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So first impressions:<br><br>JP knocked this one out of the park! The whole score has this excellent swashbuckling vibe, which is surprisingly aggressive during the action sequences (entirely due to his trademark percussion).<br><br>The writing style is really interesting, it’s basically John Powell doing his usual style but with some Williams flourishes, especially during the softer cues. The Star Wars themes do return, but not as heavily as Rogue One. And of course the JW cue is great, although surprisingly structured more as an action cue as opposed to a concert suite.<br><br>And for some reason the Han theme sounds vaguely similar to Poe’s theme from Force Awakens.Let’s just say “Reminiscience Therapy”.... hold onto your seats! ;-)This score is awesome!! Powell did a great job at making a score that's differet than all the other SW scores, but still you know it's a SW score. He reprised Williams' theme brilliantly and I can't stop to listen to it!!!what about the music when batman makes it back to the cave and lex opens the case of kryptonite. cant find it in theseYeah I can't agree that Inception or Interstellar are superior pieces of scoring. Certainly not in structure, thematic development, etc. <br><br>What defined those scores is the vision behind them more so than the execution. In so many ways, that is opposite of The World's End. Interstellar is a brilliant score that managed to provide each scene with a simplistic tone, but one that captured the atmosphere behind the scenes perfectly, such as the unique use of the organ. Same with Inception with the guitars. <br><br>With a World's End, the vision is nothing special. It is a rock and roll twist to classic music. But the execution brings enormous power and gravitas to the movie.<br><br>I would sum it up by saying that in Interstellar and Inception, the creation of the music drives the movie's ideas while in At World's End, the movie drives the creation of the music.
Nazg&#251;l for Azog I will never forgive. It's not a Servant of Sauron theme, it's a Ringwraith theme, and Azog's not a Ringwraith, he's a goddam Orc, and that theme doesn't belong there, full stop. It was just put there because it sounds "epic" and would "pump up the action scene". Gondor Restored at the end is just as stupid. And the Dreaming of Bag End theme for Bilbo is indeed lovely, and would have been lovelier still if it actually appeared in the movie. Instead it just gets replaced by copy/pasted Hobbit music from LOTR instead because Peter Jackson desperately wants his audience to remember how good those movies were in lieu of the Hobbit ones being any good on their own. Needless to say it goes missing entirely from the second and third score...along with the Misty Mountains melody (the strongest theme of the first one). I still really like those scores overall but they got absolutely butchered in terms of their thematic usage in the films. Then again those movies were an absolute clusterfuck so I shouldn't be surprised.<br><br>WRT Harry Potter, the 3 note theme does work okay for Voldemort, except that there's already a longer, separate Voldemort theme in Philosopher's, one that I like even more, and which only gets used once in Chamber (when Riddle rearranges the letters). I can understand liking Chamber better than Philosopher when you compare the albums, but in terms of the complete scores there's no contest at all, Philosopher wins by a country mile because of Chamber's rehash issues (and there are some good cues missing from the album, such as the Troll and Forbidden Forest scenes).@Edmund<br>The thing with the Nolan scores (at least Interstellar/Inception) is that they are repetitive, in as much as being built heavily around the suites that I’m guessing they use to edit and temp the film. <br>And while the themes are simple I do think they are structured in a unique enough way which builds emotional resonance through the gradual increase in chords/volume/speed/etc. Even Dunkirk is a relatively simple score theme wise, but is so technically complex.<br><br>And personally I’ve never been in love with Inception. I admire it on a technical level, but outside of “Time” I find it to be a fairly cold score. Obviously what it was meant to do so not a complaint, more of a personal preference thing.You know, I actually like Chamber of Secrets much more than Philosopher's Stone. It has the best moments from that score with improved themes. (I actually like the 3 note motif for Voldemort better than it being used for the stone, it already sounded like the Sith theme from Star Wars so might as well go all the way with it.) It felt more tight, better paced, and had an overall more energetic feel to it.<br><br>The Hobbit, I'm not entirely sure where you're getting heartbreaking from. If you mean the state of its release I absolutely agree, if you're talking about its reprisals the only one I had any issue with was the Return of the King/Gondor Restored theme which had nothing to do with Thorin and Bilbo's relationship. <br><br>The Nazghul theme being used for Azog I thought was fine as he was a servant of Sauron in the movies, History of the Ring and Gollum's themes were used effectively, and the new thematic material for the first film, I thought was wonderful. The themes A Baggins of Bag-End and The Lonely Mountain song being used as a Fellowship type of theme are the greatest highlights for me.See, I don't find Inception or Interstellar (or Thin Red Line) all that "complex". Especially not compared to At World's End (how many themes are in that score, like 15? 20? Pretty much all of which show up in rapid succession during the Maelstrom battle?). The Nolan scores are more about building up around very simple conceptual ideas.