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yeah that's just one though. We'll see!! no info on a release date, on lornes twitter it says it's coming out very soon."Shatterdome Attacked", at least we'll get one 7-minute action cue...<br><br>Also. TRACKLIST YOU GET DID WHERE???An agent isn't the problem. Powell is choosing to work less, and only on certain types of movies.Damn the tracks are really short, i was hoping for some long epic music. Hopefully he'll deliver on the epic (I'm sure he will)Giacchino has some points about Powell because of the variety of his work. The man works on several beloved franchises through the pubic and every year makes some score for Pixar. From Powell, so far we've only had Bourne and the animated films from Dreamworks and Blue Sky. That's the only problem with him. The lack of a good agent to get projects beyond the territory conquered by him in the mid-00's.
where got you did tracklist have been?Where did you get the tracklist ???????Where you get the tracklist?<br><br>;)Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.
And @Ian, re: talent of assistants, to add to your point... Kick It was, according to Hybrid, Hansí theme turned into a suite by Balfe...so even there, with his interesting stuff, the nucleus of it is still Zimmer. If youíre talking about Training from Begins for Djawadi, ditto there. Hans said that was the first theme he (Hans) wrote for the movie. So in both cases, these guys kinda sound best when expanding on Hansí ideas.His KPM and Extreme library tracks are excellentOh I know! I'd say I've heard maybe 20 scores or so by him, so not totally useless, but he's definitely someone I still need to explore more.It would be good to see Kawczynski doing more.Chappie was excellentIan - I prefer Rogue One over Jurassic World. The movie and the score.<br><br>Edmund - You have missing a lot of great stuff by Goldsmith! :D
Probably the only reason Goldsmith isn't in my top 3 is I haven't heard enough of his music. :pWallfisch is a good composer indeed, but BR2049 (and Dunkirk) were absolutely the wrong place for him. He's not a synth guy. He was originally a protege of Dario Marianelli, for heaven's sake - he's got a far more classical/orchestral sensibility. A score like Cure for Wellness is a much better fit for him. I'm not sure why Hans thought it was best to bring him of all people in on BR2049 when the more electronically-inclined Mazzaro/Kawczynski duo would have made more sense for a Blade Runner score (I say this based mostly on Chappie).Ian - no one is trying to compare Balfe to Zimmer !Firstly there is a 20 year age gap!!!Zimmer will always be the best in my eyes but doesnít harm saying someone else can be good <br><br>Still confused why this conversation is still troubling some.I remember saying last year that I thought Lego Batman was one of the best animation scores that year and it caused some to have heart attacks.there are a hand full of people that donít think he is either good or should be working .... we get !!!! <br><br><br><br>Edmund - given the rationality you've displayed in your comments, I'm disappointed Goldsmith isn't in your top three. ;)<br><br>In all seriousness, I'd put money on Powell fucking nailing the integration of Williams's theme. While Giacchino did a solid job on Jurassic World and Rogue One (I tend to think my assessment of the latter is a bit more positive than most), frankly I just think Powell is a far better composer - a genuine A-level guy, whereas Giacchino is moreso very competent without that spark of pure talent seen in Williams, Goldsmith, Elfman, Zimmer etcI think it's worth noting that Zimmer's popularity at this point is largely under his direct control - meaning that if he were to decide to stop touring, go back to writing full-time, and return to his 'epic' thematic style, I think we'd see a surge in his popularity of the sort we saw from Batman Begins through til Interstellar. However, I just don't think he's interested, which is totally his right.<br><br>I certainly agree that the RCP proteges at this point are, frankly, shit compared to how they used to be. I mean, even a guy like Steve Mazzaro (who I genuinely like and who wrote some of the coolest cues in Chappie, and basically co-wrote BvS - a score I actually like) just utterly pales in comparison to the Powell era.<br><br>Actually, I have to take that back a bit; Wallfisch is a very, very talented guy, honestly so much better than someone like Junkie that I weirdly tend to forget he's under the RCP roof now.
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Additional MusicAdditional MusicAdditional Music
Ramin DjawadiGeoff ZanelliBobby TahouriNoah Sorota
ComposerAdditional MusicAdditional MusicAdditional Music
Clash Of The Titans
Label: WaterTower Music
Length: 75'18
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (16058 votes)
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  1. The Storm That Brought Me To You (4:50)
    Tina Dico, Neil Davidge, Ramin Djawadi
  2. There Is A God In You (1:38)
    Ramin Djawadi
  3. Perseus (6:33)
    Ramin Djawadi
  4. You Can't Hide From Hades (3:30)
    Ramin Djawadi, Noah Sorota
  5. Medusa (4:07)
    Ramin Djawadi
  6. Scorpiox (3:23)
    Ramin Djawadi, Noah Sorota
  7. Argos (1:53)
    Ramin Djawadi
  8. You Fall, You Die (1:14)
    Ramin Djawadi
  9. Written In The Stars (2:54)
    Ramin Djawadi
  10. Pegasus (2:22)
    Ramin Djawadi
  11. Bring Everything (But The Owl) (1:47)
    Ramin Djawadi
  12. Killed By A God (1:50)
    Ramin Djawadi
  13. Djinn (1:56)
    Ramin Djawadi, Bobby Tahouri
  14. Eyes Down (4:19)
    Ramin Djawadi, Dominic Lewis
  15. You Were Saved For A Reason (1:20)
    Ramin Djawadi
  16. Redemption Through Blood (2:14)
    Ramin Djawadi, Noah Sorota
  17. I Have Everything I Need (3:15)
    Ramin Djawadi
  18. King Acrisius (2:27)
    Ramin Djawadi
  19. It's Expensive Where You're Going (2:50)
    Ramin Djawadi, Dominic Lewis
  20. Be My Weapon (10:09)
    Neil Davidge, Bobby Tahouri
  21. The Best Of Both (1:29)
    Ramin Djawadi
  22. Release The Kraken (6:03)
    Ramin Djawadi, Geoff Zanelli
  23. It's Almost Human Of You (3:15)
    Ramin Djawadi
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Waymann reply Replies: 0 || 2017-08-29 13:19:35
What a great score, the closest to the sound of Game of Thrones and probably also the one that got Ramin Djawadi the scoring job for Thrones.

