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https://www.  axs.com/why-we-need-a-chicago-med-soundtrack-album-in-our-li ves-112620<br><br>Why they never release this?!....Omar: Well tried, but Junkie XL was replaced after Snyder was fired and Whedon came in.<br>And just in case Snyder actually wanted another sound, he would just have told Junkie at the beginning instead of firing him after he departed himself :-pCitation neededZimmer and Djawadi are nominated for Grammys this year along with Hildur,Alan Silvestri,Marc ShiecmanTom's score for Justice League was basically a mix of Mad Max and Deadpool. Zack wanted to go with a different approach for the score and make it more "fun" than serious. He didn't want a Zimmer sound for the movie.
I noticed that the other day as well on IMDB. I know that’s not always reliable, but that would be awesome if he was involved. I’ve missed the “fun” side of Zimmer for awhile. The next couple of years hopefully produce a number of Zimmer classics.Whoah Whoah Whoah Whoah Whoah.  Whoah. Space Jam2?! You aren’t serious.I hope this one will leak very soon! A lot of great music that isnt releasedHybrid, is Zimmer really attached to Space Jam 2?<br><br>Will Hans Zimmer be coming to London in 2021 pls? Thanks Monica
Why won't concert in Poland?! I love Hans Zimmer and his music and I was really waiting for it!! Last time in Cracow it was the best time ever for me! :(Isn't anyone except me wondering what kind of sound that 2-tone-pattern is? Is that something like ring-modulated strings? Or even FM? Sure it is something layered.Anyone own the 24bit FLAC version? I bought it expecting to here a difference between that and the mp3 version and they kinda sound the same to me. Just curious on if anyone else had the same observation.Upon revisit, this score is by far the best of the entire Call of Duty franchise. A wonderful main theme, exciting, varied, and climactic action music for the British missions, and a strong amount of atmosphere. <br><br>The only annoying part is the American missions' action music is on-the-nose and terrible until the nuke cue, and there's a little too much reused tracks for my taste.don’t worry about it @Eobard <br>With the timing, I would’ve thought the same if I didn’t already know about the brass library :)
Well for sure it became the worst timing ever for Tom...<br><br><br>He must be watching twitter sweating right now lol. Totally cornered...@Ahmad well my bad! I didn't know about this. It was just his post came at a time like this so...<br>Sorry guys.@Xavi I know. I also want the  Snyder’s cut and JXL’s score to be released, but setting up expectations about the score when it’s clear that Tom’s post has nothing to do it is just kinda unnecessary.Couldn't agree more Edmund. He's got both the orchestra and synths (and his great guitar usage) down very well. Similar to HGW IMO. <br><br>He's also a very interesting interviewee (that accent always seems to help). <br><br>Which scores have had electronic elements edited off of the official releases? And do the missing elements appear in the complete scores/sessions?In a year, like Enos says
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Additional MusicAdditional Music
Klaus BadeltIan Honeyman
Additional MusicAdditional Music
Miami Vice
Label: Atlantic Records
Length: 73'08
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5539 votes)
  1. In The Air Tonight – Nonpoint (4:33)
  2. One Of These Mornings – Moby Feat. Patti LaBelle (4:00)
  3. We're No Here – Mogwai (5:38)
  4. Sinnerman (Felix Da Housecat's Heavenly House Mix) – Nina Simone (4:37)
  5. Auto Rock – Mogwai (4:18)
  6. Arranca – Manzanita (3:52)
  7. Ready For Love – India.Arie (4:30)
  8. Strict Machine – Goldfrapp (3:53)
  9. Pennies In My Pocket – Emilio Estefan (3:52)
  10. New World In My View – King Britt (5:33)
  11. Sweep – Blue Foundation (10:52)
  12. Anthem – Moby (3:28)
  13. Blacklight Fantasy – Freaky Chakra (5:10)
  14. Mercado Nuevo – John Murphy (2:14)
  15. Who Are You – John Murphy (1:34)
  16. Ramblas – King Britt & Tim Motzer (2:29)
  17. A-500 – Klaus Badelt & Mark Batson (2:35)
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Bayhem reply Replies: 0 || 2017-12-20 22:43:55
So what exactly happened here? John Murphy was replaced by Badelt or the other way around? I remember seeing a quote from Murphy and he wasn't very happy with how things turned out. But........it's a Michael Mann movie after all, and it's not a secret how he works with composers.

I'm sure Harry Gregson-Williams is still mad at him for Blackhat....

michel reply Replies: 0 || 2010-07-25 00:00:00
hello

Peter reply Replies: 0 || 2008-08-19 00:00:00
Exellent soundtrack like aways when tracks is choosing Michael Mann-the music by Murphy is terrible like this A-500 trash,so they needed two brains to created this 'masterpiece'?;pThat two things wish I deleted from cd all rest is exellent;)

Anonymous reply Replies: 0 || 2008-06-29 00:00:00
there is a promo floating around containing score by John Murphy. its about 43 mins.

Paul Anderson reply Replies: 0 || 2008-06-28 00:00:00
The Score is a awesome!
Respect to John Murphy

Rgravity reply Replies: 0 || 2008-05-05 00:00:00
I heard John Murphy composed an even longer score than just the selected tracks.

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Miami Vice soundtrack 2006