<br><br>Unless you're talking about emotional complexity, which is a very different thing and not really possible to objectively judge...You know, I don't think I've ever really gotten the full story surrounding that score. I've heard conflicting reports. My personal belief is that Ross did little to no substantial composition and that all the new stuff (themes, suites, new cues and also significantly fresh arrangements of old material) is pure Williams, but that film is full of reused music from the first film (it's actually quite frustrating, not as bad as On Stranger Tides or as heartbreaking as The Hobbit, but a bit of a rehashy mess and it makes the key error of using the Philosopher's Stone motif as a Voldemort theme). That's where I think Ross comes in and was responsible for taking those cues verbatim from the first film and tweaking/rearranging them just enough to match the timings of the scenes without actually adding any of his "own" notes. His role is likely somewhere between additional music, arrangement and music editing (but as Hybrid likes to point out, oftentimes those sorts of roles are really blurred and overlapping anyways).<br><br>A guy at jwfan did an analysis that helps understand the nature of that score, but be warned, it goes *really* deep:<br><br>www.jwfan.com/forums/index.php?/topic/27619-finished-chamber -of-secrets-thematic-and-originality-analysis/
I'm trying to be objective* (sorry haha)@Anonymous Zimmer's best? Well... I'm trying to be subjective:<br>IMO The Thin Red Line remains the pinnacle of Hans' career from an artistic point of view. It's a turning point, though we've been used to this kind of writing since (so many scores have copied TTRL).<br><br>Inception and (especially) Interstellar are superior pieces of scoring as well. Their level of complexity is unmatched in Zimmer's discography.<br>Gladiator is another impressive score, as it combines some of the best action music, best drama and deepest emotions Hans has ever composed for a movie.<br><br>Seems like I'm quite objective here, as none of my favorites scores are on this list ! ;)Interesting you mention William Ross' role in Chamber of Secrets because I've never fully understood what his exact involvement was. Was he just an additional music composer? Or did he actually compose most of the score with John Williams only writing the suites? Just curious if you know.I mean, the thematic situation *is* a bit messy. You've got new themes by Powell, one new Williams theme adapted by Powell, and then existing Star Wars themes adapted by Powell. I agree the credits are a bit long-winded but I can't think of a more concise way to convey all that information.<br><br>What does bother me (and maybe this is my inner fanboy talking) is that it seems to downplay Powell's role a bit, listing him second and with the use of the word "adapted" which makes him feel a bit second fiddle. Remember how William Ross "adapted" Williams' music for Chamber of Secrets, by which was meant largely copying and pasting bits from Sorcerer's Stone? I have no doubt that Powell has done a far, far more substantial job here (and they do say "composed and adapted", to be fair). Then again, it's a Star Wars score, and of course they're going to put Williams' name front and center as much as possible no matter what.<br><br>This is all such nitpicking of the highest order :pHans for Star Wars ?<br><br><br>Never.<br><br><br>Ron probably asked him first and Hans probably was like "JOHN POWELL !!"
What would have happened if Ron Howard would have been the first choice to direct Solo? He would have chosen James Horner (if he wasn't dead) or try to convince Hans Zimmer to do the music. The only collaboration between Howard and maestro Williams was in the movie Far And Away.Poster in SpainA Star Wars score that sounds like a Powell score? I'm in.<br><br>From what I've heard of many people, the score is really great and apart from the Williams theme, I heard Powell also had a lot of great themes.<br><br>I cannot wait for it!Your source?Just saw the film, really fun and faced paced movie. The score is great, it has a solid main theme by John Williams (not as great as Rey theme though) but still memorable and john powell adapts this main theme in various variations throughout the film. Star Wars fan might be dissapointed by the score because this overall sounds like a typical Powell score which doesn’t really sound like a typical Star Wars movie. Still fans of Powell will love this new score.
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Composer - Musician : Synthesizer
Hans ZimmerLorne BalfeAtli ÖrvarssonGeoff Zanelli
ComposerAdditional MusicAdditional MusicAdditional Music
Angels & Demons
Label: Sony Classics
Length: 54'17
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (40381 votes)
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  1. 160 BPM (6:42)
    Hans Zimmer
  2. God Particle (5:20)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson, Mel Wesson
  3. Air (9:08)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson, Geoff Zanelli, Mel Wesson
  4. Fire (6:51)
    Hans Zimmer, Lorne Balfe
  5. Black Smoke (5:45)
    Hans Zimmer, Lorne Balfe, Mel Wesson
  6. Science And Religion (12:27)
    Hans Zimmer
  7. Immolation (3:38)
    Hans Zimmer, Lorne Balfe
  8. Election By Adoration (2:12)
    Hans Zimmer, Nick Glennie-Smith
  9. 503 (2:14)
    Hans Zimmer, Lorne Balfe
  10. Bonus Track : H2O (1:51)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson
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Pages << 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 >>

