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Edmund - given the rationality you've displayed in your comments, I'm disappointed Goldsmith isn't in your top three. ;)<br><br>In all seriousness, I'd put money on Powell fucking nailing the integration of Williams's theme. While Giacchino did a solid job on Jurassic World and Rogue One (I tend to think my assessment of the latter is a bit more positive than most), frankly I just think Powell is a far better composer - a genuine A-level guy, whereas Giacchino is moreso very competent without that spark of pure talent seen in Williams, Goldsmith, Elfman, Zimmer etcI think it's worth noting that Zimmer's popularity at this point is largely under his direct control - meaning that if he were to decide to stop touring, go back to writing full-time, and return to his 'epic' thematic style, I think we'd see a surge in his popularity of the sort we saw from Batman Begins through til Interstellar. However, I just don't think he's interested, which is totally his right.<br><br>I certainly agree that the RCP proteges at this point are, frankly, shit compared to how they used to be. I mean, even a guy like Steve Mazzaro (who I genuinely like and who wrote some of the coolest cues in Chappie, and basically co-wrote BvS - a score I actually like) just utterly pales in comparison to the Powell era.<br><br>Actually, I have to take that back a bit; Wallfisch is a very, very talented guy, honestly so much better than someone like Junkie that I weirdly tend to forget he's under the RCP roof now.@HunterTech<br><br>"I only get annoyed when people decide he's suddenly the most amazing thing ever, which he really isn't. Even on his most competent scores, it's unlikely many would recognize him as one of the greats. Respect him, sure, but not think he's out of this world."<br><br>Exactly. Hans, for all the criticism he gets (much of it for good reason), has written some of the best film music of all time (seriously, having listened to huge amounts of Williams and Goldsmith, I still find Science & Religion my favorite cue ever). On the other hand, Lorne has written innumerable adequate-to-good scores, but none that I can recall are iconic. I'd say the closest he's come is in the form of his contributions to some of Zimmer's work (personally, I think his Kick It theme is the most interesting of those in Inception), but even then he hasn't done anything as memorable as Djawadi's theme from Batman Begins.Michael - reread the second half of my previous comment. And no, I don't think Genius or Churchill are no good; I wasn't impressed by the second, to be honest, but Genius is really cool - like an updated version of Frost/Nixon, one of my very favorite Zimmer/RCP scores.<br><br>Edmund - much appreciated.<br><br>Overall, I too am baffled by many of these comments; clearly there is a middle ground between "Lorne is shit." and "Lorne is absolutely amazing.", but this seems to be missed.<br><br>And by the way, I'm actually super happy for Lorne's success - I think he deserves it given the quality and quantity of his work, and he seems like a super nice guy to boot (how many composers regularly respond to people on Facebook?). However, this doesn't mean I can't simultaneously point out the fact that much of his work is very, very similar to work he's done previously. Indeed, I think this is more of an issue for Lorne than Hans, perhaps because he takes on sooooooo many projects.I agree. His Justice League theme is just a deconstruct of his Batman theme. Clever, yeah sure - he's done similar things with the Men In Black sequels and I'm sure there's others I can't think of right now - but I personally dont consider Elfman's involvement in this new DCEU to be very welcome. Zimmer paints a different canvas than Elfman, and I love both their works.
It was a missed opportunity.<br>Yeah... I'm not sure about Elfman's wave. The guy decided to bring back his old Batman theme instead of actually writing a new one. He has to re-invent himself. <br>Seven with ZimmerYeah, Silvestri, Newman, Goldenthal and JNH too. The six most popular "new" composers, along with Horner, of the  80's and 90's.I saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't wait
I saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't waitHonestly, I do feel bad for Elfman, because for Chrissakes hes been doing 50 Shades of Grey these days, and the last memorable scores I have of him are from 2012. But I don't think Zimmer or even Elfman for that matter are done as yet. I predict by the end of this decade Zimmer will have a new wave in popularity wash in. I'm just waiting for Elfman's wave right now...not quite seeing it yet.Glad you caught it Rockhound. Think the others were too wound up to notice !!i was trying to be funny.Pete you are funny, although u demand from others to talk about the actual soundtrack from this page, you start to talk also about another soundtrack. but ok.... i think Forgotten is a very boring track and adds nothing to the actual scene. a variation of his theme from the track Hero would have been much more intense for the ending. sadly we got 9 boring minutes of thematic development and instrumentation. Lorne can do much better as the track Hero from the same soundtrack shows.Zimmer got X-Men: Dark Phoenix this year. And I have a hard time believing he is only scoring that film this year. Zimmer always does more than 1 film a year.
