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01 - 1m1-1A Race To Ritual Pts. 1 & 2 02 - 1m1B Main Titles 03 - 2m3 Holmes' Room 04 - 2m4AS 05 - 2m4BS-5-6S Offends Mary 06 - 2m8S-2m9 Blackwood's Request 07 - 2m11S Violin Plucking Source 1 08 - 2m13-14 pt1 Arriving At The Prison I 09 - 2m13-14 pt2 Arriving At The Prison II 10 - 3m15 Holmes & Irene 11 - 3m16S Violin Plucking Source 2 12 - 3m17 The Man In The Carriage 13 - 3m18A-18BS-18C Holmes Follows Irene 14 - 3m19-20-21S Blackwood Resurrection - Street Source 15 - 3m22 Gypsy Fortune Teller 16 - 3m23S-24 pt1 Investigating Reordon's Lab Pt. 1 17 - 3m24 pt2 Investigating Reordon's Lab Pt. 2 18 - 4m25A 19 - 4m25S Arrival Of Dredger 20 - 4m26A Holmes & Dredger Talk 21 - 4m26B The Boat 22 - 4m26S Chase Dredger 23 - 4m27 Marital Sabotage 24 - 4m28 Meet Sir Thomas Rotherin 25 - 4m29 Stop Blackwood 26 - 4m30 Irene Subdues Holmes 27 - 4m31 Death Of Rotherin 28 - 5m32 Rotherin's Secret Chamber 29 - 5m33 Death Of The Ambassador 30 - 5m34 Corpse Examination 31 - 5m35-36A Boat To Slaughterhouse - Save Irene 32 - 5m36B Save Irene Pt. 2 33 - 5m37 Tripwire 34 - 6m37A Moriarity & Irene On A Train 35 - 6m38 Hospital Through Ritual 36 - 6m39 37 - 6m39S Violin Plucking Source 3 38 - 6m40 Blackwood's Plan Explained 39 - 6m40A Holmes Wakes Up 40 - 6m42 41 - 6m42A Holmes Smokes Coward 42 - 6m43A Parliament Final Battle 43 - 7m43B Parliament Final Battle Pt. 2 44 - 7m43C 45 - 7m43D 46 - 7m46A Moriarity Case Reopened 47 - 7m46B End Titles Pt. 1 48 - 7m46C End Titles Pt. 2 49 - 7m46D End Titles Pt. 3 50.- Sherlock Holmes Suite 51.- Holmes (Hans 'n' Guy Version
Any chance this gets leaked in the near future?
Got a tracklist for game of shadows?
I am going to call this guy's bluff.
I don't believe Garage sent you anything due to the fact that he would be risking his source, and I am sure he is smarter than that.
I'm beginning to think that anyone who claims to have a complete score on this site will now use the name Anonymous123.
This track list is legit.
The leak is FINALLY here!!!!!
And no, I won't create a page for that one...
Cause I basically don't want to... Cause I don't like that bootleg (the boot, not the music :P).
has now been leaked as well.
This thing sounds like it was taken directly from the film. All the edits and cuts and crossfades are present - but no dialogue and sfx. How strange.
I noticed that, too. As opposed to Inception and TDKR, which sound like they were earlier than the actual film mix.
You just explained my previous message... :)
Hey Hybrid, any idea why some bootlegs from around 2008 (Iron Man and TDK being the best examples) sound much more richly mastered and have more noticeable bass than most others (like POTC and TDKR or even Inception) which sound... emptier, almost?
Hard to say... Just depends on the original recording... Some are recorded loud, some are not. Bootlegs are original files so not mastered by definition. There's no rule.
the 'boot' actually sounds better than the commercial release imo
Makes ya wonder how many bootlegs are still out there
watch it be the next thing everyone begs about
Hybrid; Now i can say this is not the original sessions, it is only an complete isolated score(bootleg) but i do not know the source of this and the slates!!!!
I honestly don't know the source, nor understand it. Is it some DVD isolated production (like WarmButter DVDs) ? Is it true sessions "arranged" in film mix by someone ? No idea.
The titles just come from the cue sheet I posted years ago...
And some are even wrong here, Arrival Of Dredger should actually be "Meet Dredger"... ;)
The slates and titles are clearly from ASCAP. Some cues are mis-titled at parts too.
To be honest, I thought the score to the first movie didn't fit the onscreen material very well (A Game of Shadows was much better with that), but I gotta hand it to Zimmer: he did something different. That's really admirable in and of itself.
