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Call me crazy but I really would have been interested to see what Tom's Godzilla would sound like under the direction of someone with good musical taste such as Dougherty.<br><br>Not really a huge fan of Desplat's work but I would definitely kill to hear Douglas Pipes take on this project.@Edmund Hahahahaha..... yeah, I've always heard that too. Even the chopping string section in the background of both pieces is vaguely similar.Zimmer did some additional music on this?Sounds to me like the big dramatic Bach-like theme at the very end of the Kraken. Only a slight similarity though :pWow Edmund, I'm impressed... where do you hear this theme in The Kraken? They sound like completely different pieces of music to me :-D
I'm not upset (I like Junkie, but I LOVE Desplat's), but i HOPE for Desplat or PipesToo bad, but I hope this means Desplat is back.I see, thank you for answer!Sounds excellent . Balfe has really found a unique voice now . I have listened to the YouTube link for the album constantlySo... long story short, it actually looks like Tom will NOT be doing Godzilla after all, according to director Michael Dougherty. Check the director's Twitter account. Even though I enjoy Tom's music, I'm much more excited about the prospect of a Douglas Pipes Godzilla score (or the return of Desplat, tbh).
I asked this before to lorne on Facebook . He said the roles can mean different things . Some composers assistants help with running the office . Some deal with making sure the music works to the latest cut of film . Some arrange<br>And orchestrate also . Means varied tasks .Please!!! Come to Mexico!!! I agree with Leonardo!!!Please could you also come to MEXICO!!! You have a lot of fans in Center and South America!! :)Yeah, just got announced on Film Music Reporter, although the rumor was flying around long before that. Really disappointing for me, since the director Michael Dougherty usually works with Douglas Pipes who is a great, underappreciated composer.It really is too bad HGW isn't scoring Alien. He is one of the best film composers and he scores so few movies these days. A real shame!
Great score.....I have a question and I would love if somebody can answer it - What such an assistant of composer is doing? Is he just making coffee or actually making music? I am really curious, I know that Lorne was assistant too!@Hybrid: Is true Tom go to compose Godzilla: King of the Monsters?nice thanksIt's OK, he got to use it for the Kraken in Dead Man's Chest! ;)
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Hans ZimmerJohn PowellJeff RonaMartin Tillman
Composer : Main ThemeComposerComposerMusician
High Incident
Label: Unofficial Release
Length: 36'03
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1921 votes)
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  1. Main Title '96 (0:44)
  2. Militia (2:49)
  3. Corbusier (2:43)
  4. B.R.A.D. (2:12)
  5. Into Tunnel (3:02)
  6. Tino (1:50)
  7. Santa Chase (1:36)
  8. Warehouse AM (3:34)
  9. Bomb (1:51)
  10. Dark Angel (1:01)
  11. The Stalkin' (1:31)
  12. War (3:49)
  13. Angel Rald (4:15)
  14. The Sting (4:19)
  15. Main Title '97 (0:41)
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Edmund Meinerts reply Replies: 3 || 2017-02-16 23:49:04
Okay, so sorry for sounding a bit like Poleschuk on this one, but I have a couple questions about High Incident.

Basically I have heard two different boots: this one, and a second one with 10 tracks running about 21 minutes. This first one sounds to me mostly like John Powell in very early I-don't-really-have-a-style-yet MV mode. The second one is a lot calmer and more melodic (and better!), and it uses the "Main Title '97" theme a lot. But it doesn't sound much like Powell at all. Is that one by Jeff Rona? From the little I've heard by him, it sounds like it might be.

Also, about those themes - who wrote them? Was it really Hans? The more upbeat "Main Title '96" sounds very much like Powell, to me. "Main Title '97" with the trumpet solo could be Hans, I suppose, but I could easily believe it being Powell or Rona as well.

Any clues, Hybrid?


Michael Poleschuck2017-02-17 03:17:54
There are a few episodes of this show on YouTube.

And interesting thing: on the main titles of the Pilot - "Main Title '96". On the end titles of the Pilot - "Main Title' 97".

And other interesting thing: "Main Title' 97" are on the 9th minute of the Pilot (night talking of the cops). So, maybe, this main theme was originally Zimmer's hand.


Michael Poleschuck2017-02-17 03:20:58
Maybe, the second boot is a score for Pilot?


rockhound2017-02-17 07:28:13
the more emotional music, which also uses the Main Title 97 theme often, is by jeff rona. you will find many tracks on his website. it has bit of his music for Chicago Hope. i remember, that the Main Title 97 was also used in the first season as the end title. i dont know know why they changed it in the second season. the Main Title 96 was perfect for opening credits. But i think both of them are by hans with trumpet performances by mark isham. at least i always saw his name in the opening credits.

Vandit reply Replies: 0 || 2008-08-05 00:00:00
The score for Hi-Incident is sooo great. I wish they show would be available either on DVD or on TV in Austria. I really love the soundtracks from Hans Zimmer especially the ones for Babylon 5 and for High Incident. Keep up the great work. Weiter so!!!

Greetz from Austria
Vandit

 HANS-ZIMMER.com 2001-2017 OST 
High Incident soundtrack - John Powell - Jeff Rona 1996