Zach reply Replies: 2 || 2016-10-28 21:10:18
In the track "Smashing The Ring" (It's actually featured on this site), there is a Gregorian style chant around 1:22 - does anyone know if this is a pre-existing/traditional chant that they used or did Hans (or someone else) write it? I really like it.


Leonard2016-10-28 21:54:22
This is indeed a pre-existing Greogorian chant. It's the chant "Requiem Aeternam" from the mass of the dead. If you like it you shoud check out the Requiem by Maurice Duruflé which is entirely based on the chants from the mass of the dead.


Zach2016-10-28 22:18:07
Thanks for the quick and informative response!

JamesT reply Replies: 4 || 2016-05-11 03:20:58
Inferno trailer is out! Looking forward to this one from Ron and Hans!!!

https: // www. youtube.com /watch?v=xbNBB1D37U8


Dfault2016-05-11 18:35:19
That track in this preview, is that the first peak at the album? It seems more electronic (as Hans already pointed out)


...2016-05-11 19:03:00
There's not a chance in hell that that is from the actual score. That's just trailer music.


i2016-05-11 20:01:28
That music is shit.




Dfault2016-05-11 20:17:36
Never mind indeed, thought when i first saw it 2 days ago the it could be new music, listened to it now again, i doubt it ^^

matthew reply Replies: 1 || 2015-06-06 21:32:52
so I'm going home today but I couldn't because the road was blocked and what I'm seeing is Ron Howard basically directing a scene from Inferno in downtown Budapest. I know its crazy and dump but, I mean, my first thought was: this means HZ already did some serious early work for this!


Zimson2015-06-06 22:39:28
Likely, considering that he starts writing suites very early in the process with this kind of projects.
However we won't get to hear shit untill the movie is about to be released. ;)

... reply Replies: 4 || 2015-01-07 18:28:02
I just saw that inferno is no longer listed on hans' page...
Will he not score it or is it just not confirmed?


Hybrid Soldier2015-01-07 18:53:52
Well don't worry he will, it's just way too early, In The Heart Of The Sea isn't even released yet...


bro2015-01-07 19:36:18
I'm surprised Hans wasn't involved with that.


Edmund Meinerts2015-01-07 19:58:42
Good ol' Spanish tax laws! ;)

Anyways, even though he's been using Hans pretty consistently over the last decade or so, Ron Howard has never been a one-composer kind of guy.

What I'm more surprised about is that Inferno is even still being made. I kind of get the feeling that the world is over the whole Dan Brown religious thriller thing.


Hybrid Soldier2015-01-07 20:02:04
He would have, bro, without that Spanish Tax Break ! :P

Zimson reply Replies: 4 || 2014-11-01 16:41:53
So, is Hans really confirmed for Inferno now (since it already appears in his profile)?


Hybrid Soldier2014-11-01 17:17:19
Shhhhhhhh tell no one ! ;)


Zimson 2014-11-01 17:51:04
Ok, I'll keep it down. ;) Great news, though. I'm really interested in how he's going to approach it since this one will be different from the first 2.


