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So I've finally decided to give this a listen today, and it was a lot of fun! The general quirkiness, source cues that actually benefit the score, and one of the best themes that I've heard from Zimmer in Moriarty certainly make this one a keeper. A lot of people barp on the OST, but it certainly made me interested to hear the music in a better form. I'll probably have to listen to it again before forming a definitive opinion, but as is, it managed to actually live up to the hype.Music By Harry Gregson-Williams<br>Additional Music By Stephanie Economou<br>Music Supervisor By Jabari AliTotally phoned in...I got nothing from this...Y'know, up until recently, I also thought Lorne was one of the least interesting RCP composer next to Junkie XL. Then I listened to Genius: Picasso (because of that one Balfe troll's recommendation interestingly enough), and now I see enormous potential in him. That is one of the most interesting television scores I've heard so far. The orchestrations and overall complexity is an enormous achievement for Lorne and shows that he can do much more than generic sample composition. <br><br>I'll probably skip this score because I have no interest in Mission Impossible, but I have a lot more interest in Balfe's career now thanks to his work on Genius: Picasso. If he continues on that level of composing, he may actually get some notoriety.Um.....guys, why are we acting like Kraemer doesn't have the skill to do a different sort of score? I'm fairly positive Jack Reacher doesn't sound anything like RN. Really, the reason he wasn't brought in was because, apparently, McQuarrie was pissed that he was overruled in how he wanted the film to sound, so be deliberately chose not to hire him this time. Purely a thing of spite. And a lot of the disappointment lies in those who normally don't pay attention to film music, which shows just how special that particular score was.<br><br>Really, I'm confident that had McQ had his way this time, and with Kraemer on board, he would've made something that did fit the new tone of the film. Composers should be able to challenge themselves to do something that is out of their comfort. Which is likely why a lot of Zimmer scores are the way they are, since he's allowed to differentiate every once and a while.<br><br>As is, with this logic, Cruise should not have hired McQ again if he wanted a different kind of movie for Fallout.
Hot take: Cruise saying that Fallout is the best score in the franchise is the equivalent of Danny Elfman saying there is only one Batman theme. Just marketing tricks to get one more excited.<br><br>Me personally, the general M:I sound isn't something I tend to get excited for, though I definitely acknowledge it's objectively well done. With M:I-2 though, while it's technically dated and incredibly cheesy, I admire it for those reasons, and is incredibly fun for me. Not to mention that the Spanish guitar is a lovely touch, and Injection is proof that there is more to Zimmer than some might think.<br><br>Balfe as a composer, to me, seems like tbe sort of guy who's told to get synth that fit the film well enough, and call it a day. Sure, there's one or two scores that go above and beyond to actually be something of note, but otherwise he's among the least interesting of the RCP bunch. Feel free to feel however you want, but that's my two cents.<br><br>It's frustrating that you have to deal with some of the touchier fans Edmund, but I'll admit that I do get a laugh everytime it happens. I love music, but I don't feel the need to get overly defensive about. I would just enjoy it and leave it like that.Meh on this one...Listening to it doesn't really do much for me. Maybe because I dont care for Cruise, or MIssion Impossible, or maybe because I already heard better from Inception and Fury Road....Even on last year's Dunkirk Hans wrote 90% of it. Unless you are born in the last few months there is plenty of music which Hans wrote and many can remember.Interstellar is barely 3 years old.SamualPF - there people go again misconstruing my comments about some of the posters here as negative comments against Balfe or his music. I didn't say anything about the score. But sure, keep pushing that agenda.<br><br>George, you make fair, well-articulated points and for what it's worth, I never included you among those who have, shall we say, aroused my suspicions. I'm looking forward to checking out the score for myself and rest assured I'll give it a fair shake when I do. I've liked plenty of Balfe scores in the past, I swear I'm not a hater! :p
None of Kraemerís music is reused! Thematic consistency says what?I actually always listen to a new score with an open mind. If I start expecting something and the score doesn't sound like it or doesn't have a certain thing in it I will always be dissappointed. If I don't expect anything and it turns out a score is a dissappointment, it's not such a big deal.<br><br>For example:<br>A lot of people wanted/expected a lot of individual hero themes in Infinity War. I didn't think it was necessary and I'm absolutely in love with the score.<br><br>And in the cause of reprising themes from 30+ different character in a score of 2 hours would have been chaos. If you're talking about LOTR and themes, that's different story. Those scores were almost all 3 or 4 hours.