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One of this score's best and most underrated moments, especially in the context of the film, is the introduction of the Kraken's theme in "Row to Tia Dalma". The tense buildup while Gibbs describes the creature's horrors, then the brief pause as he names it, followed by the theme in the absolute lowest registers of the orchestra, quiet, but so so so menacing and also just SUPER FUCKING COOL.<br><br>It gives me goosebumps every time, in a *dialogue scene*. That is incredibly good musical storytelling.Edmund: And posted their one-sentence review of it on the Hans Zimmer fan site.Anything missed from the official release?oh damn really? huh that would be cool. even with the ultimate edition there’s still deleted scenes and I wish they were put on the Blu ray.<br><br>it plays during the scene after the knightmare when Clark is looking through the polaroids that say judge jury executioner on them. i don’t remember if that’s an extended scene or not as I’ve only seen the theatrical cut once in theaters. one and done lol"Chicken Run really makes you FEEL like you're in a concentration camp." - IGN
I guess it comes from a deleted scene where Jesse Eisenberg gets playful with his dinner. Rumor has it it's gonna be included in the Snyder Cut.I love the notion of Barack Obama and IGN teaming up to review 20 year old film scores.Smoothly done soundtrack. IGN - 10/10what the hell is Quaker steak and lube????I disagree on Catwoman. I love Zimmer's theme and I thought it is one of his most underrated themes.
Loved the new tracks!<br><br>Hans & Chris really did something special.<br><br>I enjoyed the Tenet score, but honestly Ludwig's work doesn't compare to Zimmer's. I just hope they work together again instead of Chris choosing Ludwig as his main collaborator from now on.Agreed.<br><br>I don’t know, TDKR feels a little oppressive to me in comparison with BB and TDK , probably as a result of Nolan’s musical tastes veering away from symphonic to more abstract. Reading the new book on Nolan gives me the impression that he has a very similar approach to his music as he does his filmmaking. With that said though, TDKR is still a solid conclusion to the franchise. Bane’s theme is excellent and the culmination of the various “Bat-Themes” do feel well earned. Catwoman’s theme is solid, but for some reason is dropped from most of the movie in favor of the repeating two-note phrase.<br><br>@Moggyman<br>Honestly I feel as if JNH’s work on the first two Hunger Games sequels showed a strong improvement in writing and theme building. The last score was a bit too much of a pastiche, but orchestrally a stronger fit than the first one. And “Crimes of Grindelwald” is easily one of the best sequel scores in the past few years (alongside Star Wars and HTTYD). Unfortunately we still don’t have a good album situation for that though. -_-Counterpoint: I liked Crimes of Grindelwald more than the first Fantastic Beasts. And forget Hanging Tree - "Air Raid Drill" from the first and "Sewer Attack" from the second Mockingjay are the best cues from that series. Plus, JNH honestly hasn't worked on that many sequels so we don't really have enough to go on here. <br><br>I think having JNH on board for Catwoman would have done wonders for this score. Hans' theme is okay, but feels like a bit of an afterthought compared to Bane.TDK & TDKR have amazing theme suites.<br><br>But as for the scores in film, they don't even get close to Batman Begins !I like Tom but idk he's gone downhill in my book. Alita was boring, i was over the moon excited for Terminator cause that was a perfect mix and it was disappointed big time. I'd love to hear Steve Jablonsky tackle that and get back to being as great as he used to, he has been phoning it in big time lately
Ok, before I eat my words, JNH did create the Hanging Tree in Mockingjay p1 which was good, but nothing else other than that in the sequels.For being the so called "weakest", it's very good. And if you think that Bane's theme is repetitive, I would say the same about the Joker's theme in TDK (to me they are both good though). <br><br>Now in all fairness, JNH could have probably added good material to the score since he's a genius, but I personally think he doesn't do well on sequels. Sure, in TDK he gave harvey dent a theme that resonated with his character (but was similar to material already used in BB). Yet, if you look at his work in the hunger games, its seems to me that he couldn't bring something both new and compelling to the sequels as he did in the first movie. I will agree with you that Batman Begins has the best music of the series though.After re-listening to this one, it's clearly the weakest of the trilogy. Of course it's not bad, the new themes are pretty good (though I think Bane's theme is a bit too repetitive and dry at times), there's still emotional moments, but JNH's absence really left a hole in this score.<br><br>I get to an extent that's the point, that all of Bruce's potential for a happy life is gone, but even the emotional tracks to me have nowhere near the emotional resonance that JNH's themes brought to the films. <br><br>"Come With Me" is the best example, where the slow emotional Selina Kyle chords just don't leave much of an impact. Definitely could have used JNH's "Courthouse Pt. 1" or the main theme from "Bruce Left For Dead" to emphasize Bruce's giving up of a quiet life. <br><br>Of course I still appreciate the way the 2 note motif is developed into a theme of its own, as well as the score as a whole, but then you get tracks like "Many Forms of Immortality" which just emphasize how much more effective the thematic work in Batman Begins was.It could also be Tom, who worked on Run All Night, and is already an established DC composer<br>Either way I'll be happyI lowkey think James is gonna score the Black Adam movie. it's the same director from Jungle Cruise so I'm sure he'll be brought along for it
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Composer - Musician : Synthesizer
Hans ZimmerLorne BalfeAtli ÖrvarssonGeoff Zanelli
ComposerAdditional MusicAdditional MusicAdditional Music
Angels & Demons
Label: Sony Classics
Length: 54'17
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (43153 votes)
  1. 160 BPM (6:42)
    Hans Zimmer
  2. God Particle (5:20)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson, Mel Wesson
  3. Air (9:08)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson, Geoff Zanelli, Mel Wesson
  4. Fire (6:51)
    Hans Zimmer, Lorne Balfe
  5. Black Smoke (5:45)
    Hans Zimmer, Lorne Balfe, Mel Wesson
  6. Science And Religion (12:27)
    Hans Zimmer
  7. Immolation (3:38)
    Hans Zimmer, Lorne Balfe
  8. Election By Adoration (2:12)
    Hans Zimmer, Nick Glennie-Smith
  9. 503 (2:14)
    Hans Zimmer, Lorne Balfe
  10. Bonus Track : H2O (1:51)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson
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Anonymous reply Replies: 0 || 2009-09-05 00:00:00
umm... nope.