Hybrid Soldier2014-11-01 17:55:34
We've got some time before he starts though, the film got pushed from late 2015 to late 2016...


bro2014-11-01 20:35:26
Hans Zimmer wouldn't abandon Ron Howard anyway, they've been working together for a very long time now. Plus, this series' music belongs to Hans, they have his sonic identity and honestly only Lorne, Atli, Zanelli, or Zimmer could understand how to look to the future for a score for Inferno, and keeping the sonic identity of the previous scores.

rob reply Replies: 5 || 2013-11-04 03:35:28
anyone notice MOS similarities around the 6 minute mark in Science and Religion?


Anonymous2013-11-04 04:50:51
With what MOS track?


Azog, The Defiler2013-11-04 05:30:47
I just notice that some parts of Absurdity (The Lone Ranger) sounds similar to Air and the beginning of Citrine Cross (The Da Vinci Code)


rob2013-11-04 07:13:46
actually starts before the 6 min mark, starts more around the 5 minute mark and goes on for a few minutes. Not sure the exact track in MOS (ill find it) it just sounded similar when i was listening to Science and Religion


Edmund Meinerts2013-11-04 10:02:19
The Kal-El theme from Man of Steel (the one heard at the end of "Flight") is very similar to "Science and Religion", yes.


aldan2013-11-04 15:57:15
at 5:23 to be exact.

and the progression is really similar to MOS's "Goodbye My Son" 0:53 mark.

MacArthur reply Replies: 5 || 2013-10-21 19:33:18
What an Awesome Score!


Mortifer V.2013-10-21 19:37:26
yea, this and The Da Vinci Code are great.


MacArthur2013-10-21 19:46:55
Chevaliers de Sangreal is one of my all time favorites


Mike2013-10-21 21:02:19
IMO, Science and Religion beats Chevaliers de Sangreal any day of the week. That midportion is just incredible.


MacArthur2013-10-21 21:42:51
If you don't mind mike give me the time of the section and i'll listen to it


Mike2013-10-22 16:27:12
3:42-7:41.

MacArthur reply Replies: 4 || 2013-10-21 20:08:23
Thin Red line and Last samurai in Science and religion, anyone?


Phil2013-10-21 21:17:57
@MacArthur yep :)


Phil2013-10-21 21:20:37
The Thin Red Line @ 8min. 30sec :)


MacArthur2013-10-21 21:44:07
Awesome:)


Edmund Meinerts2013-10-21 23:56:28
Yeah, and from the complete score "The Arrival of the Electors" could be right out of Kingdom of Heaven.

MacArthur reply Replies: 6 || 2013-09-05 21:57:37
Where do you get the Bonus Track


Edmund Meinerts2013-09-05 23:17:10
With the rest of the complete score. ;)


MacArthur2013-09-06 03:45:33
No Seriously, It says there was a bonus track on the REGULAR one. where do I get that.


al bundy2013-09-06 09:58:04
do you ever use google at all?


Hybrid Soldier2013-09-06 12:50:35
Are you totally blind ?


Can't you click on "See details..." ??????????


Evenstar2013-09-06 13:07:01
well Hybrid, when you click on "see details" and then on the link were you can download the bonus track it says "The page you requested was not found." ;)


Hybrid Soldier2013-09-06 19:13:51
Then you have your answer, this operation expired with that link ! ;)

Aragorn reply Replies: 2 || 2013-07-10 00:34:36
Lorne must have used JNH's Eye For an Eye from Batman as a temp track when crafting "Immolation", because MAN do they sound the same.


Medigo2013-07-10 00:40:45
so what does this mean when you take "Am I not Merciful?" into account?


Aragorn2013-07-10 00:54:56
It means maybe JNH used Zimmer's "Am I Not Merciful" as a temp track when scoring that scene... :P So Immolation could be based off a temp track of a temp track, and thus we have musical Inception.

Anonymous reply Replies: 3 || 2013-05-07 03:13:50
160 BPM makes me think of the deshi basara chant from TDKR


Illuminati2013-05-07 13:35:49
It should be the other way around. Angels & Demons came 4 years before TDKR


score_trader2013-06-06 10:07:41
Who conducted the orchestra for this score?


Bioscope2013-06-06 13:12:16
Nick Glennie-Smith

Ds reply Replies: 7 || 2013-02-26 09:46:07
Hans posted an entire track from the movie "Rush" on facebook!!


