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The FYC score was complete. And it's out since november last yearIs there a complete score out there? If not, don't be surprised there's nothing here yet. Sometimes it takes years before a complete score listing pops on this site.Why no listing here for the complete score?Because they didn't work direcly in this score, but their material from the previous one was reused.Does anyone know why some of the composer names are in brackets? Thanks!
thanks4:05 of "STEALTH" some of the best soulful action music I've heard from a Zimmer score. I wonder who wrote that particular section. This the type of stuff I would play trying to rush a pregnant woman to the hospitalIn case he's visiting this site, I wanna say 'Thank You' to Ashton Gleckman who does the 'Behind the Score' episodes on YouTube. I loved the 1-hour episode for the Transformers scores and I actually learned a lot. Very educational. I found the video by accident and now I plan on watching his other videos as well.<br><br>Job well done, my friend.@Hybrid <br>You don't add anymore Trevor Morris things ?Probably for chronological purposes<br>even though the movie uses a shortened version of Romanian Wind at that time
i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene.<br>===============================<br><br><br>I agree. <br><br>And I think at the end of the day the movie itself is not the type of movie that could win people over with its score. No matter how successful and popular it is and no matter how good the score is. I Am Number 4 was part of the YA craze that took over Hollywood a few years back (we all know how people feel about those movies), and even the most successful YA movies (like Twilight) are not exactly known for their scores.<br><br>People - even film critics who are supposed to talk about all aspects of the movie - were too busy talking about half-naked characters and Kristen Stewart's acting..... and completely ignoring the good work done by Alexandre Desplat.<br><br>It was pretty much the same with I Am Number Four...<br><br>It's not that Trevor created a "bad" score, it's simply a case of a nice, little score that went under the radar. No one bothered to talk about it..... Just like his score for Torque, which as far as I'm concerned is one of his best scores.I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.<br>===========================<br><br><br>I totally get what you're saying. I also get kinda frustrated when a "big" track overshadows an entire score. The best recent examples are IMO the Transformers scores. I don't blame folks for gravitating towards the epic sound and the power anthems, but A LOT of subtle, equally great tracks end up getting completely ignored. And just like you, they're usually my favorite tracks. <br><br>But why most people don't think like us?<br><br>The reason I think is because those "big tracks" are presented - most of the time - during the most memorable moments in those movies. They immediately get people's attention. They're stuck in their mind along with those iconic images. And I think by nature, people are more attracted to the big and "in your face". For most casual listeners the more subtle tracks work in the context of the movie and they absolutely do notice them while watching the actual film. But unlike you and I they don't feel the need to listen to them separately. They're too busy paying attention to the "big track". That goes even for some score fans.<br><br>While tracks like the Star War theme, the Indy theme, the Transformers theme, the Gladiator theme, the Godfather theme, the Armageddon theme, the Pirates theme, the Lord of the Rings theme are so big, melodic abd easily digestable that folks simply can't resist them. And when there are vocals involved as well (like Gladiator) it's even better, because people treat it as a full-blown song. An emotional song that they can listen to over and over again.<br><br>The subtle tracks simply can't win against that. Sadly....<br><br>By the way, speaking of The Island, My Name is Lincoln (as much as I like it) is not my favorite track of the score. The more subtle opening track (The Island Awaits You) and especially the Lima One Alpha theme are my personal favorite tracks. Of course, they're nowhere near My Name is Lincoln, in terms of popularity.<br>Why is Romanian Wind not sequenced after Case Re-Opened? Is not the former 7M48 and the latter 7M47?Yeah that is true, can’t argue there lol<br><br>And is it me or does “Calypso Must Be Released” sound like Black Hawk Down?To be fair there is a lot of King Arthur in At World's End too. Just the general feeling you get from the action tracks in both scores is virtually identical. Hell, one of the main themes from King Arthur even appears when Bootstrap Bill remembers that Will is his son.
