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John Powell would be an amazing choice, if only to get him more mainstream exposure. <br><br>The thing is, if you strip away the drums, sound design, and harsh-mixing Tom is a actually a pretty gifted ďclassicalĒ composer imo. His string writing has always impressed me, and seeing his use of woodwinds in Alita definitely proved that he can write outside of the mold Hollywood had put him in post-Mad Max.<br><br>Avatar 2 is most likely going to need a pretty diverse score, if the first one is any indicator. James Horner combined traditional orchestra, tribal drums, ethnic elements, electronics, and masculine action writing. All of which I could see Tom doing quite well.Chrono order goes like this :<br><br>Dublin 1996<br>Driving<br>Deceit<br>Second Warning<br>First Warning<br>Research<br>Conversations<br>The Beating<br>Traynor Lies<br>Never Show Your Fear<br>Preparations<br>The Killing<br>Bad News<br>The Funeral<br>One More Day<br><br>But some tracks have cues edited together, and some titles are not exactly perfect lol...Atli is fine in Iceland, maybe he just doesn't want to look for trouble anymore... :)Lorne did work on this score. At the very end, when the film (and therefore, the score) was getting butchered by editors to shorten it, there was very little time to rework the score to adapt it to the new cut. So Steve called Lorne for help, who agreed but asked not to be credited (his team was, so it kinda defeated the purpose lol)... They didn't do THAT much on the score, but Battlefield is indeed a LB cue (it sounds nothing like SJ).<br><br>Not the first time this happened. Lorne extensively worked on TF1 & 2 (credited), but also helped (uncredited) on TF3 (there again, his assistant back then Andrew K. was credited).Alright, that's ^^ a bit too far, but I agree that there's not enough evidence to really support the theory. The only compositions that seem like Balfe might have had a hand in are the various reprises of "Bumblebee" (aka the Journey theme) that was always rumored to be co-composed by Balfe, and the big choral section in "Your Voice" when the knights begin attacking Optimus, as that is also a progression I associate heavily with Balfe's involvement in the first 2 scores. But that's still not enough to prove that he was involved.<br><br>By the way Bayhem, I don't believe that John Williams or Howard Shore have lied about doing their work by themselves. John Williams has worked with William Ross and probably others, but I don't think they're lying when they say they've done a score themselves. They seem like they can compose on their own just fine.
Yep, if "deserving" existed, Atli would've gotten many more movies than he currently does.Anyone know of a proper chronological listing of this score? I tried cross-referencing it with the expanded listed here and made this:<br><br>01 Dublin, 1996<br>02 <br>03 <br>04 <br>05 Second Warning<br>06 Research<br>07 Driving<br>08 The Beating<br>09 Traynor Lies<br>10 Never Show Your Fear<br>11 Preparations<br>12 The Killing<br>13 Bad News<br>14 The Funeral<br>15 One More Day<br><br>But I have no idea where Conversations, First Warning, and Deceit goes, and I'm not sure if Traynor Lies and Driving are placed correctlyif you read my first sentence you can see I dismisded this rumor as crap<br>..................<br><br>Fair enough....But look back on the comment itself. It's kinda confusing. The way you wrote it created the illusion that Lorne not only ghostwrote the score, but he also dismissed it as crap. You didn't say "I dismissed the rumor". You said: "...a rumor stating that Lorne Balfe ghostwrote this score and dismissed it as crap." <br> <br><br>Anyway, moving on.....<br><br>Steve was interviewed a lot about The Last Knight and it's pretty obvious that he worked hard on that score. From the day they started shooting the movie. Was he supported by other composers? Absolutely. You can't score such a huge movie by yourself. Any composer who claims that is lying.<br><br>So there's nothing shocking or surprising about the fact that other composers were involved here. As for them being "Lorne's people"......well, considering how MV/RC-related composers work and how interconnected everything is, the "Lorne guys" could very well be friends with Steve too and perhaps he simply brought them on board. Or they were recommended by Lorne. It certainly doesn't mean that there was this top secret plan of them and Lorne actually ghostwriting the entire score. I still wonder tho......how do these rumors even come up? Who spreads them? And why? I ask because this is not the first time I've heard rumors about Zimmer scores and Jablonsky scores. It's always these two guys. Which happen to be two of the most prominent and popular MV/RC guys. Coincidence? Not to sound like a conspiracy nut, but it kinda makes me think that someone is intentionally trying to undermine the biggest MV/RC names by constantly throwing shade at their work."Deserving" is a word that doesn't exist in Hollywood, so stop thinking that way... lolThe problem I have with Junkie XL scoring Avatar is just that there are so many RCP composers better or more deserving. You have Zimmer, Powell, Gregson-Williams, Mancina, Jackman, Wallfisch...it is just so wrong to think Junkie XL is scoring Avatar and none of those guys are.
