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The FYC score was complete. And it's out since november last yearIs there a complete score out there? If not, don't be surprised there's nothing here yet. Sometimes it takes years before a complete score listing pops on this site.Why no listing here for the complete score?Because they didn't work direcly in this score, but their material from the previous one was reused.Does anyone know why some of the composer names are in brackets? Thanks!
thanks4:05 of "STEALTH" some of the best soulful action music I've heard from a Zimmer score. I wonder who wrote that particular section. This the type of stuff I would play trying to rush a pregnant woman to the hospitalIn case he's visiting this site, I wanna say 'Thank You' to Ashton Gleckman who does the 'Behind the Score' episodes on YouTube. I loved the 1-hour episode for the Transformers scores and I actually learned a lot. Very educational. I found the video by accident and now I plan on watching his other videos as well.<br><br>Job well done, my friend.@Hybrid <br>You don't add anymore Trevor Morris things ?Probably for chronological purposes<br>even though the movie uses a shortened version of Romanian Wind at that time
i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene.<br>===============================<br><br><br>I agree. <br><br>And I think at the end of the day the movie itself is not the type of movie that could win people over with its score. No matter how successful and popular it is and no matter how good the score is. I Am Number 4 was part of the YA craze that took over Hollywood a few years back (we all know how people feel about those movies), and even the most successful YA movies (like Twilight) are not exactly known for their scores.<br><br>People - even film critics who are supposed to talk about all aspects of the movie - were too busy talking about half-naked characters and Kristen Stewart's acting..... and completely ignoring the good work done by Alexandre Desplat.<br><br>It was pretty much the same with I Am Number Four...<br><br>It's not that Trevor created a "bad" score, it's simply a case of a nice, little score that went under the radar. No one bothered to talk about it..... Just like his score for Torque, which as far as I'm concerned is one of his best scores.I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.<br>===========================<br><br><br>I totally get what you're saying. I also get kinda frustrated when a "big" track overshadows an entire score. The best recent examples are IMO the Transformers scores. I don't blame folks for gravitating towards the epic sound and the power anthems, but A LOT of subtle, equally great tracks end up getting completely ignored. And just like you, they're usually my favorite tracks. <br><br>But why most people don't think like us?<br><br>The reason I think is because those "big tracks" are presented - most of the time - during the most memorable moments in those movies. They immediately get people's attention. They're stuck in their mind along with those iconic images. And I think by nature, people are more attracted to the big and "in your face". For most casual listeners the more subtle tracks work in the context of the movie and they absolutely do notice them while watching the actual film. But unlike you and I they don't feel the need to listen to them separately. They're too busy paying attention to the "big track". That goes even for some score fans.<br><br>While tracks like the Star War theme, the Indy theme, the Transformers theme, the Gladiator theme, the Godfather theme, the Armageddon theme, the Pirates theme, the Lord of the Rings theme are so big, melodic abd easily digestable that folks simply can't resist them. And when there are vocals involved as well (like Gladiator) it's even better, because people treat it as a full-blown song. An emotional song that they can listen to over and over again.<br><br>The subtle tracks simply can't win against that. Sadly....<br><br>By the way, speaking of The Island, My Name is Lincoln (as much as I like it) is not my favorite track of the score. The more subtle opening track (The Island Awaits You) and especially the Lima One Alpha theme are my personal favorite tracks. Of course, they're nowhere near My Name is Lincoln, in terms of popularity.<br>Why is Romanian Wind not sequenced after Case Re-Opened? Is not the former 7M48 and the latter 7M47?Yeah that is true, can’t argue there lol<br><br>And is it me or does “Calypso Must Be Released” sound like Black Hawk Down?To be fair there is a lot of King Arthur in At World's End too. Just the general feeling you get from the action tracks in both scores is virtually identical. Hell, one of the main themes from King Arthur even appears when Bootstrap Bill remembers that Will is his son.
@MrTweedy<br>That’s totally fine, everyone has their own favorite HZ scores, which is awesome!<br><br>It’s funny though, I feel like DMC is far more schizophrenic than AWE. Now don’t get me wrong, I absolutely love DMC. It’s the score that got me into Hans Zimmer. But still, I feel like a major part of that score is note-for-note reprises of cues/themes from COTBP. Not to mention the temp tracking of King Arthur.<br><br>AWE always felt far more original to me, especially considering that the entire tone of the music shifts from the “rock’n’roll” sound of the first two to a more traditional score (at least by Hans Zimmer standards lol)@MrTweedy<br><br>Just curious, what scores do you considered to be Zimmer's best?The Pinnacle of Hans' career?<br>Although I really like this score, I don't agree. But hey, I know it's just a matter of opinion, okay? ;)<br><br>Of course it shows Hans strengths in almost every area (action, drama, romance, comedy...) but for me it's too much of a medley of previous works, without much personality.<br>It feels a bit like a palette with too many colors. From the action sequences borrowed from Drop Zone, to the Morricone inspirations for Jack's Sequences, to Gladiator's duduk that ended up there with no real reason, to a beautiful Love Theme that brings another new shape to the sonic identity... it's like the score sometimes goes schizophrenic.<br><br>Though each individual idea is really enjoyable to listen to, I think Hans has made scores that are much more cohesive and enjoyable as a whole!i also think it is an underrated score. especially the action music has a couple of nice touches. i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene. the emotional music is nothing ground breaking, but a lovely listen.Y'know, it's funny. The big names that always get the most attention in film music are often not my favorite tracks of the scores they represent. Now We Are Free, Arrival to Earth, Like A Dog Chasing Cars, Star Wars Main Theme, Indiana Jones Main Theme, Infinite White, One Day, Circle of Life, The Fellowship. Though they are the most well known, they're usually nowhere near the peak of quality of their scores. <br><br><br>I noticed this the most in Hans Zimmer's concerts (not World of Hans Zimmer mind you). The parts he played from The Dark Knight Trilogy in particular usually had the least substance. Just the bombastic tracks. The only choice I agreed with was Time from Inception. There was no Am I Not Merciful, A Watchful Guardian, Sunrise Over Pride Rock, none of that. <br><br><br>Even with Star Wars, the main theme and the Force theme are solid pieces of music, but neither come close to the beauty of Princess Leia's theme, or the wondrous Yoda theme. <br><br><br>Same with Lord of the Rings. The Fellowship Reunited, Very Old Friends, Gollum, and The Breaking of the Fellowship are much more substantial pieces than The Fellowship Theme alone in my opinion. <br><br><br>Can't say anything about My Name is Lincoln because I haven't finished The Island score yet, but yeah. I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.
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Composer - Musician : Synthesizer
Hans ZimmerLorne BalfeAtli ÖrvarssonGeoff Zanelli
ComposerAdditional MusicAdditional MusicAdditional Music
Angels & Demons
Label: Sony Classics
Length: 54'17
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (40379 votes)
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  1. 160 BPM (6:42)
    Hans Zimmer
  2. God Particle (5:20)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson, Mel Wesson
  3. Air (9:08)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson, Geoff Zanelli, Mel Wesson
  4. Fire (6:51)
    Hans Zimmer, Lorne Balfe
  5. Black Smoke (5:45)
    Hans Zimmer, Lorne Balfe, Mel Wesson
  6. Science And Religion (12:27)
    Hans Zimmer
  7. Immolation (3:38)
    Hans Zimmer, Lorne Balfe
  8. Election By Adoration (2:12)
    Hans Zimmer, Nick Glennie-Smith
  9. 503 (2:14)
    Hans Zimmer, Lorne Balfe
  10. Bonus Track : H2O (1:51)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson
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Jaweco reply Replies: 0 || 2009-05-21 00:00:00
Well at least it shows that you're not the only one having thought it. Cheer up! :p

