente reply Replies: 0 || 2010-04-04 00:00:00
Had my chance to listen this score, and I was disapointed. 10 minutes of worth material, don't know how it fits to the movie, but on solo, it isn't much.

D A R T H reply Replies: 0 || 2010-04-02 00:00:00
Anyone know the good track order

D A R T H reply Replies: 0 || 2010-04-02 00:00:00
better than Iron Man score, but not very good...

Mr.VFX reply Replies: 0 || 2010-04-01 00:00:00
I really wanted to like this, but when I saw this movie yesterday I just wondered what's the reason, why this film is so bad. The non-existing creative approach and bad guidance of the director or the loud and uninspired score.

Finally I blame the director and the studio, but I was expecting so much more from Ramin Djawadi!

OMG reply Replies: 0 || 2010-04-01 00:00:00
Oh good God I can't believe there are people who actually like this insipid bilge.

This is the most bland music I've heard in a very long time. How the hell can he manage to make a scene with a Kraken sound so dull?

tomPoland reply Replies: 0 || 2010-04-01 00:00:00
One of the themes is a rip-off from Hypnotica that can be found on Two Steps From Hell CD called Legend. Listen to Perseus at about 4.30 (it's slower but the melody is the same).

This is what we get when "composers" have little time and a bunch of friends. There are exceptions (wonderful King Kong in about 2 months) but... this not it.

I wonder why there not a single one movie that would have 2 scores - official and rejected. DVD (not mention Bluray) gives us that opportunity. Troy with Yared and Troy with Horner, Timeline with Goldsmith and with Tyler. What do you think?

Anonymous reply Replies: 0 || 2010-04-01 00:00:00
so so. I think that it was a last minute score. Armstrong wanted to make it art, take chances. Ramin delivers the hollywood sound producers find safe. I think since hes still trying to get his wings in the bizz, he wont take as many risks.

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Clash Of The Titans soundtrack - Ramin Djawadi 2010