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I confirm I'm back from it, there's quite a bit of unreleased score.Well, now we have somebody who's seen it (and yes, it's out in some countries today), we know for certain.<br><br>I wouldn't expect anything official any time soon unless Zimmer wants to release a second CD.I absolutely love Kai’s theme in this score, there are so many cool variations that weren’t on the initial album. Hans and Co. really stepped up their game here. I don’t feel the temp as heavily here as KFP2 (which is still an amazing sequel score).Saw the film today, there is a LOT of music missing.As stupid as this film is, you can tell Tom probably had fun working on it. The music is so over the top, it just goes nuts all the way through.
This is one of those scores that I have really warmed up to since it’s release. The emotional stuff for Alita works really well in context and her “Hero Theme” gets some great development (the way it culminates in “Epilogue” is incredible). Also really love the “Motorball” stuff. <br><br>After seeing the film I think the only substantial music not on the album is “Motorball Plan” and “Alita’s Revenge Pt. 1”. The end credits piece I’m guessing is edited from the Full Motorball Suite.Hybrid, did Lorne actually do a lot of writing on this one or is he just being credited for the theme?We've had this argument before, almost any score can fit in a film. But what separates the mediocre composers from the best is the ability to make great music that works on its own, outside of the film. <br><br>Hans has had a lot of work lately that hasn't been doing that, and it's the reason people want him to work with orchestra again and produce is 2000s, late 90s type of style. Because those scores, for whatever problems they had, they felt distinct, memorable (for the most part), and easily could have been enjoyed away from the film.<br><br>Good scores have themes and ideas that both enhance the film, and enhance the listener's experience. Music like Dunkirk, Inferno, or Widows just feel like shallow and empty committee scores that the studio/directors didn't want too much thought put into. "Ah just write one main theme, and fill in the rest with electronics, Hans, it'll be fine!"Hahahahaha well I’m glad he got the credit then :DI absolutely disagree with you saying Widows is a terrible score. It may not be great on album, but the music fits very well with the film.
Actually, I think he only gets credits cause he is the guy... whistling ! :PElectric violinJust out of curiosity... what instrument is playing when Liv and Ben are running towards each other at the end? (Long Distance Goodbye/Landing? I love that instrument!And I’m guessing Neill Blomkamp contributed somehow to the “We Own This Sky” theme that pops up throughout...NM
Jeff & Alex & Evan Goldman are regular Jackman team now. Alex scored a bunch of projects, hence his absence here.<br><br>Then you have Halli, Anthony Willis or Mounsey doing all sorts of things when available.Request the king of pride rock with circle of lifeAmon wrote some music before Hans took over (he has cues on his soundcloud I think), but I think he got credited (and just like 1 or 2% of the cues) more for specific sounds than music writing.Widows is terrible score, Inferno was ok, far from things like Da Vinci Code or Angels & Demons.<br><br>But yes, listen this one, is gratifying see Zimmer can make things with orchestra like early 2000s. And this comes from a guy who loves Inception, Interstellar or ChappieThe fact that his name is in brackets makes me think he didn't work directly on the score but rather is credited because something of his was used. Maybe it was some of his production music rather than Elysium specifically.
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Composer - Musician : Guitar, Saz & TamburOrchestratorOrchestratorOrchestrator
Marc StreitenfeldBruce FowlerSuzette MoriartyWalt Fowler
ComposerOrchestratorOrchestratorOrchestrator
Body Of Lies
Label: Varese Sarabande
Length: 45'06
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7749 votes)
  1. White Whale (2:14)
  2. Punishment (1:36)
  3. To Amman (2:42)
  4. Aisha (2:11)
  5. All By Himself (1:32)
  6. Burning Safehouse (1:46)
  7. Al-Saleem (2:05)
  8. Manchester Raid (2:40)
  9. Chased (1:35)
  10. NSA Speech (2:46)
  11. Tortured (2:13)
  12. Dead Sea (1:16)
  13. No Touch (1:21)
  14. I Am Out (2:37)
  15. Rabid Dogs (2:49)
  16. Lost Vision (2:00)
  17. Never Lie To Me (1:14)
  18. I Shutter To Think (2:27)
  19. Half Steps (1:28)
  20. Making The Call (1:11)
  21. My Fault (1:53)
  22. Betrayal (3:31)
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Cecil reply Replies: 0 || 2008-09-25 00:00:00
I thought Guns N Roses had a new song from the upcoming Chinese Democracy album on this soundtrack

Lviv Ukraine reply Replies: 0 || 2008-09-21 00:00:00
I like Ridly Scott mowies because they have cool and powerfull music and other cool things.
Now his favorite composer is Marc Streitenfeld and they both are really cool professionals.
American Gangster Score is seriously like the whole mowie

Anonymous reply Replies: 0 || 2008-09-20 00:00:00
You are very talanted composer M.S.
I like a American Gangster Score very much but i cant get it

Thorsten reply Replies: 0 || 2008-09-17 00:00:00
I Don´t Like The Music Of Marc Streitenfeld. There is No Track Longer Than 4 Minutes...Not in American Gangster, not in Body Of Lies.
I Don´t Understand That Mr. Streitenfeld Scores The Ridley Scott Movies. What Is With Hans Zimmer?

Lasse reply Replies: 0 || 2008-09-16 00:00:00
i cant wait !!!!!!!
looking forward to see the movie snd listen to the music ;D

Ruthlessgravity reply Replies: 0 || 2008-09-16 00:00:00
Mmm...I wonder how Marc is going to pull this one off. This movie is more in the field for Harry Gregson-Williams.

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Body Of Lies soundtrack - Marc Streitenfeld 2008