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Mera Montage is the big rock vocal cue used during the Sicily Battle & the Wine scene.<br><br>Home Invasion the opening soldiers barging in to capture Atlanna, as well as a part of the Black Manta / Orm negotiation scene.<br><br>Saving Pops is... the saving pops scene...<br><br>Ahab Wave is the tsunami scene + and when Aquaman arrives to the sub to fight Manta's gang.<br><br>Ask the Sea is when Aquaman refuses to help Manta's dad.<br><br>Olbigation is the soft piece in the plane when Aquaman & Mera talk.<br><br>Dunes is the comedic Dunes slide scene...I just want the Sicily Battle music!Having seen it I can say visually it is incredible, definitely a work of art on that level. What sets it back (for me personally) is the lack of a strong emotional core. The choice to make the animals realistic looks great, but doesnít have the same range that the hand drawn version had in terms of giving the animals the facial characteristics like the original. Soulless might be kind of harsh, but I didnít feel anything throughout. Also doing a shot-for-shot remake probably wasnít the best approach. <br><br>Musically though; this definitely was a great reminder as to why the original score is still a classic. Like everyone has said, itís a perfect companion piece that actually fixes some minor flaws and fleshes out some ideas much better. Some important cues missing though.ďAsk The SeaĒ <br>Oh please be the cue I want...Deluxe edition releases tomorrow<br>http :// filmmusicreporter .com /2019/07/18/aquaman-deluxe-edition-soundtrack-to-be-released /
Didn't Menken do much the same with Aladdin and Beauty and the Beast? I think the only ones who have been the most original with the scores to these remakes have been Danny Elfman and John Debney.<br><br>My personal view is this serves as a great compliment to the 1994 soundtrack, not an outright replacement. If you combined the two you'd get quite the meaty soundtrack.<br><br>As for the film itself, I highly doubt it will be as 'great' as the original, but that's not to say that it deserves the slating critics have given it either. I personally can't say - I haven't seen it yet.Recently in China, a movie was released called Looking Up, and the soundtrack was released with Steffen Thum's score and main theme/additional music by Lorne Balfe.I have to agree. It's a stellar score and I love it, but it was written 25 years ago, nevertheless.<br>Still, credit where credit's due, as you mentioned, the new 'Stampede' is a beast of a track, really added to the original, as well as the 'Battle' cue, awesome stuff for sure. <br>Haven't seen the movie yet, but I really hope it measures up, at least in the same way the score does.Most of it sounds like a high quality youtube remix to me, honestly. it's serviceable but unnecessary.Probably Zimmer, in 1994. It's part of the demoes he included on the Legacy set so I'd say it's a safe bet.
panpipes or flute doesnt matter, i just wondering who composed this :Dhaha thatís true :DWasn't expecting any of that so I'm not disappointed :D <br><br>So apparently this is out as well as The Golden Circle.. listening now. Canít believe I missed this.And that's why it bugs me so much lol. They're literally the biggest studio out there, so it would've been nice to see them go to the max with this release. Especially since it's one of their most popular IPs if not their most popular IP.
BLU-RAY SPECIAL FEATURES:<br>Deleted Scenes:<br>Edwards Air Force Base<br>Charles Returns Home<br>Mission Prep<br>Beast MIA<br>Charles Says Goodbye<br>Rise of the Phoenix: The Making of Dark Phoenix (5-Part Documentary)<br>Scene Breakdown: The 5th Avenue Sequence88<br>How to Fly Your Jet to Space with Beast<br>Audio Commentary by Simon Kinberg and Hutch Parker<br>*Commentary available on Blu-ray, iTunes Extras and Movies Anywhere only<br>-----<br>no Hans (making of) and no isolated score :/ damn...Hey, this is Disney we're talking about. Never expect this sort of thing for that. The ONLY film from them that immediately springs to mind that got that the first time round was Frozen.I feel like this is simultaneously the most enjoyable and least interesting Zimmer score of the last several years. It's nice to listen to, but it's basically the 1994 score rerecorded and tweaked in just a few places. Those tweaks do produce some highlights especially in the stampede and final battle sequences, but it's hard to think of this as a major effort, really. Yeah, it's good, but we've known that The Lion King is good for 25 years.I seriously don't understand why they didn't do two separate releases like most musicals do (La La Land comes to mind - perfect release). <br><br>A soundtrack album and a score album. No missing tracks, no fuss. And optional 2-CD set containing both.<br><br>Instead, they went with a soundtrack album with some of the score and another song album for whatever reason that is lol.The second half of the new "Elephant Graveyard" is basically note for note "I Was Just Trying to Be Brave" from the 1994 version as well, just with a few changes in orchestration
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Composer - Musician : Synthesizer
Hans ZimmerLorne BalfeAtli ÷rvarssonGeoff Zanelli
ComposerAdditional MusicAdditional MusicAdditional Music
Angels & Demons
Label: Sony Classics
Length: 54'17
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (40856 votes)
  1. 160 BPM (6:42)
    Hans Zimmer
  2. God Particle (5:20)
    Hans Zimmer, Lorne Balfe, Atli ÷rvarsson, Mel Wesson
  3. Air (9:08)
    Hans Zimmer, Lorne Balfe, Atli ÷rvarsson, Geoff Zanelli, Mel Wesson
  4. Fire (6:51)
    Hans Zimmer, Lorne Balfe
  5. Black Smoke (5:45)
    Hans Zimmer, Lorne Balfe, Mel Wesson
  6. Science And Religion (12:27)
    Hans Zimmer
  7. Immolation (3:38)
    Hans Zimmer, Lorne Balfe
  8. Election By Adoration (2:12)
    Hans Zimmer, Nick Glennie-Smith
  9. 503 (2:14)
    Hans Zimmer, Lorne Balfe
  10. Bonus Track : H2O (1:51)
    Hans Zimmer, Lorne Balfe, Atli ÷rvarsson
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Ele reply Replies: 0 || 2009-09-04 00:00:00
Since this movie is on DvD, can we hope for complete score soon? :D