Ele reply Replies: 0 || 2009-09-04 00:00:00
Since this movie is on DvD, can we hope for complete score soon? :D

Anonymous reply Replies: 0 || 2009-08-25 00:00:00
I think Hans is from the same blood of Beethoven. He belongs to his family.

Anonymous reply Replies: 0 || 2009-08-23 00:00:00
great score!! great!

robert langdon reply Replies: 0 || 2009-08-15 00:00:00
anyone ever find out the 5 note ambigram??

BachiG3 reply Replies: 0 || 2009-08-12 00:00:00
Best Film Best Soundtrack vapshemta coool

Brad reply Replies: 0 || 2009-08-11 00:00:00
Can somebody tell me which tracks those credited with "Additional Music" helped on? Thanks...

Hernan reply Replies: 0 || 2009-08-08 00:00:00
does anybody know where can i find or hear the song being played when the camerlengo is breaking the ring of the fisherman ?!?

Anon reply Replies: 0 || 2009-08-08 00:00:00
@Hernan
It's unreleased.
Let's hope/pray for unreleased music to be released.

Emanuel reply Replies: 0 || 2009-07-28 00:00:00
Thanks

Anonymous reply Replies: 0 || 2009-07-25 00:00:00
Hans is going to compose ''Inception'' Chris Nolan's Next Movie.

robert langdon reply Replies: 0 || 2009-07-22 00:00:00
i understand some unreleased music from DVC made it to this album. is there a way to break it up to add that?

Dawn reply Replies: 0 || 2009-07-22 00:00:00
I don't see the point in "breaking" a cue out of DVC to reimplement it in A&D. Orchestrations and instruments are different... this is not the same cue. Enjoy it as it is presented on DVC album... or wait for a true complete score ! No ? :D

Hybrid Soldier reply Replies: 0 || 2009-07-22 00:00:00
Yeah Dawn, like I don't see the point in "cutting" tracks to put them in correct order... I mean, the album is buit as suites !

