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Edmund: And posted their one-sentence review of it on the Hans Zimmer fan site.Anything missed from the official release?oh damn really? huh that would be cool. even with the ultimate edition there’s still deleted scenes and I wish they were put on the Blu ray.<br><br>it plays during the scene after the knightmare when Clark is looking through the polaroids that say judge jury executioner on them. i don’t remember if that’s an extended scene or not as I’ve only seen the theatrical cut once in theaters. one and done lol"Chicken Run really makes you FEEL like you're in a concentration camp." - IGNI guess it comes from a deleted scene where Jesse Eisenberg gets playful with his dinner. Rumor has it it's gonna be included in the Snyder Cut.
I love the notion of Barack Obama and IGN teaming up to review 20 year old film scores.Smoothly done soundtrack. IGN - 10/10what the hell is Quaker steak and lube????I disagree on Catwoman. I love Zimmer's theme and I thought it is one of his most underrated themes.Loved the new tracks!<br><br>Hans & Chris really did something special.<br><br>I enjoyed the Tenet score, but honestly Ludwig's work doesn't compare to Zimmer's. I just hope they work together again instead of Chris choosing Ludwig as his main collaborator from now on.
Agreed.<br><br>I don’t know, TDKR feels a little oppressive to me in comparison with BB and TDK , probably as a result of Nolan’s musical tastes veering away from symphonic to more abstract. Reading the new book on Nolan gives me the impression that he has a very similar approach to his music as he does his filmmaking. With that said though, TDKR is still a solid conclusion to the franchise. Bane’s theme is excellent and the culmination of the various “Bat-Themes” do feel well earned. Catwoman’s theme is solid, but for some reason is dropped from most of the movie in favor of the repeating two-note phrase.<br><br>@Moggyman<br>Honestly I feel as if JNH’s work on the first two Hunger Games sequels showed a strong improvement in writing and theme building. The last score was a bit too much of a pastiche, but orchestrally a stronger fit than the first one. And “Crimes of Grindelwald” is easily one of the best sequel scores in the past few years (alongside Star Wars and HTTYD). Unfortunately we still don’t have a good album situation for that though. -_-Counterpoint: I liked Crimes of Grindelwald more than the first Fantastic Beasts. And forget Hanging Tree - "Air Raid Drill" from the first and "Sewer Attack" from the second Mockingjay are the best cues from that series. Plus, JNH honestly hasn't worked on that many sequels so we don't really have enough to go on here. <br><br>I think having JNH on board for Catwoman would have done wonders for this score. Hans' theme is okay, but feels like a bit of an afterthought compared to Bane.TDK & TDKR have amazing theme suites.<br><br>But as for the scores in film, they don't even get close to Batman Begins !I like Tom but idk he's gone downhill in my book. Alita was boring, i was over the moon excited for Terminator cause that was a perfect mix and it was disappointed big time. I'd love to hear Steve Jablonsky tackle that and get back to being as great as he used to, he has been phoning it in big time latelyOk, before I eat my words, JNH did create the Hanging Tree in Mockingjay p1 which was good, but nothing else other than that in the sequels.
For being the so called "weakest", it's very good. And if you think that Bane's theme is repetitive, I would say the same about the Joker's theme in TDK (to me they are both good though). <br><br>Now in all fairness, JNH could have probably added good material to the score since he's a genius, but I personally think he doesn't do well on sequels. Sure, in TDK he gave harvey dent a theme that resonated with his character (but was similar to material already used in BB). Yet, if you look at his work in the hunger games, its seems to me that he couldn't bring something both new and compelling to the sequels as he did in the first movie. I will agree with you that Batman Begins has the best music of the series though.After re-listening to this one, it's clearly the weakest of the trilogy. Of course it's not bad, the new themes are pretty good (though I think Bane's theme is a bit too repetitive and dry at times), there's still emotional moments, but JNH's absence really left a hole in this score.<br><br>I get to an extent that's the point, that all of Bruce's potential for a happy life is gone, but even the emotional tracks to me have nowhere near the emotional resonance that JNH's themes brought to the films. <br><br>"Come With Me" is the best example, where the slow emotional Selina Kyle chords just don't leave much of an impact. Definitely could have used JNH's "Courthouse Pt. 1" or the main theme from "Bruce Left For Dead" to emphasize Bruce's giving up of a quiet life. <br><br>Of course I still appreciate the way the 2 note motif is developed into a theme of its own, as well as the score as a whole, but then you get tracks like "Many Forms of Immortality" which just emphasize how much more effective the thematic work in Batman Begins was.It could also be Tom, who worked on Run All Night, and is already an established DC composer<br>Either way I'll be happyI lowkey think James is gonna score the Black Adam movie. it's the same director from Jungle Cruise so I'm sure he'll be brought along for itsame
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Conductor
Hans ZimmerHarry Gregson-WilliamsJeff RonaRyeland Allison
ComposerAdditional MusicAdditional MusicScore Producer
The Fan
Label: TVT
Length: 68'50 (Score: 24'43)
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7691 votes)
  1. Did You Mean What You Said - Sovory (3:49)
  2. Letting Go - Terence Trent D'Arby (5:35) *
  3. Unstoppable - Mic Geronimo (3:46)
  4. Hymn Of The Big Wheel - Massive Attack (6:34)
  5. (Let Me Up) I've Had Enough - Kenny Wayne Shepard (2:43)
  6. Little Bob - Black Grape (5:35)
  7. Border Song (Holy Moses) - Raymond Myles (3:37)
  8. What's Goin' Down - Honky (4:18)
  9. Deliver Me - Foreskin 500 (3:57)
  10. Forever Ballin' - Johnny J & Big Syke (4:25)
  11. I'm Da Man - Jeune (5:23)
  12. Sacrifice (19:08)
*Written by Hans Zimmer
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Scorefather reply Replies: 8 || 2013-09-02 00:11:39
I heard from a bird, that a complete score of this will be out soon ;)


