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Hallo,<br><br>Der 'Gladiator' ist schon langsam in die Jahre gekommen, die Musik ist aber nicht šlter geworden. Genial.<br><br>GruŖ  <br><br>Not bad score.<br><br>But I prefer the other oneIsnít that ironic that DC is abandoning the continuity while Marvel is finally embracing it?<br><br>For any electronic fans out there, this score is definitely a must listen, there are some badass 80ís beats (with a dash of Tron legacy) in here.I'm so mad at DC right now I'd rather promote Marvel !! lol<br><br><br>Well jokes aside I add cause Andrew worked on it. And btw he posted another 5 min cue on his Soundcloud, dunno if it's unreleased, there'll better specialists of that score than me !Yeah, I happen to have seen the film and the score is not really "coherent", it's more like many different cues put together...
Okay, thanks for clearing that up. The Tracks released were kind of interesting, a kind of mix of soundsAnyone else think Hans knew about all the studio meddling during pre-production, the rewrites etc and walked away ? I mean, when I heard Elfman's score I thought it was generic and wouldn't fit the movie. Then I watched the movie and it fits well. The movie is just as bland as the music in the background.I don't have to ask, that movie was a failure that barely got distributed... No one had any interest in releasing this score...Hybrid, did you ever ask Hans why this score wasn't released?After watching the movie, I just have to say it was okay. It had some great moments but for me it had also many problems. And one of them was the music. For most of the part it wasn't even noticeable and when it was, it was like random background music with no really emotion or heart.<br><br>BvS and MoS movies can be criticized for some things but the score is not one of them. The movie gave the movie a strong and powerful side, as well as a heart and emotion into it. In this movie there were so many moments that needed different score. <br>***SPOILERS***<br>Superman's resurrection needed the MoS in full epic form. Wonder Woman at the bank at the beggining needed her theme with the electric cello in full power.<br>The Batman theme at the beginning when he is after that Parademon.<br>We should have a really memorable theme for the whole Justice League as well as for each individual member.<br>The scenes with Clark and Lois at the house in Kansas and when his mother sees him, this needed the piano theme from This Is Clark kent or something like that.<br>And that final moments with Superman opening his shirt showing the Superman logo and then flying to the sky, we needed something like "What Are You Going To Do When You're Not Saving The World?" or "Flight" and not that unmemorable music we got.<br><br>I really hope that the petition of the Extended Cut of the movie made by Zack with Junkie's music gets to be released someday, but for now, I'm disappointed.
Sounds fun!!<br>Thanks for the linkAny ideas on the Chronological Order of the Tracks?<br>I made a start here...<br><br><br>Logos<br>Batman On The Roof<br>Everybody Knows - Titles<br>Wonder Woman Rescue<br><br>...<br>Icky Thump<br>Aquaman In Atlantis<br>...<br>1m1a Krypton (from Man Of Steel)<br>Spark Of The Flash<br>Friends And Foes<br>...<br>Come Together - Credits<br>Anti-Hero Theme - CreditsNo, they are the full score cues- as presented in the film. The presentation of the final three tracks on the first disc are edited down for timing.* I posted this at filmtracks and wanted to share it here as well. <br><br>Danny Elfman's comments are very disrespectful and so disappointing for a creative person to hear, especially for composers. Nostalgia is a big problem with Hollywood and it's a simple Jedi mind trick. It's slightly different, but the same meal over and over with different seasoning. Imagine if James Horner didn't get to write the score he wanted for Spider-Man? Or Zimmer had to use Elfmans Batman theme for the DK triliolgy or BvS? Or Shirley Walkers incredible Batman theme for Batman: Mask of the Phantasm. Or Giacchino just used the original star trek theme, or the original Star Wars themes for Rogue One and created nothing new at all? How boring and uninspiring for the composers not being able to challenge themselves to create new original music.<br><br>Whether you like these scores or not isn't important, the pursuit to create something new is what drives a creative person and gives us freedom in choosing something to enjoy and not enjoy. I love the original Batman theme by Elfman but I love it in the Burton films. I love Zimmer scores for both the DK trilogy and BvS. I am happy I can enjoy both types of scores and films but there are those who don't and that's a great thing because that means we are not all the same and that brings variety of opinion and taste which creates real conversation and most importantly gives an identity to a project.