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Yeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.
This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.I like the tracksWow!!!Still my favorite score from the X-Men series.
Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2That recording footage makes it all the more baffling to me why the end product sounds the way it does.I understand the comments about the orchestra sounding like samples by some of the comments?<br><br>If you follow his Twitter you see the BBC orchestra recording the soundtrack.Season two is cool and Balfe’s music is bigger that season 1.Bit choirs also.I love Hillbilly also but it sounds very familiar just with different guitar instruments.Paradise is so emotional and sonically more interesting to me at least
I find Hillbilly more engaging than Paradise, even much interesting dramatic cues.Memorial is heart wrenching.<br>Definitely up there for this years scores.Fantastic music but Balfe and Zimmer.You can hear their different styles in this music.<br>Very beautiful soundtrackCouple of interesting things.
<br>
<br>Williams in the film cuesheet seems to have been credited only for "his" cues but never for others' cues (even if they use either old Star Wars music or new JW Solo material) :
<br>
<br>OPENING (JP)
<br>ENFYS STANDOFF (JP)
<br>FAILED HEIST (JP)
<br>KESSEL RUN PT 1 – TIE CHASE A (JW)
<br>KESSEL RUN PT 1 – TIE CHASE B-1 (JP)
<br>KESSEL RUN PT 1 – TIE CHASE C (JW)
<br>KESSEL RUN PT 1 – TIE CHASE D (JP)
<br>KESSEL RUN PT 1 – TIE CHASE E-2 (JP)
<br>KESSEL RUN PT 2 – TIE CHASE F	 (JP)
<br>KESSEL RUN PT 2 – MAW (JP BS)
<br>KESSEL RUN PT 3 – LIFTOFF (JP)
<br>KESSEL RUN PT 4 – LANDING (JP)
<br>L3 & FALCON PT 1 (JP)
<br>L3 & FALCON PT 2 (JP)
<br>L3’S SACRIFICE	 (JP)
<br>SKYPE SHOWDOWN (JP)
<br>CHEWIE UNTAMED PT 1 (JP AW)
<br>CHEWIE UNTAMED PT 3 (JP)
<br>LANDO’S CLOSET (JP AW)
<br>SAVAREEN TENT A (JP)
<br>SAVAREEN TENT B (JP AW)
<br>CORELLIA CHASE (JP BS)
<br>DRYDEN FIGHT (JP AW)
<br>DRYDEN FIGHT PT 2 (JP)
<br>DRYDEN YACHT DUET	 (JP)
<br>ENFYS NEST ARRIVES (JP BS)
<br>MINES PT 1 – HEIST (JP PM)
<br>MINES PT 2 – FINDING COAXIUM (JP)
<br>MINES PT 2 – CONT’D (JP)
<br>MINES PT 3 – BREAK-OUT (JP)
<br>REAL THING DOUBLE CROSS (JP PM)
<br>SPACEPORT (JP AW)
<br>THE BEAST (JP BS)
<br>BECKETT DEPARTS (JP)
<br>BECKETT LEAVES (JP)
<br>BECKETT SHOWDOWN (JP)
<br>CRAWL (JP)
<br>CRAWL (FROM 1M04-05) (JP)
<br>CRAWL (FROM 2M13) (JP)
<br>CRAWL (FROM 4M28) (JP)
<br>CRAWL (FROM 4M30B) (JP)
<br>LANDO (JP)
<br>MAIN ON ENDS (JP)
<br>MAIN ON ENDS (FROM 5M32) (JP)
<br>BACK TO DRYDEN’S (JP)
<br>BLACKMAIL (JP)
<br>BUNK – PROXIMA (JP)
<br>CAMPFIRE (JP)
<br>CONVEYEX PT 1 (JP)
<br>FAMILY STORIES B (JP)
<br>HAN & QI’RA REUNITE (JP)
<br>JUNGLE CANTINA SOURCE (JP)
<br>MEET DRYDEN (JP)
<br>MIMBAN BATTLE PT 2 (JP)
<br>MIMBAN BATTLE PT 3 (JP)
<br>SABACC GAME (JP)
<br>SABACC REMATCH (JP)
<br>SURVEYING CONVEYEX (JP)
<br>TESTING DRYDEN’S PATIENCE (JP)
<br>TO TATOOINE PT 1 (JP)
<br>TRUST NO ONE (JP)
<br>WALK TO DRYDEN’S PT 1 (JP)
<br>WALK TO DRYDEN’S PT 3 (JP)
<br>YACHT PARTY SOURCE (JP)
<br>YOU DON’T KNOW EVERYTHING (JP)
<br>THE HAN SOLO THEME (JW)
<br>
<br>This is what I could find. Some of the cues I couldn't find at all like Family Stories A, Gonna Be A Pilot or To Tatooine Pt 2 probably have all one thing in common : I guess they're 100% credited to JW.
<br>
<br>That cuesheet matches in fact with the credits I posted above that come from JP's team.
<br>
<br>Interestingly, the 2018 Album does credit Williams very specifically on every cue any of his material is used (The % come from the fact Powell & Mounsey are ASCAP, Williams, Willis & Sener are BMI) :
