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Thanks Hybrid for explaining that. Makes more sense now.Yes it is because the FYC is horrible... The OST is what Steve & co wrote. The FYC is what came out of the Music Editing Factory, which I don't dig at all. Lots of micro edits & transformations Steve probably didn't even hear... lol<br><br>Real final mixes would look like the OST, not like the FYC...You gotta realize one thing, this score is US recorded so every new 15 min of score you release, you gotta pay back reuse fees. So it's very complicated & costy and that's why they released "only" 15 min of extra score.<br><br>If it was recorded in the UK, they could have released 2 hours of bonus tracks it wouldn't have cost anything more... :)<br><br>As for a chrono order, since all cues are mixed together in different tracks in the OST, it gets complicated... It works like that :<br><br>ARTHUR => Theme Suite + 5m30 + 1m05<br>KINGDOM OF ATLANTIS => 3m20-21<br>IT WASN'T MEANT TO BE => 1m01 + 1m04B<br>ATLANTEAN SOLDIERS => Theme Suite + 5m33 + 2m12<br>WHAT DOES THAT EVEN MEAN? => Theme Suite<br>THE LEGEND OF ATLAN => 6m39 + 4m23<br>SWIMMING LESSONS => 3m19 + 3m19B + 3m19C<br>THE BLACK MANTA => Theme Suite + 9m69<br>WHAT COULD BE GREATER THAN A KING? => 7m54 + 7m55 + 7m55A<br>PERMISSION TO COME ABOARD => 9m64 + 2m07<br>SUITED AND BOOTED => 8m57 + 8m59<br>BETWEEN LAND AND SEA => 7m51 + 8m61<br>HE COMMANDS THE SEA => 8m60 + 9m65<br>MAP IN A BOTTLE => 6m42 + 8m56<br>THE RING OF FIRE => 5m29 + 8m62<br>REUNITED => 9m68<br>TRENCH ENGAGED => 7m52<br>MERA MONTAGE => 6m43B + 6m48<br>HOME INVASION => 1m04 + 3m15<br>SAVING POPS => 3m18<br>AHAB WAVES => 3m17 + 2m06B<br>ASK THE SEA => 2m08B<br>OBLIGATION => 5m32<br>DUNES => 5m37-38Heitor Pereira, Satnam Ramgotra and Richard Harvey are credited musiciansSounds like a Zimmer version of the Top Gun Anthem to me. Whoever did it, it works!
me who seldom watch any of these superhero movies and remakes went and saw the new aladdin last weekend.<br><br>based on my own experience of that remake i have come to the conclusion that maybe some of the reviewers are stuck-up and not open-minded? i did enjoy the new takes on some of the songs. the new movie felt like that. a new different movie to me. <br><br>i decided that i will go and watch these movies for myself now. and i would not watch (or listen to original scores) in advance to build up expectation. i will go and enjoy my time and the songs.<br><br>that's all &#175;\_(&#12484;)_/&#175; you can't please everyone.To be honest. I love the bonus score tracks, nut those remixes are a wazte of disc soace in my opinion. I would've rather have 20 extra minutes of score.<br><br>Let the Complete Score come!For everyone that's heard it, is the Deluxe Edition worth a double dip?@Hybrid is this the combination of FYC promotional score + official release by LLL?Use your hybrid skills to unravel the mysteries of the score.
Cuesheet is blank.oh yes please, including Balfe - don´t start yelling, I´m just really curious who did whatFinally! It would be nice to have composers credits@DT<br>Disney definitely tries to put quality into their projects, which is why I admire them. As you’ve said, WDAS and Pixar are both churning out some excellent and original films. Even Marvel, despite its formula and flaws, tries new things with the films and stick closely to the source material. <br><br>The problem with the remakes is that they seem to be nothing more than cash-grabs that prey on nostalgia. If you are going to retell a beloved story at least try something different and exciting, instead of trying to copy/paste what everyone has seen.This is where I wish we could edit our comments.<br><br>Not only do you have WDAS doing mostly-new movies (I hesitate to say 'original') but you have Pixar doing them as well. Toy Story 4 was their last sequel for the foreseeable future, with them even eschewing the popular option of doing an Inside Out sequel for original projects.
