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Yes! I Finally found the booklet credits for Blade Runner 2049:<br><br>Original score by<br>HANS ZIMMER<br>BENJAMIN WALLFISCH<br><br>Music editors <br>CLINT BENNETT<br>RYAN RUBIN<br><br>Music production services<br>STEVEN KOFSKY<br><br>Synth programming<br>HANS ZIMMER<br><br>Synth design<br>HOWARD SCARR<br><br>Vocalist<br>AVI KAPLAN<br><br>Exotic instruments<br>CHAS SMITH<br><br>Cello, vocals<br>TRISTAN SCHULZE<br><br>Cello <br>SIMONE VITUCCI<br><br>Guitars<br>OWEN GURRY<br><br>Technical score engineer<br>CHUCK CHOI<br><br>Digital instrument design<br>MARK WHERRY<br><br>Sampling team<br>TAUREES HABIB<br>RAUL VEGA<br><br>Score techincal assistants<br>MAX SANDLER<br>NATE UNDERKUFFLER<br><br>Score mastering by<br>ALAN MEYERSON<br><br>Score mastering assistant<br>FOREST CHRISTENSON<br><br>Score mixed at<br>REMOTE CONTROL PRODUCTIONS, Santa Monica, California<br><br>Studio manager for Remote Control Productions<br>SHALINI SINGH<br><br>Assistant to Hans Zimmer<br>CYNTHIA PARK<br><br>TEARS IN THE RAIN<br><br>Written by<br>EVANGHELOS PAPATHANASSIOU (VANGELIS)<br><br>Here's the link:<br>https://ia601507.us.archive.org/21/items/mbid-149daaf9-5c9d- 47d9-a452-d732122da496/mbid-149daaf9-5c9d-47d9-a452-d732122d a496-18376707127.jpgAnd I thought Varese Sarabande will pick this one up. Whatever happened to those guys I will never know.<br><br>A Little off-topic here but might I ask if there any computer geeks around here who know how I can calculate total duration of albums using Excel or some simple web service (other than Soundtrack Collector)?Penka Kouneva I also the orchestrator on this one. Maybe it's a faulty credit?"House Call v1-23697 - Penka Kouneva, BMI" This is the copyright claim I found on a compilation video I made of Jablonsky's music. This claim is where "Vocation" from IDEA plays. Can someone please explain this? I have not been able to find this track Jablonsky (I guess?) ripped off.Edmund ! For YOU !! lol
this one is my pick for the oscar as well. hope it wins : )When will this tracklist be leaked?I heard and thought that Zimmer stopt scoring superhero movies (including Justice League and what comes after) because it has taken 13 years of his life and he wanted to do something elseWere the two men no longer talking or did Zimmer anticipate Snyder's departure as he did in Pirates?@Olive: Rumors says Zimmer didn't want compose Justice League because of Snyder, and left behind Junkie
I agree that Elfman's theme fits into Nolan's films as long as they are adapted to them. However, I think the way things have gone was not bad. TDK trilogy was marked as a project fruit of Nolan's unique vision. Although the themes do not respect the orchestral tradition are more memorable than those composed for more than half of the films of heroes of the last 25 years.Zimmer's entry into the genre can be interpreted as a breath of fresh air in a saturated marketplace at the time. But I agree that the lack of originality these days falls on Zimmer and his company and that the goal of it goes far beyond bringing talents to light.Now we need something new, again.@Hybrid any news on Season 2 soundtrack release?Of cause Balfe worked on it !!! His whole team are credited !!!!!!!Honestly, the purpose of RCP is essentially to take Zimmer's style and make it widespread for use...WB not using ANY RCP to score this seems to have been deliberate, as there's literally no reason it couldn't be done.^ hahaha :D<br><br>I think you're forgetting that Balfe also ghostwrote The Lord of the Rings?
They're starting to send screeners. Finger crossed for the FYC :DThe score reflects the situation of DC movies very well. If Zimmer, like Snyder, continued, the result may not please everyone. A lot of people were unhappy with Snyder's work in the genre, just as many fans of soundtrack were with Zimmer's contributions that never followed the path taken by all the other composers who came before him.<br><br>The two left (regardless of the reason that led them to do this).<br><br>When Zimmer left everyone knew that XL would not hold the pressure or that the result would not be satisfactory for most.<br><br>When Elfman and Whedon were announced we all knew that they were hired to go against everything DC has done before to try to reach the first film of the franchise to reach 1 billion. Even if they were to follow Marvel's script and drop their originality.<br><br>But the hiring of Elfman and Whedon shows that the studio was long lost. Snyder succumbed to BvS. The only salvation for the DCEU are the solo films like Wonder Woman, the next Batman, Aquaman ...and freedom. Freedom for the directors, composers... Warner has always had this advantage over Marvel.@Edmund <br>Given the chance I think Junkie probably could deliver a pretty fun score that stayed thematically consistent with the current universe. It all depends on what the studio/director wants out of the music. The biggest disappointment to me is that this was a huge missed opportunity to do a heroic take on Zimmer’s Superman theme, something we haven’t heard since MoS. Hell, even the trailers did that.... -_-rumor has it Lorne Balfe did this score<br><br>I guess if we do not get any credits then that proves it<br>======================================<br><br>Oh, absolutely! I'm sure we will soon find out that Balfe also scored Star Wars and Titanic. And Harry Potter. And Indiana Jones.Edmund, I somewhat agree - I've seen very little from Junkie to make me think this would have been a groundbreaking, wonderful score. However, maybe it's the Zimmer fan in me, but I would have loved to hear "stock, barely-altered reprises of Zimmer's themes all over the place" in this score. So many scenes begged for just that. Compositionally it doesn't make for an interesting soundtrack or film score, I agree, but I would be willing to sacrifice that for thematic continuity.
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Composer - Musician : Synthesizer
Hans ZimmerLorne BalfeAtli ÖrvarssonGeoff Zanelli
ComposerAdditional MusicAdditional MusicAdditional Music
Angels & Demons
Label: Sony Classics
Length: 54'17
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (39780 votes)
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  1. 160 BPM (6:42)
    Hans Zimmer
  2. God Particle (5:20)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson, Mel Wesson
  3. Air (9:08)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson, Geoff Zanelli, Mel Wesson
  4. Fire (6:51)
    Hans Zimmer, Lorne Balfe
  5. Black Smoke (5:45)
    Hans Zimmer, Lorne Balfe, Mel Wesson
  6. Science And Religion (12:27)
    Hans Zimmer
  7. Immolation (3:38)
    Hans Zimmer, Lorne Balfe
  8. Election By Adoration (2:12)
    Hans Zimmer, Nick Glennie-Smith
  9. 503 (2:14)
    Hans Zimmer, Lorne Balfe
  10. Bonus Track : H2O (1:51)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson
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mehmet cengiz küllük reply Replies: 0 || 2009-05-31 00:00:00
i like the film and musics.Thanks for wonderful musics Hans Zimmer.It was also Gladiator musics beautiful too

