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I confirm I'm back from it, there's quite a bit of unreleased score.Well, now we have somebody who's seen it (and yes, it's out in some countries today), we know for certain.<br><br>I wouldn't expect anything official any time soon unless Zimmer wants to release a second CD.I absolutely love Kai’s theme in this score, there are so many cool variations that weren’t on the initial album. Hans and Co. really stepped up their game here. I don’t feel the temp as heavily here as KFP2 (which is still an amazing sequel score).Saw the film today, there is a LOT of music missing.As stupid as this film is, you can tell Tom probably had fun working on it. The music is so over the top, it just goes nuts all the way through.
This is one of those scores that I have really warmed up to since it’s release. The emotional stuff for Alita works really well in context and her “Hero Theme” gets some great development (the way it culminates in “Epilogue” is incredible). Also really love the “Motorball” stuff. <br><br>After seeing the film I think the only substantial music not on the album is “Motorball Plan” and “Alita’s Revenge Pt. 1”. The end credits piece I’m guessing is edited from the Full Motorball Suite.Hybrid, did Lorne actually do a lot of writing on this one or is he just being credited for the theme?We've had this argument before, almost any score can fit in a film. But what separates the mediocre composers from the best is the ability to make great music that works on its own, outside of the film. <br><br>Hans has had a lot of work lately that hasn't been doing that, and it's the reason people want him to work with orchestra again and produce is 2000s, late 90s type of style. Because those scores, for whatever problems they had, they felt distinct, memorable (for the most part), and easily could have been enjoyed away from the film.<br><br>Good scores have themes and ideas that both enhance the film, and enhance the listener's experience. Music like Dunkirk, Inferno, or Widows just feel like shallow and empty committee scores that the studio/directors didn't want too much thought put into. "Ah just write one main theme, and fill in the rest with electronics, Hans, it'll be fine!"Hahahahaha well I’m glad he got the credit then :DI absolutely disagree with you saying Widows is a terrible score. It may not be great on album, but the music fits very well with the film.
Actually, I think he only gets credits cause he is the guy... whistling ! :PElectric violinJust out of curiosity... what instrument is playing when Liv and Ben are running towards each other at the end? (Long Distance Goodbye/Landing? I love that instrument!And I’m guessing Neill Blomkamp contributed somehow to the “We Own This Sky” theme that pops up throughout...NM
Jeff & Alex & Evan Goldman are regular Jackman team now. Alex scored a bunch of projects, hence his absence here.<br><br>Then you have Halli, Anthony Willis or Mounsey doing all sorts of things when available.Request the king of pride rock with circle of lifeAmon wrote some music before Hans took over (he has cues on his soundcloud I think), but I think he got credited (and just like 1 or 2% of the cues) more for specific sounds than music writing.Widows is terrible score, Inferno was ok, far from things like Da Vinci Code or Angels & Demons.<br><br>But yes, listen this one, is gratifying see Zimmer can make things with orchestra like early 2000s. And this comes from a guy who loves Inception, Interstellar or ChappieThe fact that his name is in brackets makes me think he didn't work directly on the score but rather is credited because something of his was used. Maybe it was some of his production music rather than Elysium specifically.
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Mark MancinaDon HarperJohn Van TongerenTrevor Rabin
ComposerAdditional MusicAdditional MusicAdditional Music
Fair Game (Expanded Score)
Label: Unofficial Release
Length: 58'18
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3538 votes)
  1. Main Title (3:10)
    Mark Mancina
  2. Police Station Shootout (1:06)
    Mark Mancina, Don Harper
  3. Kazak Steps In (0:58)
    Mark Mancina, John Van Tongeren
  4. Kate's Place (1:02)
    Mark Mancina, Don Harper
  5. Arrival At Safehouse (Part 1) (0:49)
    Mark Mancina, Don Harper
  6. Arrival At Safehouse (Part 2) (1:40)
    Mark Mancina, Don Harper
  7. Who's Trying To Kill You? (0:36)
    Mark Mancina, Trevor Rabin
  8. Only Cops I Know - Kazak Listens (4:09)
    Mark Mancina
  9. Garage Shootout (3:14)
    Mark Mancina, John Van Tongeren
  10. Multilingual Max (1:12)
    Mark Mancina, John Van Tongeren
  11. 3 Z's (5:17)
    Mark Mancina, John Van Tongeren
  12. Wrong Number (0:56)
    Mark Mancina, Trevor Rabin
  13. Hardware Test (3:31)
    Mark Mancina, Don Harper
  14. Computer Cash (0:40)
    Mark Mancina, Christopher Ward
  15. Kazak Finds Fax Number (0:48)
    Mark Mancina
  16. Family Business (1:16)
    Mark Mancina, Trevor Rabin
  17. Kazak Visits Jodi (1:13)
    Mark Mancina, Christopher Ward
  18. Tow Truck Chase (4:16)
    Mark Mancina
  19. Best Shot (0:29)
    Mark Mancina, Christopher Ward
  20. Love Train (6:17)
    Mark Mancina, Don Harper
  21. Wait For The Beep (4:17)
    Mark Mancina, Don Harper
  22. Friendly Fire - Kazak's Demise (6:51)
    Mark Mancina
  23. End Credits (4:43)
    Mark Mancina
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Bayhem reply Replies: 0 || 2017-07-06 18:56:32
I know Kamen was supposed to score FAIR GAME, but after watching the movie multiple times throughout the years I just can't imagine it without the Mancina music. It fits so well. He was absolutely perfect for this project and for my money, it's one of his best scores. Shame that during interviews with Mancina no one really mentions this score. It's always about Bad Boys, Speed and Twister. Still, I know I'm not the only one who really loves this score--------and not just because of the amazing opening track :))