01. Opening Titles / Race To Ritual (4:10) 02. Holmes (2:16) 03. Holmes' Room (1:08) 04. Offends Mary (1:53) 05. Arrival At The Prison (3:31) 06. The Man In The Carriage (1:29) 07. Holmes Follows Irene (1:47) 08. Blackwood Resurrection (4:44) 09. Gypsy Fortuneteller (0:58) 10. Irene Subduse Holmes (2:20) 11. Unused Cue (1:34) 12. Corpse Examination (1:05) 13. Boat To Slaughternouse (1:34) 14. Tripwire (2:19) 15. Hospital Through Ritual (Pt.1) (1:48) 16. Hospital Through Ritual (Pt.2) (1:35) 17. Holmes Smoked Coward (Pt.1) (0:55) 18. Holmes Smoked Coward (Pt.2) (4:55) 19. Parliament Final Battle (Pt.1) (11:16) 20. Parliament Final Battle (Pt.2) (2:22) 21. Moriaty Case Reopended (2:24) 22. End Credits (Pt.1) (2:06) 23. End Credits (Pt.2) (3:22) 24. Suite (8:52)
Thanks for putting the original soundtrack in film order, Felix, and using the ASCAP track titles. I'm not trying to sound like a dick or anything. I just thought I'd let people know that if an/the edit ever surfaces that corresponds to this list, nothing new or mind-blowing will be found in it.
[I did an analysis of the score myself recently, to put the slate numbers and names to the appropriate music and then took a look at what of that music is available on the OST.]
Does anybody know what was temp-track for this movie?
Pretty sure it was the score for The Dark Knight, which is why Guy Ritchie wanted to work with HZ in the first place.
Temp tracks? Like what they used as temporary score before Zimmer wrote something for this film? I'm pretty sure they did that for PotC2 since part of Hello Beastie sounds almost identical to a track from King Arthur.
Has a score released for "A Game of Shadows" been confirmed yet?
It's not definite confirmation, but Hans' name is in the credits at the end of the trailer. And the music in it is the same as the first one.
I'm excited to see what Hans and the gang come up with for the sequel. Hopefully we get a nice, 55+ min score release too.
I hope there's more of what was in "Psychological Recovery...6 Months" in the score to A Game of Shadows. That cue is one of my all-time favorites my Zimmer. Of course, Balfe is great too. His contribution can't be forgotten and here's hoping he's involved on the second soundtrack as well.
I'm just praying that Hans Zimmer devotes enough time and energy into the score for Game of Shadows and makes it as original and charismatic as the first score, and doesn't simply hand the job off to his protégées and we end up with a heap of uninspired and recycled expendable garbage.
@cheesy: Yes, I'm all for Balfe adding his flair to the score, but I pray that the myriad of other guys don't touch this score because the first was good because Zimmer controlled the extras and soloists. Sort of like controlled chaos that made for a wonderful listen in the end. But as we saw and heard with On Stranger Tides, Zimmer's minions aren't quite up to par with the maestro himself yet.
so....after all the disappointments this year Game of Shadows is the next one...
Here's what I know:
Zimmer likes trilogies - he likes expanding on his initial scores, so this might be a good thing for this one...
Bad news? If he does to this what he did with Rango and Pirates 4 its gonna stink.
Well, another reason I'm worried is because Hans Zimmer has already started working on TDKR. From what I've heard in various interviews with him, he likes to take it one project at a time, and fully get into the "mode" of his next project, which he seemingly has already done for TDKR. So why would he want to suddenly switch gears and go into full-time "Holmes mode" like last time around? Wouldn't it be much easier for him to just hand it off to the other guys and then sit in the recording booth and nod?
It is possible that HZ will set TDKR aside for the time being and take the necessary time to be fully devoted to Game of Shadows to expand upon his initial score like kaka is saying, which I'm praying is what happens...but honestly, given the reputation of RCP so far this year, which outcome seems more likely?
I think I would rather have him focused on TDKR than Sherlock. As awesome as Sherlock is, I would like him to top TDK and see what we get from TDKR. TDK is one of the best film scores ever, in my opinion.
@Dakota I do suppose you're right about that. It would just be sad to sacrifice a series of scores with so much potential like Sherlock. If James Newton Howard was returning for TDKR, then I would be much more inclined. But since (at least as of now) JNH isn't involved...I don't know if TDKR can top TDK and BB. I have no doubt in my mind Zimmer will give us something epically phenomenal, I'm just saying, there may be a severe element of elegance missing that detracts from it what made TDK and BB complete works of art.