I feel like people are overreacting in a way that suggests these remakes have far more power than they actually do. The studio that makes them is separate from every other studio. WDAS is still creating new content and will be for many, many years to come, long after the remakes have had their heyday.<br><br>If anything, the proliferation of superhero films is far more likely to drown out originality on that front: there are multiple studios doing it.Order I went with for the album<br><br>Everything I Need (Film Version)<br>Arthur		<br>Home Invasion (Bonus Track)<br>It Wasn't Meant To Be<br>Permission To Come Aboard<br>Ask the&#8239;Sea (Bonus Track)<br>Atlantean Soldiers<br>Ahab Waves (Bonus Track)<br>Saving Pops (Bonus Track)	Soundtrack	0	1<br>Swimming Lessons	<br>Kingdom of Atlantis<br>The Legend of Atlan	<br>The Ring of Fire	<br>What Does That Even Mean?Soundtrack	0	<br>Obligation (Bonus Track)	<br>Dunes (Bonus Track)	<br>Map In a Bottle<br>Mera&#8239;Montage	<br>The Black Manta	<br>Trench Engaged (From Kingdom of the Trench)	Soundtrack	0	<br>Reunited		<br>What Could Be Greater Than a King?<br>Suited and Booted		<br>Between Land and Sea		<br>He Commands the Sea	<br>Ocean To Ocean (feat. Rhea)	<br>Everything I Need		<br>Suited & Booted (Our Empire Remix)<br>The Black Manta (feat. Jim Davies) [Future Funk Squad Remix]<br>Atlantean Soldiers (Glen Nicholls 'March In Formation' Remix)	<br>Kingdom of Atlantis (Glen Nicholls 'Escape to Atlantis' Remix)Same here. The cue I want the most is “We Strike First”.@Edmund<br>I can’t agree enough. These remakes suffer from the issue of being inferior to the original source material, mainly because they rely so heavily on copying the originals so heavily. I’m not necessarily against Disney updating their classics if they are willing to do new takes on the material. Take Jungle Book for example; they were able to do something fresh with the concept while keeping elements of the animated film. Even Maleficent, which I’m not crazy about, tried something new. <br><br>Another BIG issue I’ve noticed is the fact that they lean towards hiring actors who cannot sing, or at least cannot sing on the level required. Emma Watson, Will Smith, Chiwetel Ejiofor, etc.Best shot <br>It wasnt meant to be<br>Home invasion<br>Ahab waves (0:39-end)<br>Permission to come aboard?<br>Ask the sea<br>Ahab waves (0:00-0:38)<br>Saving pops<br>Swimming lessons<br>Kingdom of atlantis<br>Legend of atlan<br>Ring of fire<br>What does that even mean?<br>Ocean to ocean<br>Obligation<br>Dunes<br>Map in a bottle<br>Black manta<br>Mera montage<br>Between land and sea<br>Trench engaged<br>What could be greater than a king?<br>Suited and booted<br>He commands the sea<br>Reunited<br>Everything i need<br><br>"Arthur" and "Atlantean Soldiers" are probably suites
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Additional Music - Score ProducerAdditional MusicAdditional Music
Ramin DjawadiHans ZimmerClay DuncanLorne Balfe
ComposerAdditional MusicAdditional MusicAdditional Music
Iron Man
Label: Lionsgate Records
Length: 54'02 (Score: 47'36)
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (13612 votes)
  1. Driving With The Top Down (3:09)
    Ramin Djawadi, Hans Zimmer, Ryeland Allison
  2. Iron Man (2008 Version) (1:05)
    John O'Brien, Rick Boston
  3. Merchant Of Death (2:14)
    Ramin Djawadi, Ryeland Allison
  4. Trinkets To Kill A Prince (3:07)
    Ramin Djawadi, Hans Zimmer
  5. Mark I (3:53)
    Ramin Djawadi
  6. Fireman (2:09)
    Ramin Djawadi, Hans Zimmer, Lorne Balfe
  7. Vacation's Over (3:34)
    Ramin Djawadi, Hans Zimmer, Bobby Tahouri
  8. Golden Egg (4:12)
    Ramin Djawadi, Clay Duncan, Bobby Tahouri
  9. DamnKid (1:12)
    DJ Boborobo
  10. Mark II (2:47)
    Ramin Djawadi, Hans Zimmer
  11. Extra Dry, Extra Olives (1:43)
    Ramin Djawadi
  12. Iron Man (3:30)
    Ramin Djawadi
  13. Gulmira (4:05)
    Ramin Djawadi, Hans Zimmer, Atli Örvarsson, Lorne Balfe
  14. Are Those Bullet Holes? (2:00)
    Ramin Djawadi
  15. Section 16 (2:33)
    Ramin Djawadi
  16. Iron Monger (4:45)
    Ramin Djawadi, Hans Zimmer, Lorne Balfe
  17. Arc Reaktor (3:55)
    Ramin Djawadi, Hans Zimmer, Lorne Balfe
  18. Institutionalized (3:49)
    Suicidal Tendencies
  19. Iron Man (0:20)
    Jack Urbont
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Kudredin reply Replies: 0 || 2008-05-19 00:00:00
Hi guys. Does anyone know what are the tracks mixed together in the animation bettween the end of the film and the credits. One is Black Sabbath - Iron Man but the other?