@MrTweedy<br>That’s totally fine, everyone has their own favorite HZ scores, which is awesome!<br><br>It’s funny though, I feel like DMC is far more schizophrenic than AWE. Now don’t get me wrong, I absolutely love DMC. It’s the score that got me into Hans Zimmer. But still, I feel like a major part of that score is note-for-note reprises of cues/themes from COTBP. Not to mention the temp tracking of King Arthur.<br><br>AWE always felt far more original to me, especially considering that the entire tone of the music shifts from the “rock’n’roll” sound of the first two to a more traditional score (at least by Hans Zimmer standards lol)@MrTweedy<br><br>Just curious, what scores do you considered to be Zimmer's best?The Pinnacle of Hans' career?<br>Although I really like this score, I don't agree. But hey, I know it's just a matter of opinion, okay? ;)<br><br>Of course it shows Hans strengths in almost every area (action, drama, romance, comedy...) but for me it's too much of a medley of previous works, without much personality.<br>It feels a bit like a palette with too many colors. From the action sequences borrowed from Drop Zone, to the Morricone inspirations for Jack's Sequences, to Gladiator's duduk that ended up there with no real reason, to a beautiful Love Theme that brings another new shape to the sonic identity... it's like the score sometimes goes schizophrenic.<br><br>Though each individual idea is really enjoyable to listen to, I think Hans has made scores that are much more cohesive and enjoyable as a whole!i also think it is an underrated score. especially the action music has a couple of nice touches. i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene. the emotional music is nothing ground breaking, but a lovely listen.Y'know, it's funny. The big names that always get the most attention in film music are often not my favorite tracks of the scores they represent. Now We Are Free, Arrival to Earth, Like A Dog Chasing Cars, Star Wars Main Theme, Indiana Jones Main Theme, Infinite White, One Day, Circle of Life, The Fellowship. Though they are the most well known, they're usually nowhere near the peak of quality of their scores. <br><br><br>I noticed this the most in Hans Zimmer's concerts (not World of Hans Zimmer mind you). The parts he played from The Dark Knight Trilogy in particular usually had the least substance. Just the bombastic tracks. The only choice I agreed with was Time from Inception. There was no Am I Not Merciful, A Watchful Guardian, Sunrise Over Pride Rock, none of that. <br><br><br>Even with Star Wars, the main theme and the Force theme are solid pieces of music, but neither come close to the beauty of Princess Leia's theme, or the wondrous Yoda theme. <br><br><br>Same with Lord of the Rings. The Fellowship Reunited, Very Old Friends, Gollum, and The Breaking of the Fellowship are much more substantial pieces than The Fellowship Theme alone in my opinion. <br><br><br>Can't say anything about My Name is Lincoln because I haven't finished The Island score yet, but yeah. I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.
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Composer - Musician : Synthesizer
Hans ZimmerLorne BalfeAtli ÖrvarssonGeoff Zanelli
ComposerAdditional MusicAdditional MusicAdditional Music
Angels & Demons
Label: Sony Classics
Length: 54'17
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (40379 votes)
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  1. 160 BPM (6:42)
    Hans Zimmer
  2. God Particle (5:20)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson, Mel Wesson
  3. Air (9:08)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson, Geoff Zanelli, Mel Wesson
  4. Fire (6:51)
    Hans Zimmer, Lorne Balfe
  5. Black Smoke (5:45)
    Hans Zimmer, Lorne Balfe, Mel Wesson
  6. Science And Religion (12:27)
    Hans Zimmer
  7. Immolation (3:38)
    Hans Zimmer, Lorne Balfe
  8. Election By Adoration (2:12)
    Hans Zimmer, Nick Glennie-Smith
  9. 503 (2:14)
    Hans Zimmer, Lorne Balfe
  10. Bonus Track : H2O (1:51)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson
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Pages << 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 >>