Anonymous reply Replies: 0 || 2009-05-31 00:00:00
Where can I find the lyrics to the soundtrack? I love choirs and these here are just great. I love them.

Enrico reply Replies: 0 || 2009-05-31 00:00:00
I don't think we'll find choir words...just because I think that choir don't say anything...Am I right?!

Rob reply Replies: 0 || 2009-05-31 00:00:00
They use synth choir. So, I guess there is no words or some standard latin gibberish.

Elias Jordan reply Replies: 0 || 2009-05-30 00:00:00
Amazing soundtrack, I loved the movie and the music was terrific! Love 503

Enrico reply Replies: 0 || 2009-05-29 00:00:00
I've got today the soundtrack...fantastic!!! "160 BPM" is the best with "Science and religion" (even if Hans has taken something for "Thin Red Line")...I've never heard something like "160 BPM", the chorus is awesome!!!
"God Particle" is good too..."Air", "Fire" and "Election by adoration" are fantastic...
Great job Hans...go on!!!

steve reply Replies: 0 || 2009-05-29 00:00:00
hey if any one cuold help wiht this there was a song which was kinda a remake on the old song frm the da vinci code and it was called chevaliers da sangreal but it was diffrent it was a great song what is it called if any one can help.

Raffaello reply Replies: 0 || 2009-05-29 00:00:00
LOVE IT!
all of ur soundtracks, but this one is AWESOME!

curiousfan reply Replies: 0 || 2009-05-27 00:00:00
Can anyone please please please tell me what the very last song is at the very end of the film when Cardinal Baggia, the Pope, walks onto the balcony to wave to the people? That was my favorite part, and it is nowhere to be found!!!!

ZimmFan reply Replies: 0 || 2009-05-27 00:00:00
The music in the film where the new Pope walks out onto the balcony is called "Introitus" - from a work for chorus and orchestra called "Lux Aeterna" by American composer Morten Lauridsen. The music is available on iTunes and on CD from Amazon, etc. It is thought that Ron Howard temp-tracked the scene with Introitus and then realized it worked best for the final scored version of the film. Knowing Zimmer, I'm sure he felt the same way!