I think that Tim Miller played a greater role in case of Terminator and Sonic. And I really don't see Junkie as good choice for Avatar 2.@Edmund <br>I still stand by my opinion that Holkenborg scoring Avatar 2 could be pretty interesting. Pairing him up with a director who is known to be strict with his musical choices and continuing on from James Hornerís classic might produce something really good. And seeing his gradual progress as a composer with Mortal Engines and Alita have personally given me some hope (2 years ago I would have said hell no).<br><br>And Iím not surprised by the choice for T6. Not looking forward to this project at all but we did get a cool score from Balfe for the last one so maybe there is some hope for the music at least.I think Terminator is a decent match for JXL's talents (listen to "The March" from Divergent), but this feels like further evidence that James Cameron is grooming him for Avatar 2, which I really hope ends up not being the case.Yes, Tom will be scoring the new Terminator movieChill out Bayhem, if you read my first sentence you can see I dismisded this rumor as crap.<br>But seeing people from his team ivolved and considering the fast and furious situation, I canít help but wondering if thereís some truth to that rumor.<br>Now for a guy talking about haters, saying that Lorne scores 36million projects and B movies (forgetting mission impossible) I think youíre pushing it a bit.<br>Anyway no hate I donít care who wrote it Iím just curious about the behind the scenes stuff.
You're reaching there a bit Bayhem, I see no one in this thread trying to undermine Steve's work or the score. Hell the first poster was just asking if Lorne worked on it and if so, to what extent. And the "rumor comment" is a logical extension of Lorne's whole regular team being credited on the score, therefore it is possible that he did additional work on it.Again a "rumor" comment that's trying to undermine Steve's work. And in this case, an entire score. Lorne fans, please stop trying to constantly undermine other composers in favor of your guy. It's childish and extremely disrespectful. You've done it multiple times on these boards. What's next? You gonna claim that Lorne secretly scored the entire Transformers franchise? And Lord of the Rings. And Harry Potter. <br><br>Seriously, it's getting really old, really fast. <br><br>Not to mention the fact that Steve, as a composer, is much, much more experienced and established than Lorne. He's got nothing to prove. Steve takes his time when it comes to scoring. He's choosing carefully. He's got more than enough time to focus on his projects. While Lorne's name is attached to 30 million different projects, some of them cheap B-movies like Hurricane Heist. And you think he's scoring them all by himself? The irony of it all is that if anyone is using ghostwriters most of the time, it's Lorne. Not Steve. And I'm saying that as a Lorne fan as well. I'm not just a Jablonsky fan. I appreciate Lorne's work as well. But I'm not undermining other composers in favor of him.Bay has Lorne scoring his films now cause they established a relationship on 13 Hours, and Bay didn't even want Lorne for that; he wanted Hans but he didn't want to go through the exhausting process of another Bay blockbuster so he brought in Lorne instead.<br>And even then, Hans still worked together with Lorne very closely on the project (Hybrid said he was there for all the meetings, helped with synth programming, etc)Of cause Balfe worked on it .That is why Bay now uses Balfeyou can absolutely hear the 13 hours temp track in Battlefield and We Have to Go
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Hans ZimmerLorne BalfeAndrew ZackBob Badami
ComposerAdditional MusicScore CoordinatorMusic Supervisor
Sherlock Holmes
Label: WaterTower Music
Length: 54'40
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (24536 votes)
  1. Discombobulate (2:25)
    Hans Zimmer, Lorne Balfe
  2. Is It Poison, Nanny? (2:53)
    Lorne Balfe
  3. I Never Woke Up In Handcuffs Before (1:44)
    Hans Zimmer
  4. My Mind Rebels At Stagnation (4:31)
    Hans Zimmer, Lorne Balfe
  5. Data, Data, Data (2:15)
    Hans Zimmer
  6. He's Killed The Dog Again (3:15)
    Hans Zimmer, Lorne Balfe
  7. Marital Sabotage (3:44)
    Hans Zimmer
  8. Not In Blood, But In Bond (2:13)
    Hans Zimmer
  9. Ah, Putrefaction (1:50)
    Hans Zimmer, Lorne Balfe
  10. Panic, Shear Bloody Panic (2:38)
    Hans Zimmer, Lorne Balfe
  11. Psychological Recovery... 6 Months (18:18)
    Hans Zimmer, Lorne Balfe
  12. Catatonic (6:44)
    Hans Zimmer, Lorne Balfe
  13. Holmes (Hans 'n' Guy Version) (2:14) *
    Hans Zimmer
*Buy tickets in advance for Sherlock Holmes and receive a free exclusive of the song Holmes (Hans 'n' Guy Version) by Hans Zimmer on iTunes.
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nvictor reply Replies: 3 || 2018-08-16 15:24:52
love this score. hasn't grown on me. was listening to it on my commute today. do you guys know if the track "psychological recovery" is the "suite" that came first. and then other cues developed from it? thanks


