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Dunno if this is a troll post or a legit one... but I do agree to an extent. Both Mortal Engines and Alita show a HUGE improvement in Tom’s compositional technique, regardless of Conrad Pope’s contribution (which I’m sure still has something to do with it.) <br><br>I actually enjoy his early works (300, Point Break, Run All Night, Divergent) but you can definitely hear the vast difference in quality over time, and as Tom grows as a composer I’m sure his future scores will be the same way.5 years and it sounds like a blend of bvs and fury road. both of which come after it.Woah, this sounds outdated already, like a bad 90s video game. For the record, it was composed 4 years ago. This fetishization of technology over compositional technique is absolutely ridiculous. <br><br>Now, Tom has seen the errors of his ways and hired some actual orchestrators (not the RCP clown bunch) and Mortal Engines and Battle Angel Alita are actually excellent scores. They show that he masters compositional technique to the hilt. This early stuff - I suspect it will be buried soon. <br>Richter is a conceptual artist, I love his Leftovers score, but come one, scoring to picture ?<br><br>He writes pieces that are used in scenes, not the other way around...<br><br>Richter scoring a moon buggy chase ? Hell no... lol you could see from day one it was gonna be replaced...^ Yeah the edit floating around matches Felix’s almost to a T. Only major difference is <br><br>“Our Final Stand - Showdown - United Greece - Finale”<br><br>Which is broken up into four separate cues. Realistically you could edit it anyway you want if you prefer the smaller cues. Personally, I like the long suite-like format of this release. Kinda like the album release for “Event Horizon” lol.
I hope they at least release Richter's score.My Edit:<br><br>01. Rise Of An Empire - Marathon - King Darius - Artemisia - Man To God - War (13:36)<br>= <br><br>M1A Rise of An Empire (09:48)<br>M1B From Man to God King (03:44)<br><br>02. Greek Council - Persian War Plan - Spartan Fight Training - Greek Conversation - Your Commander Is Greek (10:47) <br>=<br><br>M2 Greek Council (03:39)<br>M3 Greek Conversation (07:06)<br><br>05. Suicide - General Bandari - Circle Battle (7:30) <br>=<br><br>M6 Suicide/General Bandari (02:10)<br>M7 Circle Battle (05:16)<br><br>06. Sex - Fire Battle (12:04) <br>=<br><br>M10 Sex (05:36)<br>M11 Fire Battle (06:21)<br><br>11. Our Final Stand - Showdown - United Greece - Finale (16:08) <br>=<br><br>M15-17A Our Final Stand/Showdown Pt.1 (08:19)<br>M17B-19 Showdown Pt.2/Finale (07:37)I'm not really interested in Balfe's part of work, but it would be a big disappointment if Richter's work wouldn't released.<br><br>But I think there's a good chance that movie (and music in particular) get an Oscar nominations, so let's just hope for the best.@mpolonest123 any idea how to break up the really long cues on the complete? it’s a lot of tracks that are made up of several cuesArtemisia Suite = History of Artemisia <br>Greek Action Suite = Marathon <br>Xerxes Rebirth Suite = From Man to God King<br>Greek Sacrifice Suite = ???<br>Artemisia’s Childhood Suite = Artemisia’s Childhood<br>Greek Attack Suite = Greeks on Attack<br>Queen Gorgo Suite = Queen Gorgo<br>Xerxes Thoughts Suite = Xerxes Thoughts<br>Greek History Suite = History of the Greeks<br>Greek Victory Suite = Greeks Are Winning<br><br>Hope this helps! :-)
Hybrid can you tell us what album cues are the suites ?!well, from what Lorne wrote on Twitter, it should be releasedCool thanks for getting back! I am still a little bit confused though. Do any Basil Poledouris cues go somewhere in that list? It’s been a very very long time since I have seen the film.The Hans cues used are :<br><br>1M1 OPENING CREDITS / MAIN TITLE (USED FROM 2:18 TO 3:03)<br>1M2 GOLDEN STAIRCASE (USED FROM 0:00 TO 1:56)<br>2M2 JACK SEES WOLVES<br>2M3 BLACK WOLF<br>2M6 THE TREK CONTINUES (USED FROM 0:28 TO 1:15)<br>3M1 THIN ICE<br>3M2 SKUNKER'S DEATH<br>3M3 FULL MOON WOLF ATTACK<br>3M3A MORNING WOLF ATTACK<br>6M4 THE BEAR<br>6M4A THE BEAR ATTACK<br>7M3 IN THE STABLE<br>7M5 WHITE FANG FIGHTS SATAN<br>8M1 FIGHT MONTAGE (FIRST HALF USED)<br>8M3 PIT FIGHT (FINAL 20 SEC USED)<br><br>All the rest, by definition, is Basil's score...Hey hybrid soldier! You mentioned on the ghost in the shell page about white fang so I came here! Can you give us a list of the cues as they appear in the film please? The Basil Poledouris cues and the Hans Zimmer cues please
I imagined it ... hopefully this time Max Ritcher does not give him a lollipop and refuses to launch his musicYes Unbreakable.
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<br>Exactly like White Fang. Have Poledouris write a score, then HZ do another, then pick what you want from both.
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<br>Ghost In The Shell was kinda different...In the credits of the movie, Max Ritcher appears as the Main Composer, meanwhile, Lorne appears as Additional MusicI find that it would be best to accredit both and launch the two soundtracks and all happy.Hybrid implies that Max Ritcher's score was rejected, and that Lorne made a new one and in the end, the best of both has been used.  I am right?
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John PowellJohn Ashton ThomasGermaine FrancoBryce Jacobs
ComposerAdditional MusicMusic Production CoordinatorMusic Preparation
P.S. I Love You (Soundtrack)
Label: Atlantic Records
Length: 56'45 (Score: 4'30)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4958 votes)
  1. Love You 'Till The End - The Pogues (4:30)
  2. Same Mistake - James Blunt (4:58)
  3. More Time - Needtobreathe (4:22)
  4. Carousel - Laura Izibor (3:31)
  5. Fortress - Hope (3:36)
  6. Last Train Home - Ryan Star (4:12)
  7. Rewind - Paolo Nutini (4:19)
  8. My Sweet Song - Toby Lightman (4:00)
  9. No Other Love - Chuck Prophet (3:53)
  10. Everything We Had - The Academy Is... (3:39)
  11. In The Beginning - The Stills (5:43)
  12. If I Ever Leave This World - Flogging Molly (3:21)
  13. P.S. I Love You - Nellie McKay (2:10)
  14. Kisses And Cake (4:30)
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holly reply Replies: 0 || 2009-08-07 00:00:00
very good..

chouaib reply Replies: 0 || 2008-08-22 00:00:00
is the very movie in this life

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Madi reply Replies: 0 || 2008-02-28 00:00:00
I love the music for this movie. All so well chosen, and a real surprise was John Powell. I love Kisses and Cake so much! I can listen to it for hours. But it's a shame that I can't find the other music that he wrote for this movie. On the site of the movie wasn't any information about that.

Sylvos reply Replies: 0 || 2008-02-12 00:00:00
Yeah. Too bad bad that website music is in such a mediocere quality.

OMG reply Replies: 0 || 2008-02-09 00:00:00
The promo score release has 18 mins of music, which I'm guessing is the whole score given the amount of songs on the soundtrack as well.

Some good stuff on there, considering it's a romcom

Sylvos reply Replies: 0 || 2008-02-08 00:00:00
Not much but there's a nice little slice of score here. The more I listen to it, the more I come to appreciate it.

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P.S. I Love You (Soundtrack) soundtrack - John Powell 2007