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Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.Ist there any chance for concert in Poland during this tour?
How do I listen to this ?Hybrid, what about any credits for this score?Looking to travel to Berlin for the kickoff. Reckon the concert is in german instead in english?100% agree.<br><br>“You Know My Name”, “Skyfall”, “Goldfinger”, etc. all stand out because they embrace the grander aspects of 007. Having a calm and reflective Bond song can be just as effective though. I feel like “No Time to Die” is basically trying to do what “Writing on the Wall” tried but succeeding much better.I really like the song. It has, I think, a Bangkok Dangerous vibe at first, before the first lyrics. <br>I read some comments on youtube stating its a bad Bond song because its too calm. I disagree. Sure, its less punchy than You Know My Name, but some previous Bond songs, like Tomorrow Never Dies, had the same "mood". <br>This song, No Time to Die, would also have been a prefect choice for the movie Quantum of Solace, which had this melancholic tone. i espacially picture this music during the train bar scene in Quantum of solace, when Bond is drinking thinking about Vesper and the past.
Man, i wan that score"Time to Get Out", “Pursuit At...”, “No Interest In...” and “I Never Left” all incorporate the piano motif from “Another Way to Die”. Granted, they are more like cameos than anything really substantial.Anybody who heard from Steve Mazzaro's website to listen by The Rhythm Section with soundtrack, it's ain't not bad at all.I’m aware about no good about goodbye and yes it’s in various cues. can you tell me where another way to die appears? also check out “talomne” it has you know my name on stringsSeriously, the complete score needs to come out. We NEED those Mazzaro suites on our devices!
Just came back from Mazzaro’s website. Why didn’t they include the extended versions of some of the tracks? Not to mention an entirely unreleased track.<br><br>This is the closest we’ll get to having an “original” album by Zimmer and his team. Darn...QoS did attempt to use the theme song in the score, but the theme song they went with changed during production. It was originally going to be "No Good About Goodbye" as sung by Shirley Bassey and written by David Arnold, the composer for QoS. Listen to the song and you can hear it all across the score, such as at 3:30 in Time to Get Out and 0:08 in Talamone. As such, I'd still count QoS as abiding by the rule.To be fair QoS used the striking piano notes that opened “Another Way to Die” throughout. Very subtle but there wasn’t really a strong melody in that song to begin with &#175;\_(&#12484;)_/&#175;QoS is the only Craig film to not include its theme song in the score thus far. however you know my name appears in it. Though that was strange.:) getting pretty excited for this score after watching some of the clips online!
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Composer - Conductor - OrchestratorAdditional Music - Synth RecordistOrchestrator
Harry Gregson-WilliamsSteve JablonskyHans ZimmerBruce Fowler
ComposerAdditional MusicScore ProducerOrchestrator
The Borrowers
Label: Mojo Trax
Length: 53'42
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4637 votes)
  1. Opening Titles (1:30)
  2. Pete Helps Out (2:12)
  3. Ocious P. Potter (2:35)
  4. Pod's Heroics (2:10)
  5. Killer Hoover (0:58)
  6. Arriety's Sadness (2:52)
  7. A Plan Is Hatched (2:22)
  8. The Policeman Arrives (1:30)
  9. Pod Saves Peagreen (2:00)
  10. Borrower's Galore (2:00)
  11. Stealing The Will (3:00)
  12. Hammered (2:55)
  13. The Borrowers' Revenge (3:25)
  14. Dairy Montage (1:00)
  15. Arriety Is Seen And Caught (1:15)
  16. Life Or Death For Peagreen (4:18)
  17. Pete To The Rescue (4:25)
  18. Potter's Entrance (1:40)
  19. Potter's Angry Now (1:35)
  20. Under The Floorboards (1:53)
  21. Jeff The Exterminator (1:24)
  22. Home & Dry / End Titles (6:16)
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Hybrid Soldier reply Replies: 0 || 2007-08-22 00:00:00
If you want the complete informations :

Music Composed, Orchestrated & Conducted by... Harry Gregson-Williams

Score Produced By... Hans Zimmer

Album Produced By... Harry Gregson-Williams & Hans Zimmer

Additional Orchestration By... Bruce Fowler

Copyist... Joann Kane Music Services

Additional Music By... Steve Jablonsky & Gavin Greenaway

Music Editor... Brian Richards

Orchestral Contractor... Isobel Griffiths

Orchestra Led By... Gavin Wright

Orchestra Recorded & Score Mixed By... Alan Meyerson At Angel Studios, U.K.

Synths Recorded By... Steve & Gregg At Media Ventures

Album Compiled By... Brian Richards

Music Production Services By... Media Ventures

Executive In Charge Of Music For Polygram Filmed Entertainment... Dawn Soler

Album Layout By... JennyO


The Composer Would Like To Thank...

Peter Hewitt for his unswerving vision of eccentricity; Tim Bevan for having faith; Hans for being so particularly Zimmeresque about this project; Steve Jablonsky for more than just assistance; and Karen GW for her extraordinary patience.

Mark Levy at Media Ventures; Maggie Rodford & Becky Bentham at Air-Edel; Tom at Angel; RGW; Adam and his frog; and all who work and sail in Media Ventures.

Falconet reply Replies: 0 || 2007-07-18 00:00:00
Amazing Score! Sound like Chicken Run :-)

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The Borrowers soundtrack - Harry Gregson-Williams 1997