But back to the subject at hand, I guess I would feel better if Hans hadn't started on TDKR yet. That way we could have gotten both. But I guess we won't know until the soundtrack comes out.
Dosent Zim usually just develop a theme and hand it off to his crew for completion? I expect him to pretty much do that with both Sherlock and the final Batman flick. Guy seems to be less involved with each sequel he does.
**Sorry, I wrote that last part in a rush. I think "we could've gotten both" was the wrong way to phrase that. Disregard.
But none of that makes sense because isn't A Game of Shadows being released before The Dark Knight Rises? If so, that would mean the score for Sherlock 2 should be nearing completion. I want Zimmer to have all the time in the world for the last entry in Christopher Nolan's Batman franchise. The movie is going to be epic and the score must match that in scope, scale, and feel. And plus with Newton Howard not attached to this movie Zimmer needs more time. Just saying.
Zimmer neds to step up to the plate, seriously. Many of his scores (with the exception of the Dark knight, the only release to have a decept amount of music released on the 1st disk alone) are usually always between 45-55 mins. long. Where's a nice 75 min release? Huh? Like Brian Tyler or Michael Giacchino. I'm fed up with this, he's too humble? Bull, he just doesn't release enough music, keep the fans happy, it doesn't matter if you think your work sucks or not, if people like it, then by all means, give them more.
SMH Hans Zimmer -__-
I'm glad to see that I'm not the only one who is a bit worried. I LOVE the SH score, imo it's the best after TDK. Which makes it all the more frightening, as he does that one about now as well. I couldn't live with either one not living up to his best work. And I think he knows that too. I have come to love the Spanish tracks from Pirates 4, as well as Mermaids. But of course, compared to Pirates 3 .... 'nuff said. I think he needs a break from all those sequels. Yet, those two sequels really need to be amazing. Oh pretty please!
RACE TO RITUAL PT 1 (1M1) Hans Zimmer RACE TO RITUAL PT 2 (1M1A) Hans Zimmer, Diego Stocco MAIN TITLES (1M1B) Hans Zimmer, Lorne Balfe HOLMES ROOM (2M3) Hans Zimmer, Lorne Balfe OFFENDS MARY (2M5) Hans Zimmer, Lorne Balfe BLACKWOOD S REQUEST (2M9) Hans Zimmer, Lorne Balfe VIOLIN PLUCKING SOURCE 1 (2M11) Hans Zimmer ARRIVING AT THE PRISON (2M13 - 14 PT 1) Hans Zimmer, Lorne Balfe ARRIVING AT THE PRISON (2M13 - 14 PT 2) Hans Zimmer, Lorne Balfe HOLMES & IRENE (3M15) Hans Zimmer, Lorne Balfe VIOLIN PLUCKING SOURCE 2 (3M16S) Hans Zimmer THE MAN IN THE CARRIAGE (3M17) Lorne Balfe HOLMES FOLLOWS IRENE (ORCH A) (3M18A) Lorne Balfe HOLMES FOLLOWS IRENE (GYPSY) (3M18BS) Lorne Balfe HOLMES FOLLOWS IRENE (GYPSY)(3M18BS) Hans Zimmer, Aleksey Igudesman HOLMES FOLLOWS IRENE (ORCH B) (3M18C) Lorne Balfe BLACKWOOD RESURRECTION (3M19 - 20) Hans Zimmer, Lorne Balfe STREET SOURCE (3M21S) Noah Sorota, Ann-Marie Calhoun GYPSY FORTUNETELLER (3M22) Hans Zimmer, Aleksey Igudesman INVESTIGATING REORDON S LAB (3M24 PT 2) Hans Zimmer, Lorne Balfe INVESTIGATING REORDON S LAB (3M24 PT 1) Hans Zimmer, Lorne Balfe ARRIVAL OF DREDGER (4M25S) Hans Zimmer, Lorne Balfe MEET DREDGER (4M25S) Hans Zimmer, Atli Örvarsson, Aleksey Igudesman, Davey Johnstone, Ann-Marie Calhoun, Noah Sorota CHASE DREDGER (4M26S) Hans Zimmer, Aleksey Igudesman, Davey Johnstone HOLMES & DREDGER TALK (4M26A) Hans Zimmer, Lorne Balfe THE BOAT (4M26B) Hans Zimmer, Lorne Balfe MARITAL SABOTAGE (4M27) Hans Zimmer, Lorne