<br>
<br>ADVENTURES OF HAN (HAN SOLO THEME)
<br>JW 100%
<br>MEET HAN										
<br>JP 28% JW 72%
<br>CORELLIA CHASE								
<br>JP 50% JW BS 50%
<br>SPACEPORT									
<br>JP 55% JW AW 45%
<br>FLYING WITH CHEWIE						
<br>JP 48% JW AW 52%
<br>TRAIN HEIST									
<br>JP 92% JW 8%
<br>MARAUDERS ARRIVE							
<br>JP 55% JW BS 45%
<br>CHICKEN IN THE POT							
<br>JP 100%
<br>IS THIS SEAT TAKEN?							
<br>JP 77% JW 23%
<br>L3 & MILLENNIUM FALCON					
<br>JP 86% JW 14%
<br>LANDO’S CLOSET								
<br>JP 100%
<br>MINE MISSION									
<br>JP 98% JW 2%
<br>BREAK OUT					
<br>JP 78% JW 22%
<br>THE GOOD GUY								
<br>JP PM 74% JW AW 26%
<br>REMINISCENCE THERAPY					
<br>JP 30% JW 70%
<br>INTO THE MAW								
<br>JP 47% JW BS 53%
<br>SAVAREEN STAND OFF						
<br>JP 94% JW 6%
<br>GOOD THING YOU WERE LISTENING			
<br>JP 100%
<br>TESTING ALLEGIANCE						
<br>JP 51% JW AW 49%
<br>DICE & ROLL									
<br>JP 65% JW 35%
<br>
<br>It's not unusual to have different credits for an album VS the same music in the film, depends on the deal that was made.
<br>
<br>Also, some incoherences here, like Willis credited for Lando's Closet in the cuesheet but not in the OST for the same track. But you can't take the cuesheet for absolute truth, additionals did a bit more than that, not necessarly credited, cause it's not as significative to program some percs on a track VS writing 90% of it ! :) Like Willis isn't officially credited for L3's Sacrifice (very end of Extra Deluxe Mine Mission) but has it on his website. Same for Batu with L3 & Falcon. So they had more to do than just what they are credited for... :)
<br>
<br>Also, if you want a breakdown of the Deluxe VS 2018 OST :
<br>
<br>THE ADVENTURES OF HAN => SUITE (NOT IN DELUXE)
<br>MEET HAN => 1M1 MEET HAN
<br>CORELLIA CHASE => 1M4-5 CORELLIA CHASE
<br>SPACEPORT => 1M6-7 SPACEPORT
<br>FLYING WITH CHEWIE => 2M13 CHEWIE UNTAMED
<br>TRAIN HEIST => 2M15-16A-B-C DELUXE TRAIN HEIST (FIRST HALF)
<br>MARAUDERS ARRIVE => 2M15-16A-B-C DELUXE TRAIN HEIST (SECOND HALF) (EDITED) (ALT END)
<br>CHICKEN IN THE POT => 3M18S CHICKEN IN THE POT (ALT VOX)
<br>IS THIS SEAT TAKEN ? => 3M25 SABACC GAME
<br>L3 & MILLENNIUM FALCON => 3M26 L3 & MILLENNIUM FALCON
<br>LANDO'S CLOSET => 4M28 LANDO'S CLOSET
<br>MINE MISSION => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (FIRST HALF)
<br>BREAK OUT => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (SECOND HALF)
<br>THE GOOD GUY => 6M34 SAVAREEN TENT + 6M36-37-38 QI'RA KNOWS A BIT MORE THAN THAT (EDITED) + 6M39-40 DOUBLE-DOUBLE CROSS (EDITED)
<br>REMINISCENCE THERAPY => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (FIRST HALF)
<br>INTO THE MAW => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (SECOND HALF)
<br>SAVAREEN STAND-OFF => 6M35 ENFYS' STAND-OFF
<br>GOOD THING YOU WERE LISTENING => 7M43-44-45 MAUL'S CALL – PARTING WAYS (EDITED) (ALT)
<br>TESTING ALLEGIANCE => 6M41-42 DRYDEN'S LONG, LONG FIGHT (EDITED)
<br>DICE & ROLL => 7M47-48 SABACC REMATCH – TO TATOOINEoscar
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Musician : PercussionAdditional Music - Musician : PercussionTechnical Music Coordinator
Hans ZimmerLorne BalfeRyeland AllisonPeter Oso Snell
ComposerAdditional MusicAdditional MusicScore Coordinator
Casi Divas
Label: *** For your consideration ***
Length:
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (8787 votes)
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SameLing reply Replies: 0 || 2018-03-08 14:35:53
OMG Lorne Balfe had his fingers on this!!!!!!!!!