<br><br>It's easy to go back to original ideas, but I respect the creators who actually take the risk and want to try and do something new. If Danny Elfman stands by his words he should have just used the original Batman theme from the Tv Show and film or the original Spider-Man theme. Oops he didn't and we got a whole new Batman theme and Spider-man theme which most of us love. Thank god he didn't stick to using the original themes. The Batman reboots and superman and Spider-man reboots are completely different takes on the characters and that's why they deserve their own new themes and soundscapes. The only time I think an original theme from a film should be used in a new film with the same characters is if it's actually a sequel or prequel connected to that actual original film. Re-boots should always have new original music.<br><br>In the end the comments from Elfman are simply stupid and uninspiring and it's definitely a hidden ego coming through I never new he had which is a shame. I remember what Zimmer said about Danny Elfman's Batman theme being a bit jolly, but that's not attacking Elfman at all, it's how he felt and heard the music and felt that that style wouldn't fit in the new batman films ect.. I have always found the original Batman theme a bit on the jolly side too and I love it because it nails Burton's take on the character and world. That theme is for Keaton's Batman, no one else's.<br><br>One final point, if we keep wanting to just revisit the past and hear and see the same thing over and over and not be challenged with new ideas, what a damn uninspiring and boring world of creativity we will live in.<br><br>All the best to you all!<br><br>so...based on what junkie says here, Elfman is basically just rehashing old shit, as well as other people's old shit....Unless you want to say he's taking his Batman theme into a whole different direction that he didn't really have a desire to do before...until now....<br><br>In that case, "whatever" is all I have to say.
Nice stuff! I still can't believe this score hasn't gotten a release.That's unfortunate. With this score, I think it's obvious that the majority is Jablonsky, as it has a ton of elements from scores he's composed exclusively, but it would still be nice to know who did what, especially with the first and second films. Not sure why there's rarely any proper additional music credits for a lot of the RCP guys, especially considering Zimmer's credits are almost always complete. <br><br>However that cuesheet of the extended score is very interesting. Hopefully if it leaks, all those cues remain there.Damn that sounds different from Elfman's commentsThe funny thing is an interview he gave 1 months before being replaced... Saying pretty much the opposite of Elfman !<br><br>"Itís a massive undertaking. And I canít say anything about Justice League specifically, but Iíll tell you this, and this was exactly the same experience that Hans and I had when we did work together on Man of Steel and Batman v Superman: Itís like when you see a movie like that, these iconic superhero movies, some of them have a 60 to 80 year legacy, multiple composers had a go at their themes, multiple filmmakers did their version of these charactersóitís very scary. You watch a movie and itís like, ďHoly shit, now I have to come up with something.Ē Youíve got sweaty hands and youíre nervous, and you talk about it over and over againóand I have exactly that relationship with Zack Snyderóand then Zack said, ĒThereís only one thing you can do, and that is embrace this character as if itís your own, keep it close to your musical soul, and just do whatever you feel is the right thing to do for this character.Ē Thatís the only thing we can do. Thatís what all these great directors did back in the day, and thatís what all these great composers did back in the day. It makes no sense for me to do extensive quoting of Hansí score of the really amazing Batmans. It makes no sense for me to quote Superman from John Williams. Because all fantastic composers, they all did the same thing, they did something that was close to their heart, and I have to do exactly the same thing on this movie. You know this is Movie Number 4 that Iím doing with Zack, so you build a friendship and itís built on trust and loyalty. You know how to challenge each other, you know what to expect on the other side, and itís this really open, amazing dialogue about where to take this franchise."I can confirm that he had already worked on it quite a bit, because he said so in one of his Studio Time episodes.
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Additional Music
Harry Gregson-WilliamsHalli CautheryMatthew MargesonDavid Buckley
ComposerAdditional MusicAdditional MusicAdditional Music
Prince Of Persia - The Sands Of Time
Label: Walt Disney Records
Length: 66'19
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  1. The Prince Of Persia (5:20)
  2. Raid On Alamut (6:32)
  3. Tamina Unveiled (2:34)
  4. The King And His Sons (2:59)
  5. Dastan And Tamina Escape (4:31)
  6. Journey Through The Desert (2:55)
  7. Ostrich Race (0:59)
  8. Running From Sheik Amar (3:27)
  9. Trusting Nizam (4:37)
  10. Visions Of Death (1:46)
  11. So, You're Going To Help Me? (2:20)
  12. The Oasis Ambush (1:54)
  13. Hassassin Attack (2:59)
  14. Return To Alamut (3:05)
  15. This Is No Ordinary Dagger (4:39)
  16. The Sand Glass Chamber (3:09)
  17. Sands Of Time (3:58)
  18. Destiny (3:38)
  19. I Remain - Alanis Morissette (4:57)
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SCORE reply Replies: 0 || 2015-09-24 00:56:13
Tracklist Sessions

