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Thank you for your replies. On IMDB she is listed.Alright, after re-listening to the score, I've made a few educated guesses of what the additional composers did, based on what we know about the score and their previous work. Note that none of this is confirmed by Hybrid, just my opinion.<br><br>Lorne Balfe: Seems to practically be a co-composer here. I hear a lot of him in this score. It seems he did Invasion (as he's known for contributing trailer music to films he works on) seemingly the suites "Brooding", "Deciphering the Signal", "Battle", and the one we know he cowrote, "Journey Suite". Based on this here's my guess as to what he contributed. <br><br>Soccent Attack - Sounds like his style, probably him arranging AllSpark and Decepticon material. <br><br>Keller's Briefing - Arrangement of "Deciphering the Signal"<br><br>Deciphering the Signal - Obviously another arrangement of "Deciphering the Signal" with Batman Begins-like action at the end.<br><br>Sam's Pink Bike Ride (Part 2) - Sounds like an arrangement of "Brooding" material. <br><br>(Possibly?) Are You LadiesMan217? - Some arrangement of "Brooding" and "Journey Suite" material, although hard to say whether the theme at 1:10 is Steve's or Lorne's. Could be Steve arranging Lorne material, as it sounds more Jablonsky-esque to me. <br><br>Autobots to the Rescue - Could be Steve imitating Batman Begins style, but sounds far too Lorne for me to not consider it a co-written track. <br><br>Sector 7 Chase - Part 1 sounds more Jablonsky than Lorne, but there's no question to me that part 2 has a lot of Balfe in there. <br><br>Where Is My Car? - Batman Begins-like again, probably Lorne solo, or Lorne and Steve<br><br>Decepticons Mobilize (Part 2) - Arrangement of "Brooding"<br><br>Freeway Fight - Battle version of Decepticon theme from "Brooding"<br><br>Stumble Bumble (Part 1) & (Part 2 Alternate) - Arrangement of "Journey Suite", second part not used in the film sounds like Steve & Lorne Combo to me. Film version of part 2 sounds pure Steve to me. <br><br>You're A Soldier Now (Parts 1 & 3) - Lorne being heavily involved in the final battle is known, and Parts 1 and 3 have arrangements of Lorne material. I'm also fairly certain that Lorne wrote the Optimus vs Megatron theme from Part 3 and "Optimus vs Megatron".<br><br>Optimus vs Megatron - Finale of theme introduced in "You're A Soldier Now (Part 3)" as well as the "Journey / AllSpark" theme which could be Lorne's or Steve's. <br><br>Trevor Morris: I can infer from his work on Pirates 2, The Island, and the one track we know he worked on. <br><br>Soldiers Arrive - Not sure why, but I've always assumed this military theme was Morris'.<br><br>Arctic 1897 - Dark theme that reminds me a lot of his work from Pirates 2. <br><br>Scorponok - Known fact that he co-wrote this. <br><br>Hoover Dam - Arrangement of military theme<br><br>Transforming -  Same theme from Arctic 1897<br><br>Sam on the Roof (Part 2) - Arrangement of theme from Scorponok, though could be Steve or Lorne arranging it.<br><br>Optimus vs Megatron - A slight hint to the Military theme when they begin attacking Blackout, and Scorponok theme reprisal, once again could be Steve or Lorne arranging these themes. <br><br>Creeper Suite / A Call to Arms (Unused) - Original music for Optimus' Epilogue, contains arrangement of military theme. <br><br>Jay Flood: Can be inferred from his work on Transformers: The Game, his overall more orchestral writing, and his contributions to Nightmare on Elm Street, Sims 3, and Desperate Housewives. <br><br>Camaro on the Run - Definitely has a TF: The Game sound to it overall. As well as a bit of Thomas Newman-esque music. <br><br>Witwicky (Parts 1-3) - Definitely some of his style here along with Steve's overall Desperate Housewives-esque music. <br><br>Decepticons 2 Suite / Frenzy - The suspenseful strings make me think of Flood's Nightmare on Elm Street work, and the brass writing seems more characteristic of him than Jablonsky to me, though it was still probably a co-written suite. <br><br>Tense Action Suite - Once again reminds me of Flood's Nightmare suspenseful string writing, probably at least co-composed with Jablonsky. <br><br>Clay Duncan - I can guess somewhat based on his contributions to "The Island" but otherwise I don't know much about him so I'm not sure about any of the inferences I'm about the make. <br><br>Angry Camaro - This sort of drone music sounds like it could be him as his contributions were very electronic in The Island.<br><br>Bumblebee vs Barricade - Strange electronics and sounds plus more minimalist writing make me think Duncan. <br><br>Tow Truck Charge - Definitely has The Island's sound. Could be Trevor Morris too. <br><br>TJ Lindgreen: I know so little about his style except he works with Elfman and did additional music for TF: The Game so not much I can say for what he did. <br><br>Belly Shot(?) - The ethereal choir style sounds somewhat like TF: The Game's score and Elfman's choir. <br><br>Not to Hear That(?) - Maybe he composed this motif for Mikaela that also appeared in "Belly Shot". <br><br>Surreal Mikaela(?) - Once again I'm hoping the specific choir sound is part of his style. <br><br>Anything I didn't mention is a track I'm assuming is all Jablonsky. Please note that I'm not trying to take away from Steve's work on this score, and that for most of these track I'm assuming Steve had some involvement in as well, I'm just speculating for fun because I've always wanted to know who did what on this score.LP sadly, but it's also on Spotify.Technical reasons ! lol ;)<br><br>But she was there.Most welcome news. Should be a nice replacement for the Fantastic Beasts score that will have to have been pushed off. I imagine his work on Jungle Cruise will be great as well. 2021 is looking pretty exciting for score releases!
She definitely performed on the score, I don't know why she is uncredited...The poster shows Lorne Balfe as the composer.<br><br>But then it also did have Desplat!So no solo cello by Tina Guo? Is it digital then or is it no cello?CD or LP release?Why is Lorne Balfe not nominated for a Grammy for Ad Astra ?
To my understanding, James never worked for Hans or Remote Control. They’re simply friends and have collaborated on a few projects. Powell (and Gregson-Williams) used to work at Remote Control before moving on to his own studio/endeavors. <br><br>BUT, I am equally as excited for James to return to Disney Animation. Very excited for this and Jungle Cruise.I guess James Newton Howard doesn't count as a Remote Control composer anymore (and yet John Powell does? I don't get it), but anyway, he's scoring Disney Animation Studios' Raya and the Last Dragon. After his epic trilogy of Dinosaur, Atlantis, and Treasure Planet, I welcome his return to the studio!Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats true
Can't think of a more meaningless and laughable award than the oscar for this one? nahh...<br>maybe he gets a nomination for dune or bondMaybe WW1984damn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...