Edmund Meinerts reply Replies: 6 || 2017-11-08 10:25:46
So what's the story with this one? How did superstar film composer Hans Zimmer, in a year where he also produced the megablockbuster The Dark Knight, come to work on a Mexican comedy so obscure that its Wikipedia article only has one sentence and doesn't mention Hans at all? I guess I'm not surprised it never got released or even leaked cleanly, which is a shame as it's quite a nice score, sort of a spiritual sequel to Spanglish, and all we have is a crappy SFX-filled rip. But this one has always been a bit of a mystery to me...


dirty_score2017-11-08 12:04:38
I wish Hans would spend more time with independent movies instead of blockbusters.


Edmund Meinerts2017-11-08 13:05:47
I agree. Romantic comedies and light dramas are usually not a genre that provides a lot of great scores but Hans has such a good touch for them, his melodic sense really shines in scores like this, The Holiday, Spanglish, As Good as it Gets...


dirty_score2017-11-08 14:54:38
True, even if the movies are a bit fluffy, Hans can really knock it out of the park. I'm still waiting for a proper release of "Something's Gotta Give".


Scorefan2017-11-08 17:57:42
https : //www.screendaily.com/4035402.article

http : //www.labutaca.net/bso/hans-zimmer-cobra-un-dolar-por-compon er-la-musica-de-casi-divas/

here you have a little part of the story


isildur2017-11-08 23:32:16
I think I remember reading that Hans only charged just one dollar for this movie. Don't know the whole story behind it though. And yes I also find this score quite enjoyable with a really catchy theme. Hans really has a good streak with Rom-Coms.


isildur2017-11-08 23:38:22
lol. I think that second article @Scorefan posted above talks about the dollar thingy "un dolar" I mentioned.

S Cris reply Replies: 0 || 2016-09-16 03:03:36
If it is possible this melody is available on Spotify??, because I like it a lot!!and I would like it to add my playlist please!!! thanks for your attention.

Eleonora reply Replies: 5 || 2014-08-26 14:09:40
Hybrid, may we know the reason why this beautiful score never got a release? It has so many beautiful melodies :(


smitty2014-08-26 16:50:32
i don't know if you know it, but there is already a dvd-rip out there


Eleonora2014-08-27 14:16:44
yeah i knot it, but it's full with voices and sound-effects. it's totally annoying and doesn't let you enjoy the music when everywhere a door slams, or a car drives.

this music deserves a release :(


Darth2014-08-29 09:30:22
Hybrid: i would like to know aswell. The "Coming Soon" here is so old, i can't even remember when you've posted it.

Any chances for this?


zimmerish2014-08-30 11:33:57
hybrid doesn't care about you folks, so don't have hopes


Jock2014-08-30 14:39:24
Well, in that case, I gotta take a dump...

Wait a second - You don't really care, either.

Welcome to the Internet.

listener reply Replies: 0 || 2012-09-30 13:47:06
this ost will never be release.im not sure even someones reading this.

www.hans-zimmer.com reply Replies: 0 || 2011-04-19 00:00:00
Newsite.. Super :)

as reply Replies: 0 || 2010-06-09 00:00:00
I'm waiting and waiting for a release. come on bring it hans, there are sooo many beautiful cues

Anonymous reply Replies: 0 || 2009-09-28 00:00:00
This score will never be released. right?

Anonymous reply Replies: 0 || 2009-09-04 00:00:00
Please release it please, please,please.

Badguy reply Replies: 0 || 2009-08-03 00:00:00
Quién carajo le puso el nombre a los track, qué pésima sintaxis... (Who damn guy puts name to the tracks??)