01.- 1m1 Opening
02.- 1m1 Opening edit
03.- 1m2 Roof Escape
04.- 1m2 Roof Escape edit
05.- 1m5 Alamut Treachery
06.- 1m5 Alamut Treachery edit
07.- 2m6 I Must Pray
08.- 2m6 I Must Pray edit
09.- 2m7-8 Climbing The Wall
10.- 2m7-8 Climbing The Wall edit
11.- 2m9 The Victory
12.- 2m9 The Victory edit
13.- 2m10 Dagger Lost And Found
14.- 2m10 Dagger Lost And Found edit
15.- 2m11b Tamina Unveiled
16.- 2m11b Tamina Unveiled edit
17.- 2m11c Tamina Sees Knife And Dastan edit
18.- 2m14 Angry King
19.- 2m14 Angry Kind edit
20.- 2m16 Kill Tamina edit
21.- 2m17 Dagger Sting
22.- 3m18 A Great Man
23.- 3m18 A Great Man insert
24.- 3m18 A Great Man edit
25.- 3m20 Escape
26.- 3m20 Escape edit
27.- 3m22 River Rewind
28.- 3m22 River Rewind alt front
29.- 3m22a River Rewind A
30.- 3m22a River Rewind B
31.- 3m22a River Rewind C
32.- 3m24 Walk And Talk
33.- 3m24 Walk And Talk alt mix
34.- 3m24a Walk And Talk A edit
35.- 3m24a Walk And Talk B edit
36.- 4m32 Ostrich Race
37.- 4m32 Ostrich Race alt mix
38.- 4m32 Ostrich Race edit
39.- 4m32a Waitress Tamina
40.- 4m32a Waitress Tamina edit
41.- 4m35 Over Here!
42.- 4m35 Over Here! edit
43.- 4m38 Kings Coffin
44.- 4m38 Kings Coffin edit
45.- 4m40 Market Chase
46.- 4m40a Market Chase A edit
47.- 4m40a Market Chase B edit
48.- 5m44 Visions Of Death
49.- 5n44a-45-44b Visions Of Death-Training
50.- 5m45 Hassansins-Sanctuary
51.- 5m45 Hassansins-Sanctuary edit
52.- 5m47 Sands Of Time
53.- 5m47 Sands Of Time edit
54.- 5m49-50 Ostrich-Snake Attack
55.- 5m49 Ostrich edit
57.- 5m52-54 The Hassansin Attack
58.- 5m52-54 The Hassansin Attack edit
59.- 6m55 Cave Whip Fight
60.- 6m55 Cave Whip Fight edit
61.- 6m56-59 Back To Almut
62.- 6m56-59 Back To Almut edit
63.- 6m70 Seso Fight And Death
64.- 6m70 Seso Fight And Death edit
65.- 6m71-74 Tus Uses The Dagger
66.- 6m71-74 Tus Uses The Dagger edi
67.- 7m75 Sand Drain
68.- 7m75 Sand Drain insert
69.- 7m75 Sand Drain edit
70.- 7m77 Dastan Fights Nazam
71.- 7m77 Dastan Fights Nazam edit
72.- 7m78 The Fall & Final Battle
73.- 7m78 The Fall & Final Battle edit
74.- 7m81 Nazam Exposed
75.- 7m81 Nazam Exposed edit
76.- 7m82 Nazam Over The Edge
77.- 7m82 Nazam Over The Edge edit
78.- 7m83 Walk With Me
80.- 7m83 Walk WIth Me ALT ending
81.- 7m83 Walk WIth Me ALT edit
82.- 7m84 Tail Montage edit
83.- 7m85 Tail Montage

