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This credits list absolutely reeks of bullshitI can come up with the booklet credits for Adventure Time: Awakening. So here's my booklet credits for this movie.<br><br>Music Composed by<br>STEVE JABLONSKY<br><br>Music Produced by<br>STEVE JABLONSKY <br>and HANS ZIMMER<br><br>Music Orchestrated and Arranged by<br>THOMAS FARNON<br>CZARINA RUSSELL<br>BRUCE FOWLER<br>STEPHEN COLEMAN<br><br>Additional Music by<br>LORNE BALFE<br>JOHN POWELL<br>JASHA KLEBE<br>HALLI CAUTHERY<br>RAMIN DJAWADI<br>DAVID BUCKLEY<br><br>Orchestra Conducted by<br>NICK GLENNIE-SMITH<br><br>Choir Conducted and Arranged by<br>GAVIN GREENAWAY<br><br>Vocals by<br>LISA GERRARD<br><br>Score Recorded At<br>THE EASTWOOD SCORING STAGE, WARNER BROS. STUDIOS, BURBANK, CALIFORNIA<br><br>Score Mixed At<br>REMOTE CONTROL PRODUCTIONS, SANTA MONICA CALIFORNIA<br><br>Special Thanks to<br>TREVOR RABIN<br>MATTHEW MARGESON<br>and RUPERT GREGSON-WILLIAMS*sigh* Pirates of the Caribbean: The Curse of the Black PearlFor what score are those booklet credits for, Sam?I can imagine if the booklet credits might help.<br><br>Music composed by<br>KLAUS BADELT<br><br>Score produced by<br>KLAUS BADELT<br>and HANS ZIMMER<br><br>Music orchestrated and arranged by<br>BRUCE FOWLER<br>YVONNE S. MORIARTY<br>GRAHAM<br>JAMES MCKEE SMITH<br><br>Orchestra Conducted by<br>BLAKE NEELY<br><br>Music Programmed by<br>STEVE JABLONSKY<br>GEOFF ZANELLI<br>MARC STREITENFELD<br>NICK GLENNIE-SMITH<br><br>Score recorded at<br>PARAMOUNT SCORING STAGE M<br><br>Score mixed at<br>MEDIA VENTURES, SANTA MONICA, CALIFORNIA
Is there any word or time frame on the second release?Jenny of Oldstones was an old song in Westeros about a common woman named Jenny of Oldstones, a strange woman who a Targaryen prince rejected his claim to the throne to be with. Before a big battle, a character sings this song and a montage of the various characters plays as they prepare for battle. So that is the melody. The lyrics go like this:<br><br>High in the halls of the kings who are gone,<br>Jenny would dance with her ghosts; <br>The ones she had lost and the ones she had found<br>The ones who had loved her the most;<br>the ones who've been gone for so very long, she couldn't remember their names<br>they spun her around on the damp old stone<br>Spun away all her sorrow and pain.<br>And she never wanted to leave, never wanted to leave, never wanted to leave, never wanted to leave.<br><br>They danced through the day and into the night<br>Through the snow that swept through the hall<br>From winter to summer and winter again<br>Till the walls did crumble and fall<br>And she never wanted to leave, never wanted to leave, never wanted to leave, never wanted to leave.<br>Hybrid, please update this list. Is it possible that you could include the alternate/album version of Main On Ends (AKA Taking A Stand)?COMPLETE SCORES ARE AWESOMECareful, talking about complete scores or recording sessions can get your comment removed now.
No more superhero film score for me, he said .... :DThe complete score is so amazing!! I saw on YouTube too.CD RELEASE????PosiblyA surprise reference to be sure, but a welcome one.
The same thing happened to me George@Michael Baker - I can’t be the only one who read that as Han Solo right?Yeah... Wait till CD 2 and I'm sure we'll get a much stronger idea of what's solo Hans in here.@Edmund<br>I wonder if this is one of those situations where the material in film is derived heavily from the suites, with everyone either arranging it or adding elements onto it. Just guessing of course, I’m sure we’ll get a clear picture once the bonus stuff gets released.<br><br>And apparently there is about 16 hours of music “lying around”, going off of what Hans mentioned in the Vi-Control forums."heavily influenced" indeed :D <br>I really love Amity and I love how the theme appears in several other cues:<br>Reckless which features an epic/action rendition <br>Insertion = a short quote at the beginning <br>Coda = another call back to the theme<br><br>Been listening to the score since I saw the film. Love it. Eagerly waiting for CD2. I wonder if it includes an extended version of the last 2 minutes of Insertion - INCREDIBLE.
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John PowellJohn Ashton ThomasGermaine FrancoBryce Jacobs
ComposerAdditional MusicMusic Production CoordinatorMusic Preparation
P.S. I Love You (Soundtrack)
Label: Atlantic Records
Length: 56'45 (Score: 4'30)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4868 votes)
  1. Love You 'Till The End - The Pogues (4:30)
  2. Same Mistake - James Blunt (4:58)
  3. More Time - Needtobreathe (4:22)
  4. Carousel - Laura Izibor (3:31)
  5. Fortress - Hope (3:36)
  6. Last Train Home - Ryan Star (4:12)
  7. Rewind - Paolo Nutini (4:19)
  8. My Sweet Song - Toby Lightman (4:00)
  9. No Other Love - Chuck Prophet (3:53)
  10. Everything We Had - The Academy Is... (3:39)
  11. In The Beginning - The Stills (5:43)
  12. If I Ever Leave This World - Flogging Molly (3:21)
  13. P.S. I Love You - Nellie McKay (2:10)
  14. Kisses And Cake (4:30)
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holly reply Replies: 0 || 2009-08-07 00:00:00
very good..

chouaib reply Replies: 0 || 2008-08-22 00:00:00
is the very movie in this life

Madi reply Replies: 0 || 2008-02-28 00:00:00
I love the music for this movie. All so well chosen, and a real surprise was John Powell. I love Kisses and Cake so much! I can listen to it for hours. But it's a shame that I can't find the other music that he wrote for this movie. On the site of the movie wasn't any information about that.

Sylvos reply Replies: 0 || 2008-02-12 00:00:00
Yeah. Too bad bad that website music is in such a mediocere quality.

OMG reply Replies: 0 || 2008-02-09 00:00:00
The promo score release has 18 mins of music, which I'm guessing is the whole score given the amount of songs on the soundtrack as well.

Some good stuff on there, considering it's a romcom

Sylvos reply Replies: 0 || 2008-02-08 00:00:00
Not much but there's a nice little slice of score here. The more I listen to it, the more I come to appreciate it.

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P.S. I Love You (Soundtrack) soundtrack - John Powell 2007