Music Composed, Arranged & Produced by Hans Zimmer
Soundtrack Album Compiled by Bob Badami Executive in Charge of Music for Columbia Pictures: Lia Vollack Executive Album Producers: Ron Howard, Brian Grazer & John Calley Violin Solos by Joshua Bell
Additional Music by Lorne Balfe & Atli Örvarsson Ambient Music Design: Mel Wesson Orchestration: Bruce Fowler Music Supervision: Bob Badami Music Editor: Daniel Pinder Assistant Music Editor: Letitia Rogers
Soloists Guitar: Heitor Pereira Cello: Martin Tillman Percussion: Ryeland Allison & Satnam Ramgotra Synthesizers: Hans Zimmer
Music Arranged by Julian Kershaw Synth Programming: Matthew Margeson, Howard Scarr, Jacob Shea & Noah Sorota Music Conducted by Nick Glennie-Smith Music Recorded & Mixed by Alan Meyerson Sequencer Programming: Thomas Broderick & Peter Oso Snell Digital Instrument Design: Mark Wherry Additional Recording by Geoff Foster, Todd Whitelock, Slamm Andrews, Jeffrey Biggers & Greg Vines Music Production Services: Steven Kofsky Score Coordinator: Andrew Zack Sample Development: Claudius Bruese, Sam Estes & Michael Hobe Technical Assistant: Andrew Kawczynski Assistant Engineers: Katia Lewin & Adam Schmidt Music Preparation: Booker White Orchestra Contractor: Peter Rotter Music Recorded at Sony Pictures Studios, Culver City, CA & Clinton Recording Studio, New York, NY
Music Mixed at Remote Control Productions, Santa Monica, CA
Studio Manager for Remote Control Productions: Czarina Russell
For Sony Classical General Manager: Alex Miller A&R: David Lai Product Marketing: Leslie Collman-Smith Product Development: Jennifer Liebeskind & Laura Kszan Business Affairs: Tara Bruh
Hans Zimmer would like to thank: Suzanne Zimmer & the Mini Z's, Zoe Zimmer & Brigitte Zimmer
Ron Howard, Brian Grazer, Todd Hallowell, Dan Brown, Akiva Goldsman, John Calley, Louisa Velis, Dan Hanley, Mike Hill, Chic Ciccolini, Daniel Pagan, Tom Fleischman, Lia Vollack, Raul Perez, Tiffany Bordenave, Becky Bentham, Alison Burton, Scott Camilli, Ronni Chasen, Heidi Frederick, Teese Gohl, Esobol Gomez, Michael Gorfaine, Gavin Greenaway, Cheryl Howard, Kathy Keegan, Patrick Kim, Steven Kofsky, Kai Krause, Christina Mansky, Mike Rizzuto, Lee Rossignol, Jeff Sanderson, Sam Schwartz, Talley Singer, Shalini Singh, Chris Strong, Angie Teo, Nikki Walsh, Mindy Weissman, Andrew Zack & Matthew Zelle
Thanks to: Tim Ahlering, Shelly Bunge, Valerie Caton, Rod Davis & Paul Friedman
Release date : 05/12/2009
160 BPM (6:42) Hans Zimmer
God Particle (5:20) Hans Zimmer, Lorne Balfe, Atli Örvarsson, Mel Wesson
Air (9:08) Hans Zimmer, Lorne Balfe, Atli Örvarsson, Geoff Zanelli, Mel Wesson
Fire (6:51) Hans Zimmer, Lorne Balfe
Black Smoke (5:45) Hans Zimmer, Lorne Balfe, Mel Wesson
Science And Religion (12:27) Hans Zimmer
Immolation (3:38) Hans Zimmer, Lorne Balfe
Election By Adoration (2:12) Hans Zimmer, Nick Glennie-Smith
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We do know the Sherlock Holmes score will be released by New Line Records (it was in a promotional ad of the label) but no other news at this point. I'm pretty sure it'll get a good release, it's a Hans Zimmer score and a Warner Bros. film!
Yes Adrian I know, but I think that the Webmasters should know much more about HZ new projects! I've read on anther website that James Horner has released an interview about his new CD Avatar...great news! But we don't know anything about SH! Excuse me but I think this... Regards Enrico...
hello, I just want to thank you Mr Zimmer for your fabulous music.. Especially this extraordinary solo violin at the end of the movie. I felt already a great emotion with the orchestration during the first movie da vinci code and there I found it again but with the violin by josha bell and this feeling was so strong that I had tears. Thank you for this beautiful work.
In the the "Angels, Demons, & Men in Skirts" interview, Zimmer said that the lyrics for "160 BPM" are just made-up vocalizations to suit the needs of the music.
Not that I'm complaining; it's an awesome track on an awesome album...
160 BPM is like Red Bull. Rest is a bit dissapointing (how could he end 503 in that moment?!?) but very listenable. I'm giving 4/5 and hoping that Inception and Sherlock will rock.
"making expanded score"... what does it mean ? Ripping DVD tracks ?
If it is the case, please come on ! Wait for a proper SFX-free version, even if it's a longer wait ! And do not waste your time making a CD with horrible sound quality, including gun sounds, people screaming, tires screeching etc... It really isn't qualitative.
Ehi guys I've a question for you...I've red on Wikipedia that Hans Zimmer attended the Hurtwood House in UK...but please, read here:
http://en.wikipedia.org/wiki/Hurtwood_House
Expecially this one:
"Hurtwood is renowned for having outstanding theatre and media departments, and at around £10,000 per term, is the most expensive school in the UK."
My question is: how did Hans to atend the most expansive school in England?!!! I've no idea!!! Was Hans rich when he was young? I don't know... However great Hans!!!
Can't wait for expanded score. Although Arrival of Electors sound like Kingdom Of Heaven, its still cool track. Like many many others unreleased in Angels & Demons
luiszimmer: it's a really nice that you doing an expanded score! The Arrival of teh Electors is a really really good track. It should be on the "Normal" score too! I love that song! ;)