Warfighter reply Replies: 0 || 2013-04-16 03:27:17
Is it "true" the main theme was composed by HZ? Or is this just an urban legend. Considering this is a JB production; i imagine HZ was at the very least considered and possible involved in some way? Thanks!

Macejko reply Replies: 2 || 2012-12-09 21:22:00
I have a question, which was in my mind for a long time: didn't they consider Ramin Djawadi for this one? Because Prince of Persia would be a great fit for him, considering he is part iranian (persian).


Edmund Meinerts2012-12-10 12:02:26
Djawadi grew up in Germany, didn't he? Just because he has Iranian roots doesn't automatically make him the right choice. Correct me if I'm wrong but I THINK that the Persia shown in this movie probably has some slight differences to modern-day Iran. ;)


Macejko2012-12-10 12:31:50
You are, of course, right in every way, but I believe he knows a lot about iranian culture. I was just wondering, nothing more.

Tick Tock reply Replies: 2 || 2012-05-23 21:14:18
This is an Expaded Score Track list :)

1m1 Opening
1m2 Roof Escape
1m5 Alamut Treachery
2m6 I Must Pray
2m7-8 Climbing The Wall
2m9 The Victory
2m10 Dagger Lost And Found
2m11b Tamina Unveiled
2m11c Tamina Sees Knife And Dastan
2m14 Angry King
2m16 Kill Tamina
2m17 Dagger Sting
3m18 A Great Man
3m20 Dastan & Tamina Escape
3m22 River Rewind
3m24 Walk And Talk
4m32 Ostrich Race
4m32a Waitress Tamina
4m35 Over Here! R
4m38 Kings Coffin/ Trusting Nizam
4m40 Market Chase
5m44 Visions Of Death/ Training
5m45 Hassansins/ Sanctuary
5m47 Sands Of Time
5m49-50 Ostrich/ Snake Attack
5m52 The Hassansin Attack
6m55 Cave Whip Fight
6m56-59 Back To Alamut
6m70 Seso Fight And Death
6m71-74 Tus Uses The Dagger
7m75 Sand Drain
7m77 Dastan Fights Nizam
7m78 The Fall & Final Battle
7m81 Nizam Exposed
7m82 Nizam Over The Edge
7m83 Walk With Me
7m85 Tail Montage


Mr. Fate2012-05-24 01:03:44
ALRIGHT! Compared to the track list posted immediately below THIS one, we've lost the track lengths, but we now have slate numbers. Hooray for progress!


Expanded2012-05-24 20:12:30
Expanded Score


1. Opening (2:31)
2. Roof Escape (3:14)
3. Alamut Treachery (1:54)
4. I Must Pray (1:01)
5. Hassansins Sanctuary (1:50)
6. Climbing the Wall (3:51)
7. The Victory (3:40)
8. Dagger Lost and Found (1:19)
9. Tamina Unveiled (1:55)
10. Tamina Sees Knife and Das (0:56)
11. Angry King (2:19)
12. Kill Tamina (0:44)
13. Dagger Sting (0:17)
14. A Great Man (3:33)
15. River Rewind (5:29)
16. River Rewind (alternate) (1:15)
17. Walk and Talk (6:25)
18. Ostrich Race (0:45)
19. Over Here! (3:30)
20. Waitress Tamina (0:46)
21. Market Chase (4:41)
22. Visions of Death (3:46)
23. Sands of Time (5:42)
24. Snake Attack (1:56)
25. The Hassansin Attack (4:40)
26. Cave Whip Fight (1:57)
27. Back to Almut (3:56)
28. Seso Fight and Death (3:00)
29. Tus Uses the Dagger (7:07)
30. Sand Drain (4:13)
31. Dastan Fights Nazam (2:05)
32. The Fall & Final Battle (2:27)
33. Nazam Exposed (2:27)
34. Nazam Over the Edge (0:32)
35. Walk With Me (4:50)
36. Tail Montage (7:06)

They are missing tracks on the expanded score ;- Trust nizam & dastan and tamina escape and Ostrich track when Sheik Amar areested dastan and tamina........ where are these tracks ?