Hybrid Soldier2018-08-16 17:54:33
Nope, not a suite, a mix of about 4/5 cues.


Edmund Meinerts2018-08-16 17:56:53
No, "Psychological Recovery" is scored to picture, a bunch of cues put together from the climax of the film. IIRC the first three minutes or so are a solo Balfe cue actually.


Mike2018-08-16 18:36:53
...and a very good solo Balfe cue, at that. That theme and Hans' Moriarty theme are the most engaging ideas of these movies, to me.

Hey, while I'm here, any word on Hans doing the third movie?

Felix reply Replies: 7 || 2018-05-14 17:26:09
@Hybrid Soldier:

Why you still don't add the Complete Score Page? It's since a long time out


Mike (OTM)2018-05-14 18:56:10
He said a few years back that he "doesn't like" this bootleg. I imagine he still doesn't like it. ;)


Medigo2018-05-14 19:32:03
Its because its the film mix as opposed to the sessions, isnt it?


Anonymous2018-05-15 15:19:06
yes it is the film mix. I have it. plays like an isolated score. including source cues.


Edmund Meinerts2018-05-15 16:14:16
Yeah, it's pretty frustrating. It's full of unmusical crossfades and volume fluctuations, and to be honest there isn't a whole lot of worthwhile material there that wasn't already covered by the album (only the Dredger/boatyard fight music is really necessary). Still worth checking out if you're a big fan of the score, of course, but if you skip it you're not missing too much.


mpolonest123 2018-05-15 17:22:18
Someone did an edit on that release which removes the source music and cross fades, as well as fixing the volume. Still not great but much better than the other version.

But Edmund is right, almost everything necessary (excluding the Dredger fight and Blackwood Resurrection) is on the album. Probably one of Zimmerís best album releases.


Medigo2018-05-15 17:47:21
I also quite like the Saving Irene/Blackwood Plan Explained tracks
and the proper opening of course


Bibi2018-06-07 15:25:08
I've got the new edit of the recording sessions, it's so much better than the previous one. Now I don't see any quality difference with the recordings sessions of Game of Shadows.

Felix reply Replies: 6 || 2017-01-20 23:35:47
Hey @Hybrid,

what's now with a Complete Score Page for Sherlocke Holmes & Sherlock Holmes: A Game of Shadows??


Anonymous2017-01-21 00:46:18
Am i missing something?

Is Sherlock 2 out already?


Anonymous2017-01-21 01:45:54
Umm...there aren't pages for the complete scores


Vivien2017-01-21 16:00:19
Game of shadows complete score is a dream...


Kusi2017-01-21 22:23:44
SH2 is one of my holy grails, the train scene score is absolutly great


Edmund Meinerts2017-01-22 00:03:35
The album for that one is such a disaster. I don't remember much about the score in film but I do remember there being a lot of really good stuff. Would love to hear a complete...


KingfannypackistheMILFcommander2018-05-14 20:08:10
Sherlock 2 is out, came out 2 days ago

Izzy reply Replies: 0 || 2016-05-30 02:01:44
How can I get the violin sheet music for Not in Blood, But in Bond?

Izzy reply Replies: 0 || 2016-05-30 02:01:43
How can I get the violin sheet music for Not in Blood, But in Bond?

Zimson reply Replies: 2 || 2015-04-23 16:48:47
This seems real. Where the hell did he get it?

https://www.youtube.com/ watch?v=4trLnD5pIGk


thejok3rrules2015-04-23 17:22:10
If I recall correclty, this track has been on Lorne Balfe's website for a while now.

Also, a complete isolated score has surfaced a certain time ago, including every material heard in the movie, sfx-free of course.


Anonymous2015-04-23 19:01:34
It surfaced same day as Inception and Rango. Almost 2 years ago

Adam reply Replies: 13 || 2015-04-08 07:08:59
Hey Hybrid how come there is no page for the complete score? That would be awesome if you made one! With credits and all!! :D


Zimson2015-04-08 08:39:40
Ain't going to happen.


Adam2015-04-08 09:57:45
Why not, Zimson?


