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The emotional score that plays as Ghost and Roach are killed is a fantastic piece of music!! Come on Hanz, you've got to push for an official soundtrack CD release!
An Amazing soundtrack for an amazing game, it really makes u feel the action or drama like never before. Top music fot the Game of The Year and one of the best fps ever made. COD MW2 + Hans Zimmer really epic combination.
My favorite is the Gulag first assault theme..its amazing
I got my info from someone involved in the score...
Well, ok, it's a bit early, cause before something comes out, ANYTHING can happen... Let's wait for a 100% confirmation and official announcement... :-O
Patience is a virtue... ;-)
By the way I just finished the game, really great !!!! :D
der spakk klaut sich seine melodien zusammen. f**k 300 jahre eurpopäische...entschuldigung, ich meinte natürlich: weisse musikkultur wird von dem zimmer durch den dreck gezogen - für das bisschen unnötiges geld!!!!!!
I'm sorry but where can I get this version, or any version, of the score? I dig the music in game and I'm a long-time Zimmer fan and I need to get my hands on this!
I wish they would release a soundtrack for this game, because the music was incredible and fit so well to the gameplay, and pretty much the game in its entirety.
I already liked the COD4 soundtrack, the Modern Warfare 2 one is even better.. I wish they would release both of them on CD I bet alot of fans would actually buy it..
Well, I'm listening to the complete game rip and I must say that most of the music doesn't sound like "written" by Hans Zimmer. The ideas are there and there's a cue here and there that have a polish similar to what we are used from Zimmer, but most of the score is pure synth done by someone else.
I'm not saying I'm disapointed, but I was expecting something more inspired, polished for such a game wich such high expectation. Anyway, will have to see in the game how it sound. But many of the tracks sounds like a young Rabin techno style with Zimmer's ideas..
That's because Zimmer only composed the themes and produced the score... the majority of it was composed by Lorne Balfe, with bits by Jacob Shea, Noah Sorota, Mark Mancina, Dave Metzger, and Atli Orvarsson.