MaKa´s reply Replies: 0 || 2009-05-27 00:00:00
It´s beautiful the soundtrack with the movie and the actors. I dont have word to descrption dmy feelings when i saw the movie.

It´s great, congratulations of the team!!!!!

curiousfan reply Replies: 0 || 2009-05-27 00:00:00
Thank you, ZimmFan! :)

goddie2shoess reply Replies: 0 || 2009-05-27 00:00:00
great!!! i have no words to describe how much i enjoy and love your soundtracks. this one, however, is the best so far. i simply love it.

Enrico reply Replies: 0 || 2009-05-25 00:00:00
What do you mean?!

SQ reply Replies: 0 || 2009-05-25 00:00:00
LOL

It's true long time ago.

Enrico reply Replies: 0 || 2009-05-25 00:00:00
Ehi guys!!! I've read this bad thing...is this true?!!!

"He is currently in Semi-Retirement, having said he will compose less film scores in the next few years, decideing to focus more on producing."

Oh my God, I hope this isn't a real news... :(

Memo Pozos reply Replies: 0 || 2009-05-25 00:00:00
Espectacular, strong, powerful, I thought that after the dark night nothing could be better, vocals are unique, Everything is unique

Lynn reply Replies: 0 || 2009-05-24 00:00:00
Love this Soundtrack!

But does anyone know the lyrics?
What is the choir singing?
Especially in 160BPM?
...???

Badguy reply Replies: 0 || 2009-05-24 00:00:00
of course! There is a variation of 160BPM in "Fire"

Kusi reply Replies: 0 || 2009-05-24 00:00:00
yes, there are varations of the theme of 160 BPM in several scenes like the car drive through rome or at the near end the way back to the vatican.

Anonymous reply Replies: 0 || 2009-05-23 00:00:00
160bpm is used several times ?

in 2nd and at end ?

Badguy reply Replies: 0 || 2009-05-22 00:00:00
the second track in the movie is 160BPM the first ride on the vatican, the third tracks is AIR, but before 160BPM there is a track that sounds like BURNING THE PAST from KINGDOM OF HEAVEN

Anonymous reply Replies: 0 || 2009-05-22 00:00:00
it's not possible without cut time informations

Kusi reply Replies: 0 || 2009-05-22 00:00:00
I think there will be more cuts in the several tracks, but I didn't found any others yet! ;)

Anonymous reply Replies: 0 || 2009-05-22 00:00:00
argh !

it's a real puzzle...

Kusi reply Replies: 0 || 2009-05-22 00:00:00
If you like to cut the tracks, sorry I don't have currently the exact cut times :(

FIRE: The first few minutes of this track appears at the end of the movie, when a swiss guardian is coming to the camerlengo to tell him, that he should go to the cardinals. In the tracklist before IMMOLATION

SCIENCE & RELIGION: The first part of the track is when they go to the dead pope because of the poison. In the tracklist this would put in between Air and Fire

H2O: this is a mix between the Watermusic and the end-twist music


01. GOD PARTICLE
02. AIR
03. 1st Part of SCIENCE & RELIGION
04. 2nd Part of FIRE
05. H2O
06. BLACK SMOKE
07. 2nd Part of SCIENCE & RELIGION
08. H2O (reprise)
09. 1st Part of FIRE
10. IMMOLATION
11. ELECTION BY ADORATION
12. 503 (End Credits Part I)
13. 160 BPM (End Credits Part II)

Anonymous reply Replies: 0 || 2009-05-22 00:00:00
I'd say :

01 - God Particle (Main Titles)
02 - Air
03 - Fire
04 - H2O
05 - Black Smoke
06 - Science & Religion
07 - Election by Adoration
08 - Immolation
09 - 503 (end credits part 1)
10 - 160 BPM (end credits part 2)

Anonymous reply Replies: 0 || 2009-05-22 00:00:00
what is the good track order ???

1st try

01 - God Particle
02 - 503
03 - 160 BPM (Earth ?)
04 - Black Smoke
05 - Air
06 - Fire
07 - H2O (Water ?)
08 - Election By Adoration
09 - Immolation
10 - Science And Religion

Jaweco reply Replies: 0 || 2009-05-21 00:00:00
I listened to the Da Vinci Code CD again a few hours ago, and to me this is much much MUCH better than Angels and Demons, though I do like the latter. DVC stays a highlight in Zimmer's career, A&D is "just" a nice score as its best parts (to me) are themes from DVC, the "Science and Religion" track apart (my favorite). Action music leans more toward 90s' Zimmer's action scores, like Peacemaker, that doesn't sound "davincicodian" even if it's kinda cool in its own way... maybe a bit dated...

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Angels & Demons soundtrack - Hans Zimmer 2009