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The Sierra Leone track Andrew K posted (link below)...I almost wonder if that's how 2010s Zimmer would redo The Lion King. More bass, more minimalist, more Interstellar...but still with an African flare.Horner and many others with Star Trek is a good example too.Huh. Well, the music Andrew posted is nice."Don't believe everything you hear, son."what do you gyus think about this? <br><br>www . youtube.com/watch?v=9riigqWjovM
Hallo,<br><br>Der 'Gladiator' ist schon langsam in die Jahre gekommen, die Musik ist aber nicht älter geworden. Genial.<br><br>Gruß  <br><br>Not bad score.<br><br>But I prefer the other oneIsn’t that ironic that DC is abandoning the continuity while Marvel is finally embracing it?<br><br>For any electronic fans out there, this score is definitely a must listen, there are some badass 80’s beats (with a dash of Tron legacy) in here.I'm so mad at DC right now I'd rather promote Marvel !! lol<br><br><br>Well jokes aside I add cause Andrew worked on it. And btw he posted another 5 min cue on his Soundcloud, dunno if it's unreleased, there'll better specialists of that score than me !Yeah, I happen to have seen the film and the score is not really "coherent", it's more like many different cues put together...
Okay, thanks for clearing that up. The Tracks released were kind of interesting, a kind of mix of soundsAnyone else think Hans knew about all the studio meddling during pre-production, the rewrites etc and walked away ? I mean, when I heard Elfman's score I thought it was generic and wouldn't fit the movie. Then I watched the movie and it fits well. The movie is just as bland as the music in the background.I don't have to ask, that movie was a failure that barely got distributed... No one had any interest in releasing this score...Hybrid, did you ever ask Hans why this score wasn't released?After watching the movie, I just have to say it was okay. It had some great moments but for me it had also many problems. And one of them was the music. For most of the part it wasn't even noticeable and when it was, it was like random background music with no really emotion or heart.<br><br>BvS and MoS movies can be criticized for some things but the score is not one of them. The movie gave the movie a strong and powerful side, as well as a heart and emotion into it. In this movie there were so many moments that needed different score. <br>***SPOILERS***<br>Superman's resurrection needed the MoS in full epic form. Wonder Woman at the bank at the beggining needed her theme with the electric cello in full power.<br>The Batman theme at the beginning when he is after that Parademon.<br>We should have a really memorable theme for the whole Justice League as well as for each individual member.<br>The scenes with Clark and Lois at the house in Kansas and when his mother sees him, this needed the piano theme from This Is Clark kent or something like that.<br>And that final moments with Superman opening his shirt showing the Superman logo and then flying to the sky, we needed something like "What Are You Going To Do When You're Not Saving The World?" or "Flight" and not that unmemorable music we got.<br><br>I really hope that the petition of the Extended Cut of the movie made by Zack with Junkie's music gets to be released someday, but for now, I'm disappointed.
Sounds fun!!<br>Thanks for the linkAny ideas on the Chronological Order of the Tracks?<br>I made a start here...<br><br><br>Logos<br>Batman On The Roof<br>Everybody Knows - Titles<br>Wonder Woman Rescue<br><br>...<br>Icky Thump<br>Aquaman In Atlantis<br>...<br>1m1a Krypton (from Man Of Steel)<br>Spark Of The Flash<br>Friends And Foes<br>...<br>Come Together - Credits<br>Anti-Hero Theme - CreditsNo, they are the full score cues- as presented in the film. The presentation of the final three tracks on the first disc are edited down for timing.* I posted this at filmtracks and wanted to share it here as well. <br><br>Danny Elfman's comments are very disrespectful and so disappointing for a creative person to hear, especially for composers. Nostalgia is a big problem with Hollywood and it's a simple Jedi mind trick. It's slightly different, but the same meal over and over with different seasoning. Imagine if James Horner didn't get to write the score he wanted for Spider-Man? Or Zimmer had to use Elfmans Batman theme for the DK triliolgy or BvS? Or Shirley Walkers incredible Batman theme for Batman: Mask of the Phantasm. Or Giacchino just used the original star trek theme, or the original Star Wars themes for Rogue One and created nothing new at all? How boring and uninspiring for the composers not being able to challenge themselves to create new original music.<br><br>Whether you like these scores or not isn't important, the pursuit to create something new is what drives a creative person and gives us freedom in choosing something to enjoy and not enjoy. I love the original Batman theme by Elfman but I love it in the Burton films. I love Zimmer scores for both the DK trilogy and BvS. I am happy I can enjoy both types of scores and films but there are those who don't and that's a great thing because that means we are not all the same and that brings variety of opinion and taste which creates real conversation and most importantly gives an identity to a project.<br><br>It's easy to go back to original ideas, but I respect the creators who actually take the risk and want to try and do something new. If Danny Elfman stands by his words he should have just used the original Batman theme from the Tv Show and film or the original Spider-Man theme. Oops he didn't and we got a whole new Batman theme and Spider-man theme which most of us love. Thank god he didn't stick to using the original themes. The Batman reboots and superman and Spider-man reboots are completely different takes on the characters and that's why they deserve their own new themes and soundscapes. The only time I think an original theme from a film should be used in a new film with the same characters is if it's actually a sequel or prequel connected to that actual original film. Re-boots should always have new original music.<br><br>In the end the comments from Elfman are simply stupid and uninspiring and it's definitely a hidden ego coming through I never new he had which is a shame. I remember what Zimmer said about Danny Elfman's Batman theme being a bit jolly, but that's not attacking Elfman at all, it's how he felt and heard the music and felt that that style wouldn't fit in the new batman films ect.. I have always found the original Batman theme a bit on the jolly side too and I love it because it nails Burton's take on the character and world. That theme is for Keaton's Batman, no one else's.<br><br>One final point, if we keep wanting to just revisit the past and hear and see the same thing over and over and not be challenged with new ideas, what a damn uninspiring and boring world of creativity we will live in.<br><br>All the best to you all!<br><br>so...based on what junkie says here, Elfman is basically just rehashing old shit, as well as other people's old shit....Unless you want to say he's taking his Batman theme into a whole different direction that he didn't really have a desire to do before...until now....<br><br>In that case, "whatever" is all I have to say.
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Composer - Musician : Synthesizer
Hans ZimmerLorne BalfeAtli ÖrvarssonGeoff Zanelli
ComposerAdditional MusicAdditional MusicAdditional Music
Angels & Demons
Label: Sony Classics
Length: 54'17
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (39773 votes)
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  1. 160 BPM (6:42)
    Hans Zimmer
  2. God Particle (5:20)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson, Mel Wesson
  3. Air (9:08)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson, Geoff Zanelli, Mel Wesson
  4. Fire (6:51)
    Hans Zimmer, Lorne Balfe
  5. Black Smoke (5:45)
    Hans Zimmer, Lorne Balfe, Mel Wesson
  6. Science And Religion (12:27)
    Hans Zimmer
  7. Immolation (3:38)
    Hans Zimmer, Lorne Balfe
  8. Election By Adoration (2:12)
    Hans Zimmer, Nick Glennie-Smith
  9. 503 (2:14)
    Hans Zimmer, Lorne Balfe
  10. Bonus Track : H2O (1:51)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson
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Anonymous reply Replies: 0 || 2009-08-25 00:00:00
I think Hans is from the same blood of Beethoven. He belongs to his family.