Hybrid Soldier2013-02-26 10:28:28
It's from the film's website. Very cool track, second half is a Lorne cue, of course... :P


Ds2013-02-26 11:26:55
It reminds me of The Sweeney soundtrack! Isn't it frustrating for Lorne to work so hard with Hans without getting public recognition?


Hybrid Soldier2013-02-26 11:28:23
He just did a bunch of cues on that one. 4 I've been told. Some help like Rango. :)


Jo2013-02-27 10:47:19
Which means I like Lorne's cue better, reminds me of Inception a bit. Still interested to hear the full soundtrack... so many things coming up :)


matthew2013-02-27 13:03:13
this is from the Black Hawk Down library mixed with Transformers and Rabin's Gone in 60 seconds. but a very cool mix. very brave idea because the whole universe is going the complain about this, especially this site


JamesT2013-02-27 14:00:23
I love it. I hear what sounds like references to MI:2 in there. Looking forward to everything that's yet to come!


Trent Easton Navarro2013-02-27 21:37:08
Listening to it now, and it sounds very cool. Best thing Zimmer has done in ages! Curious to the rest of the score

Felix reply Replies: 0 || 2012-07-20 17:45:33
Expanded:

1. Main Title (1:09)
2. God Particle (4:14)
3. Seal the Doors/Extra Omnes (1:56)
4. No Time (2:25)
5. Follow the Path (1:37)
6. Pantheon (2:18)
7. Wrong (0:47)
8. Black Smoke I (2:01)
9. Air (7:14)
10. Black Smoke II (5:36)
11. Black Tongue (3:26)
12. Fire (3:14)
13. Cross Rome (1:55)
14. Water (1:51)
15. Castel Sant Angelo (5:43)
16. Save Camerlengo (4:21)
17. God Save Us (9:04)
18. Election by Adoration (1:52)
19. Bad Camerlengo (1:20)
20. Camerlengo on Fire/Immolation (3:37)
21. Access Granted (2:12)
22. End Title (2:12)
23. 160 BPM Suite (6:40)
24. God Save Us (Slow Insert) (2:05)
25. 160 BPM (Short Version) (1:05)

anoopa reply Replies: 1 || 2012-03-10 12:37:24
Does anyone know where I can find a tracklist of the Recording Sessions or a Complete Score? I don't want to stir up anything here I just want to be able to put the tracks I have in film order. Thanks.


Mycroft2012-03-10 16:44:27
Well, you could always just watch the movie yourself and listen for when stuff from the original soundtrack appears. Of course, that could get a bit tricky when you find stuff that's a reprise or remix of stuff on the OST and it might also leave you wanting more music than what you have.

As far as I know, no such track lists exist for what you seek.

JBourne reply Replies: 0 || 2011-10-15 00:15:57
Does anyone know anything about that unreleased music released .. -->
1 - 503 (Alternative Versions)
2 - Divine Fire
3 - four pillars
4 - Galileos 3rd Text
5 - God Save Us
6 - H2O
7 - The Holy see
8 - The Vatican
The Critine Cross (Alternative Version)
The Critine Cross (New Unreleased Film Version)

Somewhat looks like a fake

Phil B reply Replies: 7 || 2011-09-01 12:20:43
expanded score 2CD


01 Main Titles - The Empty Throne - 3:52
02 Antimatter - The Eye - 4:53
03 A Proposal to Langdon - 3:59
04 The Arrival of the Electors - 1:05
05 'Fellas, You Called Me' (No SFX) - 3:20
06 Faith is a Gift - To The Archives - 2:04
07 Sealing Conclave - 1:31
08 Grey Tea - 2:04
09 To Raphael's Tomb - 4:41
10 Earth - 3:03
11 Air (No SFX) - 7:15
12 It's Black - 2:25
13 All Is Red - 2:41
14 Visiting Your Holyness (No SFX) - 3:33

CD 2
01 Fire - 6:55
02 'Cross Rome (No SFX) - 2:01
03 If It is God's Will... (No SFX) - 0:59
04 Water - 5:25
05 The Church of Illumination - 6:14
06 Running to Save the Martir - 2:56
07 The Necropolis - 1:48
08 The Camerlengo's Destiny (No SFX) - 8:44
09 Lies and Cross Keys (No SFX) - 1:47
10 Immolation (Album Version) - 3:39
11 Pope Lucas, the Last Preferitti - 2:54
12 DIII - End Titles (No SFX) - 2:14
13 160 BPM (Album Version) - 6:42
14 H2O (Bonus Track) - 1:51
15 H2O (Alternative Version) - 1:11


Phil B2011-09-01 12:21:12
is it real?

pls tell me!