bryan102013-09-02 00:15:52
whaaaaaaat? reallyyy? oh man bring it soon :D



man or machine2013-09-02 00:20:10
Tracklist please :)))


Casey2013-09-02 01:13:30
It is still missing cues, sadly. Not complete.


Johnny Error2013-09-02 04:40:33
Missing cues? Is it out?


Casey2013-09-04 07:30:25
Notice the many missing cues -

1m1, 1m1x and 2m4 do not even match the movie. Maybe the music was heavily edited before the final cut?

1. 1m1 (2:02)
2. 1m1x (10:20)
3. 2m4 (0:45)
4. 2m9 (1:01)
5. 3m15 (1:05)
6. 4m19 (4:40)
7. 4m20 (1:35)
8. 5m24 (6:40)
9. 5m26 (2:00)
10. 6m32 (1:47)
11. 7m21 (2:22)
12. 7m38 (1:34)
13. 7m39 (1:03)
14. 8m42 (2:30)
15. 8m43 (1:08)
16. 8m44 (0:49)
17. 9m46 (5:34)
18. 10m48 (4:17)
19. 10m50 (2:21)
20. 11m52A (2:09)
21. 11m52B (5:30)
22. 12m53 (8:23)


isildur2013-09-04 09:35:49
I asked this question in some other thread. But no one replied. So I am asking it here again.

Please can anyone tell me what are those numbers in front of track names? Like 1m1x, 2m4. What is the meaning of those numbers?


Mr Tweedy2013-09-04 21:13:17
@Isildur: these are the "names" of the cues. The first number is the reel's number (so that the music editor knows in what reel the cue is used), the second number is the number of the cue as it is featured in the original cue list the composer and director/producer agree on in the first place.
2m6 is the sixth cue in the movie, used during reel #2.
Sometimes, you have things like 2m6a and 2m6b or 2m6pt1 and 2m6pt2, this means the cue was split in two segments (sometimes segments are composed in a way so that they can be combined as one big cue, but were composed separately for some reasons).

These names are useful because, named this way, the track list appears in chronological order, and the composer doesn't have to find a name for each one.


isildur2013-09-05 09:43:22
@Mr Tweedy

Thanks mate!

JamesT reply Replies: 0 || 2013-09-03 03:55:59
Now, where is the complete score or sessions to this gem?!? One of my favs and clearly one of his best!

Gambit reply Replies: 0 || 2011-06-08 13:11:57
we NEEEEED the song Letting go by Terence Trent D'arby WITHOUT his voice. Man what an instrumental track that would be.

is there any chance that this will see the light?

Gavin Salkeld - Composer reply Replies: 0 || 2011-04-23 01:07:04
I'm looking for the previously-legally-available MP3 suite of The Fan from Jeff Rona's old site. If someone knows about it, can they email me via Google please?

justin reply Replies: 0 || 2010-01-15 00:00:00
"letting" go is a really beautiful song which I am still listening to years later - even more so lately - I would like to learn how to play this song on guitar - cannot find guitar chords anywhere and although can work it out to a degree - would like to know original chords - can anyone help? justin@jhana.com.au

anthonie reply Replies: 0 || 2008-07-21 00:00:00
hey what is the name of the song played at juan primo's memorial my email is datocreppinjc@aol.com

cristian reply Replies: 0 || 2008-04-22 00:00:00
yes was' this, thank's

Anonymous reply Replies: 0 || 2008-03-24 00:00:00
This song comes from Carlos Santana ist called
"Samba Pa Ti"

cristian reply Replies: 0 || 2007-03-01 00:00:00
Hi. There is a piece of guitar music (instrumental) that plays during the scene where everybody has a moment of silence on the field for the guy that was killed (I think his name was Primo). I would really like to know by who that music is. I have listened to the whole soundtrack and more and I can't seem to find it.

Sammy reply Replies: 0 || 2007-02-23 00:00:00
I'd prefer not to buy the whole soundtrack of 'The Fan'... I'd like only the tracks 'Letting' go and 'Sacrifice'... Is anyone able to help me with my search.

Fusion reply Replies: 0 || 2007-02-03 00:00:00
I would love to get a hold of the instrumental version of 'letting go' cos darby ruins it when he sings, it sounds way better at the climax of the movie just instrumental.
I'm guessing the producers wanted a one hit loser like Darby layeredd over top of Zimmer's piece, to sell mor records or something?
How about the version the way it was intended to sound?

Aziz reply Replies: 0 || 2006-09-19 00:00:00
I very very very like "Letting go"(Terence Trent D´Arby)!
Thank you Mr.Zimmer!

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