remoteDead6 reply Replies: 0 || 2008-05-19 00:00:00
easily forgettable

Pelli reply Replies: 0 || 2008-05-15 00:00:00
Genial !! buena la pelicula, mejor la musica

hippokrates reply Replies: 0 || 2008-05-12 00:00:00
hi,i try t found the song where ara not in the soundtrack!and play only in the movies!

hans-batman-zimmer reply Replies: 0 || 2008-05-09 00:00:00
Cool.
I like this score.

Cloud reply Replies: 0 || 2008-05-09 00:00:00
Ok, after having watched the movie I have to say the score really fits it like a glove. The balance between the sound effects and the music was also very well done. And the movie is darn good.. ;)

Hybrid Soldier reply Replies: 0 || 2008-05-05 00:00:00
THere's at least 3 themes in it, you can hear all over the film...

I liked the film and score !

Anthony reply Replies: 0 || 2008-05-05 00:00:00
Themes?

Jaweco reply Replies: 0 || 2008-05-04 00:00:00
Seen the movie yesterday (and enjoyed it). Though the music worked quite well, I'm still disappointed. It's not bad but it's not great either. Some moments were nice, but overall it's not unforgettable. It lacked something to make a really good score.

Feared reply Replies: 0 || 2008-05-03 00:00:00
It's interesting, becuase based on the interview with Djawadi, one can expect a bombastic and creative action-adventure score. Instead we get this average MV music. It has it's moments though, just like Jumper earlier this year.
So I think if someone likes loud, wall-to-wall action music, and heavy guitars, this is a good choice.
I would rate this score 10/6

Cloud reply Replies: 0 || 2008-05-03 00:00:00
Damn, I really was expecting more from Djawadi. I still haven't seen the movie and I'm sure the score will be perfectly functional in it, but it's rather flat on CD. It's listenable, but it's definately one of the most simplistic scores to come out of MV/RC. I mean the "theme" is really a joke.

Danny reply Replies: 0 || 2008-05-01 00:00:00
Be Aware. Bias against RC composers below.

Feared reply Replies: 0 || 2008-05-01 00:00:00
I've just arrived from the screening of Iron Man.
The film was great, but hadn't got too much action in it.
The music is totally average, serves the picture, but doesn't add a bit to the excitement. Routine RC score.
Maybe I'll buy the album for a little RC music, but be aware than this is a really mediocre score.

