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I'm so mad at DC right now I'd rather promote Marvel !! lol<br><br><br>Well jokes aside I add cause Andrew worked on it. And btw he posted another 5 min cue on his Soundcloud, dunno if it's unreleased, there'll better specialists of that score than me !Yeah, I happen to have seen the film and the score is not really "coherent", it's more like many different cues put together...Okay, thanks for clearing that up. The Tracks released were kind of interesting, a kind of mix of soundsAnyone else think Hans knew about all the studio meddling during pre-production, the rewrites etc and walked away ? I mean, when I heard Elfman's score I thought it was generic and wouldn't fit the movie. Then I watched the movie and it fits well. The movie is just as bland as the music in the background.I don't have to ask, that movie was a failure that barely got distributed... No one had any interest in releasing this score...
Hybrid, did you ever ask Hans why this score wasn't released?After watching the movie, I just have to say it was okay. It had some great moments but for me it had also many problems. And one of them was the music. For most of the part it wasn't even noticeable and when it was, it was like random background music with no really emotion or heart.<br><br>BvS and MoS movies can be criticized for some things but the score is not one of them. The movie gave the movie a strong and powerful side, as well as a heart and emotion into it. In this movie there were so many moments that needed different score. <br>***SPOILERS***<br>Superman's resurrection needed the MoS in full epic form. Wonder Woman at the bank at the beggining needed her theme with the electric cello in full power.<br>The Batman theme at the beginning when he is after that Parademon.<br>We should have a really memorable theme for the whole Justice League as well as for each individual member.<br>The scenes with Clark and Lois at the house in Kansas and when his mother sees him, this needed the piano theme from This Is Clark kent or something like that.<br>And that final moments with Superman opening his shirt showing the Superman logo and then flying to the sky, we needed something like "What Are You Going To Do When You're Not Saving The World?" or "Flight" and not that unmemorable music we got.<br><br>I really hope that the petition of the Extended Cut of the movie made by Zack with Junkie's music gets to be released someday, but for now, I'm disappointed.Sounds fun!!<br>Thanks for the linkAny ideas on the Chronological Order of the Tracks?<br>I made a start here...<br><br><br>Logos<br>Batman On The Roof<br>Everybody Knows - Titles<br>Wonder Woman Rescue<br><br>...<br>Icky Thump<br>Aquaman In Atlantis<br>...<br>1m1a Krypton (from Man Of Steel)<br>Spark Of The Flash<br>Friends And Foes<br>...<br>Come Together - Credits<br>Anti-Hero Theme - CreditsNo, they are the full score cues- as presented in the film. The presentation of the final three tracks on the first disc are edited down for timing.
* I posted this at filmtracks and wanted to share it here as well. <br><br>Danny Elfman's comments are very disrespectful and so disappointing for a creative person to hear, especially for composers. Nostalgia is a big problem with Hollywood and it's a simple Jedi mind trick. It's slightly different, but the same meal over and over with different seasoning. Imagine if James Horner didn't get to write the score he wanted for Spider-Man? Or Zimmer had to use Elfmans Batman theme for the DK triliolgy or BvS? Or Shirley Walkers incredible Batman theme for Batman: Mask of the Phantasm. Or Giacchino just used the original star trek theme, or the original Star Wars themes for Rogue One and created nothing new at all? How boring and uninspiring for the composers not being able to challenge themselves to create new original music.<br><br>Whether you like these scores or not isn't important, the pursuit to create something new is what drives a creative person and gives us freedom in choosing something to enjoy and not enjoy. I love the original Batman theme by Elfman but I love it in the Burton films. I love Zimmer scores for both the DK trilogy and BvS. I am happy I can enjoy both types of scores and films but there are those who don't and that's a great thing because that means we are not all the same and that brings variety of opinion and taste which creates real conversation and most importantly gives an identity to a project.<br><br>It's easy to go back to original ideas, but I respect the creators who actually take the risk and want to try and do something new. If Danny Elfman stands by his words he should have just used the original Batman theme from the Tv Show and film or the original Spider-Man theme. Oops he didn't and we got a whole new Batman theme and Spider-man theme which most of us love. Thank god he didn't stick to using the original themes. The Batman reboots and superman and Spider-man reboots are completely different takes on the characters and that's why they deserve their own new themes and soundscapes. The only time I think an original theme from a film should be used in a new film with the same characters is if it's actually a sequel or prequel connected to that actual original film. Re-boots should always have new original music.