Imagine if the theme in "There is a God in You" was used in Game of Thrones for Daenerys and her dragons. How awesome would that be!

Mr. Charles reply Replies: 2 || 2012-01-26 17:39:39
I'm disappointed Ramin Djawadi isn't returning to score Wrath of the Titans. Instead, Javier Navarrett is scoring the film. Hopefully some of Djawadi's themes remain in there, but I also look forward to some new material


Edmund Meinerts2012-01-26 23:29:35
True, but it's also a good chance for Navarrete to get his big break. He had some pretty good fantasy stuff on Pan's Labyrinth and Inkheart, so it'll be cool to hear what he comes up with on a big-budget blockbuster. Unfortunately, I doubt he'll keep Djawadi's themes in there...not sure why, but it just seems unlikely.

Also, it gives Djawadi more time to work on A Clash of Kings (or Game of Thrones Season 2, what have you). I thought the first one could have been Djawadi's best score if there had been less underscore and the synth orchestra didn't sound quite so crappy (hopefully HBO gives him a bigger budget this time around).


Mr. Charles2012-01-26 23:56:46
I have the same feeling about Navarrette not keeping Djawadi's theme in there. I never heard Game of Thrones, I've never even seen it as I don't have HBO or Showtime or whatever channel it's on.

Felix reply Replies: 5 || 2011-11-06 23:14:02
i've listen from an expanded score with 2cd's


Areozz2011-11-06 23:27:17
Good for you.


Per2011-11-07 00:03:39
Let me guess, the OST + Zanelli cues from his website ...and perhaps the Armstrong thingy ripped from the end credits, eh ?


Areozz2011-11-07 01:12:37
I don't know a thing about this OST or what extra material is available for it, but it sure as hell was not difficult for someone to take what little expanded material we had from Inception and turn it into a "2CD expanded score". It was 88 minutes long, and the typical CD holds like 80 minutes, so yeah, I can see why you'd have to call it 2CD but it was hardly expanded--just the iTunes bonus tracks, the end credits ripped from the DVD, and that JunkieXL remix track. Ooh, big fancy bootleg score--something special! NOT!!