Hybrid Soldier2011-09-01 12:51:33
No, it's not.


Phil2011-09-01 17:15:42
Ok, but how do you know?


Mr. Fate2011-09-01 23:16:58
Because he is Hybrid freaking Soldier! Bro, he knows everything.


D A R T H2011-09-02 00:49:35
i have it... it's a simple dvd rip (correct sound but sfx)


MasterZ2011-09-02 07:41:39
yep its a dvd rip. nothing to get excited over :/ not even the better version, this is the really old bad sounding one...


Phil2011-09-02 15:13:28
well, but much better than nothing ;)

Dakota reply Replies: 0 || 2011-07-26 04:13:09
From BMI, here is the info for "Air", track 9:

Songwriter/Composer

ALLISON RYELAND GRAY
BADAMI ROBERT A BMI
BALFE LORNE DAVID RODERICK
OERVARSSON OERVARR ATLI
PINDER DANIEL ELAN
RAMGOTRA SATNAM SINGH
WESSON MELVYN THOMAS
ZIMMER HANS FLORIAN

Lorene reply Replies: 0 || 2011-07-24 23:21:36
This webtsie makes things hella easy.

Takehiro reply Replies: 0 || 2011-07-14 18:47:27
I lost a little respect for Hans after a friend pointed out that 160BPM sounds a lot like First Born. Its too close a copy for me to like it as much anymore lol :P

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Brad reply Replies: 0 || 2011-04-12 00:00:00
Does anyone know where I can find a tracklist of the Recording Sessions or a Complete Score? I don't want to stir up anything here I just want to be able to put the tracks I have in film order. Thanks.

Gavin Salkeld - Composer reply Replies: 0 || 2011-04-12 00:00:00
Hybrid, perhaps you can post the expanded score in another new thread? Along with The Da Vinci Code?

Anonymous reply Replies: 0 || 2011-04-12 00:00:00
God Save Us?

Dakota reply Replies: 0 || 2011-04-12 00:00:00
Watch what you say, you never know if the moderators will come after you. I know of no "Recording Sessions" for Angels & Demons, only some crappy expanded loaded with SFX

Takehiro reply Replies: 0 || 2011-04-12 00:00:00
I dont think discussing stuff is not allowed - after all, they're posted here for discussion. Asking for download links is another matter.

Brad reply Replies: 0 || 2011-04-12 00:00:00
Yeah, I don't want download links or anything like that. I just want a proper tracklist so that I can sort the tracks I have into film order. I have recently come across a few unreleased cues and I want to know where to put them so I can listen to my album in proper film order. If the moderators get irritated over that, then they need to take their heads out of their @$$.

Hybrid Soldier reply Replies: 0 || 2011-04-12 00:00:00
Well there's nothing I know about A&D...

As for credits, Brad, with tracklist, there are tons on ASCAP... I did post them on the forum... But I have no idea about actual film order...

I think the OST is pretty much well done... 160BPM is a Theme Suite... Rest is "pretty much" in correct order...

Ele reply Replies: 0 || 2011-04-10 00:00:00
I hope a recording sessions will weak somehow. I already listened to "God Save Us", a variation on a theme of Science And Religion, and I'm amazed :)

ybalam@hotmail.com reply Replies: 0 || 2011-03-30 00:00:00
NO TENGO PALABRA PARA COMENTARLES LO MUCHO QUE ME GUSTO LA MÚSICA Y LA PELÍCULA PERO EN ESPECIAL LA MÚSICA ME ENCANTO MI RESPETO PARA USTEDES USTEDES SI SABEN LLEGAR AL ALMA CON UN SOLO TOQUE WAUU WAAUU SR. HANS ZIMMER MIS RESPETOS GRACIAS POR SU MÚSICA MUCHAS GRACIAS

KevinZsun reply Replies: 0 || 2011-03-26 00:00:00
@Mr. Bean, i have noticed that, the"pop",too. Then I can find the same pop in Canada and Australia albums, too. Air is one of my favorite track!

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