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Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.
Sure thing. PM me on YouTube, I'll send you  the link :)I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Great work, Macejko. Do you have a lossless link for this?Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.
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Conductor
Hans ZimmerHarry Gregson-WilliamsJeff RonaRyeland Allison
ComposerAdditional MusicAdditional MusicScore Producer
The Fan
Label: TVT
Length: 68'50 (Score: 24'43)
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6910 votes)
  1. Did You Mean What You Said - Sovory (3:49)
  2. Letting Go - Terence Trent D'Arby (5:35) *
  3. Unstoppable - Mic Geronimo (3:46)
  4. Hymn Of The Big Wheel - Massive Attack (6:34)
  5. (Let Me Up) I've Had Enough - Kenny Wayne Shepard (2:43)
  6. Little Bob - Black Grape (5:35)
  7. Border Song (Holy Moses) - Raymond Myles (3:37)
  8. What's Goin' Down - Honky (4:18)
  9. Deliver Me - Foreskin 500 (3:57)
  10. Forever Ballin' - Johnny J & Big Syke (4:25)
  11. I'm Da Man - Jeune (5:23)
  12. Sacrifice (19:08)
*Written by Hans Zimmer
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Scorefather reply Replies: 8 || 2013-09-02 00:11:39
I heard from a bird, that a complete score of this will be out soon ;)


bryan102013-09-02 00:15:52
whaaaaaaat? reallyyy? oh man bring it soon :D



man or machine2013-09-02 00:20:10
Tracklist please :)))


Casey2013-09-02 01:13:30
It is still missing cues, sadly. Not complete.


Johnny Error2013-09-02 04:40:33
Missing cues? Is it out?


Casey2013-09-04 07:30:25
Notice the many missing cues -

1m1, 1m1x and 2m4 do not even match the movie. Maybe the music was heavily edited before the final cut?

1. 1m1 (2:02)
2. 1m1x (10:20)
3. 2m4 (0:45)
4. 2m9 (1:01)
5. 3m15 (1:05)
6. 4m19 (4:40)
7. 4m20 (1:35)
8. 5m24 (6:40)
9. 5m26 (2:00)
10. 6m32 (1:47)
11. 7m21 (2:22)
12. 7m38 (1:34)
13. 7m39 (1:03)
14. 8m42 (2:30)
15. 8m43 (1:08)
16. 8m44 (0:49)
17. 9m46 (5:34)
18. 10m48 (4:17)
19. 10m50 (2:21)
20. 11m52A (2:09)
21. 11m52B (5:30)
22. 12m53 (8:23)


isildur2013-09-04 09:35:49
I asked this question in some other thread. But no one replied. So I am asking it here again.

Please can anyone tell me what are those numbers in front of track names? Like 1m1x, 2m4. What is the meaning of those numbers?


Mr Tweedy2013-09-04 21:13:17
@Isildur: these are the "names" of the cues. The first number is the reel's number (so that the music editor knows in what reel the cue is used), the second number is the number of the cue as it is featured in the original cue list the composer and director/producer agree on in the first place.
2m6 is the sixth cue in the movie, used during reel #2.
Sometimes, you have things like 2m6a and 2m6b or 2m6pt1 and 2m6pt2, this means the cue was split in two segments (sometimes segments are composed in a way so that they can be combined as one big cue, but were composed separately for some reasons).

These names are useful because, named this way, the track list appears in chronological order, and the composer doesn't have to find a name for each one.


isildur2013-09-05 09:43:22
@Mr Tweedy

Thanks mate!

JamesT reply Replies: 0 || 2013-09-03 03:55:59
Now, where is the complete score or sessions to this gem?!? One of my favs and clearly one of his best!

Gambit reply Replies: 0 || 2011-06-08 13:11:57
we NEEEEED the song Letting go by Terence Trent D'arby WITHOUT his voice. Man what an instrumental track that would be.

is there any chance that this will see the light?

Gavin Salkeld - Composer reply Replies: 0 || 2011-04-23 01:07:04
I'm looking for the previously-legally-available MP3 suite of The Fan from Jeff Rona's old site. If someone knows about it, can they email me via Google please?

justin reply Replies: 0 || 2010-01-15 00:00:00
"letting" go is a really beautiful song which I am still listening to years later - even more so lately - I would like to learn how to play this song on guitar - cannot find guitar chords anywhere and although can work it out to a degree - would like to know original chords - can anyone help? justin@jhana.com.au

anthonie reply Replies: 0 || 2008-07-21 00:00:00
hey what is the name of the song played at juan primo's memorial my email is datocreppinjc@aol.com

cristian reply Replies: 0 || 2008-04-22 00:00:00
yes was' this, thank's

Anonymous reply Replies: 0 || 2008-03-24 00:00:00
This song comes from Carlos Santana ist called
"Samba Pa Ti"

cristian reply Replies: 0 || 2007-03-01 00:00:00
Hi. There is a piece of guitar music (instrumental) that plays during the scene where everybody has a moment of silence on the field for the guy that was killed (I think his name was Primo). I would really like to know by who that music is. I have listened to the whole soundtrack and more and I can't seem to find it.

Sammy reply Replies: 0 || 2007-02-23 00:00:00
I'd prefer not to buy the whole soundtrack of 'The Fan'... I'd like only the tracks 'Letting' go and 'Sacrifice'... Is anyone able to help me with my search.

Fusion reply Replies: 0 || 2007-02-03 00:00:00
I would love to get a hold of the instrumental version of 'letting go' cos darby ruins it when he sings, it sounds way better at the climax of the movie just instrumental.
I'm guessing the producers wanted a one hit loser like Darby layeredd over top of Zimmer's piece, to sell mor records or something?
How about the version the way it was intended to sound?

Aziz reply Replies: 0 || 2006-09-19 00:00:00
I very very very like "Letting go"(Terence Trent D´Arby)!
Thank you Mr.Zimmer!

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