No need for petty cursing .<br><br>We can discuss the soundtrack instead ! <br><br>Forgotten is cool track.Itís definitely one of Bayís best movies. Wish he would make more drama based film obvious with some action. Canít cope with more robots ! The ending of the film is so emotional and this track gave goosebumps at the end. Did sound very similar to the end of The Last Knight"Boring . Talk about the actual soundtrack or change the subject."<br><br>Ok, so someone else gets us on this topic, an arguement occurs, and NOW, only when you've realized you're losing the arguement, do you decide that this page is only for 12 strong. Which it's not. This is a forum we talk about whatever we want here.<br><br>But what a childish and pathetic attempt at avoiding our points. Just dismissively saying "Boring! Change the subject! My ears can't handle this criticism!!! Wah, wah, wah!" I guarantee you the next step after this is going to be petty cursing.Boring . Talk about the actual soundtrack or change the subjectUpset about success? Sounds like someone doesn't know a thing about reasonable criticism. :p<br><br>If anyone likes Balfe, then good on them. I only get annoyed when people decide he's suddenly the most amazing thing ever, which he really isn't. Even on his most competent scores, it's unlikely many would recognize him as one of the greats. Respect him, sure, but not think he's out of this world. Especially if people are still gonna be excited about hearing the work of someone else when a different person is hired (i.e. what JL might've been).Can we please change the subject !!!!!!!!it is so boring now.This page is ment to be about the sound track to 12 Strong
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Hans ZimmerJames S. LevineClay DuncanAlan Meyerson
ComposerCo-ComposerAdditional MusicMusic Scoring Mixer
The Weather Man (Expanded Score)
Label: Unofficial Release
Length: 59'09
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5082 votes)
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  1. Refreshing (0:21)
    Hans Zimmer, James S. Levine
  2. Daily Routine (1:08)
    Hans Zimmer
  3. I Have A Plan (2:33)
    Hans Zimmer
  4. He Was A Fine Father (1:07)
    Hans Zimmer, James S. Levine
  5. Archery Lessons With Shelly (1:03)
    David Baerwald
  6. Mike Sees Perv At Mall (0:16)
    Hans Zimmer, James S. Levine
  7. Hey Weather Man! (0:25)
    Hans Zimmer
  8. It's A Bullshit Name (0:46)
    Hans Zimmer
  9. Pictures (1:09)
    James S. Levine, Martin Tillman
  10. I Hate That Little Cunt (0:55)
    David Baerwald
  11. Family Winterfest (1:46)
    David Baerwald, Tom Spahn
  12. I'm Not A Football Jocker (0:56)
    James S. Levine
  13. I Had This Thing With Porno (2:45)
    David Baerwald
  14. BJ's Lacked Enthusiasm (1:54)
    Hans Zimmer
  15. Did You Start My Novel Yet? (0:22)
    Hans Zimmer, James S. Levine
  16. Bad News (0:32)
    James S. Levine
  17. Driving With Dad (3:17)
    Hans Zimmer
  18. Dave Tells Shelly About NY (1:28)
    Hans Zimmer, James S. Levine
  19. Someone Should Be Happy Here (0:16)
    Hans Zimmes, James S. Levine
  20. Tartar Sauce (2:16)
    Clay Duncan
  21. Can We Shop Here? (0:43)
    Hans Zimmer
  22. Shelly Goes New York Style (1:25)
    David Baerwald
  23. You Should Carry More Money Than That (0:46)
    Hans Zimmer, James S. Levine
  24. Visions Of SpongeBob (2:12)
    Hans Zimmer, Martin Tillman
  25. Good Morning Mirror (0:44)
    Hans Zimmer
  26. Green Screen Test (0:30)
    David Baerwald
  27. I'm Gonna Slap Him (0:25)
    David Baerwald
  28. No 19th Century Noble Man (1:00)
    Hans Zimmer
  29. Living Funeral (1:14)
    Hans Zimmer, James S. Levine
  30. Hot Apple Pie (1:14)
    Hans Zimmer, James S. Levine
  31. Accuracy Equals Focusing (3:13)
    James S. Levine, Martin Tillman
  32. Something About Bob (1:32)
    Hans Zimmer, James S. Levine
  33. Clowns (1:17)
    Hans Zimmer, James S. Levine, David Baerwald
  34. I Bet You A Million Fucking Dollars (0:19)
    David Baerwald
  35. Always Fast Food (1:25)
    Hans Zimmer
  36. The Real Funeral (1:58)
    James S. Levine, Martin Tillman
  37. Who Knows? (1:51)
    Hans Zimmer
  38. Right On Target (0:59)
    Hans Zimmer
  39. End Credits (6:15)
    Hans Zimmer
  40. Always Fast Food (Alternate) (1:18)
    Hans Zimmer
  41. The Real Funeral (Aternate I) (1:58)
    James S. Levine, Martin Tillman
  42. The Real Funeral (Alternate II) (1:58)
    James S. Levine, Martin Tillman
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Edmund Meinerts reply Replies: 0 || 2017-10-26 11:18:54
Revisiting this score for the first time in ages and it suddenly strikes me that there's a foreshadowing of Interstellar, of all the random things. Just check out the second half of "Hot Apple Pie" - I swear I keep expecting it to morph into "Cornfield Chase" (and then it's kind of disappointing when it doesn't and instead just cuts off abruptly). What a weird coincidence - if it is a coincidence!