So, yeah, you're probably about right on that one, Per.


Anonymous2011-11-07 01:50:47
Areozz, noone called it big and fancy. If a bootleg has extra music, its expanded, if its a little amount of music or not. Why get so fucking pissed off about it? Jesus Christ.


Areozz2011-11-07 02:22:46
What I was saying is that the 2CD expanded bootleg of Inception was not incredibly expanded. I consider something expanded when it contains material that was not available prior to its release or leaking. At the time that bootleg came out, everything that was on it was already available elsewhere. All someone did was rearrange the OST and add in the other tracks I mentioned before.

And why do people have to get so mad? Slinging around bad words like you do is a sign of weakness. I can have a perfectly civilized and effective argument with someone without uttering a single bad word. People think those words mean something. They used to, but they don't anymore because of people like you. Go watch a few videos by the Angry Video Game Nerd and then tell me what you think. Meaningless, eh?--And a sign of weakness!

Good day to you all!

////// reply Replies: 0 || 2011-10-27 01:54:41
Where can we find all of these cues?

Arrival of the Sword and Pegasus
Calibos Forest Fight
Djinn Arrival
Djinn Together
Hades Arrival
Hades Venom
Harpies Attack Into Hades
I Do it as a Man
Io Dies
Io in Woods
Io Stabbed & Calibos
Kracken Destruction
Leaving Argos
Opening Stars
Medusa
Mudusa Suite (End Titles 3)
Medusa's Lair
Mount Olympus
Perseus
Perseus Makes His Decision
Perseus Suite (End Titles 2)
Redemption Through Blood
Release The Kraken
Release The Kraken pt 2
Scorpiox
Scorpiox Fight
Scorpiox Journey
Stygian Mountain
To Argos

And yes Hybrid, I'm sure these are old and that there's plenty more before you tell me and rub it in my face. I love this score, I want more of it

Dakota reply Replies: 12 || 2011-05-28 07:58:14
Is this topic really opened back up again? Is it because the site got a make-over? Well, whatever the reason is - I'm glad. I LOVE this score, it's awesome. I can't believe how many people trash-talked it, it's insulting. Happy it's opened up again, this way I can ask the moderators who did each track =)


Ele2011-05-28 09:54:31
Release the Kraken is Zanelli :)


Dakota2011-05-28 10:10:17
Why, thank you sir. Anything else you know?


Bondo2011-05-28 10:24:27
You Can Hide From Perseus - Noah Sorota
Bring Everything But the Owl - Dom Lewis
Scorpiox - Noah Sorota
Djinn - Bobby Tahouri
Redemption Through Blood - Noah Sorota
It's Expensive Where You're Going - Dom Lewis
Eyes Down - Dom Lewis
The Stygian Witches - Geoff Zanelli



Dakota2011-05-28 10:33:31
Thanks Bondo. The Stygian witches isn't on here, did you find that from the ASCAP or something?


Hybrid Soldier2011-05-28 10:48:34
It was on Geoff Zanelli's website back then... Now the site is down... :S


SB2011-05-28 12:19:22
I'm almost certain that the choral theme for Io that appears in "The Best of Both" and towards the end of "It's Almost Human of You" is Craig Armstrong's contribution.


Adrian2011-05-28 12:51:26
One should listen the end credits completely too, at the end is ''Io's Theme'', composed by Armstrong. It's nice to see that the directer indeed appreciated Craaig's contributions.

Thanks for the tip SB, gonna check the tracks out!


Hybrid Soldier2011-05-28 12:52:18
No it's not. There's nothing Armstrong in this release...

But the last part of the End Credits is an Armonstrong theme (and not bad !) !

:)


Jeason2011-05-28 15:38:29
Well, regardless of what people say. There is a god in you is awesome! Also, when you guys refer to the last part of the end credits, supposedly Armstrong's, is it that vocal motif that is also featured in the track Perseus? I really love that theme, I think it is the best of the album, shame it's so short :(


Hybrid Soldier2011-05-28 16:32:24
Once again, there's not any single second of Armstrong's work in this CD...