<br><br>But all and all. I don't think this is a better score than RN, but I don't think it's a bad score. It fits the movie, and I think that's what a score is all aboutEdmund ........<br><br>Yet again another negative comment about Balfe based on no fact . Sums you up really . The fact Tom Cruise who has produced the franchise has said he thinks is the best means something .we all get it that you donít like his music but simply contain yourself for always wanting to make pointless comments about him .<br><br>The reviews have been amazing for he filmmand Balfes scores . This may irritate you but at least watch the film and listen to the score then give a proper opinion.give it a goNo offense, Edmund, but if you havenít listened to it then donít make a judgement call on those of us that like it. Fallout in my opinion is the only really good RCP blockbuster score this year, and Iím going to voice my opinion on that. Pacific Rim, Tomb Raider, wrinkle in time, and Skyscraper have all been disappointments for me so when this surprisingly came out two weeks early, and I surprisingly liked it, then of course Iím going to ďflock overĒ and tell you all about how I feel. <br><br>Reviewers liking it is fun for those of us that like it. Tom cruise, who actually IS known to like film scores and has been to concerts for film scores (like Brian Tyler, even though Iím not crazy about him), liking it is also exciting for those of us that like this score and also for us who were excited to hear an updated RCP take on Mission Impossible. I root for all the RCP composers to succeed and create something memorable, and when others seem to like that too then Iím going to comment on it.<br><br>Whether it was Lorne Balfe, Henry Jackman, Ramin Djawadi, or Hans himself who scored this I would have been one of the first to tell you all if I liked it. And if I hated it I would also have voiced my disappointment... but simply put I was not disappointed and Iím glad that others are liking it, including reviewers and Tom Cruise.Once again, and not for the first time on this site, I can't help get the feeling that a Lorne Balfe score page is getting brigaded. Seems like every time he puts a new score out, a bunch of people flock to the page with glowingly positive comments (and brooking not even the slightest criticism), frequently from irregular users with very generic names who don't ever post in threads by other composers. And then using weak, tired arguments like "the reviewers love it" (I trust film reviewers on scores about as far as I can throw them) or "Tom Cruise said it's the best" (and since when is Cruise an authority on film scoring?) or "this is a new/modern/DARK M:I movie" (no excuse for a bad score). It feels, quite frankly, like shilling.<br><br>Disclaimer: haven't actually heard the score, I'm making no judgment on the music itself here. This is merely an observation of the posting patterns here.
Iím right there with you. I definitely think Balfe is very talented, although heís far from one of the best composers out there. Especially compared to Zimmer.<br><br>That being said, Iím not crazy about MI:2. The highlights are solid (Injection and Bare Island especially) but I find most of the score either schizophrenic or just not as developed as the scores that influence it. Sorta like how everybody loves ďThe RingĒ but I canít personally canít help but hear it as a lesser version of Hannibal.Right, which is why Iím ok with this. Look, I love the score for Rogue Nation as much as everyone else, but I still kept an open mind and was surprised that I enjoyed Fallout as much as I did, regardless of the influences.Thank you, Alex.  I appreciate it...Ohhh, nothing......Just here to remind folks what is the best M:I score. *cough*Balfe is not Zimmer*cough*<br><br>Seriously now.......Balfe seems to be turning into a film score version of Christopher Nolan. There are people who think he's the best thing since sliced bread, the next Jesus, and there are people who hate his guts. Personally, I don't mind him and I'm glad he gets to work on these big movies. But on the other hand, his score for the new MI movie is not even close to the greatness of Zimmer's MI2 score. At least in my opinion.I think most people listen to this score with a Rogue Nation kind of movie in their heads. But it's a very different kind of movie en the score works perfectly in the movie i.m.o.
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Composer - Musician : Synthesizer
Hans ZimmerLorne BalfeAtli ÷rvarssonGeoff Zanelli
ComposerAdditional MusicAdditional MusicAdditional Music
Angels & Demons
Label: Sony Classics
Length: 54'17
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (40424 votes)
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  1. 160 BPM (6:42)
    Hans Zimmer
  2. God Particle (5:20)
    Hans Zimmer, Lorne Balfe, Atli ÷rvarsson, Mel Wesson
  3. Air (9:08)
    Hans Zimmer, Lorne Balfe, Atli ÷rvarsson, Geoff Zanelli, Mel Wesson
  4. Fire (6:51)
    Hans Zimmer, Lorne Balfe
  5. Black Smoke (5:45)
    Hans Zimmer, Lorne Balfe, Mel Wesson
  6. Science And Religion (12:27)
    Hans Zimmer
  7. Immolation (3:38)
    Hans Zimmer, Lorne Balfe
  8. Election By Adoration (2:12)
    Hans Zimmer, Nick Glennie-Smith
  9. 503 (2:14)
    Hans Zimmer, Lorne Balfe
  10. Bonus Track : H2O (1:51)
    Hans Zimmer, Lorne Balfe, Atli ÷rvarsson
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Pages << 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 >>