Zimson2015-04-08 23:29:51
.. because its just another silly waste of time and space to post a score that no one can ever buy legally. I just steal them myself off of pirated websites, screw the law.


Adam2015-04-09 02:13:06
But isn't it nice to have a proper place to discuss it? And there's no way of legally buying it so there's only one option! I would just like to have the credits that Hybrid Soldier posts on some of the other complete scores. That information is most helpful and I am thankful for that :)


Zimson2015-04-09 08:23:10
Get your own name, Anonymous!


Zimson2015-04-09 15:29:50
Just kidding. It's RealFingMusic.


Zimson2015-04-09 15:30:07
Just kidding. It's RealFingMusic.


RealFfingMusic2015-04-09 18:23:00
That ain't me, pisspot.


Zimson2015-04-09 19:25:33
Gosh what a loser I am, I keep pretending I'm someone else. I need help.


Anonymous2015-04-09 19:51:16
@Adam, I believe somewhere down the page, you might read that Hybrid Soldier doesn't care for the version of the complete score that became available not too long ago. And if you know anything about how Hybrid Soldier is, you could figure that if he doesn't like something, then it doesn't deserve to have its own page...or some bullshit.


Adam2015-04-09 20:52:30
Yup I read further down the page and saw him comment as well as the cues with all credits. Silly me XD

It's too bad it won't get a page but oh well!


Zimson2015-04-10 11:22:48
If you're the same guy who thought the earth is 6000 years old, I recommend you to get help.


Zimson2015-04-10 11:23:57
Oh yeah, and don't feed the troll I guess.

Mike reply Replies: 2 || 2014-10-16 17:50:38
Who is the violinist in I Never Woke Up In Handcuffs Before and Not In Blood, But In Bond ??


Mike2014-10-16 17:51:57
Just kidding, didn't realize that was in the details hahaha


Mike Previous2014-10-16 18:30:59
Just for clarity's sake, this was not I, the Mike who commented on the Spider-Man, Dead Man's Chest, and X-Men pages earlier.... :P

Dimitris Krommidas reply Replies: 0 || 2014-09-15 00:32:04
One of the most brilliant and clever scores from Hans Zimmer!

Mike reply Replies: 3 || 2014-05-07 18:12:32
Interesting....Remember how Hybrid said that if Lorne gets an "additional music / score producer" credit, it's a disguised way of saying he's a co-composer? Well if you look at the "Thanks" section in here and on Inception, it lists "Eva and David Balfe", who are usually only thanked in scores where Lorne is a fully-fledged composer, right? ;)


Anonymous2014-05-07 18:25:53
Part of me thinks that calling Balfe a co-composer on this one is understatement.


Mike2014-05-07 19:28:36
Same with Inception and any other score of Hans' he "produced"....lol


Zimson2014-06-03 19:08:13
He did the first half, or so of "Psychological Recovery... 6 Months", the rest is basically arrangements, I suppose.

Zimson reply Replies: 8 || 2014-02-11 18:58:03
I always thought Discombobulate was by Hans? On lornebalfe.com it says that the end credits music is by Lorne (It's basically the same thing).


MacArthur2014-02-11 19:29:15
I think it's by both.


Mike2014-02-11 19:48:59
It's Lorne Balfe's arrangement of Hans' original theme (check "Holmes (Hans 'n' Guy Version)"). So it is essentially by Hans, yes. All the elements found in Discombobulate are pretty much in Hans' original theme.


Zimson2014-02-11 21:00:14
Yeah, the theme is by Hans, but I've once red a post by Hans in a composer forum, where he says that he composed Discombobulate (indirectly, to be honest), after he got criticized by another composer. It was like: "Hey, I wrote it." or sth. like that if I remember it correctly.

Btw, I have the link, but I am not allowed to post it. (Or is it no problem?).
Use Google and type in: "Hans Zimmer in a forum!!!??" The first link that should appear is to a thread on the John Williams Fan Network site. The first post features a number of links. Click on the second one from below where it says "(his review about a member's piece, and about Sherlock Holmes)". Then look out for member "rctec".


Hybrid Soldier2014-02-11 21:06:44
Discombobulate is 90% HZ, what's this debate about ? lol


Zimson2014-02-11 21:11:57
@Hybrid Well, the end credits music is basically Discombobulate with more brass and and according to Lorne's website it's by him. So I thought this would be worth a discussion.


Mike2014-02-11 22:36:54
Well even on this website, Lorne's name is under Discombobulate....