SB2011-05-28 22:27:59
well I wouldn't expect there to be any of Armstrong's work on the disk (and the official score credits only list his only surviving contribution as being in the end credits), but the film itself *does* credit him for composing "Io's Theme," and the music that plays whenever it shows Io is that choral piece... Plus it just sounds very similar to some of Craig Armstrong's music. I think he was fired before he was able to actually record any of what he wrote, so maybe it's possible that it's just a Djawadi arrangement of his theme?


Adrian2011-05-29 10:11:20
SB, that's not very likely if you compare styles.
Io features not much synths, but a lot of violins and horns/flutes (whatever they are called). If you know some Armstrong scores, you'll hear it's his entirely and no Djawadi arrangement or something.

Takehiro reply Replies: 2 || 2011-05-28 18:28:57
Why did Armstrong leave the project?


Hybrid Soldier2011-05-28 18:32:43
He was simply fired by the producers...

Life is tough !


Dakota2011-05-29 07:07:56
Nothing against Craig Armstrong, but I'm glad Ramin was hired to do it. I love this score! I always think what only would have become of Pirates if Alan Silvestri had stayed on as composer.

Paul reply Replies: 0 || 2010-04-29 00:00:00
Whoa, calm down people! Just let bygones be bygones, some love this score, most hate it.

That's life.

Lasse reply Replies: 0 || 2010-04-29 00:00:00
@Nicolas

no hard fealings , i like the socre of clash of the titans.
But there is no reason to write comments like that to Ryan. We are all here to talk and discuss soundtrack in a good way. i dont like when people attack each other for having a diffrent opinion.
film score is something beautiful and fantastic so its sad that people are gonna fight against each other over a score.

sorry for my bad english but i hope you understand what i mean. and as i said no hard fealings.

Adrian reply Replies: 0 || 2010-04-29 00:00:00
No one seems to understand that director Louis Leterier wanted this music, because Craig Armstrong was fired. So don't fire off Ramin, then do Louis. But it's his film, they are in the business for a reason, everyone here is not, and I think that's for a perfectly good reason too.

Now we got a Clash here too, and Zeus has just entered the ring... :-)

Bou reply Replies: 0 || 2010-04-29 00:00:00
the problem is simply because this site comment section is like Fu... Youtube , this is not a forum with edit functions or moderators so anybody can post craps comments like "this score sucks" without explanation or "OMG luv u hans zimmer" , "you're the best" , "Ramind Dajwadi is a hack" , "worst score ever" or sh... like that.

Cloud reply Replies: 0 || 2010-04-29 00:00:00
Nicolas, I'm surprised anybody comes to this site with that attitude.

Stop acting like a snob, this score sucks and that's that.

Plus, why attack Lasse too? You're a dick for doing that dude.

Nicolas, Webmaster reply Replies: 0 || 2010-04-29 00:00:00
We just thought that people could be reasonable enough to write constructives things... We're not on youtube where everybody from all worlds come and post. We're on a very specific website with people liking Film music, a pre-selection has been made ; they don't come and post here accidentally...
But not, witness this last stupid comment "Remote Control has other and better composers" ; you don't know how to express kindly your opinion, a sad finding...

This comment section will be closed tonight, only for Clash Of The Titans, some IP will be banned, and i will have a look more often on those sections as you people can't control yourself... Maybe the return to censorship with some posts erased... Too bad...

Just 1 question ;
If you had Ramin Djawadi (and consider writing in this section is almost the same) in front of you, would you use terms like "crap", "shit" or "luckily, there are better composers than you in RCProds" ?
I don't think so, then i put that behaviour on stupidity & cowardice to be hide behind your anonymity. It's poor, it's human, what could ask more from you ?
And i really do hope you're so demanding in your own job than you're demanding to others in so nice words...

And I really thank to 80% others that post constructives comments to make this section live in harmony. It's hard to be just a responsible person today...

Nicolas, Webmaster reply Replies: 0 || 2010-04-29 00:00:00
What's more, Clash Of Titans is one of the Album the most requested on our Webradio... Looking error !

Lasse reply Replies: 0 || 2010-04-29 00:00:00
in fact like i said before : I cant understand how people could not like this score. i thin its pretty enjoyable :)

Enrico reply Replies: 0 || 2010-04-29 00:00:00
For people that sau that this score is good, listen to score of Zimmer, or Williams, or others and listen THE music, not this bad noise...