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Additional MusicAdditional MusicAdditional Music
Ramin DjawadiGeoff ZanelliBobby TahouriNoah Sorota
ComposerAdditional MusicAdditional MusicAdditional Music
Clash Of The Titans
Label: WaterTower Music
Length: 75'18 rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (18564 votes)
  1. The Storm That Brought Me To You (4:50)
    Tina Dico, Neil Davidge, Ramin Djawadi
  2. There Is A God In You (1:38)
    Ramin Djawadi
  3. Perseus (6:33)
    Ramin Djawadi
  4. You Can't Hide From Hades (3:30)
    Ramin Djawadi, Noah Sorota
  5. Medusa (4:07)
    Ramin Djawadi
  6. Scorpiox (3:23)
    Ramin Djawadi, Noah Sorota
  7. Argos (1:53)
    Ramin Djawadi
  8. You Fall, You Die (1:14)
    Ramin Djawadi
  9. Written In The Stars (2:54)
    Ramin Djawadi
  10. Pegasus (2:22)
    Ramin Djawadi
  11. Bring Everything (But The Owl) (1:47)
    Ramin Djawadi
  12. Killed By A God (1:50)
    Ramin Djawadi
  13. Djinn (1:56)
    Ramin Djawadi, Bobby Tahouri
  14. Eyes Down (4:19)
    Ramin Djawadi, Dominic Lewis
  15. You Were Saved For A Reason (1:20)
    Ramin Djawadi
  16. Redemption Through Blood (2:14)
    Ramin Djawadi, Noah Sorota
  17. I Have Everything I Need (3:15)
    Ramin Djawadi
  18. King Acrisius (2:27)
    Ramin Djawadi
  19. It's Expensive Where You're Going (2:50)
    Ramin Djawadi, Dominic Lewis
  20. Be My Weapon (10:09)
    Neil Davidge, Bobby Tahouri
  21. The Best Of Both (1:29)
    Ramin Djawadi
  22. Release The Kraken (6:03)
    Ramin Djawadi, Geoff Zanelli
  23. It's Almost Human Of You (3:15)
    Ramin Djawadi
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Lasse reply Replies: 0 || 2010-04-20 00:00:00
this is in fact a very good score i think.
i cant understand how people can complaine about this. i enjoy this score very much :)

Ane reply Replies: 0 || 2010-04-19 00:00:00
I loved this score. my OSt of the month...