remoteDead6 reply Replies: 0 || 2009-05-20 00:00:00
Im not an avid Zimmer fan but even I got to take my hat off to this guy. Amazing score, definitely one of his best. Melodic and hardcore, the choir is chilling!

me reply Replies: 0 || 2009-05-20 00:00:00
I agree w/ you Patrick. I loved the album release, but I wanted more of the variations of the 'Chevaliers de Sangreal' stuff. I'm praying for a bootleg.

Patrick - Belgium reply Replies: 0 || 2009-05-19 00:00:00
Great musical score in the movie, from the first note it was already the beautifull music based on 'Chevaliers de Sangreal'. But the CD is (for me) a disappointment because it's more action than 'CdS'-based themes (like in the movie). I hope there will be a longer CD later...

dilara reply Replies: 0 || 2009-05-19 00:00:00
the movie is great but the book is soo uch better.&#305; was dissapointed when &#305; saw movie because there were lots of scenes that has to be in the movie.and they didnt put most important things..soundtrack is awesome!
read the book then see the movie.they are different..

raven reply Replies: 0 || 2009-05-18 00:00:00
this is the best movie ever!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!

Anonymous reply Replies: 0 || 2009-05-18 00:00:00
To raven:
It's the best movie ever you say?
READ THE FUCKING BOOK BEFORE SEEING THE MOVIE!
IT HAS NOTHING TO DO!!! THE BOOK IS WAY MUCH BETTER!

Leonor Antunes reply Replies: 0 || 2009-05-18 00:00:00
Just saw the movie.
I have to admit I'm a little disappoint with Ron. The book is so good but he cut the most important part from the book. And there were scenes I'd love to see in the movie.
But the soundtrack.... WOW!
There was a scene where I literaly had chicken skin. The song and the image was just brilliant.