RealFfingMusic2014-02-12 03:37:00
If anyone wants to bet here, I'm on Hans.
Apparently Discombobulate is so awesome everybody wants their name on it! (Except Hans, Heh-heh)


Zimson2014-02-12 08:27:50
That's right! He's so modest. :D

Zimson reply Replies: 0 || 2014-02-11 20:59:38
Yeah, the theme is by Hans, but I've once red a post by Hans in a composer forum, where he says that he composed Discombobulate (indirectly, to be honest), after he got criticized by another composer. It was like: "Hey, I wrote it." or sth. like that if I remember it correctly.

Btw, I have the link, but I am not allowed to post it. (Or is it no problem?).
Use Google and type in: "Hans Zimmer in a forum!!!??" The first link that should appear is to a thread on the John Williams Fan Network site. The first post features a number of links. Click on the second one from below where it says "(his review about a member's piece, and about Sherlock Holmes)". Then look out for member "rctec".

Anonymous reply Replies: 0 || 2014-02-09 19:47:46
Holmes (Hans n Guy Version) ó did the director help write the theme???

Mike reply Replies: 5 || 2013-09-26 20:14:48
Who wrote Blackwood's theme, Lorne Balfe or Hans Zimmer?


SamFisher2013-09-26 21:14:47
Lorne Balfe


Areozz2013-09-27 00:22:23
Methinks that by now, Blackwood's theme originated from music that has to be public domain. Unless we're not talking about the same theme, the one I'm thinking of bears a strong resemblance to the tune that grandfather clocks play. In fact, one occurrence of the theme happens during a shot of Big Ben.

Are we thinking of the same theme?


Mike2013-09-27 00:59:40
I daresay we are. Had you not mentioned it, I wouldn't have noticed the similarities, but now they're really obvious.


MacArthur2013-09-27 03:15:09
And I think that the "To the Opera" part was Hans If I'm not Mistaken.


Mike2014-01-28 18:45:34
To the Opera, from the second one, was done by Matthew Margeson. ;)

Mike reply Replies: 0 || 2014-01-23 19:20:13
I'm convinced that "The Game Is On" from the BBC series of Sherlock was influenced by Hans' Sherlock Holmes sound. I could honestly picture that track being in here.

... reply Replies: 2 || 2013-12-10 20:19:07
@Hybrid

Say, do you know if Zimmer will be scoring Guy Ritchie new movie (The Man From U.N.C.L.E.)

I am asking this because the two of them collaborated on two Holmes movies!:P


Mike2013-12-10 22:51:25
If I remember right, Zimmer himself said no to that one. :)


...2013-12-10 23:50:22
Okay thanks!

Anonymous reply Replies: 0 || 2013-08-13 18:48:40
Lorne Balfe is an enigma to me. Sometimes I like his music a lot ("Is It Poison, Nanny?", credited solely to him, is my favorite track on this album, and I love the whole Inception score, as well as the Skylanders and MW2 scores). On the other hand, I dislike some of his stuff and think it sounds cheap (a lot of the TDKR cues and the AC3 score).

Anonymous reply Replies: 0 || 2013-08-03 00:12:14
Any news on SH3 and a possible Hans/Lorne score? ;)

Mike reply Replies: 6 || 2013-07-03 20:51:04
Apparently the Game of Shadows album is a bad one...How about this one (I haven't seen the movie in a while, so I can't remember if the music sounded different?)


Hybrid Soldier2013-07-03 21:05:26
No that one is well done... :)


Richard2013-07-04 03:17:51
Personally I think Game of Shadows is one of the best releases!


Edmund Meinerts2013-07-04 11:50:45
Yeah...what with all the music sped up, and most of the score not present in favor of source pieces and classical "mutilations"...definitely one of the BEST releases. :/


Rick Grimes2013-07-08 13:38:59
I actually loved the first one but was kinda let down by the second.
The first one proved to be a great ally as I navigated the zombie apocalypse.
Ever try fighting zombies with Discombobulate in your ears?
Don't.


Meta2013-07-08 17:04:32
LOL I played that through headset once while playing Left for Dead 2 back in 09....Everybody was gong nuts


My Name Is Mime2013-07-09 09:07:52
Nice, I used to play discombobulate to wake my parents out.
With speakers.

Anonymous reply Replies: 1 || 2013-07-08 21:22:45
What exactly is Homes (Hans and Guy Version)? Is it like a demo theme?