Anonymous reply Replies: 0 || 2009-08-23 00:00:00
great score!! great!

robert langdon reply Replies: 0 || 2009-08-15 00:00:00
anyone ever find out the 5 note ambigram??

BachiG3 reply Replies: 0 || 2009-08-12 00:00:00
Best Film Best Soundtrack vapshemta coool

Brad reply Replies: 0 || 2009-08-11 00:00:00
Can somebody tell me which tracks those credited with "Additional Music" helped on? Thanks...

Anon reply Replies: 0 || 2009-08-08 00:00:00
@Hernan
It's unreleased.
Let's hope/pray for unreleased music to be released.

Hernan reply Replies: 0 || 2009-08-08 00:00:00
does anybody know where can i find or hear the song being played when the camerlengo is breaking the ring of the fisherman ?!?

Emanuel reply Replies: 0 || 2009-07-28 00:00:00
Thanks

Anonymous reply Replies: 0 || 2009-07-25 00:00:00
Hans is going to compose ''Inception'' Chris Nolan's Next Movie.

robert langdon reply Replies: 0 || 2009-07-22 00:00:00
i understand some unreleased music from DVC made it to this album. is there a way to break it up to add that?

Dawn reply Replies: 0 || 2009-07-22 00:00:00
I don't see the point in "breaking" a cue out of DVC to reimplement it in A&D. Orchestrations and instruments are different... this is not the same cue. Enjoy it as it is presented on DVC album... or wait for a true complete score ! No ? :D

Hybrid Soldier reply Replies: 0 || 2009-07-22 00:00:00
Yeah Dawn, like I don't see the point in "cutting" tracks to put them in correct order... I mean, the album is buit as suites !

