Music Published by Warner Olive Music LLC (ASCAP)
Album Produced by Hans Zimmer and James Newton Howard
Album Co-Produced by Alex Gibson and Lorne Balfe
Soloists: Ryeland Allison, Michael Levine, Heitor Pereira, Satnam Ramgotra, and Martin Tillman
Synth Programming: Hans Zimmer and Howard Scarr
Sequencer Programming: Thomas Broderick, Jacob Shea and Noah Sorota
Music Editors: Alex Gibson and Daniel Pinder
Assistant Music Editor: Ryan Rubin
Technical Score Engineers: Peter "Oso" Snell and Stuart Thomas
Technical Assistant: Chris Bacon
Digital Instrument Design: Mark Wherry
Sample Development: Claudius Bruse, Zain Effendi and Michael Hobe
Orchestrators: Bruce Fowler, Jeff Atmajian, Brad Dechter, Elizabeth Finch, Kevin Kaska, Randy Kerber, Suzette Moriarty and Walter Fowler
Orchestra Contractor: Charlotte Matthews
Score Coordinator: Becky Bentham
Music Preparation: Mark Graham, JoAnn Kane Music Service, Los Angeles, CA; Dakota Music, London UK
Score Recorded at Air Lyndhurst, London, UK; Remote Control Productions, Santa Monica, CA; James Newton Howard Studios, Inc., Santa Monica, CA
Music Recorded by Geoff Foster
Assistant Engineer: Chris Barrett
Music Conducted by Matt Dunkley, Bruce Fowler and Gavin Greenaway
Orchestra Leader: Rose Warren-Green
Principal Viola: Peter Late
Principal Cello: Anthony Pleeth
Principal Bass: Mary Scully
Percussion: Frank Ricotto, Gary Kettel and Paul Clarvis
Horn: Richard Watkins
Trumpet: Maurice Murphy
Trombone: Pete Davies
Tuba: Owen Slade
Synthesizers: Hans Zimmer
Piano: James Newton Howard and Simon Chamberlain
Music Production Services: Steven Kofsky
Score Mixed by Alan Meyerson
Score Mixed at Remote Control Productions, Santa Monica, CA
Additional Recording by Jeff Biggers
Assistant Engineers: Katia Lewin and Greg Vines
Album Compilation: Daniel Pinder
Album Mastered by Louie Teran at Marcussen Mastering Studios
Production Coordinator for Has Zimmer: Andrew Zack
Scoring Coordinator for James Newton Howard: Pamela Sollie
Studio Manager for Remote Control Productions: Czarina Russell
Album Business Affairs: Keith Zajic, Marc Cimino and Lisa Margolis
Music Administration for Warner Bros. Pictures: Debi Streeter
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Music Editors: ALEX GIBSON, DANIEL PINDER Assistant Music Editor: RYAN RUBIN Additional Music by: LORNE BALFE Ambient Music Design: MEL WESSON Technical Score Engineers: CHRIS BACON, THOMAS BRODERICK, JACOB SHEA, PETER OSO SNELL, STUART MICHAEL THOMAS Digital Instrument Design: MARK WHERRY Synth Programming: HANS ZIMMER, HENRY JACKMAN, HOWARD SCARR Orchestrators: BRUCE FOWLER, JEFF ATMAJIAN, BRAD DECHTER, ELIZABETH FINCH, KEVIN KASKA, RANDY KERBER, SUZETTE MORIARTY, WALTER FOWLER Orchestra Conducted by: MATT DUNKLEY, BRUCE FOWLER, GAVIN GREENAWAY Supervising Score Coordinator: STEVEN KOFSKY Score Coordinator: BECKY BENTHAM Score Recorded by: GEOFF FOSTER Score Mixed by: ALAN MEYERSON
Why not a 10/10, Hybrid?? The transformation of the themes (Eptesticus of 'Batman Begins' and others) is great!! :D
Like Hans has said, it's not revolution but evolution. However, I regreat that Hans&James haven't got the road of a big and heroic theme. But its their vision and I respect this!! Good soundtrack!!
Couldn't resist and listened to the clips at the Warner page. "Why So Serious" and "Aggressive expansion" are ok but the best is "I Am Not A Hero". At least the clip sounds gorgeous :-)
You know, these clips act as spoilers for me. So I guess I'll abstain till I get the actual soundtrack in my hands and then spend a day relishing it! :D
This is a very promising score. Thanks for that url. The samples on exlibris.ch are amazing! The most promising cues are Agent Of Chaos, Aggressive Expansion, and I Am The Batman. Agent Of Chaos uses the cue at the end of the End Credits Suite from the first Batman movie. Go to about 3 and 15 seconds left in the piece and that is the cue I'm talking about. Hans Zimmer and James Newton Howard are going to deliver on this one. And the theme, or rather, the one note motif for The Joker will send chills up your spine! Amazing music; I can't wait for this one!