POLAND reply Replies: 0 || 2009-08-02 00:00:00
Tracklist:

01. Vivienda Campesina (1:13)
02. Vagoneta Costosa (1:01)
03. Alteracion (0:31)
04. Pelearse De Palabra (1:11)
05. Soberana En Ciudad (0:48)
06. El Vestirse (0:44)
07. Atemorizado (1:07)
08. Apunte (0:40)
09. El Demonio (0:48)
10. Escandalo (1:07)
11. Desercion (0:24)
12. La Seleccion (3:02)
13. Nuevo Novio (1:53)
14. Una Batalla Vigorosa (1:56)
15. El Afecto (1:57)
16. Lloriqueo (2:02)
17. Peinado (1:25)
18. El Amorio (0:44)
19. Mujer Maligno (0:41)
20. Si Senor (1:20)
21. Un Beso (1:21)
22. Volviendo A Casa (1:55)
23. Noche Senorita (0:42)
24. Eliminado (1:56)
25. Por Favor, No Vaya (1:11)
26. Dos Monedas (0:47)
27. Las Estrellas Para Ella (0:58)
28. Salir (0:50)
29. Amigos Para Siempre (1:24)
30. Imagen (2:02)
31. Yo Voy A Ser (I Am Going To Be) (3:54)
32. Casi Divas (4:16)
33. I Am Going To Be (2:09)
34. Road To Frame (3:07)

Fern reply Replies: 0 || 2009-06-20 00:00:00
Please, realised it

Adriaan reply Replies: 0 || 2009-05-24 00:00:00
@ Jan-Lee,

thanks for the reply! well, it is possible to rip at worlds end, but compared to casi divas, pirates has a lot of SFX... in other words: it would be a complete hell to listen to a ripped pirates soundtrack because you would hear everythiing: screaming, sea, gun shots, swords and etc.
the advantage with movies like casi divas, is that the SFX is quite low. same with desperate housewives ;)
so im not going to rip pirates, because the sfx would dominate the music. we just have to hope for a promo surfacing!

jan-Lee reply Replies: 0 || 2009-05-21 00:00:00
Adriaan, thanks for ur rip its great, love it. I was wondering if u could do a complete score rip for hans zimmers At worlds end, there is so much music in that movie that needs to be heard properly

thanks

Jan-Lee reply Replies: 0 || 2009-05-20 00:00:00
Hey antas, i have this promo of casi divas, its has vert minor sfx. you can see the front cover and back cover with track list and duration, the scores total is 55.50, almost an hour. really good album in 320 kbps

http://img38.imageshack.us/gal.php?g=cvrfrnt.jpg

Adriaan reply Replies: 0 || 2009-05-20 00:00:00
Wow... I never expected people would listen to my rips and take them seriously! But to be honest, this is a good rip (A)
The covers arent mine, I made others myself. For the final cut, I removed some tracks so that score came down to 26 tracks, with little over 40 mins.
This is the front cover I made:
http://img135.imageshack.us/img135/7716/casidivasfront.jpg

Hybrid Soldier reply Replies: 0 || 2009-05-20 00:00:00
It's not a promo, it's a bootleg made by Adriaan... :P

Adriaan reply Replies: 0 || 2009-05-20 00:00:00
I forgot to post my back cover!
img155.imageshack.us/my.php?image=casidivasback.jpg

however, the other cover looks good to! my compliments :)

Enrico reply Replies: 0 || 2009-05-09 00:00:00
Oh...I'm sorry...I didn't read about the answer by Ximena...excuse me!
Thank you very!!!

Enrico reply Replies: 0 || 2009-05-09 00:00:00
Oh...I'm sorry...I didn't read about the answer by Ximena...excuse me!
Thank you very!!!

Enrico reply Replies: 0 || 2009-05-09 00:00:00
Very beautiful...but I've a question...is there an original CD relased please? Can it be found in stores?
Thanks...

Mescalito reply Replies: 0 || 2009-04-03 00:00:00
Hi Xinema... I called it CASI DIVAS END 01, and CASI DIVAS END 02... coz are two tracks in ONE THEME, but the first track is the THEME for the DIVAS, and the second theme is for the character performed by Ludwika Paleta... so, for your consideration... called it as you wish... (^^,)

Ximena reply Replies: 0 || 2009-03-31 00:00:00
Ximena:
There is no CD release (yet) from this movie, so there are no names either. You have to think name for it yourself!

Ximena reply Replies: 0 || 2009-03-31 00:00:00
I want to know the name of the final/end credits song! please!

Mescalito reply Replies: 0 || 2009-01-05 00:00:00
CRUEL...

Hybrid Soldier reply Replies: 0 || 2008-12-23 00:00:00
Damn HANS release it !



It's not fair...



Even a poor digital release, I'll take it... :P

Jenny reply Replies: 0 || 2008-12-22 00:00:00
When it will be realize????
How can we say???

alex reply Replies: 0 || 2008-12-15 00:00:00
god dammit..

hans zimmer,

you have to release the soundtrack

Adrian reply Replies: 0 || 2008-12-12 00:00:00
my god, the first track is more than nice!
especially the first one...

this question may seen quite cliché on this website, but is there any chance that this music will be released for the PUBLIC ?

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