Zach reply Replies: 2 || 2016-10-28 21:10:18
In the track "Smashing The Ring" (It's actually featured on this site), there is a Gregorian style chant around 1:22 - does anyone know if this is a pre-existing/traditional chant that they used or did Hans (or someone else) write it? I really like it.


Leonard2016-10-28 21:54:22
This is indeed a pre-existing Greogorian chant. It's the chant "Requiem Aeternam" from the mass of the dead. If you like it you shoud check out the Requiem by Maurice Duruflť which is entirely based on the chants from the mass of the dead.


Zach2016-10-28 22:18:07
Thanks for the quick and informative response!

JamesT reply Replies: 4 || 2016-05-11 03:20:58
Inferno trailer is out! Looking forward to this one from Ron and Hans!!!

https: // www. youtube.com /watch?v=xbNBB1D37U8


Dfault2016-05-11 18:35:19
That track in this preview, is that the first peak at the album? It seems more electronic (as Hans already pointed out)


...2016-05-11 19:03:00
There's not a chance in hell that that is from the actual score. That's just trailer music.


i2016-05-11 20:01:28
That music is shit.




Dfault2016-05-11 20:17:36
Never mind indeed, thought when i first saw it 2 days ago the it could be new music, listened to it now again, i doubt it ^^

matthew reply Replies: 1 || 2015-06-06 21:32:52
so I'm going home today but I couldn't because the road was blocked and what I'm seeing is Ron Howard basically directing a scene from Inferno in downtown Budapest. I know its crazy and dump but, I mean, my first thought was: this means HZ already did some serious early work for this!


Zimson2015-06-06 22:39:28
Likely, considering that he starts writing suites very early in the process with this kind of projects.
However we won't get to hear shit untill the movie is about to be released. ;)

... reply Replies: 4 || 2015-01-07 18:28:02
I just saw that inferno is no longer listed on hans' page...
Will he not score it or is it just not confirmed?


Hybrid Soldier2015-01-07 18:53:52
Well don't worry he will, it's just way too early, In The Heart Of The Sea isn't even released yet...


bro2015-01-07 19:36:18
I'm surprised Hans wasn't involved with that.


Edmund Meinerts2015-01-07 19:58:42
Good ol' Spanish tax laws! ;)

Anyways, even though he's been using Hans pretty consistently over the last decade or so, Ron Howard has never been a one-composer kind of guy.

What I'm more surprised about is that Inferno is even still being made. I kind of get the feeling that the world is over the whole Dan Brown religious thriller thing.


Hybrid Soldier2015-01-07 20:02:04
He would have, bro, without that Spanish Tax Break ! :P

Zimson reply Replies: 4 || 2014-11-01 16:41:53
So, is Hans really confirmed for Inferno now (since it already appears in his profile)?


Hybrid Soldier2014-11-01 17:17:19
Shhhhhhhh tell no one ! ;)


Zimson 2014-11-01 17:51:04
Ok, I'll keep it down. ;) Great news, though. I'm really interested in how he's going to approach it since this one will be different from the first 2.


