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Most of them are done actually and should have been released a while ago !Hybrid why is HZ scoring so many films lately, has he placed a bet with himself or something? lol<br><br>Looking forward to it. Boss Baby was a really fun score.I'm confident he would care. Not saying he has any control over it. <br>I don't think Mondo should be making any money from this release. It ought to be canceled and removed from their website. <br><br>It's more than just a tempo issue. The tone is entirely off, and parts that were once pleasing to hear, now sound awful to my ears.<br><br>Seems Mondo is lacking the proper quality control. Hopefully this is a wake up call for them. If enough people avoid buying this album or return it, they'll get the message. I like to see capitalism work properly. <br>Maybe Pope is involved.Great news! The first one is fun, not Zimmer’s best animated score imo but it’s still pretty enjoyable. I almost wish they got Conrad Pope involved again, “Love” is one of the most beautiful cues of the past few years.
The first one was quite pretty good.We knew Steve would return for quite some time, but I was surprised Hans would actually return too. But he's very involved with that one.Who is Hans Zimmerman?i want it so much <3I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.
You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
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<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
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<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
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<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.
Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...
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Hans ZimmerJim DooleyJames S. LevineMatthew Margeson
ComposerComposerComposerComposer
Directors Cuts 36 - Romantic Comedy
Label: Extreme Music
Length: 41'27
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3911 votes)
  1. Pink And Fluffy (2:38)
    David Inlander
  2. Table For Two (2:16)
    Hans Zimmer, James Dooley
  3. Go Girl (2:51)
    Josh Klein
  4. Funny Turn (2:37)
    David Inlander
  5. Angels Quest (2:12)
    Hans Zimmer, James Dooley
  6. Eager Beaver (2:46)
    Josh Klein
  7. Posh Totty (2:43)
    Rob Elliott
  8. Comfortably Fun (2:10)
    Josh Klein
  9. Nicey Nicey (3:32)
    David Inlander
  10. Skipping Point (2:11)
    Josh Klein
  11. Heart Blanche (2:17)
    Matthew Margeson
  12. Fashion Savvy (2:31)
    James S. Levine
  13. Push Life (1:30)
    David Inlander
  14. Love Junkie (2:57)
    David Inlander
  15. Float Your Boat (3:43)
    Noah Sorota
  16. Crystal Breath (2:34)
    Noah Sorota
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Edmund Meinerts reply Replies: 0 || 2013-05-15 21:14:57
Hybrid (or anyone else who might happen to know), you wouldn't happen to know what year all of the other DC albums came out? Because only a handful of them are listed here and on Extreme Music they have 92 (!), but they don't say what year the music "came out" (or was composed), and I tried to contact them about it and they said they can't tell me.

Do you (or anyone) know? I know the earlier ones started in 2001...and the latest one came out a couple months ago...but everything in between, no idea.

Sorry, I just like to be very exact in my music library (hence why I like having full credits :D )

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inspector mittens reply Replies: 0 || 2012-08-11 22:50:46
This Table For Two composition hasn't been used outside this promo, no?

Mathias reply Replies: 0 || 2009-02-06 00:00:00
Exist it on sale?

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Directors Cuts 36 - Romantic Comedy soundtrack - Hans Zimmer - Jim Dooley - James S. Levine - Matthew Margeson 2008