OK, if you get an album like Kung Fu Panda, with complete tracks isolated from each other, or Sessions with all the tracks, then OK I'd put them in the correct order...

But with albums like A&D or POTC 3, I don't get it !

Adrian reply Replies: 0 || 2009-07-22 00:00:00
Why not cut tracks? Well, A&D/ DvC would be quite difficuilt, but if you have a long suite like in POTC3, I don't think now is the best Time at (aprox) 3 minutes starts Atli's piece, which is quite different from the first part. And Atli out around 4:55... So you have a complete different piece there, right in the middle.
I don't find cutting good for every suite, but this is in my opinion a textbook example of a track which you could cut with a proper argumentation.

Personally, I hate long suites... I find 10 mins too long for one track...

Deakins reply Replies: 0 || 2009-07-22 00:00:00
Long suite is the essence of the true zimmer's style. Remember 'Crimson Tide', 'Beyond Rangoon', 'Peacemaker'. I feel this way is the better for appreciate the globality of a score. Maybe these 30 seconds at the middle of the track (random track) will be bad if the author would cut them for another track.

Adrian reply Replies: 0 || 2009-07-22 00:00:00
Those were awefully compiled scores... Yes to make a track of 30 seconds is aweful too.. I prefer scores compiled like Gladiator or The Holiday, though the last one has some very short tracks...

bondo reply Replies: 0 || 2009-07-22 00:00:00
I 'cut' tracks only to put them in chronological order. I prefer listening to a score as it was heard in the film. Though I only do this when I can do a proper fade in/out.

Anon-Y-Mous reply Replies: 0 || 2009-07-20 00:00:00
Timings:
1. Main titles (God Particle 0:00-1:05)
2. Antimatter (God Particle 1:05-end)
3. Sealing Conclave (Air 0:00-1:54)
4. To Raphael's Tomb (I60 BPM 2:09-4:26)
5. Air (Air 1:54-end)
6. Fire (Fire 0:00-4:57)
7. Cross Rome (Fire 4:57-end)
8. The Illuminati Church (Black Smoke All of it)
9. The Camerlengo's Destiny (Science and Religion All of it)
10. Election by Adoration (Election by adoration all of it)
11. The Cross Keys (H20 all of it)
12. Immolation (Immolation all of it)
13. The last Preferiti (503 all of it)
14. End Credits (I60 BPM all of it)

robert langdon reply Replies: 0 || 2009-07-20 00:00:00
@ anon thanks alot!! :)

Anonymous reply Replies: 0 || 2009-07-20 00:00:00
I do hope they release more tracks later on. If not, ill wait til it comes out and rip the music off.

Anonymous reply Replies: 0 || 2009-07-20 00:00:00
@ anon -

Doesn't H20 come between "Fire" and "Black Smoke," when Tom Hanks rescues the man drowning in the fountain?

Anon-Y-Mous reply Replies: 0 || 2009-07-20 00:00:00
No.
You know how Hans can rename tracks that aren't exactly for that scene ;)

korean man reply Replies: 0 || 2009-07-20 00:00:00
fountain scene is not on this soundtrack.....im very disapointed..

um....whe time has come..i`ll meet the complete score..

korean man reply Replies: 0 || 2009-07-20 00:00:00
ah...fountain scene like a da vinci code ost - the citrine cross.. [2:01-2:45]

Anon-Y-Mous reply Replies: 0 || 2009-07-19 00:00:00
I will post the timings another time.

schwarzaugen@aol.com reply Replies: 0 || 2009-07-19 00:00:00
zimmer you re thwe greatest musiker , thinker about powerful stranger capacity of fantasic
im a phd psychologist , everynight i m analysin' u re music i have explored things that i have been resarchi'always

Schwarzaugen reply Replies: 0 || 2009-07-19 00:00:00
the best zimmer ...

robert langdon reply Replies: 0 || 2009-07-19 00:00:00
@ anon - thanks :)

robert langdon reply Replies: 0 || 2009-07-18 00:00:00
@ Anon...how did you split the music? can you show us? example :

I Know The First 30 Seconds or so of God Particle is the main titles. so for example -

Main Titles : God Particle - 0:00-0:45

Schwarzaugen reply Replies: 0 || 2009-07-16 00:00:00
the greatest composer ever and fprever! all the time is hans zimmer
you are the god of music danke HANS ZIMMER

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Angels & Demons soundtrack - Hans Zimmer 2009