Hybrid Soldier2014-11-01 17:55:34
We've got some time before he starts though, the film got pushed from late 2015 to late 2016...


bro2014-11-01 20:35:26
Hans Zimmer wouldn't abandon Ron Howard anyway, they've been working together for a very long time now. Plus, this series' music belongs to Hans, they have his sonic identity and honestly only Lorne, Atli, Zanelli, or Zimmer could understand how to look to the future for a score for Inferno, and keeping the sonic identity of the previous scores.

rob reply Replies: 5 || 2013-11-04 03:35:28
anyone notice MOS similarities around the 6 minute mark in Science and Religion?


Anonymous2013-11-04 04:50:51
With what MOS track?


Azog, The Defiler2013-11-04 05:30:47
I just notice that some parts of Absurdity (The Lone Ranger) sounds similar to Air and the beginning of Citrine Cross (The Da Vinci Code)


rob2013-11-04 07:13:46
actually starts before the 6 min mark, starts more around the 5 minute mark and goes on for a few minutes. Not sure the exact track in MOS (ill find it) it just sounded similar when i was listening to Science and Religion


Edmund Meinerts2013-11-04 10:02:19
The Kal-El theme from Man of Steel (the one heard at the end of "Flight") is very similar to "Science and Religion", yes.


aldan2013-11-04 15:57:15
at 5:23 to be exact.

and the progression is really similar to MOS's "Goodbye My Son" 0:53 mark.

MacArthur reply Replies: 5 || 2013-10-21 19:33:18
What an Awesome Score!


Mortifer V.2013-10-21 19:37:26
yea, this and The Da Vinci Code are great.


MacArthur2013-10-21 19:46:55
Chevaliers de Sangreal is one of my all time favorites


Mike2013-10-21 21:02:19
IMO, Science and Religion beats Chevaliers de Sangreal any day of the week. That midportion is just incredible.


MacArthur2013-10-21 21:42:51
If you don't mind mike give me the time of the section and i'll listen to it


Mike2013-10-22 16:27:12
3:42-7:41.

MacArthur reply Replies: 4 || 2013-10-21 20:08:23
Thin Red line and Last samurai in Science and religion, anyone?


Phil2013-10-21 21:17:57
@MacArthur yep :)


Phil2013-10-21 21:20:37
The Thin Red Line @ 8min. 30sec :)


MacArthur2013-10-21 21:44:07
Awesome:)


Edmund Meinerts2013-10-21 23:56:28
Yeah, and from the complete score "The Arrival of the Electors" could be right out of Kingdom of Heaven.

MacArthur reply Replies: 6 || 2013-09-05 21:57:37
Where do you get the Bonus Track


Edmund Meinerts2013-09-05 23:17:10
With the rest of the complete score. ;)


MacArthur2013-09-06 03:45:33
No Seriously, It says there was a bonus track on the REGULAR one. where do I get that.


al bundy2013-09-06 09:58:04
do you ever use google at all?


Hybrid Soldier2013-09-06 12:50:35
Are you totally blind ?


Can't you click on "See details..." ??????????


Evenstar2013-09-06 13:07:01
well Hybrid, when you click on "see details" and then on the link were you can download the bonus track it says "The page you requested was not found." ;)


Hybrid Soldier2013-09-06 19:13:51
Then you have your answer, this operation expired with that link ! ;)

Aragorn reply Replies: 2 || 2013-07-10 00:34:36
Lorne must have used JNH's Eye For an Eye from Batman as a temp track when crafting "Immolation", because MAN do they sound the same.


Medigo2013-07-10 00:40:45
so what does this mean when you take "Am I not Merciful?" into account?


Aragorn2013-07-10 00:54:56
It means maybe JNH used Zimmer's "Am I Not Merciful" as a temp track when scoring that scene... :P So Immolation could be based off a temp track of a temp track, and thus we have musical Inception.

Anonymous reply Replies: 3 || 2013-05-07 03:13:50
160 BPM makes me think of the deshi basara chant from TDKR


Illuminati2013-05-07 13:35:49
It should be the other way around. Angels & Demons came 4 years before TDKR


score_trader2013-06-06 10:07:41
Who conducted the orchestra for this score?


Bioscope2013-06-06 13:12:16
Nick Glennie-Smith

Ds reply Replies: 7 || 2013-02-26 09:46:07
Hans posted an entire track from the movie "Rush" on facebook!!


Hybrid Soldier2013-02-26 10:28:28
It's from the film's website. Very cool track, second half is a Lorne cue, of course... :P


Ds2013-02-26 11:26:55
It reminds me of The Sweeney soundtrack! Isn't it frustrating for Lorne to work so hard with Hans without getting public recognition?


