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Before someone jump, i will said in this kind of movies, change a composer is very common, don't say i don't want McCreary will be back, only i prefer other people try other things.<br><br>Like i said, i listen very OFTEN the three scores in this movies, and i love each style (as for the movies... well, prefer G14 and KSI over KOTM)@Moggyman<br><br>If you think that all McCreary did was modernize the Godzilla theme, you clearly haven't listend to the score.<br>He indeed used and modernized the themes for Godzilla & Mothra.<br>Besides that he wrote new themes for Rodan, Ghidorah, Monarch, The Russel Family and a theme he called the Ancient theme.<br><br>Besides this, he used the orchestra, choir, soloist and specialty instruments in the best way they can be used.<br><br>His score was one of the best blockbuster and orchestral scores of the last couple of years, in my opinion.<br><br>Until I hear Holkenborg's score I can't really comment on if it will be good. But at the moment I am sad McCreary isn't coming back. But I am very curious what Holkenborg will doI disagree, the McCreary's score in that movie is really, really good... but I put this, as myself i listen very often the other two: G14 and Skull Island, also really, really good, can't put a score over another because one composer uses a theme (a very mytical one, if you are a movie monster fan), specially in that franchise.<br><br>Yes, Ifukube create a wonderful theme (and the original movie have a really tough score to listen isolated of the movie), but other composer make a wonderful themes (and polaraising), like Otani (which his score for GMK is FULL electronic, but really good) or Oshima (great theme, maybe the inspiration for Desplat's theme), even the most forgotten Reijiro Koroku create a terrific theme for the character in 1984Bear McCreary is a good composer but all he did for Godzilla KOTM was modernize the original Godzilla theme, which isnt super creative. Junkie, on the other hand, may give us a really creative score based on his eagerness to do the project.Yeah besides the massive disappointment that is the movie Godzilla: King of the Monsters, the even bigger disappointment is that Bear McCreary won't be back for more.
you fool.... its impossible ! everybody knows that there is only one batman theme.... (joke)In a recent interview, Junkie mentioned that he's bringing back themes for Superman and Wonder Woman, while everything else is new. I wonder if he's gonna make a new Batman theme.It's true, there is completely different team from composer to director in crossover :)But the film was particularly bad...<br><br>So I rather have a whole other team do something ELSE lol...Yeah... McCreary's score is one of the best from last year so I'd rather have him again.
I open to ANY composer in this movies.<br><br>To answer the question, YES, i'm ready<br><br>Specially to a guy, who loves G14, KSi and KOTMNo way. After what Bear McCreary did on King of the Monsters last year I definitely want him back.Atli still has his studio at Remote but mostly works from home in Iceland.<br><br>Guillaume game back to settle to Remote a couple of years ago (before he was splitting time between RCP & France).<br><br>Heitor still is at RCP as far as I know, haven't heard anything in a while.<br><br>Nathan Stornetta left Remote in 2015 (against Hans' will !! :)) cause he didn't fancy much that whole Hollywood business. He is home in Switzerland doing his own projects, but also touring with Hans...Atli Örvarsson, Heitor Pereira, Guillaume Roussel and Nathan Stornetta ?Marc left RCP in like... 2003 ? lol<br><br><br>And yes he is, check his page, he just doesn't have much going on anyway.
But Marc is no longer with RCP I am assuming. His scores are not advertised here.If the Snyder Cut comes out, who's ready to hear Junkie XL score Godzilla vs. Kong?https://www.forbes.com/sites/simonthompson/2020/09/16/music- business-zack-snyder-justice-league-junkie-xl-tom-holkenborg -dcu-snyder-cut/https://www.forbes.com/sites/simonthompson/2020/09/16/music- business-zack-snyder-justice-league-junkie-xl-tom-holkenborg -dcu-snyder-cut/Marc just reunited with Ridley on the amazing Raised By Wolves series.<br><br>Klaus is more worried about his other businesses rather than film scoring, I think...
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Additional Music - ConductorAdditional Music - Orchestrator
Hans ZimmerHarry Gregson-WilliamsBruce FowlerAdam Smalley
ComposerAdditional MusicAdditional MusicScore Producer
As Good As It Gets
Label: Sony Music Soundtrax
Length: 54'21 (Score: 31'15)
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6448 votes)
  1. As Good As It Gets (1:25)
  2. A Better Man (5:36)
  3. Humanity (6:26)
  4. Too Much Reality (6:07)
  5. 1.2.3.4.5 (3:55)
  6. Geatest Woman On Earth (7:46)
  7. Everything My Heart Desires - Danielle Brisebois (4:00)
  8. Under Stars - Phil Roy (3:33)
  9. My Only - Danielle Brisebois (1:47) **
  10. For Sentimental Reasons (I Love You) - Nat King Cole (3:06)
  11. Hand On My Heart - Judith Owen(3:45)
  12. Climb On (A Back Thats Strong) - Shawn Colvin (4:15)
  13. Always Look On The Bright Side Of Life - Art Garfunkel (2:39) *
*Produced by Hans Zimmer

**Written by Heitor Pereira
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Mike reply Replies: 2 || 2014-02-18 00:59:55
I think John Williams inadvertently copied Track 1 in here when he wrote "A Happy Navorski Ending" from The Terminal. The similarity is striking.


he man2014-02-18 01:01:58
maybe williams used it as temp music and then based his final cue off it?


he man2014-02-18 01:02:22
cause yeah they sound incredibly similar

Vijay reply Replies: 0 || 2012-04-18 19:42:49
I must apologize for the mic usises on this one. My laptop had a monitor short and is in the process of being repaired. I can't bring my desktop machine in the closet (too small) so I had to make due with abit more background noise. If the sound is a little off, you know why!

Norm reply Replies: 2 || 2011-05-03 08:52:55
I uploaded an awesome 26min Interview of Hans Zimmer and James L.Brooks sitting in Hans' Studio talking about their collaboration on HOW DO YOU KNOW and AS GOOD AS IT GETS. Just search "Hans Zimmer how do you know interview" on youtube - as no links are allowed to be posted. Enjoy!


Antas, Webmaster2011-05-03 10:07:37
I have added these interviews on the media/interview page of the site


Prott2011-05-03 14:47:50
Great interview indeed! :)

steven reply Replies: 0 || 2010-08-31 00:00:00
I really think that your music made the move as good as it gets.

It touches my heart and gives me strength.

makes me feel warm.

reminds me of Jack and Helen and Greg's wonderful performances.

gracias reply Replies: 0 || 2007-03-27 00:00:00
The song MY ONLY, is the best.the talent of Heitor is fantastic. Thank you Heitor....(^.^).

Lucas reply Replies: 0 || 2006-09-13 00:00:00
This Soundtrack is so beautiful. I love the music. The piano, the strings... a DREAM.

Tank you Hans, thank you very much.

Roesje reply Replies: 0 || 2006-02-02 00:00:00
I fell at once in love when I seen this movie. The music is wonderful! But I love a lot of your music. And I want to thank you for that. I'll whish you a beatiful day ...

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As Good As It Gets soundtrack - Hans Zimmer 1997