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Hello everyone! After watching the film I noticed that about half of music that used in film disappeared at sessions or has different arrangement. Why it's not released? What's the reason for this?As always with unused pieces of music. There are always be more interesting. Like with Dark Phoenix.I think what Lorne wrote for the last 30 min of the movie is way better than what ended in the movie... Lorne tried to elevate what was going on on screen, but it was probably too "bold" for the taste of production... They wanted to keep as "kow key" as possible but to me it made the ending of the film fall super flat...
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<br>In the end there isn't that much Lorne in the film (most of the "Moon" reel is Lorne though, that big 4 notes motif appearing during the moon landing and then takeoff). Ironically most of the droning you're all complaining about is not that much Lorne... lol
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<br>I really hope Lorne will put out as much music as possible, even all the unused parts, which are the more interesting ones !Taking in the movie now after having seen it. The cinematography is brilliant, and there are some interesting concepts that really will have you thinking long after walking out of the theater. Still, I couldn’t help but feel like the film dragged throughout. Coupled with the voiceover the movie has a very ‘Terence Malick-y’, “Thin Red Line” feel throughout.<br><br>I’m definitely not familiar with Max Richter so I can’t comment on what he might have written, but Balfe’s broad-chord style is pretty recognizable throughout. There are also some interesting electronic pieces used throughout, possibly might be Balfe but hard to say as of now. The rest of the music is pretty contemplative, ranging from slow/emotional string pieces to more ambient droning.Well, I heard only Balfe's "Prayer" and Richter's "To the stars"... All I can say is we need to wait for the full release, hear both composers and only then talk about who better coped with this. (and watch the movie of course)<br>I don't think Balfe is a bad composer. He does pretty good as an additional composer but not as a leading (mostly). The only soundtrack that I consider the best to date in his solo career is "M:I-Fallout" and "Assassin's Creed III". (imo)<br>Who knows what will be this time. But for now I like Richter's track more.
I'm just waiting for Gemini Man, that (i hope) would be funI love that cue.So I created a page for it, move away from Ghost In The Shell !! :PI wonder if this track is the one causing consternation: Nils Frahm: 'Says' https://www.youtube.com/watch?v=dIwwjy4slI8<br><br>It sounds a bit like what Richter and Balfe could produce, but it is much more artistic than Balfe and much more synth-based than Richter. Frahm is credited for additional music.Not writing negative comments about Balfe for the purpose of writing negative comments - ie. trolling - but for the fact that Balfe does not seem to take film composition seriously. Goldsmith had a similar pace in the 1990s that equates to contemporary Balfe, but he managed to produce fantastic scores like Air Force One in a few weeks (yes, with some help from McNeeely). Balfe simply does not seem to have those skills so he resorts to cliches and drony nonsense. I await to be proven wrong. That Balfe track is not half-bad so I do maintain a general sense of expectation for this.
Not any more lame than the Balfe cueLorne says it will be released and insists it’s not a GITS situation.That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lol
So is this how it’s gonna be? Official release for Richter and leaks by Balfe :(Lorne posted a track from Ad Astra on his YouTube channelThank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?That’s literally the best part of the score though. But it’s typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)
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Additional MusicAdditional Music - OrchestratorAdditional Music
John PowellJames McKee SmithJohn Ashton ThomasPaul Mounsey
ComposerAdditional MusicAdditional MusicAdditional Music
Bolt
Label: Walt Disney Records
Length: 36'59 (Score: 30'03)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4305 votes)
  1. I Thought I Lost You - Miley Cyrus & John Travolta (3:36)
  2. Barking At The Moon - Jenny Lewis (3:17)
  3. Meet Bolt (1:49)
  4. Bolt Transforms (1:00)
  5. Scooter Chase (2:29)
  6. New York (1:44)
  7. Meet Mittens (1:25)
  8. The RV Park (2:14)
  9. A Fast Train (2:38)
  10. Where Were You On St. Rhino's Day? (1:58)
  11. Sing-Along Rhino (0:42)
  12. Saving Mittens (1:02)
  13. House On Wheels (3:07)
  14. Las Vegas (2:01)
  15. A Friend In Need (1:13)
  16. Rescuing Penny (3:09)
  17. A Real Live Superbark (0:46)
  18. Unbelievable TV (1:20)
  19. Home At Last - Barking At The Moon (Reprise) (1:29)
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Anthony reply Replies: 0 || 2009-03-08 00:00:00
It doesn't sound like Powell, but I would harbor a guess it's by someone at MV.

Anonymous reply Replies: 0 || 2009-03-07 00:00:00
what is the name of the cue that plays on the official website when you first launch it?

Anthony reply Replies: 0 || 2009-01-06 00:00:00
So you have it, OMG? Or did you just see the eBay listing? Either way, I want! :o

Kovu reply Replies: 0 || 2009-01-06 00:00:00
Way to make me jealous...

OMG reply Replies: 0 || 2009-01-05 00:00:00
Expanded Academy promo is even more awesome!

Prott reply Replies: 0 || 2008-12-27 00:00:00
Oh, and you can also hear something Pearl Harbor-ish in track 10 (1:20). :-)

Mikel SIW (from Spain) reply Replies: 0 || 2008-12-26 00:00:00
I love it!! Merry Christmas!!!

Dennis reply Replies: 0 || 2008-12-14 00:00:00
The song The RV Park has some hints of Mr. And Mrs. Smith/Desperate Housewives at 1:22- 1:31 with the pizzicato of the strings.

Also at the very end of the song from 2:01 to the very end you hear the theme song from Hancock too!!

Good Job John!! He amazes me with each soundtrack he scores.

Hybrid Soldier reply Replies: 0 || 2008-12-02 00:00:00
Yup !

A theme from the track Dirty Dozen (here in Bolt i.e. in track 16 at 1:05) !

:P

Kusi reply Replies: 0 || 2008-12-02 00:00:00
In some tracks you're hearing a theme from an early showreel promo!!! so cool! :) (track #16)

Mikel SIW (from Spain) reply Replies: 0 || 2008-11-24 00:00:00
I cant wait. With this work, Im sure that Mr Powell will close an excelent year: Horton, Hancock, Stoop Loss, Kung-Fu Panda with Mr Zimmer...and now BOLT

Anonymous reply Replies: 0 || 2008-11-24 00:00:00
I cant wait. With this work, Im sure that Mr Powell will close an excelent year: Horton, Hancock, Stoop Loss, Kung-Fu Panda with Mr Zimmer...and now BOLT!

Kovu reply Replies: 0 || 2008-11-18 00:00:00
I sure wish more was released.... I always enjoy Powell's animated scores, and they usually have much longer running times.

Falconet From Italy reply Replies: 0 || 2008-11-15 00:00:00
When John Powell does music for Animation Movies he's always Great!!

Hybrid Soldier reply Replies: 0 || 2008-11-15 00:00:00
Quite short... :S

Minez reply Replies: 0 || 2008-10-26 00:00:00
Bark at the Moon? Ozzy Osbourne?

OMG reply Replies: 0 || 2008-10-22 00:00:00
Joblo.com has a clip from the chase sequence and you can get a good taste of John Powell's music...

Sounds fun! :-D

dan reply Replies: 0 || 2008-10-21 00:00:00
earlier before the movie was made, james horner was rumored to score the film. he probably couldn't do it because of schedule conflict.

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Bolt soundtrack - John Powell 2008