Music Composed, Arranged & Produced by Hans Zimmer
Soundtrack Album Compiled by Bob Badami Executive in Charge of Music for Columbia Pictures: Lia Vollack Executive Album Producers: Ron Howard, Brian Grazer & John Calley Violin Solos by Joshua Bell
Additional Music by Lorne Balfe & Atli Örvarsson Ambient Music Design: Mel Wesson Orchestration: Bruce Fowler Music Supervision: Bob Badami Music Editor: Daniel Pinder Assistant Music Editor: Letitia Rogers
Soloists Guitar: Heitor Pereira Cello: Martin Tillman Percussion: Ryeland Allison & Satnam Ramgotra Synthesizers: Hans Zimmer
Music Arranged by Julian Kershaw Synth Programming: Matthew Margeson, Howard Scarr, Jacob Shea & Noah Sorota Music Conducted by Nick Glennie-Smith Music Recorded & Mixed by Alan Meyerson Sequencer Programming: Thomas Broderick & Peter Oso Snell Digital Instrument Design: Mark Wherry Additional Recording by Geoff Foster, Todd Whitelock, Slamm Andrews, Jeffrey Biggers & Greg Vines Music Production Services: Steven Kofsky Score Coordinator: Andrew Zack Sample Development: Claudius Bruese, Sam Estes & Michael Hobe Technical Assistant: Andrew Kawczynski Assistant Engineers: Katia Lewin & Adam Schmidt Music Preparation: Booker White Orchestra Contractor: Peter Rotter Music Recorded at Sony Pictures Studios, Culver City, CA & Clinton Recording Studio, New York, NY
Music Mixed at Remote Control Productions, Santa Monica, CA
Studio Manager for Remote Control Productions: Czarina Russell
For Sony Classical General Manager: Alex Miller A&R: David Lai Product Marketing: Leslie Collman-Smith Product Development: Jennifer Liebeskind & Laura Kszan Business Affairs: Tara Bruh
Hans Zimmer would like to thank: Suzanne Zimmer & the Mini Z's, Zoe Zimmer & Brigitte Zimmer
Ron Howard, Brian Grazer, Todd Hallowell, Dan Brown, Akiva Goldsman, John Calley, Louisa Velis, Dan Hanley, Mike Hill, Chic Ciccolini, Daniel Pagan, Tom Fleischman, Lia Vollack, Raul Perez, Tiffany Bordenave, Becky Bentham, Alison Burton, Scott Camilli, Ronni Chasen, Heidi Frederick, Teese Gohl, Esobol Gomez, Michael Gorfaine, Gavin Greenaway, Cheryl Howard, Kathy Keegan, Patrick Kim, Steven Kofsky, Kai Krause, Christina Mansky, Mike Rizzuto, Lee Rossignol, Jeff Sanderson, Sam Schwartz, Talley Singer, Shalini Singh, Chris Strong, Angie Teo, Nikki Walsh, Mindy Weissman, Andrew Zack & Matthew Zelle
Thanks to: Tim Ahlering, Shelly Bunge, Valerie Caton, Rod Davis & Paul Friedman
Release date : 05/12/2009
160 BPM (6:42) Hans Zimmer
God Particle (5:20) Hans Zimmer, Lorne Balfe, Atli Örvarsson, Mel Wesson
Air (9:08) Hans Zimmer, Lorne Balfe, Atli Örvarsson, Geoff Zanelli, Mel Wesson
Fire (6:51) Hans Zimmer, Lorne Balfe
Black Smoke (5:45) Hans Zimmer, Lorne Balfe, Mel Wesson
Science And Religion (12:27) Hans Zimmer
Immolation (3:38) Hans Zimmer, Lorne Balfe
Election By Adoration (2:12) Hans Zimmer, Nick Glennie-Smith
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I am a conductor at an American University and am very interested in the full scores of the vocal/orchestral numbers. Are they available for rental or purchase? Please?
no name, what a hell are you talking about? Hans has made 125 amazing albums in 19 years that's unbelievable, when John Williams made 132 albums in 57 years the man they say better than Hans :)
Hans has stated that he's going to be in semi-retirement for a while and focus more on score producing and stuff like that, alhough he will compose every now and again.
You cannot put the music of Ben Hur or Spartacus in a film like Angels & Demons. Hans gave the film what it needed and it works very well there and is also a good listening experience on CD.
And FYI I listen to a wide variety of scores from Bernard Herrmann and Jerry Goldsmith to most Remote Control scores and I still say Hans is one of the best modern film composers.
yeah, elfman's planet of the apes was good, but no masterpiece. unless you are referring to the original, which, is pretty good, but is no masterpiece either.
@ no name - if theres no albums that can compare to crimson tide, then how do you explain the masterpieces that are the dark knight, batman begins, the da vinci code, angels and demons,kung fu panda,and black hawk down?
I don't understand how "Angels & Demons" can be rated 8/10... It's an "effect music", not a score with an identity. Somethimes I think film music will die soon... if people enjoy these mediocre works. History gave us masterpieces like "Gone With The Wind", "pLanet Of The Apes", "Ben Hur", "Spartacus", "Star Wars", "Back To The Future" etc... where the hell is a piece in this score can be rated more than 2/10??? I'm very sad to read these positive comments about a so poor music.
Because I think Hans prefers to work with a team in a relation of exchange of ideas. However, you can see this method is good. When you listen Jablonsky' compositions or each other, these men compose to extend the process that Hans has engaged in twenty years.
Hans isn't only a composer. He's a producer, score arranger, creator of new sounds. If John Williams is also good, he didn't create several styles like Hans.
Recent album that could compare with Crimson Tide. There is none. All we get are sequels or albums like Holiday - one theme by Hans and additional music. Why John Williams can write and conduct entire album by himself and Hans can't? Why employing others? They can manage on their own. If not - not everyone can be composer. There are many kind of jobs they can do.
Hans Zimmer, Clint Mansell, and Klaus Badelt are absolutely stunning composers. My top three favourites of all time; even topping the great Beethoven [he got knocked down to fourth- ha]. <:
Hans Zimmer is the best composer of all time. I love the music for Angels and Demons, and I also loved his music for the Pirates of the Caribbean. I'm in love with his music.
"former fan" - are you on drugs saying such things?? maybe you are on delirium? such guys like you really pisses me off!! Hans IS one of the most talented composers in the world.
PS: "former fan" next time keep your comments for you. and f*ck off!
4/5
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