Zach reply Replies: 2 || 2016-10-28 21:10:18
In the track "Smashing The Ring" (It's actually featured on this site), there is a Gregorian style chant around 1:22 - does anyone know if this is a pre-existing/traditional chant that they used or did Hans (or someone else) write it? I really like it.


Leonard2016-10-28 21:54:22
This is indeed a pre-existing Greogorian chant. It's the chant "Requiem Aeternam" from the mass of the dead. If you like it you shoud check out the Requiem by Maurice Duruflé which is entirely based on the chants from the mass of the dead.


Zach2016-10-28 22:18:07
Thanks for the quick and informative response!

JamesT reply Replies: 4 || 2016-05-11 03:20:58
Inferno trailer is out! Looking forward to this one from Ron and Hans!!!

https: // www. youtube.com /watch?v=xbNBB1D37U8


Dfault2016-05-11 18:35:19
That track in this preview, is that the first peak at the album? It seems more electronic (as Hans already pointed out)


...2016-05-11 19:03:00
There's not a chance in hell that that is from the actual score. That's just trailer music.


i2016-05-11 20:01:28
That music is shit.




Dfault2016-05-11 20:17:36
Never mind indeed, thought when i first saw it 2 days ago the it could be new music, listened to it now again, i doubt it ^^

matthew reply Replies: 1 || 2015-06-06 21:32:52
so I'm going home today but I couldn't because the road was blocked and what I'm seeing is Ron Howard basically directing a scene from Inferno in downtown Budapest. I know its crazy and dump but, I mean, my first thought was: this means HZ already did some serious early work for this!


Zimson2015-06-06 22:39:28
Likely, considering that he starts writing suites very early in the process with this kind of projects.
However we won't get to hear shit untill the movie is about to be released. ;)

... reply Replies: 4 || 2015-01-07 18:28:02
I just saw that inferno is no longer listed on hans' page...
Will he not score it or is it just not confirmed?


Hybrid Soldier2015-01-07 18:53:52
Well don't worry he will, it's just way too early, In The Heart Of The Sea isn't even released yet...


bro2015-01-07 19:36:18
I'm surprised Hans wasn't involved with that.


Edmund Meinerts2015-01-07 19:58:42
Good ol' Spanish tax laws! ;)

Anyways, even though he's been using Hans pretty consistently over the last decade or so, Ron Howard has never been a one-composer kind of guy.

What I'm more surprised about is that Inferno is even still being made. I kind of get the feeling that the world is over the whole Dan Brown religious thriller thing.


Hybrid Soldier2015-01-07 20:02:04
He would have, bro, without that Spanish Tax Break ! :P

Zimson reply Replies: 4 || 2014-11-01 16:41:53
So, is Hans really confirmed for Inferno now (since it already appears in his profile)?


Hybrid Soldier2014-11-01 17:17:19
Shhhhhhhh tell no one ! ;)


Zimson 2014-11-01 17:51:04
Ok, I'll keep it down. ;) Great news, though. I'm really interested in how he's going to approach it since this one will be different from the first 2.


Hybrid Soldier2014-11-01 17:55:34
We've got some time before he starts though, the film got pushed from late 2015 to late 2016...


bro2014-11-01 20:35:26
Hans Zimmer wouldn't abandon Ron Howard anyway, they've been working together for a very long time now. Plus, this series' music belongs to Hans, they have his sonic identity and honestly only Lorne, Atli, Zanelli, or Zimmer could understand how to look to the future for a score for Inferno, and keeping the sonic identity of the previous scores.

rob reply Replies: 5 || 2013-11-04 03:35:28
anyone notice MOS similarities around the 6 minute mark in Science and Religion?


Anonymous2013-11-04 04:50:51
With what MOS track?


Azog, The Defiler2013-11-04 05:30:47
I just notice that some parts of Absurdity (The Lone Ranger) sounds similar to Air and the beginning of Citrine Cross (The Da Vinci Code)


rob2013-11-04 07:13:46
actually starts before the 6 min mark, starts more around the 5 minute mark and goes on for a few minutes. Not sure the exact track in MOS (ill find it) it just sounded similar when i was listening to Science and Religion


Edmund Meinerts2013-11-04 10:02:19
The Kal-El theme from Man of Steel (the one heard at the end of "Flight") is very similar to "Science and Religion", yes.


aldan2013-11-04 15:57:15
at 5:23 to be exact.

and the progression is really similar to MOS's "Goodbye My Son" 0:53 mark.

