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Several clips of the film are on YT. With some music. Sounds like 90's score from HZ. Too bad the directing seems to come from an age movies didn't exist...No. It’s a boys choir. S&K bros is a girl’s choirSeems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits update
A bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.
I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.
Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.
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Composer - Musician : Synthesizer
Hans ZimmerLorne BalfeAtli ÖrvarssonGeoff Zanelli
ComposerAdditional MusicAdditional MusicAdditional Music
Angels & Demons
Label: Sony Classics
Length: 54'17
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (40796 votes)
  1. 160 BPM (6:42)
    Hans Zimmer
  2. God Particle (5:20)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson, Mel Wesson
  3. Air (9:08)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson, Geoff Zanelli, Mel Wesson
  4. Fire (6:51)
    Hans Zimmer, Lorne Balfe
  5. Black Smoke (5:45)
    Hans Zimmer, Lorne Balfe, Mel Wesson
  6. Science And Religion (12:27)
    Hans Zimmer
  7. Immolation (3:38)
    Hans Zimmer, Lorne Balfe
  8. Election By Adoration (2:12)
    Hans Zimmer, Nick Glennie-Smith
  9. 503 (2:14)
    Hans Zimmer, Lorne Balfe
  10. Bonus Track : H2O (1:51)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson
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Ele reply Replies: 0 || 2009-09-04 00:00:00
Since this movie is on DvD, can we hope for complete score soon? :D

Anonymous reply Replies: 0 || 2009-08-25 00:00:00
I think Hans is from the same blood of Beethoven. He belongs to his family.

Anonymous reply Replies: 0 || 2009-08-23 00:00:00
great score!! great!

robert langdon reply Replies: 0 || 2009-08-15 00:00:00
anyone ever find out the 5 note ambigram??

BachiG3 reply Replies: 0 || 2009-08-12 00:00:00
Best Film Best Soundtrack vapshemta coool

Brad reply Replies: 0 || 2009-08-11 00:00:00
Can somebody tell me which tracks those credited with "Additional Music" helped on? Thanks...

Hernan reply Replies: 0 || 2009-08-08 00:00:00
does anybody know where can i find or hear the song being played when the camerlengo is breaking the ring of the fisherman ?!?

Anon reply Replies: 0 || 2009-08-08 00:00:00
@Hernan
It's unreleased.
Let's hope/pray for unreleased music to be released.

Emanuel reply Replies: 0 || 2009-07-28 00:00:00
Thanks

Anonymous reply Replies: 0 || 2009-07-25 00:00:00
Hans is going to compose ''Inception'' Chris Nolan's Next Movie.

robert langdon reply Replies: 0 || 2009-07-22 00:00:00
i understand some unreleased music from DVC made it to this album. is there a way to break it up to add that?

Dawn reply Replies: 0 || 2009-07-22 00:00:00
I don't see the point in "breaking" a cue out of DVC to reimplement it in A&D. Orchestrations and instruments are different... this is not the same cue. Enjoy it as it is presented on DVC album... or wait for a true complete score ! No ? :D

Hybrid Soldier reply Replies: 0 || 2009-07-22 00:00:00
Yeah Dawn, like I don't see the point in "cutting" tracks to put them in correct order... I mean, the album is buit as suites !

OK, if you get an album like Kung Fu Panda, with complete tracks isolated from each other, or Sessions with all the tracks, then OK I'd put them in the correct order...

But with albums like A&D or POTC 3, I don't get it !

Adrian reply Replies: 0 || 2009-07-22 00:00:00
Why not cut tracks? Well, A&D/ DvC would be quite difficuilt, but if you have a long suite like in POTC3, I don't think now is the best Time at (aprox) 3 minutes starts Atli's piece, which is quite different from the first part. And Atli out around 4:55... So you have a complete different piece there, right in the middle.
I don't find cutting good for every suite, but this is in my opinion a textbook example of a track which you could cut with a proper argumentation.

Personally, I hate long suites... I find 10 mins too long for one track...

Deakins reply Replies: 0 || 2009-07-22 00:00:00
Long suite is the essence of the true zimmer's style. Remember 'Crimson Tide', 'Beyond Rangoon', 'Peacemaker'. I feel this way is the better for appreciate the globality of a score. Maybe these 30 seconds at the middle of the track (random track) will be bad if the author would cut them for another track.

Adrian reply Replies: 0 || 2009-07-22 00:00:00
Those were awefully compiled scores... Yes to make a track of 30 seconds is aweful too.. I prefer scores compiled like Gladiator or The Holiday, though the last one has some very short tracks...

bondo reply Replies: 0 || 2009-07-22 00:00:00
I 'cut' tracks only to put them in chronological order. I prefer listening to a score as it was heard in the film. Though I only do this when I can do a proper fade in/out.

Anon-Y-Mous reply Replies: 0 || 2009-07-20 00:00:00
Timings:
1. Main titles (God Particle 0:00-1:05)
2. Antimatter (God Particle 1:05-end)
3. Sealing Conclave (Air 0:00-1:54)
4. To Raphael's Tomb (I60 BPM 2:09-4:26)
5. Air (Air 1:54-end)
6. Fire (Fire 0:00-4:57)
7. Cross Rome (Fire 4:57-end)
8. The Illuminati Church (Black Smoke All of it)
9. The Camerlengo's Destiny (Science and Religion All of it)
10. Election by Adoration (Election by adoration all of it)
11. The Cross Keys (H20 all of it)
12. Immolation (Immolation all of it)
13. The last Preferiti (503 all of it)
14. End Credits (I60 BPM all of it)

robert langdon reply Replies: 0 || 2009-07-20 00:00:00
@ anon thanks alot!! :)

Anonymous reply Replies: 0 || 2009-07-20 00:00:00
I do hope they release more tracks later on. If not, ill wait til it comes out and rip the music off.

Anonymous reply Replies: 0 || 2009-07-20 00:00:00
@ anon -

Doesn't H20 come between "Fire" and "Black Smoke," when Tom Hanks rescues the man drowning in the fountain?

Anon-Y-Mous reply Replies: 0 || 2009-07-20 00:00:00
No.
You know how Hans can rename tracks that aren't exactly for that scene ;)

korean man reply Replies: 0 || 2009-07-20 00:00:00
fountain scene is not on this soundtrack.....im very disapointed..

um....whe time has come..i`ll meet the complete score..

korean man reply Replies: 0 || 2009-07-20 00:00:00
ah...fountain scene like a da vinci code ost - the citrine cross.. [2:01-2:45]

robert langdon reply Replies: 0 || 2009-07-19 00:00:00
@ anon - thanks :)

Schwarzaugen reply Replies: 0 || 2009-07-19 00:00:00
the best zimmer ...

schwarzaugen@aol.com reply Replies: 0 || 2009-07-19 00:00:00
zimmer you re thwe greatest musiker , thinker about powerful stranger capacity of fantasic
im a phd psychologist , everynight i m analysin' u re music i have explored things that i have been resarchi'always

Anon-Y-Mous reply Replies: 0 || 2009-07-19 00:00:00
I will post the timings another time.

robert langdon reply Replies: 0 || 2009-07-18 00:00:00
@ Anon...how did you split the music? can you show us? example :

I Know The First 30 Seconds or so of God Particle is the main titles. so for example -

Main Titles : God Particle - 0:00-0:45

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Angels & Demons soundtrack - Hans Zimmer 2009