Anonymous reply Replies: 0 || 2009-08-25 00:00:00
I think Hans is from the same blood of Beethoven. He belongs to his family.

Anonymous reply Replies: 0 || 2009-08-23 00:00:00
great score!! great!

robert langdon reply Replies: 0 || 2009-08-15 00:00:00
anyone ever find out the 5 note ambigram??

BachiG3 reply Replies: 0 || 2009-08-12 00:00:00
Best Film Best Soundtrack vapshemta coool

Brad reply Replies: 0 || 2009-08-11 00:00:00
Can somebody tell me which tracks those credited with "Additional Music" helped on? Thanks...

Hernan reply Replies: 0 || 2009-08-08 00:00:00
does anybody know where can i find or hear the song being played when the camerlengo is breaking the ring of the fisherman ?!?

Anon reply Replies: 0 || 2009-08-08 00:00:00
@Hernan
It's unreleased.
Let's hope/pray for unreleased music to be released.

Emanuel reply Replies: 0 || 2009-07-28 00:00:00
Thanks

Anonymous reply Replies: 0 || 2009-07-25 00:00:00
Hans is going to compose ''Inception'' Chris Nolan's Next Movie.

robert langdon reply Replies: 0 || 2009-07-22 00:00:00
i understand some unreleased music from DVC made it to this album. is there a way to break it up to add that?

Dawn reply Replies: 0 || 2009-07-22 00:00:00
I don't see the point in "breaking" a cue out of DVC to reimplement it in A&D. Orchestrations and instruments are different... this is not the same cue. Enjoy it as it is presented on DVC album... or wait for a true complete score ! No ? :D

Hybrid Soldier reply Replies: 0 || 2009-07-22 00:00:00
Yeah Dawn, like I don't see the point in "cutting" tracks to put them in correct order... I mean, the album is buit as suites !

OK, if you get an album like Kung Fu Panda, with complete tracks isolated from each other, or Sessions with all the tracks, then OK I'd put them in the correct order...