MacArthur reply Replies: 5 || 2013-10-21 19:33:18
What an Awesome Score!


Mortifer V.2013-10-21 19:37:26
yea, this and The Da Vinci Code are great.


MacArthur2013-10-21 19:46:55
Chevaliers de Sangreal is one of my all time favorites


Mike2013-10-21 21:02:19
IMO, Science and Religion beats Chevaliers de Sangreal any day of the week. That midportion is just incredible.


MacArthur2013-10-21 21:42:51
If you don't mind mike give me the time of the section and i'll listen to it


Mike2013-10-22 16:27:12
3:42-7:41.

MacArthur reply Replies: 4 || 2013-10-21 20:08:23
Thin Red line and Last samurai in Science and religion, anyone?


Phil2013-10-21 21:17:57
@MacArthur yep :)


Phil2013-10-21 21:20:37
The Thin Red Line @ 8min. 30sec :)


MacArthur2013-10-21 21:44:07
Awesome:)


Edmund Meinerts2013-10-21 23:56:28
Yeah, and from the complete score "The Arrival of the Electors" could be right out of Kingdom of Heaven.

MacArthur reply Replies: 6 || 2013-09-05 21:57:37
Where do you get the Bonus Track


Edmund Meinerts2013-09-05 23:17:10
With the rest of the complete score. ;)


MacArthur2013-09-06 03:45:33
No Seriously, It says there was a bonus track on the REGULAR one. where do I get that.


al bundy2013-09-06 09:58:04
do you ever use google at all?


Hybrid Soldier2013-09-06 12:50:35
Are you totally blind ?


Can't you click on "See details..." ??????????


Evenstar2013-09-06 13:07:01
well Hybrid, when you click on "see details" and then on the link were you can download the bonus track it says "The page you requested was not found." ;)


Hybrid Soldier2013-09-06 19:13:51
Then you have your answer, this operation expired with that link ! ;)

Aragorn reply Replies: 2 || 2013-07-10 00:34:36
Lorne must have used JNH's Eye For an Eye from Batman as a temp track when crafting "Immolation", because MAN do they sound the same.


Medigo2013-07-10 00:40:45
so what does this mean when you take "Am I not Merciful?" into account?


Aragorn2013-07-10 00:54:56
It means maybe JNH used Zimmer's "Am I Not Merciful" as a temp track when scoring that scene... :P So Immolation could be based off a temp track of a temp track, and thus we have musical Inception.

Anonymous reply Replies: 3 || 2013-05-07 03:13:50
160 BPM makes me think of the deshi basara chant from TDKR


Illuminati2013-05-07 13:35:49
It should be the other way around. Angels & Demons came 4 years before TDKR


score_trader2013-06-06 10:07:41
Who conducted the orchestra for this score?


Bioscope2013-06-06 13:12:16
Nick Glennie-Smith

Ds reply Replies: 7 || 2013-02-26 09:46:07
Hans posted an entire track from the movie "Rush" on facebook!!


Hybrid Soldier2013-02-26 10:28:28
It's from the film's website. Very cool track, second half is a Lorne cue, of course... :P


Ds2013-02-26 11:26:55
It reminds me of The Sweeney soundtrack! Isn't it frustrating for Lorne to work so hard with Hans without getting public recognition?


Hybrid Soldier2013-02-26 11:28:23
He just did a bunch of cues on that one. 4 I've been told. Some help like Rango. :)


Jo2013-02-27 10:47:19
Which means I like Lorne's cue better, reminds me of Inception a bit. Still interested to hear the full soundtrack... so many things coming up :)


matthew2013-02-27 13:03:13
this is from the Black Hawk Down library mixed with Transformers and Rabin's Gone in 60 seconds. but a very cool mix. very brave idea because the whole universe is going the complain about this, especially this site


JamesT2013-02-27 14:00:23
I love it. I hear what sounds like references to MI:2 in there. Looking forward to everything that's yet to come!


