Music Composed, Arranged & Produced by Hans Zimmer
Soundtrack Album Compiled by Bob Badami Executive in Charge of Music for Columbia Pictures: Lia Vollack Executive Album Producers: Ron Howard, Brian Grazer & John Calley Violin Solos by Joshua Bell
Additional Music by Lorne Balfe & Atli Örvarsson Ambient Music Design: Mel Wesson Orchestration: Bruce Fowler Music Supervision: Bob Badami Music Editor: Daniel Pinder Assistant Music Editor: Letitia Rogers
Soloists Guitar: Heitor Pereira Cello: Martin Tillman Percussion: Ryeland Allison & Satnam Ramgotra Synthesizers: Hans Zimmer
Music Arranged by Julian Kershaw Synth Programming: Matthew Margeson, Howard Scarr, Jacob Shea & Noah Sorota Music Conducted by Nick Glennie-Smith Music Recorded & Mixed by Alan Meyerson Sequencer Programming: Thomas Broderick & Peter Oso Snell Digital Instrument Design: Mark Wherry Additional Recording by Geoff Foster, Todd Whitelock, Slamm Andrews, Jeffrey Biggers & Greg Vines Music Production Services: Steven Kofsky Score Coordinator: Andrew Zack Sample Development: Claudius Bruese, Sam Estes & Michael Hobe Technical Assistant: Andrew Kawczynski Assistant Engineers: Katia Lewin & Adam Schmidt Music Preparation: Booker White Orchestra Contractor: Peter Rotter Music Recorded at Sony Pictures Studios, Culver City, CA & Clinton Recording Studio, New York, NY
Music Mixed at Remote Control Productions, Santa Monica, CA
Studio Manager for Remote Control Productions: Czarina Russell
For Sony Classical General Manager: Alex Miller A&R: David Lai Product Marketing: Leslie Collman-Smith Product Development: Jennifer Liebeskind & Laura Kszan Business Affairs: Tara Bruh
Hans Zimmer would like to thank: Suzanne Zimmer & the Mini Z's, Zoe Zimmer & Brigitte Zimmer
Ron Howard, Brian Grazer, Todd Hallowell, Dan Brown, Akiva Goldsman, John Calley, Louisa Velis, Dan Hanley, Mike Hill, Chic Ciccolini, Daniel Pagan, Tom Fleischman, Lia Vollack, Raul Perez, Tiffany Bordenave, Becky Bentham, Alison Burton, Scott Camilli, Ronni Chasen, Heidi Frederick, Teese Gohl, Esobol Gomez, Michael Gorfaine, Gavin Greenaway, Cheryl Howard, Kathy Keegan, Patrick Kim, Steven Kofsky, Kai Krause, Christina Mansky, Mike Rizzuto, Lee Rossignol, Jeff Sanderson, Sam Schwartz, Talley Singer, Shalini Singh, Chris Strong, Angie Teo, Nikki Walsh, Mindy Weissman, Andrew Zack & Matthew Zelle
Thanks to: Tim Ahlering, Shelly Bunge, Valerie Caton, Rod Davis & Paul Friedman
Release date : 05/12/2009
160 BPM (6:42) Hans Zimmer
God Particle (5:20) Hans Zimmer, Lorne Balfe, Atli Örvarsson, Mel Wesson
Air (9:08) Hans Zimmer, Lorne Balfe, Atli Örvarsson, Geoff Zanelli, Mel Wesson
Fire (6:51) Hans Zimmer, Lorne Balfe
Black Smoke (5:45) Hans Zimmer, Lorne Balfe, Mel Wesson
Science And Religion (12:27) Hans Zimmer
Immolation (3:38) Hans Zimmer, Lorne Balfe
Election By Adoration (2:12) Hans Zimmer, Nick Glennie-Smith
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Oh, I see it now. When I posted my question there was nothing listed on here or IMDb regarding Tillman's involvement (and I don't have the physical CD booklet to use as reference yet)
I was starting to think that having to perform the Joker theme over and over might have caused him to reconsider working on another project with Hans... :)
How can you have this score already?! It'll be released on 05/12/2009...I'm sorry if you download it...let develop music world with original CDs... ;-) Am I right?!
Netherlands is 11-05 hehe.. but thats the german (thats means also the swiss) version ''Illuminati''... The American version is 15th here... The Illuminati version has a better cover in my opinion.
A free bonus track (about 2 minutes and titled "H2O," and not featured on the regular album) is available for download here: www.angelsanddemons.com/soundtrack/
I'm assuming that the title "H2O" refers to Water - it would make sense, judging by the other titles on the CD (Air, Fire).
Does anyone know what happened to Martin Tillman? Why was he not involved with this score? He had such a prominent role in the Da Vinci Code and so I'm not exactly sure why he didn't return. It's also strange given that he and Hans just worked on Frost/Nixon and The Dark Knight.
Also, I wonder if the addition of Joshua Bell is at all related to this...
My favourite composer. I really wish to work with him one day as soon as I'm a filmmaker. He's my source of inspiration! I'm sure I'm going to love "A&D" once I loved "The Da Vinci Code"! It's impossible not to love Hans.. his soundtracks are always epic and speecheless.
At almost 2 minutes into "Air," Zimmer reprises his Pazzi theme from "Hannibal" - I knew we hadn't heard the last of that theme! So far this is my favorite track on the CD (although I haven't listened to the much-talked-about "Science and Religion" cue yet)
Thank you for not posting those kind of (bad) "joke" (maybe his dead) ; bad humour, not interesting sentence, do not use your fingers on your keyboard for such a poor quote.
New sound: I60 BMP, there is a reprise in "Fire". Themes from the CODE: The Cetrine Cross with all the variations, and Daniel's 9th Cipher with Joshua Bell... only the rhythm is faster and action cues, excelent!
OMG - I've just heard the entire soundtrack! And I have to admit - WOW The song "Science And Religion" it's wonderfull. I mean, the entire soundtrack is wonderfull!
Why are you all being so mean! Maybe Martin Tillman was envolve in other projects and couldn't be present for this soundtrack... And adding Joshua Bell in this soundtrack was a great idea! I love violins and this ost is full of them!
4/5
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