KaijusRoyaume reply Replies: 0 || 2008-04-30 00:00:00
Some news informations for the 1 minute and 20 seconds songs :

The Track 2 is a orchastal version of the 1966's Cartoon theme

The Track 20 is the original theme from the 1966's cartoon

KaijusRoyaume reply Replies: 0 || 2008-04-30 00:00:00
Sorry, track 19, not track 20 ^^

KaijusRoyaume reply Replies: 0 || 2008-04-29 00:00:00
This tracklist came from iTunes

Feared reply Replies: 0 || 2008-04-29 00:00:00
Strange, a 20 second and a 1 minute song? :D

KaijusRoyaume reply Replies: 0 || 2008-04-29 00:00:00
1. Driving With The Top Down (03:09)
2. Iron Man [2008 Version] (01:05) - Performed by John O'Brien & Rick Boston
3. Merchant Of Death (02:14)
4. Trinkets To Kill A Prince (03:07)
5. Mark I (03:53)
6. Fireman (02:09)
7. Vacation's Over (03:34)
8. Golden Egg (04:12)
9. DamnKid (01:12) - Performed by DJ Boborobo
10. Mark II (02:47)
11. Extra Dry, Extra Olives (01:43)
12. Iron Man (03:30)
13. Gulmira (04:05)
14. Are Those Bullet Holes? (02:00)
15. Section 16 (02:33)
16. Iron Monger (04:45)
17. Arc Reaktor (03:55)
18. Institutionalized (03:49) - Performed by Suicidal Tendencies
19. Iron Man (00:20) - Performed by Jack Urbont

Total Time: 00:54:02

Danny reply Replies: 0 || 2008-04-28 00:00:00
A Sentient Being, you should here his medal of honor scores. I think Giacchino conformes to the style he has to write for. And example would be THE INCREDIBLES he had to write a John Barry score. And in terms of Medal Of Honor he wrote exactly like williams. But now that he has original material coming like speed racer he combines what he has done. Hes really a great composer. John Ottman is really boring in my opinion. I try to listen to his stuff but never get intrested.

Feared reply Replies: 0 || 2008-04-28 00:00:00
Any news on the running time?

Gabriel reply Replies: 0 || 2008-04-26 00:00:00
???

Try again. Amazon has it for pre-order. Release date May 6th.

Kaya reply Replies: 0 || 2008-04-26 00:00:00
Anyone know why Amazon doesn't have this available for pre-order anymore? I also can't find it on any other site. Any news of a delay?

Kaya reply Replies: 0 || 2008-04-23 00:00:00
This is gonna be an awesome "balls to the wall" score that I will enjoy cranking up the bass and having the windows of my car rattle with every beat. Can't wait, plus this should open up some big doors for Ramin.

hamid reply Replies: 0 || 2008-04-22 00:00:00
slt moi hamid marocain j'aime prison break

Mikael reply Replies: 0 || 2008-04-21 00:00:00
The extract sounded like Metallicas S&M. The Iron Man soundtrack will be the biggest disappoinment of the year.

Tatu22 reply Replies: 0 || 2008-04-20 00:00:00
To be honest all this dribble saying who should of done the score is utter nonsense i mean someone else could of composed it yes but could still do a bad job not every piece of music composer by great artists is fantastic.

Ramin Djawadi in my opinion only having like most of you have judge the single track has done a good job as of yet. It is nice to see others credited for there work and to see inspiring new talent i mean as the greats wont be around forever someone must step in. As long as it is good who cares who composed it. You cant judge someone over one track.

A Sentient Being reply Replies: 0 || 2008-04-20 00:00:00
BJ, woah, woah! I did not mean that only educated people should be praised for their works. I'm sorry if that sounded like that. I mentioned that regarding "Espace29" post and I meant it only as a sort of apologetic argument regarding Ramin Djawadi's professionalism.

Of course, I would be the first to point out the fact that education alone means nothing. Yes, Hans Zimmer and Danny Eflman, as well, are both the best examples. No argue from here!

Geez, I really don't want to be misunderstood.

BJ reply Replies: 0 || 2008-04-19 00:00:00
@"A Sentient Being" I completely disagree with you. It doesn't matter where you graduated or how much music knowledge you have. After all, composing is an art. And you can't "learn" to be an artist. It's all about talent. Hans is a perfect example. Of course, it's always a good idea to be talented AND educated but education alone doesn't guarantee for a great score.

Danny reply Replies: 0 || 2008-04-18 00:00:00
John Ottman is not the successor to John Williams. Michael Giacchino is I think. And I really don't hear any plagiarisms in Transformers. But internet arguments are the funniest. People get all riled up. especially when they try to push an opinion on you. Thank You Remote Control Fan site!

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Iron Man soundtrack - Ramin Djawadi 2008