Hybrid Soldier2013-07-08 21:59:55
Actually, that's exactly what it is ! :)

Anonymous reply Replies: 0 || 2013-06-08 02:59:28
I mean, this score could be used for Sherlock Holmes or...next-to-nothing. But please don't tell Warner Brothers that. ;)

--Hans Zimmer in one interview

Anonymous123 reply Replies: 19 || 2013-05-11 07:20:34
SHERLOCK HOLMES COMPLETE SCORE

01 - 1m1-1A Race To Ritual Pts. 1 & 2
02 - 1m1B Main Titles
03 - 2m3 Holmes' Room
04 - 2m4AS
05 - 2m4BS-5-6S Offends Mary
06 - 2m8S-2m9 Blackwood's Request
07 - 2m11S Violin Plucking Source 1
08 - 2m13-14 pt1 Arriving At The Prison I
09 - 2m13-14 pt2 Arriving At The Prison II
10 - 3m15 Holmes & Irene
11 - 3m16S Violin Plucking Source 2
12 - 3m17 The Man In The Carriage
13 - 3m18A-18BS-18C Holmes Follows Irene
14 - 3m19-20-21S Blackwood Resurrection - Street Source
15 - 3m22 Gypsy Fortune Teller
16 - 3m23S-24 pt1 Investigating Reordon's Lab Pt. 1
17 - 3m24 pt2 Investigating Reordon's Lab Pt. 2
18 - 4m25A
19 - 4m25S Arrival Of Dredger
20 - 4m26A Holmes & Dredger Talk
21 - 4m26B The Boat
22 - 4m26S Chase Dredger
23 - 4m27 Marital Sabotage
24 - 4m28 Meet Sir Thomas Rotherin
25 - 4m29 Stop Blackwood
26 - 4m30 Irene Subdues Holmes
27 - 4m31 Death Of Rotherin
28 - 5m32 Rotherin's Secret Chamber
29 - 5m33 Death Of The Ambassador
30 - 5m34 Corpse Examination
31 - 5m35-36A Boat To Slaughterhouse - Save Irene
32 - 5m36B Save Irene Pt. 2
33 - 5m37 Tripwire
34 - 6m37A Moriarity & Irene On A Train
35 - 6m38 Hospital Through Ritual
36 - 6m39
37 - 6m39S Violin Plucking Source 3
38 - 6m40 Blackwood's Plan Explained
39 - 6m40A Holmes Wakes Up
40 - 6m42
41 - 6m42A Holmes Smokes Coward
42 - 6m43A Parliament Final Battle
43 - 7m43B Parliament Final Battle Pt. 2
44 - 7m43C
45 - 7m43D
46 - 7m46A Moriarity Case Reopened
47 - 7m46B End Titles Pt. 1
48 - 7m46C End Titles Pt. 2
49 - 7m46D End Titles Pt. 3
50.- Sherlock Holmes Suite
51.- Holmes (Hans 'n' Guy Version


JayAndSilent2013-05-11 07:34:20
Nice!

Any chance this gets leaked in the near future?


e2013-05-11 08:59:41
Got a tracklist for game of shadows?


Score_Trader2013-05-11 09:19:48
I am going to call this guy's bluff.

I don't believe Garage sent you anything due to the fact that he would be risking his source, and I am sure he is smarter than that.



Garage2013-05-11 09:20:54
FAKE !!!


Mike2013-05-11 09:51:58
I'm beginning to think that anyone who claims to have a complete score on this site will now use the name Anonymous123.


Cody2013-05-11 23:02:46
This track list is legit.


T-Mann0362013-05-12 17:30:10
The leak is FINALLY here!!!!!


Hybrid Soldier2013-05-12 17:56:04
And no, I won't create a page for that one...


Cause I basically don't want to... Cause I don't like that bootleg (the boot, not the music :P).


al bundy2013-05-12 17:59:26
has now been leaked as well.


Anonymous2013-05-12 18:42:48
This thing sounds like it was taken directly from the film. All the edits and cuts and crossfades are present - but no dialogue and sfx. How strange.


cheesy2013-05-12 18:57:36
I noticed that, too. As opposed to Inception and TDKR, which sound like they were earlier than the actual film mix.


Hybrid Soldier2013-05-12 18:58:15
You just explained my previous message... :)


cheesy2013-05-12 19:04:22
Hey Hybrid, any idea why some bootlegs from around 2008 (Iron Man and TDK being the best examples) sound much more richly mastered and have more noticeable bass than most others (like POTC and TDKR or even Inception) which sound... emptier, almost?


Hybrid Soldier2013-05-12 19:06:09
Hard to say... Just depends on the original recording... Some are recorded loud, some are not. Bootlegs are original files so not mastered by definition. There's no rule.


Mr Motivator2013-05-12 22:12:21
the 'boot' actually sounds better than the commercial release imo


Medigo2013-05-12 23:43:38
Makes ya wonder how many bootlegs are still out there

watch it be the next thing everyone begs about


Rene2013-05-13 13:57:01
Hybrid; Now i can say this is not the original sessions, it is only an complete isolated score(bootleg) but i do not know the source of this and the slates!!!!