Hybrid Soldier2013-02-26 11:28:23
He just did a bunch of cues on that one. 4 I've been told. Some help like Rango. :)


Jo2013-02-27 10:47:19
Which means I like Lorne's cue better, reminds me of Inception a bit. Still interested to hear the full soundtrack... so many things coming up :)


matthew2013-02-27 13:03:13
this is from the Black Hawk Down library mixed with Transformers and Rabin's Gone in 60 seconds. but a very cool mix. very brave idea because the whole universe is going the complain about this, especially this site


JamesT2013-02-27 14:00:23
I love it. I hear what sounds like references to MI:2 in there. Looking forward to everything that's yet to come!


Trent Easton Navarro2013-02-27 21:37:08
Listening to it now, and it sounds very cool. Best thing Zimmer has done in ages! Curious to the rest of the score

Felix reply Replies: 0 || 2012-07-20 17:45:33
Expanded:

1. Main Title (1:09)
2. God Particle (4:14)
3. Seal the Doors/Extra Omnes (1:56)
4. No Time (2:25)
5. Follow the Path (1:37)
6. Pantheon (2:18)
7. Wrong (0:47)
8. Black Smoke I (2:01)
9. Air (7:14)
10. Black Smoke II (5:36)
11. Black Tongue (3:26)
12. Fire (3:14)
13. Cross Rome (1:55)
14. Water (1:51)
15. Castel Sant Angelo (5:43)
16. Save Camerlengo (4:21)
17. God Save Us (9:04)
18. Election by Adoration (1:52)
19. Bad Camerlengo (1:20)
20. Camerlengo on Fire/Immolation (3:37)
21. Access Granted (2:12)
22. End Title (2:12)
23. 160 BPM Suite (6:40)
24. God Save Us (Slow Insert) (2:05)
25. 160 BPM (Short Version) (1:05)

anoopa reply Replies: 1 || 2012-03-10 12:37:24
Does anyone know where I can find a tracklist of the Recording Sessions or a Complete Score? I don't want to stir up anything here I just want to be able to put the tracks I have in film order. Thanks.


Mycroft2012-03-10 16:44:27
Well, you could always just watch the movie yourself and listen for when stuff from the original soundtrack appears. Of course, that could get a bit tricky when you find stuff that's a reprise or remix of stuff on the OST and it might also leave you wanting more music than what you have.

As far as I know, no such track lists exist for what you seek.

JBourne reply Replies: 0 || 2011-10-15 00:15:57
Does anyone know anything about that unreleased music released .. -->
1 - 503 (Alternative Versions)
2 - Divine Fire
3 - four pillars
4 - Galileos 3rd Text
5 - God Save Us
6 - H2O
7 - The Holy see
8 - The Vatican
The Critine Cross (Alternative Version)
The Critine Cross (New Unreleased Film Version)

Somewhat looks like a fake

  Your name :   

Please enter number: 863 

Phil B reply Replies: 7 || 2011-09-01 12:20:43
expanded score 2CD


01 Main Titles - The Empty Throne - 3:52
02 Antimatter - The Eye - 4:53
03 A Proposal to Langdon - 3:59
04 The Arrival of the Electors - 1:05
05 'Fellas, You Called Me' (No SFX) - 3:20
06 Faith is a Gift - To The Archives - 2:04
07 Sealing Conclave - 1:31
08 Grey Tea - 2:04
09 To Raphael's Tomb - 4:41
10 Earth - 3:03
11 Air (No SFX) - 7:15
12 It's Black - 2:25
13 All Is Red - 2:41
14 Visiting Your Holyness (No SFX) - 3:33

CD 2
01 Fire - 6:55
02 'Cross Rome (No SFX) - 2:01
03 If It is God's Will... (No SFX) - 0:59
04 Water - 5:25
05 The Church of Illumination - 6:14
06 Running to Save the Martir - 2:56
07 The Necropolis - 1:48
08 The Camerlengo's Destiny (No SFX) - 8:44
09 Lies and Cross Keys (No SFX) - 1:47
10 Immolation (Album Version) - 3:39
11 Pope Lucas, the Last Preferitti - 2:54
12 DIII - End Titles (No SFX) - 2:14
13 160 BPM (Album Version) - 6:42
14 H2O (Bonus Track) - 1:51
15 H2O (Alternative Version) - 1:11


Phil B2011-09-01 12:21:12
is it real?

pls tell me!