<br><br>In the end the comments from Elfman are simply stupid and uninspiring and it's definitely a hidden ego coming through I never new he had which is a shame. I remember what Zimmer said about Danny Elfman's Batman theme being a bit jolly, but that's not attacking Elfman at all, it's how he felt and heard the music and felt that that style wouldn't fit in the new batman films ect.. I have always found the original Batman theme a bit on the jolly side too and I love it because it nails Burton's take on the character and world. That theme is for Keaton's Batman, no one else's.<br><br>One final point, if we keep wanting to just revisit the past and hear and see the same thing over and over and not be challenged with new ideas, what a damn uninspiring and boring world of creativity we will live in.<br><br>All the best to you all!<br><br>so...based on what junkie says here, Elfman is basically just rehashing old shit, as well as other people's old shit....Unless you want to say he's taking his Batman theme into a whole different direction that he didn't really have a desire to do before...until now....<br><br>In that case, "whatever" is all I have to say.Nice stuff! I still can't believe this score hasn't gotten a release.That's unfortunate. With this score, I think it's obvious that the majority is Jablonsky, as it has a ton of elements from scores he's composed exclusively, but it would still be nice to know who did what, especially with the first and second films. Not sure why there's rarely any proper additional music credits for a lot of the RCP guys, especially considering Zimmer's credits are almost always complete. <br><br>However that cuesheet of the extended score is very interesting. Hopefully if it leaks, all those cues remain there.Damn that sounds different from Elfman's comments
The funny thing is an interview he gave 1 months before being replaced... Saying pretty much the opposite of Elfman !<br><br>"Itís a massive undertaking. And I canít say anything about Justice League specifically, but Iíll tell you this, and this was exactly the same experience that Hans and I had when we did work together on Man of Steel and Batman v Superman: Itís like when you see a movie like that, these iconic superhero movies, some of them have a 60 to 80 year legacy, multiple composers had a go at their themes, multiple filmmakers did their version of these charactersóitís very scary. You watch a movie and itís like, ďHoly shit, now I have to come up with something.Ē Youíve got sweaty hands and youíre nervous, and you talk about it over and over againóand I have exactly that relationship with Zack Snyderóand then Zack said, ĒThereís only one thing you can do, and that is embrace this character as if itís your own, keep it close to your musical soul, and just do whatever you feel is the right thing to do for this character.Ē Thatís the only thing we can do. Thatís what all these great directors did back in the day, and thatís what all these great composers did back in the day. It makes no sense for me to do extensive quoting of Hansí score of the really amazing Batmans. It makes no sense for me to quote Superman from John Williams. Because all fantastic composers, they all did the same thing, they did something that was close to their heart, and I have to do exactly the same thing on this movie. You know this is Movie Number 4 that Iím doing with Zack, so you build a friendship and itís built on trust and loyalty. You know how to challenge each other, you know what to expect on the other side, and itís this really open, amazing dialogue about where to take this franchise."I can confirm that he had already worked on it quite a bit, because he said so in one of his Studio Time episodes.I wouldnít be surprised if he wrote another long sketchbook for it...I honestly have no idea... But I can't believe back in June when he left he hadn't done a bunch of the score already...The thing is with Jablonsky scores composers rarely get cuesheet credits, so you can't really draw conclusions out of it. Here's a small part of the cuesheet :<br><br>QUINTESSA PT 1<br>QUINTESSA PT 2<br>QUINTESSA PT 3 OPTIMUS REDEMPTION<br>KNIGHTED<br>WE HAVE TO GO ZERO GRAVITY<br><br>OPENING BATTLE<br>MERLIN<br>MERLIN GETS THE STAFF - BATTLE WON<br>TROUBLED TIMES<br>CADE DRIVING - AMULET<br>WE HUNT - DECEPTICONS HUNT<br>KEEP A SECRET - VIV ARRIVES CASTLE FOLGEN<br>WITWICCANS<br>ROUNDTABLE ORGAN SOURCE<br>COGMAN CHOIR<br>STAFF<br>BETTER GET CRACKING<br>PLANETARY VAMPIRISM<br>TOO OLD<br>SUBMARINE<br>TWO MOONS<br>MERLIN'S TOMB<br>SPACE STATION<br>CLAIM THE STAFF<br>SHIP RISE<br>YOUR VOICE<br>SOLDIERS TAKE POSITION - BURTON DIES<br>FALL AND GRAB<br>ENDING
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Composer - Musician : Synthesizer
Hans ZimmerLorne BalfeAtli ÷rvarssonGeoff Zanelli
ComposerAdditional MusicAdditional MusicAdditional Music
Angels & Demons
Label: Sony Classics
Length: 54'17
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (39772 votes)
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  1. 160 BPM (6:42)
    Hans Zimmer
  2. God Particle (5:20)
    Hans Zimmer, Lorne Balfe, Atli ÷rvarsson, Mel Wesson
  3. Air (9:08)
    Hans Zimmer, Lorne Balfe, Atli ÷rvarsson, Geoff Zanelli, Mel Wesson
  4. Fire (6:51)
    Hans Zimmer, Lorne Balfe
  5. Black Smoke (5:45)
    Hans Zimmer, Lorne Balfe, Mel Wesson
  6. Science And Religion (12:27)
    Hans Zimmer
  7. Immolation (3:38)
    Hans Zimmer, Lorne Balfe
  8. Election By Adoration (2:12)
    Hans Zimmer, Nick Glennie-Smith
  9. 503 (2:14)
    Hans Zimmer, Lorne Balfe
  10. Bonus Track : H2O (1:51)
    Hans Zimmer, Lorne Balfe, Atli ÷rvarsson
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robert langdon reply Replies: 0 || 2009-06-19 00:00:00
lol i found out 16O BPM's Meaning..