Hybrid Soldier2013-05-13 14:04:47
I honestly don't know the source, nor understand it. Is it some DVD isolated production (like WarmButter DVDs) ? Is it true sessions "arranged" in film mix by someone ? No idea.

The titles just come from the cue sheet I posted years ago...

And some are even wrong here, Arrival Of Dredger should actually be "Meet Dredger"... ;)


Anonymous2013-05-13 14:06:21
The slates and titles are clearly from ASCAP. Some cues are mis-titled at parts too.

lkjj reply Replies: 1 || 2013-05-12 17:24:56
For fucks sake stop leaking...


lkjj2013-05-12 17:25:38
Sorry, that was unapropriet

Anonymous reply Replies: 0 || 2013-05-12 07:07:25
Does anyone else hear Angelica's POTC4 theme in Data, Data, Data?

Mike reply Replies: 0 || 2012-11-24 09:12:28
To be honest, I thought the score to the first movie didn't fit the onscreen material very well (A Game of Shadows was much better with that), but I gotta hand it to Zimmer: he did something different. That's really admirable in and of itself.

Felix reply Replies: 1 || 2012-05-14 21:52:54
01. Opening Titles / Race To Ritual (4:10)
02. Holmes (2:16)
03. Holmes' Room (1:08)
04. Offends Mary (1:53)
05. Arrival At The Prison (3:31)
06. The Man In The Carriage (1:29)
07. Holmes Follows Irene (1:47)
08. Blackwood Resurrection (4:44)
09. Gypsy Fortuneteller (0:58)
10. Irene Subduse Holmes (2:20)
11. Unused Cue (1:34)
12. Corpse Examination (1:05)
13. Boat To Slaughternouse (1:34)
14. Tripwire (2:19)
15. Hospital Through Ritual (Pt.1) (1:48)
16. Hospital Through Ritual (Pt.2) (1:35)
17. Holmes Smoked Coward (Pt.1) (0:55)
18. Holmes Smoked Coward (Pt.2) (4:55)
19. Parliament Final Battle (Pt.1) (11:16)
20. Parliament Final Battle (Pt.2) (2:22)
21. Moriaty Case Reopended (2:24)
22. End Credits (Pt.1) (2:06)
23. End Credits (Pt.2) (3:22)
24. Suite (8:52)


Mr. Fate2012-05-14 22:41:12
Thanks for putting the original soundtrack in film order, Felix, and using the ASCAP track titles. I'm not trying to sound like a dick or anything. I just thought I'd let people know that if an/the edit ever surfaces that corresponds to this list, nothing new or mind-blowing will be found in it.

[I did an analysis of the score myself recently, to put the slate numbers and names to the appropriate music and then took a look at what of that music is available on the OST.]

Anonymous reply Replies: 3 || 2012-01-01 16:16:42
Does anybody know what was temp-track for this movie?


cheesy2012-01-01 22:05:33
Pretty sure it was the score for The Dark Knight, which is why Guy Ritchie wanted to work with HZ in the first place.


Mr. Fate2012-01-02 15:11:25
Temp tracks? Like what they used as temporary score before Zimmer wrote something for this film? I'm pretty sure they did that for PotC2 since part of Hello Beastie sounds almost identical to a track from King Arthur.


Anonymous2012-01-02 15:41:20
Zimmer has confirmed it was TDK

Mr. Charles reply Replies: 2 || 2011-11-12 05:25:00
Additional Music posted on Lorne's site:

3m19 Blackwood Resurrects
6m42 Parliament
7m46 End Credits

Again, none of these are named properly


Anonymous2011-11-12 06:51:38
BLACKWOOD RESURRECTION (3M19 - 20)
PARLIAMENT FINAL BATTLE (6M43A - R7 CROS
END TITLES PT 1 (7M46B)


Mr. Charles2011-11-12 07:52:41
Cool, thanks. Now let's get the others sorted

Timmy reply Replies: 14 || 2011-07-13 06:51:05
Has a score released for "A Game of Shadows" been confirmed yet?


Dakota2011-07-13 08:43:28
It's not definite confirmation, but Hans' name is in the credits at the end of the trailer. And the music in it is the same as the first one.


Dave2011-07-19 22:06:21
I'm excited to see what Hans and the gang come up with for the sequel. Hopefully we get a nice, 55+ min score release too.