Lasse reply Replies: 0 || 2010-04-29 00:00:00
im a huge fan of hans zimmer, marc streitenfeld , james horner and vangelis.
but i still think this is a great and enjoyable soundtrack.

Antas, Webmaster reply Replies: 0 || 2010-04-29 00:00:00
Bou said :
'the problem is simply because this site comment section is like Fu... Youtube , this is not a forum with edit functions or moderators so anybody can post craps comments like 'this score sucks' without explanation or 'OMG luv u hans zimmer' , 'you're the best' , 'Ramind Dajwadi is a hack' , 'worst score ever' or sh... like that.'

The latest stupid post by Enrico is a good example...

That's precisely the main reason I close this topic.

ps: there are moderators [Nicolas & myself] and be sure we have lot's of work !

Jeff Valino reply Replies: 0 || 2010-04-29 00:00:00
I don't see what the problem is.

90% of the people find this a bad soundtrack and lot's of people motivated in a constructive way. There is no need to punish then for pointing out their opinion.

Also a lot of people seem to say 'it is not original but hey it is fun to listen to'. For me personally I think that some of the Remote Control composers are the Britney Spears of soundtracks.

It's been done thousands time before, it sounds fun to listen to and after a month no one except the fans remember anything about it...

Luckily Remote Control has other and better composers.

Nicolas, Webmaster reply Replies: 0 || 2010-04-28 00:00:00
All critics are welcome on this website, but you could choose words or arguments more nices and constructives. What's more, names of the mixer are written in the credits above, then start and buy glasses for yourself...

Ryan reply Replies: 0 || 2010-04-28 00:00:00
I missed it! A mistake of myself.

Okay then...

Alan Meyerson needs a hearing aid!

Ryan reply Replies: 0 || 2010-04-28 00:00:00
What's more, you tell me to be nice and constructive, then you go and act like a smart ass by implying I need glasses?

That's what I call a hypocrite Nicolas. Don't worry I won't waste my time posting here again.

Goodbye.

Lasse reply Replies: 0 || 2010-04-28 00:00:00
@ Ryan

please dont care about what Nicolas said, it was a shitty comment he made.

Oliver reply Replies: 0 || 2010-04-28 00:00:00
@Ryan

I can see your frustration, it's been reported on some Soundtrack websites. I don't know whether you will read this, but here you go anyway. If not the others here can read this too.

From Filmtracks:

All of the composers' most unique instrumental elements are drowned out by the orchestra's mix. The "Medusa" cue is the most blatant example of an instance where someone absolutely butchers the mix of a score to render its solo performances moot. How can an organization like Remote Control have so many recording and engineering gurus and manage to provide a score so incompetently mixed and/or mastered for album?

http://www.filmtracks.com/titles/clash_titans.html

Nicolas, Webmaster reply Replies: 0 || 2010-04-28 00:00:00
I begin beeing upset by comment on this soundtrack ! You have perfectly the right no to like it, but i can't understand guys who think that their stupid comments can bring something constructive to their opinion. Just be adult, try to think there's a job behind this music, a composer, a team who worked a lot of days/month, and try to have a respectful opinion considering that. I just don't want my website to become a playground for people who don't know how to be noticed by others.
So if you wan't to leave, please do, we will be on holiday... And others (like Lasse) who can't understand that elementary opinion, just go away too. I'm fed up with all the stupid things i read on this "Clash Of The Titans" page...
Respect, do i ask too much ???

Ryan reply Replies: 0 || 2010-04-28 00:00:00
I might have been able to enjoy this score, if the mix hadn't been so utterly crap.

Who the hell mixed this thing? It sounds jumbled and overly compressed most of the time!

Buy the mixing guy a hearing aid somebody.

snah remmiz reply Replies: 0 || 2010-04-27 00:00:00
I think this score is not such good though it had a big orchestra sound.

ahmed reply Replies: 0 || 2010-04-27 00:00:00
hanz zimmer u rock

Lukas reply Replies: 0 || 2010-04-27 00:00:00
A very good Score!!!!

dido reply Replies: 0 || 2010-04-21 00:00:00
in fact very hemenous

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Clash Of The Titans soundtrack - Ramin Djawadi 2010