160 BPM = 160 Beats Per Minute

former fan reply Replies: 0 || 2009-06-16 00:00:00
Except Frost/Nixon there is nothing original in Zimmer's work since 2006 and DVC. In A&D you can hear Thin Red line, TDK, Hannibal, The Ring. What the f*** happend to one of the most gifted composers in Hollywood?

Quote from interview:
"I pretended we never did the other one. I pretended we didn't have a theme, we have nothing"
Is he on drugs or something???

I think he's over - like Horner (I fear that Avatar won't change that).

robert langdon reply Replies: 0 || 2009-06-16 00:00:00
anyone know the lyrics in I60 BPM yet?

robert langdon reply Replies: 0 || 2009-06-15 00:00:00
pray for a expanded promo or an extended score..

Sylvos reply Replies: 0 || 2009-06-14 00:00:00
Thanks for the heads up, Per. The one in 160BPM is very minimalistic and only noticeable on headphones. I have analyzed both cues on some computer program and the one in "Air" is indeed a tick. It is most probably a problem with the master disc itself when it was burnt/produced since the heavily distorted shape of the waves in that segment is a typical sign of an error that occurs when a CD recorder's lens fails to concentrate on a specific sector of a disc. Luckily this kind of glitches are easily amendable for me but still it leaves one slightly disappointment. :-/

Per reply Replies: 0 || 2009-06-14 00:00:00
Can't say I'm hearing anyting in "160 BPM" at that time mark, but in "Air" it sounds like there could be something that could remind of a very minor tick at 4:34 ... but maybe it's just the music that makes it sound like that (and/or some unwanted "vibration" from the speakers perhaps...). (I got the US press btw.)

But ticks/glitches or other such errors during the productions of CDs is something that can, and does, happen, even for a major record company, unfortunately.

Bondo reply Replies: 0 || 2009-06-13 00:00:00
Does anyone else think that Geoff Zanelli wrote/contributed to "Fire"? Sounds a bit like his style

Sylvos reply Replies: 0 || 2009-06-13 00:00:00
Is it just my copy or everyone else's CDs too have a tick in "160 BPM" around 5:18 and in "Air" around 4:32?

Evelyn reply Replies: 0 || 2009-06-13 00:00:00
To Sylvos:

Not my copy!

Sylvos reply Replies: 0 || 2009-06-13 00:00:00
Which region did you buy your copy from, Evelyn?

Anonymous reply Replies: 0 || 2009-06-12 00:00:00
great website

Laura reply Replies: 0 || 2009-06-11 00:00:00
So I bought he soundtrack. and I saw the movie a second time, and people say that when the Pope is walking out at the end and the chorus is singing that the song is 160bpm. I can't find that part on my soundtrack. They said it's the second half of the song.

