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For me it depends on the style of the score - they would bug me in more "lyrical" scores (like Da Vinci Code, PotC 3), but they are great when it comes to the sheer force. :)+1 <br>"Marry Me" (and every reprise/variation of the Love Theme from AwE) is a wonderful piece of music. :)<br><br>... and don't forget "Show Me Your Firetruck" or "Journey To The Line". ;)Thank God! If there's one thing that bugs me it's synth horns. I don't mind electronics if they can add to the orchestra, but I'd prefer them not to replace it.Thanks Hybrid! :) Yeah, lots of samples, but sadly there weren't any RCP-sampled french horns. Those are always epic... :-)Depends on the mood... ;)
I know!!! The way the music kind of swelled when Gordon said, "They know. It was the Batman." and you saw them uncover the statue. There were manly tears, I tell you!I agree. Even though the last minute and a half was a blatant copy of the music used in the previous movie (see "A Watchful Guardian"), I for once didn't care (I usually hate it when a whole cue is copied exactly). The entire ending scene gets my emotions going every time. Especially when I saw it in the theater.I thought all the end music (basically the entire track "Rise") was just PERFECT. One of the biggest goosebumps i've ever had in a theatre (on par with Beckett's death in PotC) :pHybrid Soldier, since you're virtually famous, what Zimmer work is your favorite? :PAnd 9:11-14:12 in "Rocket Away" from the Rock! :D
A favorite of mine that hardly anyone mentions is The Burning Bush from The Prince of Egypt. It really conveys the presence of God.I like the theme a lot, too, Ds, and it made perfect sense to use it when Batman showed up in the tunnel (my favorite part of the movie) and when he saved Blake from the thugs, but when Batman said, "This isn't a car", we had just heard it in the previous scene. And when Batman appears out of the exploding building at the end, it sounds really forced.You guys are right. These are all AMAZING themes. Moving and addictive!<br><br>I'd add "Hummel Gets The Rockets" from The Rock and "All Of Them" from King Arthur.Marry Me is my favorite Zimmer theme and cue as well. Although all of the suggestions below are also great pieces. I'll throw in the main theme from Crimson Tide as well as practically the proto power anthem. Such an influential score.Aragorn, thought the same thing while watching the movie. I think they were in deep love with that tune (and so am i), and were incessantly thinking: "Come on, this is the last Batman we do, this is the last time ever we can use this, so LET'S GO!" :p
Fort Walton - Kansas reminds me of summer cookouts or somethin' nice like that.Or "Tennessee" from Pearl Harbor.Don't forget Chevaliers De Sangreal, Now We Are Free, and The Heart of Davy Jones! ;)<br>Amen to that! "Marry Me", "Time", and "A Dark Knight" would definitely have to go on my list of "Hans Zimmer's most amazing themes ever".... i missed it :(
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Orchestrator - ConductorMusic Score Programming
James Newton HowardBruce FowlerClay Duncan
ComposerOrchestratorMusic Programmer
Collateral
Label: Hip-O Records
Length: 52'03 (Score : 7'41)
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (406 votes)
  1. Briefcase - Tom Rothrock (2:07)
  2. The Seed (2.0) - The Roots Feat. Cody Chesnutt (4:13)
  3. Hands Of Time - Groove Armada (4:19)
  4. Güero Canelo - Calexico (3:00)
  5. Rollin' Crumblin - Tom Rothrock (2:21)
  6. Max Steals Briefcase (1:48)
  7. Destino De Abril - Green Car Motel (5:15)
  8. Shadow On The Sun - Audioslave (5:43)
  9. Island Limos (1:33)
  10. Spanish Key - Miles Davis (2:25)
  11. Air - Klazz Brothers & Cuba Percussion (5:46)
  12. Ready Steady Go - Oakenfold (4:48)
  13. Car Crash - Antonio Pinto (2:19)
  14. Vincent Hops Train (2:02)
  15. Finale (2:18)
  16. Requiem - Antonio Pinto (1:56)
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Hadia reply Replies: 0 || 2012-03-10 03:09:46
no one. The briefcase has derlaay been used we wont see it again untill wrestlemania unless wwe needs to bring it back again to liven things up.
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Collateral soundtrack - James Newton Howard 2004