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Off the top of my head:<br><br>It Wasn't Meant To Be<br>Atlantean Soldiers<br>Permission To Come Aboard<br>Swimming Lessons<br>Kingdom of Atlantis<br>The Legend of Atlan<br>The Ring of Fire<br>What Does That Even Mean?<br>Map In A Bottle<br>The Black Manta<br>Trench Engaged<br>Reunited<br>What Could Be Greater Than A King?<br>He Commands The Sea<br>Suited And Booted<br><br>Not sure about Arthur, Between Land And Sea, and He Commands The Sea. I think Arthur may be a suite that includes his main theme, the Atlantis chase, and some action themes. I'd have to listen to the other two tracks again to be sure, but I think He Commands The Sea is near the end.anyone care to take a stab at the chronological trask listing?Yes, both played in the film, and it's sort of a suite: It's split into two in the film, first part sounds close to the opening, the heavy synth part plays in really well when it's used, you'll hear it the moment it starts, no spoilers from me, but it's an awesome sequence.Does the cue "Arthur" play during the film or is it a theme suite?It's confirmed a CD release, but not confirm if is a CD-R
Is the soundtrack released on CD, or it's only digital ?by that logic he would’ve done blade runner 2049. He’s retiredMakes you wonder why they didn't get Vangelis himself.Naw man this is the right page lolWrong page?
Rupert Gregsons amazing blending of orchestral and electronic sounds in Aquaman is epic.Arthur is the best?why Slenderman theme not getting the praise it deserves?Conrad Pope is only conductor in this, not orchestrator.Creatively speaking I can see why they choose that particular synth style, and my guess has nothing to do with that Thor Rganarok score. <br><br>It has MUCH to do with one composer: VANGELIS. You cannot see Aquaman landscapes and not to think of Vangelis (Blade Runner to be precise) and by all means, if you know well Mr. Papathanassiou's body of work, in his style.. he even has an album called OCEANIC. <br><br>I mean, RGW even uses the same exact 5 notes in which Vangelis tended to end up some of his themes, as also closing notes for one of his themes. It has nothing to do with Ragnarok.. lets not be so short sighted please.^ And I think a big part of that is the sound mixing. I understand each composer has their own unique voice, but in Holkenborg’s case he tends to mix everything so harshly, particularly the brass. It definitely muffles the music to a degree. <br><br>Similar issue I have with Giacchino, who I think writes amazing music which gets undercut by the really dry mixing.
Arthur alone is worth the price of the whole album. Amazing piece.To me it sounds like the composer's usual fare, only this time it has a touch of Conrad Pope every now and then in the orchestrations. Won't be surprised if CP's involvement went beyond just conducting.I think some pices of music was simillar to bane theme in dark knight rises. Isnt it ?Am I correct that the music used in the long flashback sc&#232;ne with Hester and Shrike is only sort of present in the final track "Alive and Together" ?So the complete score is now available on YouTube and it’s AWSOME. Particularly Escape through Paris
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Composer - Conductor - OrchestratorAdditional Music - Synth RecordistOrchestrator
Harry Gregson-WilliamsSteve JablonskyHans ZimmerBruce Fowler
ComposerAdditional MusicScore ProducerOrchestrator
The Borrowers
Label: Mojo Trax
Length: 53'42
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4197 votes)
  1. Opening Titles (1:30)
  2. Pete Helps Out (2:12)
  3. Ocious P. Potter (2:35)
  4. Pod's Heroics (2:10)
  5. Killer Hoover (0:58)
  6. Arriety's Sadness (2:52)
  7. A Plan Is Hatched (2:22)
  8. The Policeman Arrives (1:30)
  9. Pod Saves Peagreen (2:00)
  10. Borrower's Galore (2:00)
  11. Stealing The Will (3:00)
  12. Hammered (2:55)
  13. The Borrowers' Revenge (3:25)
  14. Dairy Montage (1:00)
  15. Arriety Is Seen And Caught (1:15)
  16. Life Or Death For Peagreen (4:18)
  17. Pete To The Rescue (4:25)
  18. Potter's Entrance (1:40)
  19. Potter's Angry Now (1:35)
  20. Under The Floorboards (1:53)
  21. Jeff The Exterminator (1:24)
  22. Home & Dry / End Titles (6:16)
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Hybrid Soldier reply Replies: 0 || 2007-08-22 00:00:00
If you want the complete informations :

Music Composed, Orchestrated & Conducted by... Harry Gregson-Williams

Score Produced By... Hans Zimmer

Album Produced By... Harry Gregson-Williams & Hans Zimmer

Additional Orchestration By... Bruce Fowler

Copyist... Joann Kane Music Services

Additional Music By... Steve Jablonsky & Gavin Greenaway

Music Editor... Brian Richards

Orchestral Contractor... Isobel Griffiths

Orchestra Led By... Gavin Wright

Orchestra Recorded & Score Mixed By... Alan Meyerson At Angel Studios, U.K.

Synths Recorded By... Steve & Gregg At Media Ventures

Album Compiled By... Brian Richards

Music Production Services By... Media Ventures

Executive In Charge Of Music For Polygram Filmed Entertainment... Dawn Soler

Album Layout By... JennyO


The Composer Would Like To Thank...

Peter Hewitt for his unswerving vision of eccentricity; Tim Bevan for having faith; Hans for being so particularly Zimmeresque about this project; Steve Jablonsky for more than just assistance; and Karen GW for her extraordinary patience.

Mark Levy at Media Ventures; Maggie Rodford & Becky Bentham at Air-Edel; Tom at Angel; RGW; Adam and his frog; and all who work and sail in Media Ventures.

Falconet reply Replies: 0 || 2007-07-18 00:00:00
Amazing Score! Sound like Chicken Run :-)

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The Borrowers soundtrack - Harry Gregson-Williams 1997