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This credits list absolutely reeks of bullshitI can come up with the booklet credits for Adventure Time: Awakening. So here's my booklet credits for this movie.<br><br>Music Composed by<br>STEVE JABLONSKY<br><br>Music Produced by<br>STEVE JABLONSKY <br>and HANS ZIMMER<br><br>Music Orchestrated and Arranged by<br>THOMAS FARNON<br>CZARINA RUSSELL<br>BRUCE FOWLER<br>STEPHEN COLEMAN<br><br>Additional Music by<br>LORNE BALFE<br>JOHN POWELL<br>JASHA KLEBE<br>HALLI CAUTHERY<br>RAMIN DJAWADI<br>DAVID BUCKLEY<br><br>Orchestra Conducted by<br>NICK GLENNIE-SMITH<br><br>Choir Conducted and Arranged by<br>GAVIN GREENAWAY<br><br>Vocals by<br>LISA GERRARD<br><br>Score Recorded At<br>THE EASTWOOD SCORING STAGE, WARNER BROS. STUDIOS, BURBANK, CALIFORNIA<br><br>Score Mixed At<br>REMOTE CONTROL PRODUCTIONS, SANTA MONICA CALIFORNIA<br><br>Special Thanks to<br>TREVOR RABIN<br>MATTHEW MARGESON<br>and RUPERT GREGSON-WILLIAMS*sigh* Pirates of the Caribbean: The Curse of the Black PearlFor what score are those booklet credits for, Sam?I can imagine if the booklet credits might help.<br><br>Music composed by<br>KLAUS BADELT<br><br>Score produced by<br>KLAUS BADELT<br>and HANS ZIMMER<br><br>Music orchestrated and arranged by<br>BRUCE FOWLER<br>YVONNE S. MORIARTY<br>GRAHAM<br>JAMES MCKEE SMITH<br><br>Orchestra Conducted by<br>BLAKE NEELY<br><br>Music Programmed by<br>STEVE JABLONSKY<br>GEOFF ZANELLI<br>MARC STREITENFELD<br>NICK GLENNIE-SMITH<br><br>Score recorded at<br>PARAMOUNT SCORING STAGE M<br><br>Score mixed at<br>MEDIA VENTURES, SANTA MONICA, CALIFORNIA
Is there any word or time frame on the second release?Jenny of Oldstones was an old song in Westeros about a common woman named Jenny of Oldstones, a strange woman who a Targaryen prince rejected his claim to the throne to be with. Before a big battle, a character sings this song and a montage of the various characters plays as they prepare for battle. So that is the melody. The lyrics go like this:<br><br>High in the halls of the kings who are gone,<br>Jenny would dance with her ghosts; <br>The ones she had lost and the ones she had found<br>The ones who had loved her the most;<br>the ones who've been gone for so very long, she couldn't remember their names<br>they spun her around on the damp old stone<br>Spun away all her sorrow and pain.<br>And she never wanted to leave, never wanted to leave, never wanted to leave, never wanted to leave.<br><br>They danced through the day and into the night<br>Through the snow that swept through the hall<br>From winter to summer and winter again<br>Till the walls did crumble and fall<br>And she never wanted to leave, never wanted to leave, never wanted to leave, never wanted to leave.<br>Hybrid, please update this list. Is it possible that you could include the alternate/album version of Main On Ends (AKA Taking A Stand)?COMPLETE SCORES ARE AWESOMECareful, talking about complete scores or recording sessions can get your comment removed now.
No more superhero film score for me, he said .... :DThe complete score is so amazing!! I saw on YouTube too.CD RELEASE????PosiblyA surprise reference to be sure, but a welcome one.
The same thing happened to me George@Michael Baker - I can’t be the only one who read that as Han Solo right?Yeah... Wait till CD 2 and I'm sure we'll get a much stronger idea of what's solo Hans in here.@Edmund<br>I wonder if this is one of those situations where the material in film is derived heavily from the suites, with everyone either arranging it or adding elements onto it. Just guessing of course, I’m sure we’ll get a clear picture once the bonus stuff gets released.<br><br>And apparently there is about 16 hours of music “lying around”, going off of what Hans mentioned in the Vi-Control forums."heavily influenced" indeed :D <br>I really love Amity and I love how the theme appears in several other cues:<br>Reckless which features an epic/action rendition <br>Insertion = a short quote at the beginning <br>Coda = another call back to the theme<br><br>Been listening to the score since I saw the film. Love it. Eagerly waiting for CD2. I wonder if it includes an extended version of the last 2 minutes of Insertion - INCREDIBLE.
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Music Producer - Musical Associate - Fairlight Programming & More
Hans Zimmer
Music Producer
The Last Emperor
Label: Virgin Records
Length: 50'15
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5040 votes)
  1. First Coronation (1:46)
    Ryuichi Sakamoto
  2. Open The Door (2:54)
    Ryuichi Sakamoto
  3. Where Is Armo? (2:26)
    Ryuichi Sakamoto
  4. Picking Up Brides (2:39)
    Ryuichi Sakamoto
  5. The Last Emperor - Theme Variation 1 (2:19)
    Ryuichi Sakamoto
  6. Rain (I Want A Divorce) (1:49)
    Ryuichi Sakamoto
  7. The Baby (Was Born Dead) (0:55)
    Ryuichi Sakamoto
  8. The Last Emperor - Theme Variation 2 (4:28)
    Ryuichi Sakamoto
  9. The Last Emperor - Theme (5:54)
    Ryuichi Sakamoto
  10. Main Title Theme (The Last Emperor) (4:01)
    David Byrne
  11. Picking A Bride (2:00)
    David Byrne
  12. Bed (5:00)
    David Byrne
  13. Wind, Rain And Water (2:18)
    David Byrne
  14. Paper Emperor (1:47)
    David Byrne
  15. Lunch (4:54)
    Cong Su
  16. Red Guard (1:20)
    Traditional, The Red Guard Accordian Band
  17. The Emperor's Waltz (3:06)
    Johann Strauss, The Ball Orchestra Of Vienna
  18. The Red Guard Dance (0:39)
    Traditional, The Girls Red Guard Dancers
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matthew reply Replies: 0 || 2014-07-23 23:37:22
yeah, yust watched this without knowing that he was part of it, then suddenly there's this musical associate / producer credit for a person called something like Hans F Zimmer..
it made me feel good, and its great to see that the score is up here

Anonymous reply Replies: 0 || 2010-11-23 00:00:00
Actually , Hans Zimmer programmed the fairlight on tracks 1 to track 9. And also arranged a few tracks... awesome !

Klaas reply Replies: 0 || 2008-04-21 00:00:00
Never knew that Hans Zimmer was involved with this great score as well.

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The Last Emperor soundtrack 1987