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Itís funny how from 2015 until now weíve went from things like Mad Max, Deadpool, and Tomb Raider to this, Sonic, Alita, and Mortal Engines. Definitely a big change for the better as a composer.Pretty enjoyable score, that's for sure (and another reminder for Tom's haters, why is good), and interesting mix of styles and orchestrations (and conducted by Conrad Pope).I really hope Junkie takes on more animated/kids films in the future similar to how Zimmer, Balfe, Powell, Mancina, and HGW did.  There's a  playful liveliness there that RCP really knows how to bring out when they actually give it a shot.<br><br>It's still a shame Jablonsky and Badelt never went down that road any further.<br><br>Nostalgia has its place but when it turns into stupidity it gets annoying. Vinyl only release, c'mon!... I was so happy when CDs replaced vinyls and now we should be glad that that dated and impractical technology comes back? It's a NO for me!Hybrid, is there any chance we can get some infos and credits for the cues? That would be outstanding. Thanks!
Good lord it's like he was exploding with energy and ideas after the touring gigsMore Hans !! :)If you enjoyed Sonic then youíll probably enjoy this, even though it is far more hyperactive. The score is such a crazy mashup of Carl Stalling/epic orchestral/60ís funk/industrial trap beats/electronic/etc.<br><br>I have to say, while the themes arenít particularly memorable, the last 5 cues or so feature some great choral writing with good use of some ethnic wind instruments (Duduk?)...I have a question about a song from this documentary that is not on the soundtrack. Could anyone please tell me the track at approximately 47:35? Thunder is cracking, Pantani begins his attack on the Galibier, and Matt Rendell is there with eloquent narration. I got so swept up in the score at this point that I spent over an hour rewinding and Shazaming and looking up all of Balfe, Aruj, and Dworetsky's music I cound fine. Any help would be much appreciated!<br><br>Thaks,<br>SamThey all sound the same. Bland.
So what do you think about the westworld competition and what is your most favorite entry?In sound quality (regardless of what certain peope might say about how great LPs sound; it's an analog format) the bootleg already trumps it I guess...I have the same question as wellIt could be possible, but there would be too many seconds of overlap between some of these tracks for that to be a possibility in this specific case. I really hope they haven't cut down the tracks to fit on vinyl, otherwise the bootleg will trump it in terms of content.Maybe the different time lengths is due to tracks slightly overlapping each other (as in many HZ soundtrack releases)?
Comparing the track times listed here, it seems (at first glance) that many of the tracks are edited down from the complete cues as heard on the bootleg. Could the listed track times be simply incorrect, or have edits been made to make the score fit onto four sides? I guess we can find out when the record ships in July.<br><br>Additionally, for those without a record player it sucks that a CD release was not possible for La-La Land. Whatever the reasons are for that, it's a bizarre situation that one independent label can release the same material on vinyl but another cannot on CD. Quite perplexing...@Hybrid, will you make the Scoob Page?Perhaps "The Cistern (Alternate)" is the album version. The music I heard in the film is not 100% the same with the track I heard in the OST.Dang I cant wait to hear the Alternate 'Cistern' cueVinyl only...How dumb can you get
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John PowellJohn Ashton ThomasGermaine FrancoBryce Jacobs
ComposerAdditional MusicMusic Production CoordinatorMusic Preparation
P.S. I Love You
Label: Varese Sarabande
Length: 49'47
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4323 votes)
  1. Make Up Kisses (3:00)
  2. Bette Davis Montage (1:23)
  3. You Gotta Be Rich (0:52)
  4. The Cake (1:46)
  5. The Um (2:00)
  6. Puke - 1st Letter (2:43)
  7. Holly Gets Fired (0:45)
  8. Jacket (1:27)
  9. Travel Agent (4:04)
  10. To Eire (2:54)
  11. Reading Letters (0:47)
  12. William On The Lake (1:23)
  13. Kitchen Waltz (4:04)
  14. On The Lake (2:29)
  15. The Kennedys (1:08)
  16. Last Tune (0:50)
  17. Gerry's Fort (1:04)
  18. The Meeting (4:31)
  19. The Kiss (1:56)
  20. Home Again (0:33)
  21. Enough (0:39)
  22. Somebody's Gerry (1:43)
  23. It Was Me (3:35)
  24. Sis Kiss (2:38)
  25. P.S. I Love You (1:23)
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Anonymous reply Replies: 0 || 2010-05-11 00:00:00
i'm listening to it right now, i bought the CD two years ago (already ... pfff) and I live listening to it from time to time. So nice, smooth ... simple beauty

Mikel S.i.W (from Spain) reply Replies: 0 || 2009-03-03 00:00:00
P.S: I love all your music Mr Powell!!!!!!!

Matt reply Replies: 0 || 2008-12-19 00:00:00
It's a romantic "dramadey" so I think the score fits the movie perfectly. John Powell very rarely misses on a score and this CD is a great listening experience. "To Eire", "Gerry's Fort" and "William On the Lake" are great tracks.

Anthony reply Replies: 0 || 2008-05-01 00:00:00
Hehe, ok, it's not as full of the sappy stuff as it could be, but it's still what makes it THIS score. :)

Kaya reply Replies: 0 || 2008-04-29 00:00:00
:(

lol.

Anthony reply Replies: 0 || 2008-04-27 00:00:00
I disagree completley. It's full of the sappy and schmaltzy stuff you're on about. :)

Kaya reply Replies: 0 || 2008-04-23 00:00:00
Agreed, he was able to make it sweet and touching but was able to stay out of that sappy and schmaltzy territory. Takes a skilled composer to do that. The score definitely holds romantic and dramatic qualities.

gabriel reply Replies: 0 || 2008-04-22 00:00:00
Beautiful music! I'll buy the CD.

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P.S. I Love You soundtrack - John Powell 2007