Skyler reply Replies: 0 || 2009-05-18 00:00:00
After seeing the film, it sounds like "H20" actually appears in the scene where (POSSIBLE SPOILER) it reveals who really branded the Camerlengo.

The movie was practically wall-to-wall action, and about 95% of the film contained music. And of course only about 45% of that music ended up on the CD...

Rene reply Replies: 0 || 2009-05-18 00:00:00
ABSOLUTELY BRILLIANT!!! Spine tingeling, provocative, raise-the-hairs-on-my neck music! Thank you very much!!!

Enrico reply Replies: 0 || 2009-05-18 00:00:00
Do you know how much Hans Zimmer has earned for this soundtrack?!
Thanks...

Badguy reply Replies: 0 || 2009-05-17 00:00:00
I don't know,

but 160 BPM sounds like

THE PEACEMAKE Soundtrack.

Listening with more attention, and you will know.

Well, it's a typicall sound of Zimmer...

hahaha

Anonymous reply Replies: 0 || 2009-05-17 00:00:00
Davoe's Revenge from THE PEACEMAKER = 160 BPM??

Sylvos reply Replies: 0 || 2009-05-17 00:00:00
Watched the film. Loved the film. Loved the score. Disappointed by the amount of fantastic, or shall I say FANTASTIC, music that's not on the CD. Why, why, why, WHY? :'-(

DemonStar reply Replies: 0 || 2009-05-17 00:00:00
Let's hope for a complete bootleg to surface sometime.

Anonymous reply Replies: 0 || 2009-05-17 00:00:00
What a splendid and powerful improvisation on the devine theme of The Chevaliers of Sangreal.
Congratulations, Hans! I recognized a reference to 'Kingdom of Heaven' of Harry Gregson-Williams, but once again the result was celestial! Greetings from Bart Soens

Desiree reply Replies: 0 || 2009-05-17 00:00:00
Amazing soundtrack Hans! But how come there is more music in the movie and not on the soundtrack???

Anderson reply Replies: 0 || 2009-05-16 00:00:00
Very, very, very good all sogns of the film!!!! A wonderful work.. Congratulations!

Aurora reply Replies: 0 || 2009-05-16 00:00:00
I just saw the movie about an hour ago...
I was amazed , words cannot explain how the music went perfectly with the movie... I cried on the most random parts just because of the music...
I love your musicc !!!

Joshua E Black reply Replies: 0 || 2009-05-16 00:00:00
Just seen the movie - preferred the book to The Da Vinci Code and the movie is so much better too. The soundtrack is fantastic and really does the book justice - Hans Zimmer always delievers.

aaaaaaa reply Replies: 0 || 2009-05-16 00:00:00
aaaaaaaaaaaaaaaaaaaa

Mikel S.i.W (from Spain) reply Replies: 0 || 2009-05-16 00:00:00
Brilliant score!!! I love it. Zimmer, you´re a MAESTRO

Enrico reply Replies: 0 || 2009-05-16 00:00:00
I'm waiting for the CD...I've ordered it but I haven't it yet...I hope I'll have it soon!!! I can't wait no more!!!
From your messages I can uderstand that Hans hasn't disappointed us!!!
Great Hans Zimmer!!!

MM reply Replies: 0 || 2009-05-15 00:00:00
I noticed that in the movie is a LOT of music not featured in the soundtrack - propably w'll see a bootleg some time soon :D

Skyler reply Replies: 0 || 2009-05-15 00:00:00
I certainly hope so! I love the music that was composed for the movie, but I felt that the album presentation was a bit substandard.

54 minutes out of an 138 minute movie just doesn't cut it...

There hasn't been a bootleg for The Da Vinci Code yet (which is strange considering that about 95% of his scores receive the bootleg treatment), but I'm keeping my fingers crossed.

DemonStar reply Replies: 0 || 2009-05-15 00:00:00
My fingers crossed too! ;)

Kusi reply Replies: 0 || 2009-05-15 00:00:00
In the movie, I loved the unreleased tracks:

- right after the Main Titles - Chrous!!!! :-)
- near the end of the movie: running back to the Vatikan through the secret path


... then I've one question: The title of the bonus track is H2O, BUT in the movie, there's another music in the "water"-scene? ... or maybe I have listened wrong? ;-)

Anonymous reply Replies: 0 || 2009-05-15 00:00:00
I will watch the movie and then report. :)

Although I don't know when I'll be able to watch it, for some reason they've delayed its release here in India...

DemonStar reply Replies: 0 || 2009-05-15 00:00:00
That was me below

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Angels & Demons soundtrack - Hans Zimmer 2009