Jimmer2011-07-31 20:27:19
I hope there's more of what was in "Psychological Recovery...6 Months" in the score to A Game of Shadows. That cue is one of my all-time favorites my Zimmer. Of course, Balfe is great too. His contribution can't be forgotten and here's hoping he's involved on the second soundtrack as well.


cheesy2011-07-31 21:32:02
I'm just praying that Hans Zimmer devotes enough time and energy into the score for Game of Shadows and makes it as original and charismatic as the first score, and doesn't simply hand the job off to his protťgťes and we end up with a heap of uninspired and recycled expendable garbage.


Jimmer2011-07-31 22:10:13
@cheesy: Yes, I'm all for Balfe adding his flair to the score, but I pray that the myriad of other guys don't touch this score because the first was good because Zimmer controlled the extras and soloists. Sort of like controlled chaos that made for a wonderful listen in the end. But as we saw and heard with On Stranger Tides, Zimmer's minions aren't quite up to par with the maestro himself yet.


kaka2011-07-31 22:15:17
so....after all the disappointments this year Game of Shadows is the next one...

Here's what I know:

Zimmer likes trilogies - he likes expanding on his initial scores, so this might be a good thing for this one...

Bad news? If he does to this what he did with Rango and Pirates 4 its gonna stink.


cheesy2011-07-31 22:33:52
Well, another reason I'm worried is because Hans Zimmer has already started working on TDKR. From what I've heard in various interviews with him, he likes to take it one project at a time, and fully get into the "mode" of his next project, which he seemingly has already done for TDKR. So why would he want to suddenly switch gears and go into full-time "Holmes mode" like last time around? Wouldn't it be much easier for him to just hand it off to the other guys and then sit in the recording booth and nod?

It is possible that HZ will set TDKR aside for the time being and take the necessary time to be fully devoted to Game of Shadows to expand upon his initial score like kaka is saying, which I'm praying is what happens...but honestly, given the reputation of RCP so far this year, which outcome seems more likely?


Dakota2011-07-31 23:07:14
I think I would rather have him focused on TDKR than Sherlock. As awesome as Sherlock is, I would like him to top TDK and see what we get from TDKR. TDK is one of the best film scores ever, in my opinion.


cheesy2011-07-31 23:49:44
@Dakota I do suppose you're right about that. It would just be sad to sacrifice a series of scores with so much potential like Sherlock. If James Newton Howard was returning for TDKR, then I would be much more inclined. But since (at least as of now) JNH isn't involved...I don't know if TDKR can top TDK and BB. I have no doubt in my mind Zimmer will give us something epically phenomenal, I'm just saying, there may be a severe element of elegance missing that detracts from it what made TDK and BB complete works of art.

But back to the subject at hand, I guess I would feel better if Hans hadn't started on TDKR yet. That way we could have gotten both. But I guess we won't know until the soundtrack comes out.


snoopD2011-07-31 23:50:10
Dosent Zim usually just develop a theme and hand it off to his crew for completion? I expect him to pretty much do that with both Sherlock and the final Batman flick. Guy seems to be less involved with each sequel he does.


cheesy2011-08-01 00:07:26
**Sorry, I wrote that last part in a rush. I think "we could've gotten both" was the wrong way to phrase that. Disregard.


Jimmer2011-08-01 03:58:31
But none of that makes sense because isn't A Game of Shadows being released before The Dark Knight Rises? If so, that would mean the score for Sherlock 2 should be nearing completion. I want Zimmer to have all the time in the world for the last entry in Christopher Nolan's Batman franchise. The movie is going to be epic and the score must match that in scope, scale, and feel. And plus with Newton Howard not attached to this movie Zimmer needs more time. Just saying.


Cordrol2011-08-20 19:53:55
Zimmer neds to step up to the plate, seriously. Many of his scores (with the exception of the Dark knight, the only release to have a decept amount of music released on the 1st disk alone) are usually always between 45-55 mins. long. Where's a nice 75 min release? Huh? Like Brian Tyler or Michael Giacchino. I'm fed up with this, he's too humble? Bull, he just doesn't release enough music, keep the fans happy, it doesn't matter if you think your work sucks or not, if people like it, then by all means, give them more.

SMH Hans Zimmer -__-


Jo2011-08-22 08:02:15
I'm glad to see that I'm not the only one who is a bit worried. I LOVE the SH score, imo it's the best after TDK. Which makes it all the more frightening, as he does that one about now as well. I couldn't live with either one not living up to his best work. And I think he knows that too.
I have come to love the Spanish tracks from Pirates 4, as well as Mermaids. But of course, compared to Pirates 3 .... 'nuff said.
I think he needs a break from all those sequels. Yet, those two sequels really need to be amazing. Oh pretty please!

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