Trent Easton Navarro2013-02-27 21:37:08
Listening to it now, and it sounds very cool. Best thing Zimmer has done in ages! Curious to the rest of the score

Felix reply Replies: 0 || 2012-07-20 17:45:33
Expanded:

1. Main Title (1:09)
2. God Particle (4:14)
3. Seal the Doors/Extra Omnes (1:56)
4. No Time (2:25)
5. Follow the Path (1:37)
6. Pantheon (2:18)
7. Wrong (0:47)
8. Black Smoke I (2:01)
9. Air (7:14)
10. Black Smoke II (5:36)
11. Black Tongue (3:26)
12. Fire (3:14)
13. Cross Rome (1:55)
14. Water (1:51)
15. Castel Sant Angelo (5:43)
16. Save Camerlengo (4:21)
17. God Save Us (9:04)
18. Election by Adoration (1:52)
19. Bad Camerlengo (1:20)
20. Camerlengo on Fire/Immolation (3:37)
21. Access Granted (2:12)
22. End Title (2:12)
23. 160 BPM Suite (6:40)
24. God Save Us (Slow Insert) (2:05)
25. 160 BPM (Short Version) (1:05)

anoopa reply Replies: 1 || 2012-03-10 12:37:24
Does anyone know where I can find a tracklist of the Recording Sessions or a Complete Score? I don't want to stir up anything here I just want to be able to put the tracks I have in film order. Thanks.


Mycroft2012-03-10 16:44:27
Well, you could always just watch the movie yourself and listen for when stuff from the original soundtrack appears. Of course, that could get a bit tricky when you find stuff that's a reprise or remix of stuff on the OST and it might also leave you wanting more music than what you have.

As far as I know, no such track lists exist for what you seek.

JBourne reply Replies: 0 || 2011-10-15 00:15:57
Does anyone know anything about that unreleased music released .. -->
1 - 503 (Alternative Versions)
2 - Divine Fire
3 - four pillars
4 - Galileos 3rd Text
5 - God Save Us
6 - H2O
7 - The Holy see
8 - The Vatican
The Critine Cross (Alternative Version)
The Critine Cross (New Unreleased Film Version)

Somewhat looks like a fake

Phil B reply Replies: 7 || 2011-09-01 12:20:43
expanded score 2CD


01 Main Titles - The Empty Throne - 3:52
02 Antimatter - The Eye - 4:53
03 A Proposal to Langdon - 3:59
04 The Arrival of the Electors - 1:05
05 'Fellas, You Called Me' (No SFX) - 3:20
06 Faith is a Gift - To The Archives - 2:04
07 Sealing Conclave - 1:31
08 Grey Tea - 2:04
09 To Raphael's Tomb - 4:41
10 Earth - 3:03
11 Air (No SFX) - 7:15
12 It's Black - 2:25
13 All Is Red - 2:41
14 Visiting Your Holyness (No SFX) - 3:33

CD 2
01 Fire - 6:55
02 'Cross Rome (No SFX) - 2:01
03 If It is God's Will... (No SFX) - 0:59
04 Water - 5:25
05 The Church of Illumination - 6:14
06 Running to Save the Martir - 2:56
07 The Necropolis - 1:48
08 The Camerlengo's Destiny (No SFX) - 8:44
09 Lies and Cross Keys (No SFX) - 1:47
10 Immolation (Album Version) - 3:39
11 Pope Lucas, the Last Preferitti - 2:54
12 DIII - End Titles (No SFX) - 2:14
13 160 BPM (Album Version) - 6:42
14 H2O (Bonus Track) - 1:51
15 H2O (Alternative Version) - 1:11


Phil B2011-09-01 12:21:12
is it real?

pls tell me!


Hybrid Soldier2011-09-01 12:51:33
No, it's not.


