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The Sierra Leone track Andrew K posted (link below)...I almost wonder if that's how 2010s Zimmer would redo The Lion King. More bass, more minimalist, more Interstellar...but still with an African flare.Horner and many others with Star Trek is a good example too.Huh. Well, the music Andrew posted is nice."Don't believe everything you hear, son."what do you gyus think about this? <br><br>www . youtube.com/watch?v=9riigqWjovM
Hallo,<br><br>Der 'Gladiator' ist schon langsam in die Jahre gekommen, die Musik ist aber nicht älter geworden. Genial.<br><br>Gruß  <br><br>Not bad score.<br><br>But I prefer the other oneIsn’t that ironic that DC is abandoning the continuity while Marvel is finally embracing it?<br><br>For any electronic fans out there, this score is definitely a must listen, there are some badass 80’s beats (with a dash of Tron legacy) in here.I'm so mad at DC right now I'd rather promote Marvel !! lol<br><br><br>Well jokes aside I add cause Andrew worked on it. And btw he posted another 5 min cue on his Soundcloud, dunno if it's unreleased, there'll better specialists of that score than me !Yeah, I happen to have seen the film and the score is not really "coherent", it's more like many different cues put together...
Okay, thanks for clearing that up. The Tracks released were kind of interesting, a kind of mix of soundsAnyone else think Hans knew about all the studio meddling during pre-production, the rewrites etc and walked away ? I mean, when I heard Elfman's score I thought it was generic and wouldn't fit the movie. Then I watched the movie and it fits well. The movie is just as bland as the music in the background.I don't have to ask, that movie was a failure that barely got distributed... No one had any interest in releasing this score...Hybrid, did you ever ask Hans why this score wasn't released?After watching the movie, I just have to say it was okay. It had some great moments but for me it had also many problems. And one of them was the music. For most of the part it wasn't even noticeable and when it was, it was like random background music with no really emotion or heart.<br><br>BvS and MoS movies can be criticized for some things but the score is not one of them. The movie gave the movie a strong and powerful side, as well as a heart and emotion into it. In this movie there were so many moments that needed different score. <br>***SPOILERS***<br>Superman's resurrection needed the MoS in full epic form. Wonder Woman at the bank at the beggining needed her theme with the electric cello in full power.<br>The Batman theme at the beginning when he is after that Parademon.<br>We should have a really memorable theme for the whole Justice League as well as for each individual member.<br>The scenes with Clark and Lois at the house in Kansas and when his mother sees him, this needed the piano theme from This Is Clark kent or something like that.<br>And that final moments with Superman opening his shirt showing the Superman logo and then flying to the sky, we needed something like "What Are You Going To Do When You're Not Saving The World?" or "Flight" and not that unmemorable music we got.<br><br>I really hope that the petition of the Extended Cut of the movie made by Zack with Junkie's music gets to be released someday, but for now, I'm disappointed.
Sounds fun!!<br>Thanks for the linkAny ideas on the Chronological Order of the Tracks?<br>I made a start here...<br><br><br>Logos<br>Batman On The Roof<br>Everybody Knows - Titles<br>Wonder Woman Rescue<br><br>...<br>Icky Thump<br>Aquaman In Atlantis<br>...<br>1m1a Krypton (from Man Of Steel)<br>Spark Of The Flash<br>Friends And Foes<br>...<br>Come Together - Credits<br>Anti-Hero Theme - CreditsNo, they are the full score cues- as presented in the film. The presentation of the final three tracks on the first disc are edited down for timing.* I posted this at filmtracks and wanted to share it here as well. <br><br>Danny Elfman's comments are very disrespectful and so disappointing for a creative person to hear, especially for composers. Nostalgia is a big problem with Hollywood and it's a simple Jedi mind trick. It's slightly different, but the same meal over and over with different seasoning. Imagine if James Horner didn't get to write the score he wanted for Spider-Man? Or Zimmer had to use Elfmans Batman theme for the DK triliolgy or BvS? Or Shirley Walkers incredible Batman theme for Batman: Mask of the Phantasm. Or Giacchino just used the original star trek theme, or the original Star Wars themes for Rogue One and created nothing new at all? How boring and uninspiring for the composers not being able to challenge themselves to create new original music.<br><br>Whether you like these scores or not isn't important, the pursuit to create something new is what drives a creative person and gives us freedom in choosing something to enjoy and not enjoy. I love the original Batman theme by Elfman but I love it in the Burton films. I love Zimmer scores for both the DK trilogy and BvS. I am happy I can enjoy both types of scores and films but there are those who don't and that's a great thing because that means we are not all the same and that brings variety of opinion and taste which creates real conversation and most importantly gives an identity to a project.<br><br>It's easy to go back to original ideas, but I respect the creators who actually take the risk and want to try and do something new. If Danny Elfman stands by his words he should have just used the original Batman theme from the Tv Show and film or the original Spider-Man theme. Oops he didn't and we got a whole new Batman theme and Spider-man theme which most of us love. Thank god he didn't stick to using the original themes. The Batman reboots and superman and Spider-man reboots are completely different takes on the characters and that's why they deserve their own new themes and soundscapes. The only time I think an original theme from a film should be used in a new film with the same characters is if it's actually a sequel or prequel connected to that actual original film. Re-boots should always have new original music.<br><br>In the end the comments from Elfman are simply stupid and uninspiring and it's definitely a hidden ego coming through I never new he had which is a shame. I remember what Zimmer said about Danny Elfman's Batman theme being a bit jolly, but that's not attacking Elfman at all, it's how he felt and heard the music and felt that that style wouldn't fit in the new batman films ect.. I have always found the original Batman theme a bit on the jolly side too and I love it because it nails Burton's take on the character and world. That theme is for Keaton's Batman, no one else's.<br><br>One final point, if we keep wanting to just revisit the past and hear and see the same thing over and over and not be challenged with new ideas, what a damn uninspiring and boring world of creativity we will live in.<br><br>All the best to you all!<br><br>so...based on what junkie says here, Elfman is basically just rehashing old shit, as well as other people's old shit....Unless you want to say he's taking his Batman theme into a whole different direction that he didn't really have a desire to do before...until now....<br><br>In that case, "whatever" is all I have to say.
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Composer - Musician : Synthesizer
Hans ZimmerLorne BalfeAtli ÖrvarssonGeoff Zanelli
ComposerAdditional MusicAdditional MusicAdditional Music
Angels & Demons
Label: Sony Classics
Length: 54'17
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (39773 votes)
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  1. 160 BPM (6:42)
    Hans Zimmer
  2. God Particle (5:20)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson, Mel Wesson
  3. Air (9:08)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson, Geoff Zanelli, Mel Wesson
  4. Fire (6:51)
    Hans Zimmer, Lorne Balfe
  5. Black Smoke (5:45)
    Hans Zimmer, Lorne Balfe, Mel Wesson
  6. Science And Religion (12:27)
    Hans Zimmer
  7. Immolation (3:38)
    Hans Zimmer, Lorne Balfe
  8. Election By Adoration (2:12)
    Hans Zimmer, Nick Glennie-Smith
  9. 503 (2:14)
    Hans Zimmer, Lorne Balfe
  10. Bonus Track : H2O (1:51)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson
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Skyler reply Replies: 0 || 2009-05-09 00:00:00
Oh, I see it now. When I posted my question there was nothing listed on here or IMDb regarding Tillman's involvement (and I don't have the physical CD booklet to use as reference yet)