OK, if you get an album like Kung Fu Panda, with complete tracks isolated from each other, or Sessions with all the tracks, then OK I'd put them in the correct order...

But with albums like A&D or POTC 3, I don't get it !

Adrian reply Replies: 0 || 2009-07-22 00:00:00
Why not cut tracks? Well, A&D/ DvC would be quite difficuilt, but if you have a long suite like in POTC3, I don't think now is the best Time at (aprox) 3 minutes starts Atli's piece, which is quite different from the first part. And Atli out around 4:55... So you have a complete different piece there, right in the middle.
I don't find cutting good for every suite, but this is in my opinion a textbook example of a track which you could cut with a proper argumentation.

Personally, I hate long suites... I find 10 mins too long for one track...

Deakins reply Replies: 0 || 2009-07-22 00:00:00
Long suite is the essence of the true zimmer's style. Remember 'Crimson Tide', 'Beyond Rangoon', 'Peacemaker'. I feel this way is the better for appreciate the globality of a score. Maybe these 30 seconds at the middle of the track (random track) will be bad if the author would cut them for another track.

Adrian reply Replies: 0 || 2009-07-22 00:00:00
Those were awefully compiled scores... Yes to make a track of 30 seconds is aweful too.. I prefer scores compiled like Gladiator or The Holiday, though the last one has some very short tracks...

bondo reply Replies: 0 || 2009-07-22 00:00:00
I 'cut' tracks only to put them in chronological order. I prefer listening to a score as it was heard in the film. Though I only do this when I can do a proper fade in/out.

Anon-Y-Mous reply Replies: 0 || 2009-07-20 00:00:00
Timings:
1. Main titles (God Particle 0:00-1:05)
2. Antimatter (God Particle 1:05-end)
3. Sealing Conclave (Air 0:00-1:54)
4. To Raphael's Tomb (I60 BPM 2:09-4:26)
5. Air (Air 1:54-end)
6. Fire (Fire 0:00-4:57)
7. Cross Rome (Fire 4:57-end)
8. The Illuminati Church (Black Smoke All of it)
9. The Camerlengo's Destiny (Science and Religion All of it)
10. Election by Adoration (Election by adoration all of it)
11. The Cross Keys (H20 all of it)
12. Immolation (Immolation all of it)
13. The last Preferiti (503 all of it)
14. End Credits (I60 BPM all of it)

robert langdon reply Replies: 0 || 2009-07-20 00:00:00
@ anon thanks alot!! :)

Anonymous reply Replies: 0 || 2009-07-20 00:00:00
I do hope they release more tracks later on. If not, ill wait til it comes out and rip the music off.

Anonymous reply Replies: 0 || 2009-07-20 00:00:00
@ anon -

Doesn't H20 come between "Fire" and "Black Smoke," when Tom Hanks rescues the man drowning in the fountain?

Anon-Y-Mous reply Replies: 0 || 2009-07-20 00:00:00
No.
You know how Hans can rename tracks that aren't exactly for that scene ;)

korean man reply Replies: 0 || 2009-07-20 00:00:00
fountain scene is not on this soundtrack.....im very disapointed..

um....whe time has come..i`ll meet the complete score..

korean man reply Replies: 0 || 2009-07-20 00:00:00
ah...fountain scene like a da vinci code ost - the citrine cross.. [2:01-2:45]

robert langdon reply Replies: 0 || 2009-07-19 00:00:00
@ anon - thanks :)

Schwarzaugen reply Replies: 0 || 2009-07-19 00:00:00
the best zimmer ...

schwarzaugen@aol.com reply Replies: 0 || 2009-07-19 00:00:00
zimmer you re thwe greatest musiker , thinker about powerful stranger capacity of fantasic
im a phd psychologist , everynight i m analysin' u re music i have explored things that i have been resarchi'always

Anon-Y-Mous reply Replies: 0 || 2009-07-19 00:00:00
I will post the timings another time.

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Angels & Demons soundtrack - Hans Zimmer 2009