How do I get a hold of that? I've been searching for answers all over the internet and have not recieved any :(

thanks ahead of time!

e-mail me- kagomarrow@yahoo.com

Enrico reply Replies: 0 || 2009-06-09 00:00:00
Ehi guys can we know if the film of Robin Hood will be composed by Hans Zimmer?!!! It should be fantastic!!!
We could see again the trio Russel Crowe - Ridley Scott - Hans Zimmer!!!
Do you remeber something?!!!

alex reply Replies: 0 || 2009-06-08 00:00:00
how can i download the music ?

Anonymous reply Replies: 0 || 2009-06-08 00:00:00
@alex

Insert Coin

Enrico reply Replies: 0 || 2009-06-08 00:00:00
For Alex: why don't you buy the CD?

Enrico reply Replies: 0 || 2009-06-07 00:00:00
Thank you very much to Skyler!!!

tom from poland reply Replies: 0 || 2009-06-07 00:00:00
I think Mr. Zimmer should stop using auto-pilot and start to CREATE music, not only copy-paste from previous scores. It would be nice also to stop using ghost-writers.

Good for listening but nothing neww and original:(

LUYIGA FIONA reply Replies: 0 || 2009-06-06 00:00:00
ENJOYED THE MOVIE AND THE MUSIC...SUPERB! HANS ZIMMER IS A CLASS APART!

Skyler reply Replies: 0 || 2009-06-05 00:00:00
Enrico -

On the page for the Da Vinci Code soundtrack just below the tracklist and above the photos is the link titles "The Da Vinci Code Latin Words by Graham Preskett." Unfortunately, it does not specify which lyrics accompany which part of the CD. However, some of them are easy to match up.
"SILAS," "2000 YEARS," and "HAND OF GOD" go with "Poisoned Chalice"
"PAGAN LADIES" and "WHISPERS" go with "The Citrine Cross"
"OPUS DEI" and "SOPHIE" go with "Rose of Arimathia"
I'm not entirely sure about the placement of the rest.

But if you look at the translations of these lyrics it wouldn't make sense to put them in A&D, since many of them are specific to characters or thematic ideas that were only in DVC. So either new lyrics were written for this or perhaps there are, as suggested, no lyrics at all - just vocal textures.

ForeverMine reply Replies: 0 || 2009-06-04 00:00:00
If he DOES use synths to create the choirs... he's really GOD DAMNED GOOD in doing that! Because, if that's not really choirs (real real choirs, you know?) then they sure sound like it!

Symphonicmind reply Replies: 0 || 2009-06-04 00:00:00
Maybe Mr. Zimmer uses EWQL SC to create those amazing choirs...who knows... anyway thats one of the bests songs I have ever heard in my life =)
The best composer of the world for sure

Enrico reply Replies: 0 || 2009-06-04 00:00:00
I don't think that the choirs are made by synths...it should be too hard to do it!!! But there is to say that on th original CD there isn't written any "choirs"...Honestly I don't know!!!

Skyler told that the choir of "The Da Vinci Code" can be found here...where?!!! Please help me!!! I want them!!!
Thank you very much!!!

Mikel S.i.W (from Spain) reply Replies: 0 || 2009-06-03 00:00:00
From the beginning to the end, the score is terrific and sublime. ZIMMER IS GREAT!!!!!

JOHN reply Replies: 0 || 2009-06-03 00:00:00
106 BPM is the best song on this soundtrack. The drums are fantastic. The whole soundtrack in general is also great.

Luis reply Replies: 0 || 2009-06-03 00:00:00
Hans Zimmer, you're the best!!! Just for "Science and Religion", this CD is amazing! Great, great job!!!

ron reply Replies: 0 || 2009-06-02 00:00:00
sfsfs

Skyler reply Replies: 0 || 2009-06-01 00:00:00
The lyrics from the Da Vinci Code are available on this site, but I can't tell if there are any discernible lyrics from this one.

Ben reply Replies: 0 || 2009-05-31 00:00:00
My goodness, "160 BPM" is absolutely amazing.

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Angels & Demons soundtrack - Hans Zimmer 2009