Skyler reply Replies: 0 || 2010-04-18 00:00:00
Is Io's theme featured anywhere on the CD?

Miles reply Replies: 0 || 2010-04-18 00:00:00
I think it's either that ethereal flute tune we hear starting at 1:39 in "You Can't Hide From Hades" or the one starting at 1:02 in "The Best of Both."

matthew reply Replies: 0 || 2010-04-18 00:00:00
Redemption Through Blood

Where is this in the movie? The first Hades attack?

bar reply Replies: 0 || 2010-04-18 00:00:00
Redemption Through Blood

the track is been heard when the Hades supportive decided to bring andromede to the kraken

(and when one of them put is hand in the fire)

Mark reply Replies: 0 || 2010-04-17 00:00:00
That's indeed unfortunate Richard, reminds me of Transformers 2. I just know hearing the score, I won't likely ever see the film. I'm really into my fantasy epics, and I have little tolerance for trash.

I would love to say I'm really looking forward to Robin Hood, what stops me is Marc Streitenfeld being hired to do the music. Now he may come up with something very good, but the fact that I've liked none of his other scores, and this is way above the anticipation of those films, I'm very worried. I want this one to be great, more than anything. Just saying that however gives me horrible butterflies in my stomach.

Richard reply Replies: 0 || 2010-04-17 00:00:00
It has a net profit of about $110 million so far. I'm not sure what they were expecting, but considering it's just two weeks in, and that non-franchise blockbusters seem to gain around $100-$300 million through their entire runs, I'd say that's a decent number.

matthew reply Replies: 0 || 2010-04-17 00:00:00
Io's Theme Composed by Craig Armstrong. you can read it in the credits

Miles reply Replies: 0 || 2010-04-16 00:00:00
Thanks for your support! Yeah, considered from the standpoint of other RC scores, it does have a certain genreric quality. But on its own, it's pretty entertaining. Ramin Djawadi probably needs less pressure to deliver a big action score in order to show that he can leave Hans' shadow--it worked with Steve Jablonsky and Steamboy!

Regarding "Release the Kraken": I personally didn't hear the PotC Kraken theme in it, but the strings towards the middle did remind me of Sherlock Holmes.

bar reply Replies: 0 || 2010-04-16 00:00:00
And if i can quote zues, he would probably say to all of you guys:"you are all like children,you need to be reminded by the order of things"

or mybe just " Release The Kraken" will be fine.....:)

Miles reply Replies: 0 || 2010-04-16 00:00:00
Maybe I should consider suicide for even liking this. It's obvious based on your words that liking it was a crime against music and art. Or maybe I'm just easy to please, which is arguably even worse.

My self-esteem has really been challenged on this message board--not that anyone cares.

Kusi81 reply Replies: 0 || 2010-04-16 00:00:00
I don't think so, I think it's average - I've listened to it about three or four times, and now I've heard it for a moment - the track "Be My Weapon" is bad, I think they should added more orchestral sound to this track. but the theme's are nice to hear, and also the track "Release the Kraken" is entertaining, I think there are bits of the Kraken-theme from potc2 in it ;-)

Bou reply Replies: 0 || 2010-04-16 00:00:00
Lasse : no , it's an average RC score but actually I find it enjoyable if not original - the bashing of the score is the result of 2 principal reasons :
-the replacement of Craig Armstrong
-the "enough of shitty RC scores for all epic and big budget hollywood movies" usual shit

after all ,opinions are like , everyone has one..

Lasse reply Replies: 0 || 2010-04-16 00:00:00
is this soundtrack really that bad :S ?

Sato reply Replies: 0 || 2010-04-16 00:00:00

I'll also go with you.

Hybrid Soldier reply Replies: 0 || 2010-04-16 00:00:00
Haha Miles !

I'll go with you ! ;)

Richard reply Replies: 0 || 2010-04-16 00:00:00
Where was all this hate when the first Transformers came out? That score has Hans' sound *all over* it -- and even snippets of his melodies -- and people still seemed to love it, even though that seems to be the #1 criticism of this score so far.