I was starting to think that having to perform the Joker theme over and over might have caused him to reconsider working on another project with Hans... :)

Cloud reply Replies: 0 || 2009-05-09 00:00:00
So is it I60 BMP or 160 BPM? The track listings for the CD on Amazon say "I" whereas the downloadable version says "1"...

Cooper reply Replies: 0 || 2009-05-09 00:00:00
What are you talking about ?
Hans Zimmer Is The absolute leader of remote control.
Thank you !

Kusi reply Replies: 0 || 2009-05-09 00:00:00
@Cloud

I think it's 160 BPM, because in the booklet that's the trackname! :)

Anonymous reply Replies: 0 || 2009-05-09 00:00:00
If you are a good musician, you can recognize 160 BPM rythm.

Sylvos reply Replies: 0 || 2009-05-09 00:00:00
"I" is "1" in a way, anyhow.

Enrico reply Replies: 0 || 2009-05-09 00:00:00
How can you have this score already?! It'll be released on 05/12/2009...I'm sorry if you download it...let develop music world with original CDs... ;-) Am I right?!

Dawn reply Replies: 0 || 2009-05-09 00:00:00
160 BPM
that's it !
Then the track name is based on the tempo of the song, definitely !

Kusi reply Replies: 0 || 2009-05-09 00:00:00
Here in Switzerland we've it already, I'm sorry, that's the truth! I'd better like to have a cd in my hands than a mp3 file on the hard disk! :-)

Enrico reply Replies: 0 || 2009-05-09 00:00:00
Yes...I agree with you Kusi!!! It's much better the original CD!!!