Balfe MEET SIR THOMAS ROTHERIN (4M28) Hans Zimmer, Lorne Balfe STOP BLACKWOOD (4M29) Hans Zimmer, Lorne Balfe IRENE SUBDUES HOLMES (4M30) Hans Zimmer DEATH OF ROTHERIN (4M31) Hans Zimmer, Lorne Balfe ROTHERIN S SECRET CHAMBER (5M33) Hans Zimmer, Lorne Balfe DEATH OF THE AMBASSADOR (5M33) Hans Zimmer, Lorne Balfe CORPSE EXAMINATION (5M34) Hans Zimmer, Lorne Balfe BOAT TO SLAUGHTERHOUSE (5M35) Hans Zimmer, Lorne Balfe SAVE IRENE (5M36) Hans Zimmer, Lorne Balfe TRIPWIRE PT 1 (5M37 PT 1) Hans Zimmer, Aleksey Igudesman TRIPWIRE PT 2 (5M37 PT 2) Hans Zimmer, Atli Örvarsson MORIARTY & IRENE ON A TRAIN (6M37A) Hans Zimmer, Lorne Balfe HOSPITAL THROUGH RITUAL (6M38 - 39 PT 1) Hans Zimmer, Lorne Balfe HOSPITAL THROUGH RITUAL (6M38 - 39 PT 2) Hans Zimmer, Lorne Balfe VIOLIN PLUCKING SOURCE 3 (6M39S) Hans Zimmer HOLMES WAKES UP (6M40A) Hans Zimmer, Lorne Balfe BLACKWOOD S PLAN EXPLAINED (6M40) Hans Zimmer, Lorne Balfe HOLMES SMOKES COWARD PT 1 (6M42A) Lorne Balfe HOLMES SMOKES COWARD PT 2 (6M42A) Hans Zimmer, Lorne Balfe PARLIAMENT FINAL BATTLE (6M43A - R7 CROS Hans Zimmer, Lorne Balfe PARLIAMENT FINAL BATTLE (7M43B) Hans Zimmer, Lorne Balfe MORIARITY CASE REOPENED (7M46) Hans Zimmer, Lorne Balfe END TITLES PT 1 (7M46B) Hans Zimmer, Lorne Balfe END TITLES PT 3 (7M46D) Hans Zimmer
Where can I find it to listen?
Absolutely nobody has these recording sessions and even if they did, they definitely aren't going to email them to you alone. This track list just came off of ASCAP, or some other site like it. People aren't supposed to leave their email addresses on here anyway.
Sorry about that, I suppose I made a mistake in leaving my email address. Apologies. Actually, I wasn't expecting them for free. I was planning paying a great deal of money to get them if possible. Anyway, I really do think someone has these. I was lucky enough to get King Kong.
Don't ever pay someone for a score, let alone trade for a score unless you 100% trust them(according to someone else here, you're supposed to trust them 20% and let them do 80% of the work to prove they are trustworthy). The best way is almost always just to sit around and wait until the music becomes available.
And anyway, I'm not entirely sure that this track list is real. I swear I first saw it not on some ASCAP or similar page but under some forum where a guy was like, "Hey, I was just messing around and came up with a complete track list for Sherlock Holmes."
Wait a second.
First someone was at the Pirates 4 page doping on about a full score (and folks got scammed), then the Pirates 3 page had the same thing, then King Kong. now Sherlock? Something not right.
There's a song in the movie, in the scene of fighting with the big french man, that is not included in the official CD. Is there any site such us Itunes or Amazon where it can be sold? or, please, if anybody knows what song is it, please Reply this comment.
Thanks. Sam (I'm sorry about my english, some expressions would be wrong. I'm from spain)
The first part of that cue is unreleased/unavailable, the second part is a variation on track no. 11 (9:11 - 10:31).
Why is it that your fas-paced and amazing version of the Song that was playing during the first fight scene with Dredger not available on the soundtrack? I believe the original song is Called "Johnny Cope"? Will it ever be available?
@Hybrid: Question for you actually about this tracklist. I checked out ASCAP and they have listed that track 7, "Marital Sabotage", as composed by Hans Zimmer, Lorne Balfe, Bob Badami. Is this correct or am I way off base here?