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Several clips of the film are on YT. With some music. Sounds like 90's score from HZ. Too bad the directing seems to come from an age movies didn't exist...No. It’s a boys choir. S&K bros is a girl’s choirSeems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits update
A bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.
I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.
Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.
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John PowellJohn Ashton ThomasGermaine Franco
ComposerAdditional ArrangementsMusic Production Coordinator
Stop-Loss
Label: Varese Sarabande
Length: 39'35 (Score: 33'32)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5401 votes)
  1. Michelle's House (1:04)
  2. Graveside (1:37)
  3. Going AWOL (3:26)
  4. Tommy Breaks (1:14)
  5. The Base (1:34)
  6. Leaving Town (0:59)
  7. Pool Trip (0:52)
  8. Troopers (0:59)
  9. Losing Steve (1:21)
  10. Brandon Meets Josh (1:39)
  11. To The Hotel (1:16)
  12. Call Carlson (1:50)
  13. Urban Warefare (1:03)
  14. Theme For Peace (2:33)
  15. Preachers End (1:07)
  16. Both Kinds Of Danger (1:51)
  17. Squad Book (1:38)
  18. The Greatest Tragedy (7:29)
  19. Can't You See - The Marshall Tucker Band (6:03)
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David reply Replies: 0 || 2009-08-26 00:00:00
Great score, one of the best from Powell. It's like a much orchestral, electronic version of United 93. The Greatest Tragedy is one of the best cues I ever heard, especially from Powell. I love the use of the main theme in Michele's House, Tommy Breaks, Troopers, Losing Steve, Theme For Piece, Preachers End, and Both Kinds Of Danger. I love the develop of that 4 note motif played by violas along with a mix of timpani and harp that Powell uses in Call Carson, Losing Steve, Both Kinds Of Danger and especially in The Greatest Tragedy. The guitars and piano bits are awesome and the use of military sounding instruments like trumpet solo and snare drums are great. I loved that Powell himself conducted the orchestra, I wish he can do that more often. I know he did it for money and he's not going to do that again. But I hope he does.

Bob reply Replies: 0 || 2009-08-15 00:00:00
What is the name of the song in the stop-loss trailer? Lyrics include "i've got somebody's" and "You tell me"

Jennifer reply Replies: 0 || 2009-06-29 00:00:00
THe song is Angry American By: Toby Keith..... Jeeeez look it up

Anonymous reply Replies: 0 || 2008-12-31 00:00:00
can you give me the lyrics for the song at the very starting of the movie stop loss were tommy is playing the guitar and everybody is sining

Anonymous reply Replies: 0 || 2008-08-23 00:00:00
@crh

Drowning Pool - Bodies

crh reply Replies: 0 || 2008-08-23 00:00:00
Who knows the song near the begining?
'nothing wrong with me" etc

Anonymous reply Replies: 0 || 2008-04-07 00:00:00
the last post was for rudeboy I know what you mean I was looking for it everywhere too

Anonymous reply Replies: 0 || 2008-04-07 00:00:00
the "can't you see thing" is "can't you see" by Snow Patrol and the song at the end of the movie is "Matter of Time" by 4th25

Jaweco reply Replies: 0 || 2008-04-06 00:00:00
Well, anyone who has seen the movie, can you remember hearing "can't you see?" in the lyrics ? It's that simple. ;)

Anyway, another fine score by John Powell. Great ! I especially fell in love with "The Greatest Tragedy", this track is absolutely breathtaking, strongly emotional. ^^

Anthony reply Replies: 0 || 2008-03-31 00:00:00
Is it the one at the end of the CD?! =/

rudeboy reply Replies: 0 || 2008-03-31 00:00:00
does anybody know who sing the song at the begining and the end of the movie. pliz i've been seachin' all over the internet and nothing

Anthony reply Replies: 0 || 2008-03-30 00:00:00
Is there a chance it's the one at the end of the CD?

SPG reply Replies: 0 || 2008-03-29 00:00:00
Just wondering which song is played during the end credits?

Danny reply Replies: 0 || 2008-03-17 00:00:00
Ha! Fan pleads are funny to read. great score though.

Anthony reply Replies: 0 || 2008-03-15 00:00:00
MAKE SOME SENSE.PLEASE!

OKKU reply Replies: 0 || 2008-03-13 00:00:00
PUT ANY TRACK.PLEASE!

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Stop-Loss soundtrack - John Powell 2008