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This right here is my single biggest issue with Balfe as a composer. And with the recording sessions clips he posts it is truly a mystery. Tinfoil hat on I'd say he skimps on the budget and hires those musicians just for a couple hours to shoot those clips for PR and the actual score is all synth but that's a baseless claim of course lol...Everyone keep mentionning mw2 but those drums reminded me of...skylanders giants lol! Just listen to the track « Arena battle » and let me knowThe clips are on his Facebook page.2/5 stars? Why are people hating on this?Me too
Excited!!!God’s gun theme reminds me of part of “River Mission” from Battlefield 2: Modern Combat OST. I think Lorne was an additional composer on that score aswell (excellent OST btw)God’s gun theme reminds me of part of “River Mission” from Battlefield 2: Modern Combat OST. I think Lorne was an additional composer on that score aswell (excellent OST btw)"It's good shit lieutenant" The principle is based on Thomas Newman's Bond.  "Take back what's ours" and "the truth" is Ad astrahonnestly, I do get why people refer to MW2, but to be honest, it's not the same.  With the amount of time I heard that score, I can say that it uses the same drums, and a pattern that is quite similar to the one used in MW2, but it is not a copy/paste.  It's no different to me than Junkie XL re-using the same pattern of drum in all of his recent scores since Mad Max.  When it comes from the same composer, I guess it's normal to have works that parts that similar from a score to another.  Just think of John Murphy who re-use his powerful theme from Sunshine in a lot of his scores (28 weeks later, kick-ass, etc).   <br><br>Actually I'm quite glad he re-used the themes from Mancina as that was, to me at least, a big miss for BB2 even though Rabin and Jablonsky did a great job.  It's like doing a James Bond movie without the Bond theme.  It might be good, but it miss the little something that gel everything together. ;)  I really like what Lorne did on this one.  Even though he re-used the theme, he made them his own, in a similar way he did with MI Fallout, while sometime paying homage to the original ones. ;)  My 2 cents.
Not really familiar with either Mancina’s BB score or MW2, but I’m really enjoying this. It’s like an old-school MV score filtered through Lorne’s sound. The main tune (which I’m guessing is Mancina’s) is a lot of fun, particularly when paired with the choir. <br><br>And as for Ad Astra, the villain motif in “Take Back What’s Ours” sounds like it was directly lifted from the space scenes of that score.can I see the clip? is it on YouTube?can I see the clip? is it on YouTube?I love the score. It is action packed and to the point.<br><br>I saw his orchestra clips as well but I wonder why he actually spends the money and effort for orchestra when the end product sounds (as usually) 100 percent sample library. All the dynamics of real players are gone in the final mix so why bother with orchestra at all...I'm highly disappointed by the score... Lorne went the very easy way and recycled the MW2 score as well as the Mancina theme in almost every track. Like seriously... the only thing u here is MW2, Main Theme and lot of rustle-synth score. 1/10! No effort went in this score and I dont say that often.
As for Ad Astra, unfortunately i can't hear anything from Ad Astra aswell :/ It's just MW2 mixed with Mancinas themes for me. And the cues from MW2, they aren't just drums, all the guitars, melodies, vibes, even the choir or the voices are included. The above mentioned cues from MW2 are not complete, there are plenty of them, but these will give you the idea of what we've mentioned. Again, i'm not mad, i'm happy that a wider audience can hear these cues, but then again, on MW2 they sounded better and fresher than on the BB3 score (i mean the quality of the recordings - you can hear the cues and instruments more directly. On the BB3 score it sounds like being in a bathroom hearing to the MW2 score). And as i said earlier, i would like to understand or know what Lorne thought about using all these cues. Time pressure? Unused opportunity for a wider audience? And then again that synth-sound even using a real orchestra :/@ Mr Tweedy:<br><br>MW2 has hundred of cues, which has all the special atmosphere and sound-effects, but try listen to these cues to understand what i and others mean:<br><br>- Guerilla Tactics <br>- Guerilla<br>- Contingency<br>- Breach<br>- Retreat and Reveille<br><br>Funny thing, play the cue "Guerilla Tactics" from MW2 and let Shazam try to find out what track that is. It shows me as "Lorne Balfe - We're Dangerous People" from BB3 :DI really like this score!<br>Sure he used Mancina's Theme, that's allright cool, I don't hear anything similar to Ad Astra....don't know why somebody compare this score with Ad Astra....<br>That MW2 sounds are very great, he don't copy himself, he just used the Drums, what's definitely be OK!!<br><br>I don't know why people always want to compare scores....Everybody use his own Temp Music sometimes, that's normal!Please could you give me the exact name of the track from MW2 that is used in BB3? I’d like to compare both!I love Lorne´s music and all, but I am genuinely wondering, why they decided to re-use MW2 so much in the score
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Mark MancinaDon HarperJohn Van TongerenBob Daspit
ComposerAdditional MusicAdditional MusicAdditional Arrangements
Moll Flanders
Label: Polygram Records
Length: 68'46 (Score: 34'56)
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3460 votes)
  1. Moll : Moll Of Flanders (4:18)
  2. Moll : Moll's Jig (2:11)
  3. Moll : Flesh And Blood (3:31)
  4. Moll : A New World (3:25)
  5. Mrs. Allworthy : Devil Woman (4:48)
  6. The Artist : We Were One (1:26)
  7. The Artist : Voyage (1:52)
  8. Hibble : Hibble's Tale (1:48)
  9. Flora : Life Begins (3:31)
  10. Flora : Sparrows (3:24)
  11. Flora : Flora's Choice (1:35)
  12. Full Of Grace - Sarah McLachlan (3:38)
  13. Belle Nuit‚ O Nuit D'Amour - J. Offenbach (4:08)
  14. Suite #3 In D Major‚ BWV 1068 - J.S. Bach (5:11)
  15. Concerto In C‚ RV 425: Allegro - A. Vivaldi (2:33)
  16. Concerto In C‚ RV 425: Largo - A. Vivaldi (3:32)
  17. Brandenbrg Concerto #3 in G Major‚ BWV 1048 - J.S. Bach (6:48)
  18. Water Music Suite #1 In F Major - G.F. Hendel (8:02)
  19. Moll : Moll Reprise (3:05)
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Auth reply Replies: 0 || 2012-03-10 02:22:15
Without a doubt a beautiful song, but what breoths me about one of the top comments is the crack on Lady Gaga. True, Kesha and Bieber have little, if any musical talent, but Lady Gaga was practically a prodigy from birth. Her musical talents far outweigh those of other modern day musicians, but people tend not to actually see that due to her unique personality and look. I'm not saying she is anything like Bach, nor anywhere as close, but she is without a doubt a musical genius of our generation

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Moll Flanders soundtrack - Mark Mancina 1996