But with albums like A&D or POTC 3, I don't get it !

Adrian reply Replies: 0 || 2009-07-22 00:00:00
Why not cut tracks? Well, A&D/ DvC would be quite difficuilt, but if you have a long suite like in POTC3, I don't think now is the best Time at (aprox) 3 minutes starts Atli's piece, which is quite different from the first part. And Atli out around 4:55... So you have a complete different piece there, right in the middle.
I don't find cutting good for every suite, but this is in my opinion a textbook example of a track which you could cut with a proper argumentation.

Personally, I hate long suites... I find 10 mins too long for one track...

Deakins reply Replies: 0 || 2009-07-22 00:00:00
Long suite is the essence of the true zimmer's style. Remember 'Crimson Tide', 'Beyond Rangoon', 'Peacemaker'. I feel this way is the better for appreciate the globality of a score. Maybe these 30 seconds at the middle of the track (random track) will be bad if the author would cut them for another track.

Adrian reply Replies: 0 || 2009-07-22 00:00:00
Those were awefully compiled scores... Yes to make a track of 30 seconds is aweful too.. I prefer scores compiled like Gladiator or The Holiday, though the last one has some very short tracks...

bondo reply Replies: 0 || 2009-07-22 00:00:00
I 'cut' tracks only to put them in chronological order. I prefer listening to a score as it was heard in the film. Though I only do this when I can do a proper fade in/out.

Anon-Y-Mous reply Replies: 0 || 2009-07-20 00:00:00
Timings:
1. Main titles (God Particle 0:00-1:05)
2. Antimatter (God Particle 1:05-end)
3. Sealing Conclave (Air 0:00-1:54)
4. To Raphael's Tomb (I60 BPM 2:09-4:26)
5. Air (Air 1:54-end)
6. Fire (Fire 0:00-4:57)
7. Cross Rome (Fire 4:57-end)
8. The Illuminati Church (Black Smoke All of it)
9. The Camerlengo's Destiny (Science and Religion All of it)
10. Election by Adoration (Election by adoration all of it)
11. The Cross Keys (H20 all of it)
12. Immolation (Immolation all of it)
13. The last Preferiti (503 all of it)
14. End Credits (I60 BPM all of it)

robert langdon reply Replies: 0 || 2009-07-20 00:00:00
@ anon thanks alot!! :)

Anonymous reply Replies: 0 || 2009-07-20 00:00:00
I do hope they release more tracks later on. If not, ill wait til it comes out and rip the music off.

Anonymous reply Replies: 0 || 2009-07-20 00:00:00
@ anon -

Doesn't H20 come between "Fire" and "Black Smoke," when Tom Hanks rescues the man drowning in the fountain?

Anon-Y-Mous reply Replies: 0 || 2009-07-20 00:00:00
No.
You know how Hans can rename tracks that aren't exactly for that scene ;)

korean man reply Replies: 0 || 2009-07-20 00:00:00
fountain scene is not on this soundtrack.....im very disapointed..

um....whe time has come..i`ll meet the complete score..

korean man reply Replies: 0 || 2009-07-20 00:00:00
ah...fountain scene like a da vinci code ost - the citrine cross.. [2:01-2:45]

robert langdon reply Replies: 0 || 2009-07-19 00:00:00
@ anon - thanks :)

Schwarzaugen reply Replies: 0 || 2009-07-19 00:00:00
the best zimmer ...

schwarzaugen@aol.com reply Replies: 0 || 2009-07-19 00:00:00
zimmer you re thwe greatest musiker , thinker about powerful stranger capacity of fantasic
im a phd psychologist , everynight i m analysin' u re music i have explored things that i have been resarchi'always

Anon-Y-Mous reply Replies: 0 || 2009-07-19 00:00:00
I will post the timings another time.

robert langdon reply Replies: 0 || 2009-07-18 00:00:00
@ Anon...how did you split the music? can you show us? example :

I Know The First 30 Seconds or so of God Particle is the main titles. so for example -

Main Titles : God Particle - 0:00-0:45

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