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Hybrid Soldier reply Replies: 1 || 2016-08-20 09:58:00
Correct order, real cue title & composer credits.


rockhound2016-08-20 14:27:51
also a score, which michael kamen should compose, but had to leave for ASSASSINS then. interesting to see, that trevor rabin actually conrtibuted to the composition and not played just guitar.

Mike reply Replies: 8 || 2013-10-27 19:33:39
Hi, does anyone know if this score is available anywhere? (on CD or MP3)
Thanks,
Mike


Mike2013-10-27 21:34:09
Fellow name-sharer: this is labelled "Unofficial Release". Unofficial releases have never been released to the public.


thejok3rrules2013-10-28 04:05:05
Sorry, but I know a couple of ''unofficial release''s that have been released to us ;)


Mike2013-10-29 18:21:13
thanks guys,

anywhere I could get hold of one of the 'unofficial' releases?

;-)


Hybrid Soldier2013-10-29 18:27:04
No Mike, not that kind of request...


MacArthur2013-10-29 18:57:15
Are you talking to yourself mike or is this another person


Mike2013-10-29 19:08:33
Different Mike, MacArthur. *I* don't ask for bootlegs. ;) lol

Annoying that names can be identical on here, though.


MacArthur2013-10-29 19:42:21
I know I was kidding


Mike2013-10-30 10:08:43
thanks everyone for your responses, it was worth a try! : - )

Edmund Meinerts reply Replies: 0 || 2011-11-04 01:31:20
Funny how on the album it says Mark Mancina and yet above it says John Powell. Could it be that there's two Fair G--naah, no way, couldn't be. ;)

OK reply Replies: 0 || 2011-11-04 00:36:12
this is in the wrong place

Anonymous reply Replies: 0 || 2011-02-19 00:00:00
Pretty good score- this and Money Train need a legit release!

semmy reply Replies: 0 || 2009-10-20 00:00:00
wtf?

Falconet reply Replies: 0 || 2008-05-15 00:00:00
John Van Tongeren: Addittional Music

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Fair Game (Expanded Score) soundtrack - Mark Mancina 1995