tomPoland reply Replies: 1 || 2011-11-05 10:24:40
Expanded score showed up


1. Opening (2:31)
2. Roof Escape (3:14)
3. Alamut Treachery (1:54)
4. I Must Pray (1:01)
5. Hassansins Sanctuary (1:50)
6. Climbing the Wall (3:51)
7. The Victory (3:40)
8. Dagger Lost and Found (1:19)
9. Tamina Unveiled (1:55)
10. Tamina Sees Knife and Das (0:56)
11. Angry King (2:19)
12. Kill Tamina (0:44)
13. Dagger Sting (0:17)
14. A Great Man (3:33)
15. River Rewind (5:29)
16. River Rewind (alternate) (1:15)
17. Walk and Talk (6:25)
18. Ostrich Race (0:45)
19. Over Here! (3:30)
20. Waitress Tamina (0:46)
21. Market Chase (4:41)
22. Visions of Death (3:46)
23. Sands of Time (5:42)
24. Snake Attack (1:56)
25. The Hassansin Attack (4:40)
26. Cave Whip Fight (1:57)
27. Back to Almut (3:56)
28. Seso Fight and Death (3:00)
29. Tus Uses the Dagger (7:07)
30. Sand Drain (4:13)
31. Dastan Fights Nazam (2:05)
32. The Fall & Final Battle (2:27)
33. Nazam Exposed (2:27)
34. Nazam Over the Edge (0:32)
35. Walk With Me (4:50)
36. Tail Montage (7:06)
37. Trusting Nizam (Film Version) (4:37)


Anonymous2011-11-05 20:07:15
Nope. Some mistakes in that version.

Bondo reply Replies: 2 || 2011-07-04 11:35:56
Does anyone know if Margeson's 'additional arrangements' are on this OST?


Evenstar2011-07-04 20:42:51
Margeson is everywhere :D


Bondo2011-07-04 22:37:28
Yeah, apparently he's the new Lorne Balfe! :P

pureocean reply Replies: 1 || 2010-07-17 00:00:00
Exactly as I expected, boring musics...

Disney's composer choice was wrong. Music Composer should be Stuart Chatwood & Hans Zimmer.

I advice everybody to listen of Stuart Chatwood's Prince of Persia game-series soundtrack compositions from Youtube.


Snake2011-06-06 05:11:53
pureocean.

This is an amazing score. Too bad for you that you haven't listened to the soudtrack well. Not every score should have epic tracks. NO! Because if it has them, the score would be boring!!!! This score has everything that every film score should have; relaxed, serious, dramatic and epic tracks among others which means this score is very complete and selective. Like Transformers: Revenge of the Fallen. Not every movie should have Hans Zimmer in charge of the music department (even I'm a fan of him). Besides, Zimmer wouldn't work with Chatwood because he only works with his disciples and former disciples such as Henry Jackman, Steve Jablosnky, Ramin Djawadi and even Harry Gregson-Williams himself. This was the right decision from Disney to put Harry Gregson-Williams in charge of the music because he's very well prepared for every film genre including this one and because he has experience working in the videogame industry if you didn't know and that's reason why I think it was the right decision for this movie. And by the way, the music from the game is good, but not that good. For the game, I always thought that Chatwood wasn't the right choice as a composer and Ubisoft should have included Michael Giacchino, Jeremy Soule or even Gregson-Williams because of their previous works in the videogame industry. Also, Chatwood only works on videogames, not in films.

HGW4 reply Replies: 0 || 2010-07-17 00:00:00
@pureocean
Actually, it is a great score; but not everyone has the same taste...are you sure you listened carefully :) I have to say, it is one of the best scores Harry Gregson-Williams has produced since Narnia. I think it deserves much praise!

Anonymous reply Replies: 0 || 2010-07-04 00:00:00
ok is not bad good!

unknowncode reply Replies: 0 || 2010-06-13 00:00:00
amazing

Nerwen reply Replies: 0 || 2010-06-01 00:00:00
I've been listening to the soundtrack over and over again and I can admitt that I love it!!

There are a lot of things that identify HGW as its composer - like it's own mark on the music, Hans has it as well - and there are some particular themes I love! There is one in particularlly that reminds me something though I can't quite put my finger on it!

