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No idea, the documentary hasn't been released yet (only on a festival).Sorry! By the way will Hans release believe documentary soundtrack?Can't you click ?When this will be released?Timekeeper/Universe of Energy by Bruce Broughton. Being theme park scores though a release is incredibly difficult.
And what 90's scores are those?PS: the assumption that everything is Balfe is subjective. In the same way that you drew the conclusion that he is the composer of everything and the credit of RGW is doubtful, I could also say that Balfe did nothing and RGW did everything. Or that no one has done anything and almost everything<br>in the score is the result of the work of these additional composers.<br>The credits do not elucidate anything in this case.This is one of those scores in which all composers receive credit for all cues even though they have not composed each note of music. This happens all the time in rcp (Kung Fu Panda, Batman v Superman, Megamind, BossBaby, Batman Begins, The Dark Knight).This is good piece but i can not for download?We watched the film last night and is a good solid movie with great action but a big score from Balfe .there seems to be much more thematic material in the film than was is on the soundtrack .agreat start to the year for scores
Look, Iím passionate about music as well. And yes, seeing this leak would make me happy. But I also know that there are better things to use your energy on. Wishing for this score to leak, or asking anyone who has it to leak it is a waste of time. Itís going to come out when it comes out, be it tomorrow or a year from now. Hell, there are two of my favorite scores from the 90ís I grew up with that still have seen no release at all. I donít spend my time worrying about them though, when they come they come.<br><br>And as for music having no value, I probably shouldnít have phrased it like that. I was mainly referring to people who hold on to these sessions and think they somehow increase with age. Itís not wine for Godís sakes. I do apologize for making it sound like music has no point or effect on people. I just think there are more important things to stress over.I can see why, but the fact that it's mostly a combo of Pirates of the Caribbean, Batman Begins, other Bay/Zimmer projects and King Arthur also weakens is a bit for me. TF5 has a few influences too but the score feels much more unique to me.Novi - I'm sure at some point youll find this on youtube or something...But why so interested in THIS score? It's really not that great at all, by comparison. Junkie channels Mad Max while Zimmer tries too hard to not redo his Dark Knight themes...New score by Rupert Gregson-Williams from the series The Alienist will be release next week.For me TF1 is on top by a considerable margin.
I mean, Tony Clarke and Evan Jolly are on practically every single cue as well. My gut feeling is that these aren't fully accurate credits yet.Yep I mean believe documentaryYeah, film scores are my passion. That's why I want this score so bad. I seriously would pay for this score. See it as begging, frankly I don't care what you see it as. Zimmer changed my life through music. It's my passion. This score means something. Music is value.Jeez, I knew Lorne worked on this, and my assumption was that his contribution was fairly substantive, but I didn't realize he worked on every single cue (at least those on the OST). I'm not sure how I feel about that "Music by Rupert Gregson-Williams" credit now (I know it has everything to do with contracts, but I'm thinking about the principle / artistic integrity side).what song is season 1 episode 9 where churchill is being drawn by the artist ?
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Hans ZimmerJohn PowellJeff RonaMartin Tillman
Composer : Main ThemeComposerComposerMusician
High Incident
Label: Unofficial Release
Length: 36'03
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2434 votes)
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  1. Main Title '96 (0:44)
  2. Militia (2:49)
  3. Corbusier (2:43)
  4. B.R.A.D. (2:12)
  5. Into Tunnel (3:02)
  6. Tino (1:50)
  7. Santa Chase (1:36)
  8. Warehouse AM (3:34)
  9. Bomb (1:51)
  10. Dark Angel (1:01)
  11. The Stalkin' (1:31)
  12. War (3:49)
  13. Angel Rald (4:15)
  14. The Sting (4:19)
  15. Main Title '97 (0:41)
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Edmund Meinerts reply Replies: 3 || 2017-02-16 23:49:04
Okay, so sorry for sounding a bit like Poleschuk on this one, but I have a couple questions about High Incident.

Basically I have heard two different boots: this one, and a second one with 10 tracks running about 21 minutes. This first one sounds to me mostly like John Powell in very early I-don't-really-have-a-style-yet MV mode. The second one is a lot calmer and more melodic (and better!), and it uses the "Main Title '97" theme a lot. But it doesn't sound much like Powell at all. Is that one by Jeff Rona? From the little I've heard by him, it sounds like it might be.

Also, about those themes - who wrote them? Was it really Hans? The more upbeat "Main Title '96" sounds very much like Powell, to me. "Main Title '97" with the trumpet solo could be Hans, I suppose, but I could easily believe it being Powell or Rona as well.

Any clues, Hybrid?


Michael Poleschuck2017-02-17 03:17:54
There are a few episodes of this show on YouTube.

And interesting thing: on the main titles of the Pilot - "Main Title '96". On the end titles of the Pilot - "Main Title' 97".

And other interesting thing: "Main Title' 97" are on the 9th minute of the Pilot (night talking of the cops). So, maybe, this main theme was originally Zimmer's hand.


Michael Poleschuck2017-02-17 03:20:58
Maybe, the second boot is a score for Pilot?


rockhound2017-02-17 07:28:13
the more emotional music, which also uses the Main Title 97 theme often, is by jeff rona. you will find many tracks on his website. it has bit of his music for Chicago Hope. i remember, that the Main Title 97 was also used in the first season as the end title. i dont know know why they changed it in the second season. the Main Title 96 was perfect for opening credits. But i think both of them are by hans with trumpet performances by mark isham. at least i always saw his name in the opening credits.

Vandit reply Replies: 0 || 2008-08-05 00:00:00
The score for Hi-Incident is sooo great. I wish they show would be available either on DVD or on TV in Austria. I really love the soundtracks from Hans Zimmer especially the ones for Babylon 5 and for High Incident. Keep up the great work. Weiter so!!!

Greetz from Austria
Vandit

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High Incident soundtrack - John Powell - Jeff Rona 1996