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I confirm I'm back from it, there's quite a bit of unreleased score.Well, now we have somebody who's seen it (and yes, it's out in some countries today), we know for certain.<br><br>I wouldn't expect anything official any time soon unless Zimmer wants to release a second CD.I absolutely love Kai’s theme in this score, there are so many cool variations that weren’t on the initial album. Hans and Co. really stepped up their game here. I don’t feel the temp as heavily here as KFP2 (which is still an amazing sequel score).Saw the film today, there is a LOT of music missing.As stupid as this film is, you can tell Tom probably had fun working on it. The music is so over the top, it just goes nuts all the way through.
This is one of those scores that I have really warmed up to since it’s release. The emotional stuff for Alita works really well in context and her “Hero Theme” gets some great development (the way it culminates in “Epilogue” is incredible). Also really love the “Motorball” stuff. <br><br>After seeing the film I think the only substantial music not on the album is “Motorball Plan” and “Alita’s Revenge Pt. 1”. The end credits piece I’m guessing is edited from the Full Motorball Suite.Hybrid, did Lorne actually do a lot of writing on this one or is he just being credited for the theme?We've had this argument before, almost any score can fit in a film. But what separates the mediocre composers from the best is the ability to make great music that works on its own, outside of the film. <br><br>Hans has had a lot of work lately that hasn't been doing that, and it's the reason people want him to work with orchestra again and produce is 2000s, late 90s type of style. Because those scores, for whatever problems they had, they felt distinct, memorable (for the most part), and easily could have been enjoyed away from the film.<br><br>Good scores have themes and ideas that both enhance the film, and enhance the listener's experience. Music like Dunkirk, Inferno, or Widows just feel like shallow and empty committee scores that the studio/directors didn't want too much thought put into. "Ah just write one main theme, and fill in the rest with electronics, Hans, it'll be fine!"Hahahahaha well I’m glad he got the credit then :DI absolutely disagree with you saying Widows is a terrible score. It may not be great on album, but the music fits very well with the film.
Actually, I think he only gets credits cause he is the guy... whistling ! :PElectric violinJust out of curiosity... what instrument is playing when Liv and Ben are running towards each other at the end? (Long Distance Goodbye/Landing? I love that instrument!And I’m guessing Neill Blomkamp contributed somehow to the “We Own This Sky” theme that pops up throughout...NM
Jeff & Alex & Evan Goldman are regular Jackman team now. Alex scored a bunch of projects, hence his absence here.<br><br>Then you have Halli, Anthony Willis or Mounsey doing all sorts of things when available.Request the king of pride rock with circle of lifeAmon wrote some music before Hans took over (he has cues on his soundcloud I think), but I think he got credited (and just like 1 or 2% of the cues) more for specific sounds than music writing.Widows is terrible score, Inferno was ok, far from things like Da Vinci Code or Angels & Demons.<br><br>But yes, listen this one, is gratifying see Zimmer can make things with orchestra like early 2000s. And this comes from a guy who loves Inception, Interstellar or ChappieThe fact that his name is in brackets makes me think he didn't work directly on the score but rather is credited because something of his was used. Maybe it was some of his production music rather than Elysium specifically.
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Composer - Musician : Electric ViolinAdditional Music - Musician : GuitarAdditional Music - Musician : Electric Violin
Rupert Gregson-WilliamsTony ClarkeChristopher WillisAlastair King
ComposerAdditional MusicAdditional MusicOrchestrator
The Prisoner (TV Series)
Label: Varese Sarabande
Length: 74'18
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6412 votes)
  1. Explosion (1:44)
  2. Everybody Knows Everybody (2:29)
  3. The Ocean (5:03)
  4. Two (5:58)
  5. Shadows And Nightmares (3:05)
  6. 909 (3:36)
  7. Tour Bus (0:57)
  8. Walk With Me (2:25)
  9. 313 (2:58)
  10. Lucy (6:17)
  11. Six Investigates (1:30)
  12. Wonkers (1:00)
  13. The Ruins (3:03)
  14. Blackmail (3:28)
  15. Escape Resort (1:21)
  16. One Night Together (4:37)
  17. Wedding Day (3:23)
  18. Waking Up (2:17)
  19. Helen (6:34)
  20. In The Church (5:53)
  21. Suicide (2:48)
  22. I Am Not A Number (3:15)
  23. The Prisoner Titles (0:38)
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Khun reply Replies: 0 || 2011-02-23 00:00:00
This is my favorite electronic music & worth re-listening. The track "Lucy" really takes me out of this world for a while. Good job for Harry Gregson-Williams' brother!

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musiclove reply Replies: 0 || 2010-07-01 00:00:00
johngault the music your after is called everybody knows everybody, have a look, I'm sure the sheet music will be out there somewhere

johngault reply Replies: 0 || 2009-12-11 00:00:00
can anyone tell me how to listen to the piano tune in ep 4 at the very end of the film? Its a waltz. I paly by ear and have it down, but would like to hear the rest........shaazzamm@gmail.com


ThankYa!

RuthlessGravity reply Replies: 0 || 2009-12-03 00:00:00
I love this soundtrack, Rupert up the ante on the old Harry electronic's. Rupert should be very proud of this work.

Ele reply Replies: 0 || 2009-12-02 00:00:00
2 Episodes left. My mind hasnt changed. Mediocre, a lot of underscore.

Adrian reply Replies: 0 || 2009-12-01 00:00:00
@Ele

The first episode doesn't give a complete picture. Further in the show you'll get more from another style.
Also some enchanting music that would fir with films the Truman Show or Pleasantville.
The show shows a lot of resemblance with those films too!

Ele reply Replies: 0 || 2009-11-30 00:00:00
Just watched first episode. Looks very BHD-ish. Climate, samples, electro violin... but that was most suspense and underscore. I hope the whole album is interesting.

samir reply Replies: 0 || 2009-11-29 00:00:00
thannnnnnnnnnnnnnnnnnnnnks

lostandfound reply Replies: 0 || 2009-11-24 00:00:00
So it is.. the cd has been delayed and the UK iTunes doesn't have it.. Can't get a US account :(

Miles reply Replies: 0 || 2009-11-24 00:00:00
I think it's already available for download in the US iTunes Store

lostandfound reply Replies: 0 || 2009-11-24 00:00:00
How have you managed to hear the score yet? I live in the UK and it's been delayed till December .. gutted!

Adrian reply Replies: 0 || 2009-11-21 00:00:00
iTunes USA has some previews!
It sounds awesome!

Adrian reply Replies: 0 || 2009-11-21 00:00:00
The tracks In the Church, The Ocean and One Night together are the star-tracks of the CD, regarding what I heard in the series. It's a cold electronic score, with a some sort of hip-hip electronics titles (very wicked by the way).

Still recommendable! The show was very good too, the ending was good and surprising, but it did not end the way I wanted :P

??? reply Replies: 0 || 2009-11-20 00:00:00
my name is...

can u guess wat???

dylannnnnnnnnnnnn reply Replies: 0 || 2009-11-20 00:00:00
hheeeeeeeelllllloooooooooooooooooooooooooooooooooooooooooooo oooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo oo

Adrian reply Replies: 0 || 2009-11-19 00:00:00
The score is more than great, so the is show! I can recommend it!

Falconet From Italy reply Replies: 0 || 2009-11-18 00:00:00
I can't wait!

Hybrid Soldier reply Replies: 0 || 2009-11-17 00:00:00
Little update !

Release date has been delayed... :S lol

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The Prisoner (TV Series) soundtrack - Rupert Gregson-Williams 2009