However, loved the soundtrack.

I've heard it before watching the movie - a thing I like a lot - and I couldn't wait till I watched the movie and give my opinion about it as a whole.

As for the movie; well, I'm not a fan of the video-game - never played it before - but I loved the movie every much! It's very Disney and Jerry, if you know what I mean, and adding this wonderful score gives an epic dimension to the movie.

Great Jobs Harry and thank you for the amazing music you've created... ^_^

gab reply Replies: 0 || 2010-05-31 00:00:00
I've already watched the movie...twice to be exact:) plan to watch it again for the third time...I love Dastan and Tamina tandem and the best track for me was when Dastan and Tamina escape...two thumbs up for the whole casts...one of the best movie i ever watched..:))

DK reply Replies: 0 || 2010-05-30 00:00:00
Sounds really good so far! The movie was awesome! Haven't had time to listen to the whole thing yet, but does anyone know if the music when Dastan uses The Dagger for the first time is on here? Possibly The Dagger's theme? Maybe it's "This Is No Ordinary Dagger?" Loved the music at that part, awesome.

DK reply Replies: 0 || 2010-05-30 00:00:00
Yes! You were right! It is "Dastan And Tamina Escape". It starts right at about 3:24. Love It.

Miles reply Replies: 0 || 2010-05-30 00:00:00
I haven't seen the movie yet, but I think it's on "Dastan and Tamina Escape."

blondie reply Replies: 0 || 2010-05-29 00:00:00
Well I just saw PoP and the movie and the score blew my socks off!! Thanks so much Harry, I've been waiting for a really good score from you since Prince Caspian! Shrek 4 is great as well! Keep up the good work and dont think twice about doing a PoP sequel if there is one!!!

Miles reply Replies: 0 || 2010-05-27 00:00:00
It looks like I was right: Tracks 11, 15, 16, and 17 do have different names depending on whether it's a US or UK release. No matter; it's still a good score--rich, epic and exotic.

Cloud reply Replies: 0 || 2010-05-27 00:00:00
I don't know about the digital release, but the track titles on the back cover of the physical release are a bit different.

HGW4 reply Replies: 0 || 2010-05-26 00:00:00
I LOVE this score!!!! Job well done!!! Fulfilled my need for a new Harry Gregson-Williams' score!!!! :)

tomPoland reply Replies: 0 || 2010-05-25 00:00:00
There are lots of 'borrowings' from other scores (HGW and others). But it works quite well in the movie. Especially to someone that doesn't know who HGW is (like my friends;).

Andrew reply Replies: 0 || 2010-05-24 00:00:00
Miles, I think what that person is referring to is the similarities between a small portion of the theme that starts around 0:37 in track 1 of Prince of Persia, and the love theme in Mummy Returns. Though it's too small to be called "Copy".

I too agree with HGW4, this is one of the better Gregson-Williams in recent years. I don't consider myself a hardcore Gregson-Williams fan, but I even enjoyed the bits that many people are calling "generic".

Two thumbs up!

HGW4 reply Replies: 0 || 2010-05-24 00:00:00
I agree...where are you guys getting this from? This is a great score...again Harry Gregson-Williams has composed a great score!

Miles reply Replies: 0 || 2010-05-23 00:00:00
Are you kidding? It sounds nothing like The Mummy Returns!

Anonymous reply Replies: 0 || 2010-05-23 00:00:00
There is no theme just a copy of Silvestri's Mummy Returns ! It's a shame and the action sequences are musically bad ! Where is the HGW of Kingdom of Heaven and Sinbad ?

Miles reply Replies: 0 || 2010-05-22 00:00:00
I mean Indiana's comment, of course. I like what I've heard so far!

Miles reply Replies: 0 || 2010-05-22 00:00:00
Most reviews of the film itself I've seen disagree with you...

HGW4 reply Replies: 0 || 2010-05-22 00:00:00
Actually...it is a very GOOD score!

Indiana reply Replies: 0 || 2010-05-22 00:00:00
Very bad score !

Miles reply Replies: 0 || 2010-05-18 00:00:00
Oh yeah, I like that one too. :)

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Prince Of Persia - The Sands Of Time soundtrack - Harry Gregson-Williams 2010