Adrian reply Replies: 0 || 2009-05-09 00:00:00
Netherlands is 11-05 hehe.. but thats the german (thats means also the swiss) version ''Illuminati''... The American version is 15th here...
The Illuminati version has a better cover in my opinion.

Skyler reply Replies: 0 || 2009-05-09 00:00:00
A free bonus track (about 2 minutes and titled "H2O," and not featured on the regular album) is available for download here: www.angelsanddemons.com/soundtrack/

I'm assuming that the title "H2O" refers to Water - it would make sense, judging by the other titles on the CD (Air, Fire).

Skyler reply Replies: 0 || 2009-05-09 00:00:00
If anyone's interested they should probably download it at their earliest convenience - I'm not sure how much longer it's going to be there for free

Anonymous reply Replies: 0 || 2009-05-08 00:00:00
really subtle!...

Anonymous reply Replies: 0 || 2009-05-08 00:00:00
Maybe his dead.

Skyler reply Replies: 0 || 2009-05-08 00:00:00
Does anyone know what happened to Martin Tillman? Why was he not involved with this score?
He had such a prominent role in the Da Vinci Code and so I'm not exactly sure why he didn't return. It's also strange given that he and Hans just worked on Frost/Nixon and The Dark Knight.

Also, I wonder if the addition of Joshua Bell is at all related to this...

Leonor Antunes reply Replies: 0 || 2009-05-08 00:00:00
My favourite composer.
I really wish to work with him one day as soon as I'm a filmmaker.
He's my source of inspiration!
I'm sure I'm going to love "A&D" once I loved "The Da Vinci Code"!
It's impossible not to love Hans.. his soundtracks are always epic and speecheless.

Skyler reply Replies: 0 || 2009-05-08 00:00:00
At almost 2 minutes into "Air," Zimmer reprises his Pazzi theme from "Hannibal" - I knew we hadn't heard the last of that theme! So far this is my favorite track on the CD (although I haven't listened to the much-talked-about "Science and Religion" cue yet)

Anonymous reply Replies: 0 || 2009-05-08 00:00:00
Very important! Yeah,sure. lol

Why do you need so in hurry this trailer sounding recycling mess with synth choir?

Nicolas, Webmaster reply Replies: 0 || 2009-05-08 00:00:00
Thank you for not posting those kind of (bad) "joke" (maybe his dead) ; bad humour, not interesting sentence, do not use your fingers on your keyboard for such a poor quote.

Mescalito reply Replies: 0 || 2009-05-08 00:00:00
New sound: I60 BMP, there is a reprise in "Fire". Themes from the CODE: The Cetrine Cross with all the variations, and Daniel's 9th Cipher with Joshua Bell... only the rhythm is faster and action cues, excelent!

Mario Soundtrack reply Replies: 0 || 2009-05-08 00:00:00
Votes for there songs:
- I60 BMP.
- Air.
- 503.

Anonymous reply Replies: 0 || 2009-05-08 00:00:00
Joshua Bell performed in the last tracks, but Tillman play... ALWAYS... in Zimmer's Score!!!

Adrian reply Replies: 0 || 2009-05-08 00:00:00
Martin is credited above...
Martin Tillman :
Musician : Cello

Jenny reply Replies: 0 || 2009-05-08 00:00:00
OMG - I've just heard the entire soundtrack!
And I have to admit - WOW
The song "Science And Religion" it's wonderfull.
I mean, the entire soundtrack is wonderfull!

Why are you all being so mean! Maybe Martin Tillman was envolve in other projects and couldn't be present for this soundtrack... And adding Joshua Bell in this soundtrack was a great idea! I love violins and this ost is full of them!

Anonymous reply Replies: 0 || 2009-05-07 00:00:00
FYI: 0 days

I leaked :)

Anonymous reply Replies: 0 || 2009-05-07 00:00:00
i meant
IT leaked, not I leaked :)

Anonymous reply Replies: 0 || 2009-05-07 00:00:00
lol

Anonymous reply Replies: 0 || 2009-05-07 00:00:00
I love it.

Only Zimmer can go from The Da Vinci to This.

With 2 bones! It's shit, but enjoyable shit.

it makes "the kraken" and "why so serious" vivaldi pieces.

I love it!

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Angels & Demons soundtrack - Hans Zimmer 2009