(For the record, I like both.)

I'm honestly a little surprised people didn't expect this to sound like Hans. :p

Lee reply Replies: 0 || 2010-04-16 00:00:00
You are right Richard, Transformers did sound exactly like Hans and Jablonsky needs to stop copying his style so crudely too.

The difference however with Transformers at least was Jablonsky took the best of Hans and just recycled it.

Djawadi took the best of Hans and made it sound CRAP.

Jeff Conway reply Replies: 0 || 2010-04-16 00:00:00
Exactly Lee, couldn't have said it better myself.

Lee reply Replies: 0 || 2010-04-16 00:00:00
This score is utter tripe, I'm so glad the film FLOPPED. Hollywood need to realize people are getting sick and tired of this CRAP. Even HUGE RC fans like myself!! Ramin Djawadi should just wear a Hans mask this Halloween, that's what he is... a fake impersonator, nothing more. A shame really.

Mark reply Replies: 0 || 2010-04-16 00:00:00
I've also heard the film really hasn't done very well Miles. I don't think anything is absolutely certain yet, it may be number one still but I've been hearing that too.

It won't however come close to the failure that was "Green Zone" Terrible film, even if Titans is itself still not considered a huge success.

Powell's score to that film was standard for me, nothing special.

How To Train Your Dragon however... WOW. Great stuff.

Miles reply Replies: 0 || 2010-04-16 00:00:00
@ Lee:

What you think about the score is your own opinion, but if you check the numbers, you'll find that the movie is still number one at the box office, so it didn't flop.

Mark reply Replies: 0 || 2010-04-16 00:00:00
I apologize.

Remove the gap in "news" on the link to be able to read it. Thanks.

Miles reply Replies: 0 || 2010-04-16 00:00:00
There are contemporary elements in the score, but the only track that they're really prominent in is "Be My Weapon," which is tolerable, but too long.

Mark reply Replies: 0 || 2010-04-16 00:00:00 s/e3id5e840984ee9bae5d814f62be60f4393

The Hollywood Reporter has a great article about the music of Iron Man 2. It sums up my feelings towards Iron Man, Clash Of The Titans etc basically the use of contemporary based music in a film where it has absolutely no place.

Here are some excerpts from it:

Blockbusters have the budgets to get such songs. But songs can present their own problems.

"At one of our test screenings, we put a rock song over a big action sequence as an exercise and on the cards it got completely trashed," notes Brian Tyler, composer of Sylvester Stallone's upcoming "The Expendables." "People really hated it and asked why were we trying to make this into a rock video. We replaced it with orchestral music and the numbers for the film shot up and the notes on the music were great."

Unless the songs are already classics, Tyler says, the results can seriously date a film. "You can imagine what it would be like watching 'North By Northwest' and having the train go into the tunnel at the end and going into a contemporary song of that period. It just would have destroyed it."

Perhaps to avoid that, for "Iron Man" Favreau and Debney also used the music of Dick Sherman, the prolific songwriter who did a lot of the early Disney theme park material and even "Mary Poppins."

Miles reply Replies: 0 || 2010-04-16 00:00:00
If anything, I thought parts of this score were more orchestrally rich than Transformers.

Mark reply Replies: 0 || 2010-04-16 00:00:00
5 years? I don't even think it has that long to be honest. I mean just look at Iron Man. We all know Debney's sequel score will easily be superior to the lameness that came before. Even if it is a disappointment in itself to some, it will already make Djawadi's bore look like old hat and dated by comparison.

craig reply Replies: 0 || 2010-04-16 00:00:00
not to mention transformers was"transformers" a modern day michael bay movie.

this one size fits all bs for a sword and sandals epic flick like titans is a joke.

can you imagine lord of the rings with the type of score djawadi gave titans? um nope!

what about gladiator and horner's mask of zorro? nope!

why? because each of these scores at least bothered to establish the period setting and traditional elements in the story. thats why titans is being so hated on and thats why i myself hate it!

its lazy, its uninspired, dont even use "its modern" as an excuse, that never stopped any of the other guys.

the funny thing they say they avoid it because they "dont" want to say its in the setting it is "yep that makes sense" yet the music they did use will already be dated in the next 5 years like this score.


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Clash Of The Titans soundtrack - Ramin Djawadi 2010