Phil2011-09-01 17:15:42
Ok, but how do you know?


Mr. Fate2011-09-01 23:16:58
Because he is Hybrid freaking Soldier! Bro, he knows everything.


D A R T H2011-09-02 00:49:35
i have it... it's a simple dvd rip (correct sound but sfx)


MasterZ2011-09-02 07:41:39
yep its a dvd rip. nothing to get excited over :/ not even the better version, this is the really old bad sounding one...


Phil2011-09-02 15:13:28
well, but much better than nothing ;)

Dakota reply Replies: 0 || 2011-07-26 04:13:09
From BMI, here is the info for "Air", track 9:

Songwriter/Composer

ALLISON RYELAND GRAY
BADAMI ROBERT A BMI
BALFE LORNE DAVID RODERICK
OERVARSSON OERVARR ATLI
PINDER DANIEL ELAN
RAMGOTRA SATNAM SINGH
WESSON MELVYN THOMAS
ZIMMER HANS FLORIAN

Lorene reply Replies: 0 || 2011-07-24 23:21:36
This webtsie makes things hella easy.

  Your name :   

Please enter number: 863 

Takehiro reply Replies: 0 || 2011-07-14 18:47:27
I lost a little respect for Hans after a friend pointed out that 160BPM sounds a lot like First Born. Its too close a copy for me to like it as much anymore lol :P

Brad reply Replies: 0 || 2011-04-12 00:00:00
Does anyone know where I can find a tracklist of the Recording Sessions or a Complete Score? I don't want to stir up anything here I just want to be able to put the tracks I have in film order. Thanks.

Gavin Salkeld - Composer reply Replies: 0 || 2011-04-12 00:00:00
Hybrid, perhaps you can post the expanded score in another new thread? Along with The Da Vinci Code?

Anonymous reply Replies: 0 || 2011-04-12 00:00:00
God Save Us?

Dakota reply Replies: 0 || 2011-04-12 00:00:00
Watch what you say, you never know if the moderators will come after you. I know of no "Recording Sessions" for Angels & Demons, only some crappy expanded loaded with SFX

Takehiro reply Replies: 0 || 2011-04-12 00:00:00
I dont think discussing stuff is not allowed - after all, they're posted here for discussion. Asking for download links is another matter.

Brad reply Replies: 0 || 2011-04-12 00:00:00
Yeah, I don't want download links or anything like that. I just want a proper tracklist so that I can sort the tracks I have into film order. I have recently come across a few unreleased cues and I want to know where to put them so I can listen to my album in proper film order. If the moderators get irritated over that, then they need to take their heads out of their @$$.

Hybrid Soldier reply Replies: 0 || 2011-04-12 00:00:00
Well there's nothing I know about A&D...

As for credits, Brad, with tracklist, there are tons on ASCAP... I did post them on the forum... But I have no idea about actual film order...

I think the OST is pretty much well done... 160BPM is a Theme Suite... Rest is "pretty much" in correct order...

Ele reply Replies: 0 || 2011-04-10 00:00:00
I hope a recording sessions will weak somehow. I already listened to "God Save Us", a variation on a theme of Science And Religion, and I'm amazed :)

ybalam@hotmail.com reply Replies: 0 || 2011-03-30 00:00:00
NO TENGO PALABRA PARA COMENTARLES LO MUCHO QUE ME GUSTO LA MÚSICA Y LA PELÍCULA PERO EN ESPECIAL LA MÚSICA ME ENCANTO MI RESPETO PARA USTEDES USTEDES SI SABEN LLEGAR AL ALMA CON UN SOLO TOQUE WAUU WAAUU SR. HANS ZIMMER MIS RESPETOS GRACIAS POR SU MÚSICA MUCHAS GRACIAS

KevinZsun reply Replies: 0 || 2011-03-26 00:00:00
@Mr. Bean, i have noticed that, the"pop",too. Then I can find the same pop in Canada and Australia albums, too. Air is one of my favorite track!

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