Hybrid Soldier2011-09-01 12:51:33
No, it's not.


Phil2011-09-01 17:15:42
Ok, but how do you know?


Mr. Fate2011-09-01 23:16:58
Because he is Hybrid freaking Soldier! Bro, he knows everything.


D A R T H2011-09-02 00:49:35
i have it... it's a simple dvd rip (correct sound but sfx)


MasterZ2011-09-02 07:41:39
yep its a dvd rip. nothing to get excited over :/ not even the better version, this is the really old bad sounding one...


Phil2011-09-02 15:13:28
well, but much better than nothing ;)

Dakota reply Replies: 0 || 2011-07-26 04:13:09
From BMI, here is the info for "Air", track 9:

Songwriter/Composer

ALLISON RYELAND GRAY
BADAMI ROBERT A BMI
BALFE LORNE DAVID RODERICK
OERVARSSON OERVARR ATLI
PINDER DANIEL ELAN
RAMGOTRA SATNAM SINGH
WESSON MELVYN THOMAS
ZIMMER HANS FLORIAN

Lorene reply Replies: 0 || 2011-07-24 23:21:36
This webtsie makes things hella easy.

Takehiro reply Replies: 0 || 2011-07-14 18:47:27
I lost a little respect for Hans after a friend pointed out that 160BPM sounds a lot like First Born. Its too close a copy for me to like it as much anymore lol :P

Brad reply Replies: 0 || 2011-04-12 00:00:00
Does anyone know where I can find a tracklist of the Recording Sessions or a Complete Score? I don't want to stir up anything here I just want to be able to put the tracks I have in film order. Thanks.

Gavin Salkeld - Composer reply Replies: 0 || 2011-04-12 00:00:00
Hybrid, perhaps you can post the expanded score in another new thread? Along with The Da Vinci Code?

Anonymous reply Replies: 0 || 2011-04-12 00:00:00
God Save Us?

Dakota reply Replies: 0 || 2011-04-12 00:00:00
Watch what you say, you never know if the moderators will come after you. I know of no "Recording Sessions" for Angels & Demons, only some crappy expanded loaded with SFX

Takehiro reply Replies: 0 || 2011-04-12 00:00:00
I dont think discussing stuff is not allowed - after all, they're posted here for discussion. Asking for download links is another matter.

Brad reply Replies: 0 || 2011-04-12 00:00:00
Yeah, I don't want download links or anything like that. I just want a proper tracklist so that I can sort the tracks I have into film order. I have recently come across a few unreleased cues and I want to know where to put them so I can listen to my album in proper film order. If the moderators get irritated over that, then they need to take their heads out of their @$$.

Hybrid Soldier reply Replies: 0 || 2011-04-12 00:00:00
Well there's nothing I know about A&D...

As for credits, Brad, with tracklist, there are tons on ASCAP... I did post them on the forum... But I have no idea about actual film order...

I think the OST is pretty much well done... 160BPM is a Theme Suite... Rest is "pretty much" in correct order...

Ele reply Replies: 0 || 2011-04-10 00:00:00
I hope a recording sessions will weak somehow. I already listened to "God Save Us", a variation on a theme of Science And Religion, and I'm amazed :)

ybalam@hotmail.com reply Replies: 0 || 2011-03-30 00:00:00
NO TENGO PALABRA PARA COMENTARLES LO MUCHO QUE ME GUSTO LA MŕSICA Y LA PELÕCULA PERO EN ESPECIAL LA MŕSICA ME ENCANTO MI RESPETO PARA USTEDES USTEDES SI SABEN LLEGAR AL ALMA CON UN SOLO TOQUE WAUU WAAUU SR. HANS ZIMMER MIS RESPETOS GRACIAS POR SU MŕSICA MUCHAS GRACIAS

KevinZsun reply Replies: 0 || 2011-03-26 00:00:00
@Mr. Bean, i have noticed that, the"pop",too. Then I can find the same pop in Canada and Australia albums, too. Air is one of my favorite track!

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