Hybrid Soldier reply Replies: 5 || 2015-08-16 11:37:21
I worked with the cue sheet to finally replace the crappy random tracklist that was made many years ago. And finally the composer credits... :)


francis2015-10-14 21:27:10
hi, please could you send me the right tracklist with the time of each one? thank you
sends me a msg to
franciswintry@gmail.com


Lynk2017-08-04 11:50:58
Did David Baerwald write the tunes he's credited for specifically for this film or did the scoring team use it from something else Baerwald had worked on before?


Oscarilbo2017-08-04 15:59:09
Hasn't this been released on FLAC or some other lossless format?


Hybrid Soldier2017-08-04 19:00:34
Baerwald did work on this...


bob2017-08-22 05:17:48
Where can I get this soundtrack? I need it badly.

Mike reply Replies: 0 || 2014-10-26 22:37:18
I really dig that end credits cue. It's awesome. Sounds like someone was listening to Green Onions and wanted to infuse a reggae sound into it or something.

cheesy reply Replies: 0 || 2011-10-21 21:51:28
Finally got around to giving this a listen... really starting to grow on me. You don't often hear this kind of sound from HZ... I have to constantly remind myself it's a Zimmer score whenever I'm listening to it. I was pleasantly surprised; very creative atmosphere he created.

Anonymous reply Replies: 0 || 2011-03-17 00:00:00
Fits on one CD

Dan reply Replies: 0 || 2011-01-10 00:00:00
A few of those tracks sound identical - A Living Funeral and Fast Food, for instance.

DemonStar reply Replies: 0 || 2008-06-21 00:00:00
It's not possible to legally "purchase" this as it is a bootleg and not an official product. You'll have to look for it it "unofficial" way if you want it. Gotcha? ;-)

Sarah reply Replies: 0 || 2008-06-12 00:00:00
But....I dont understand HOW you purchase this CD. I have been searching for it since I saw the movie in the theater in 2005!!

Mark reply Replies: 0 || 2008-04-03 00:00:00
sweet two pack of Zimmer music! couldnt get any better. i will definitely get this

Hybrid Soldier reply Replies: 0 || 2008-03-24 00:00:00
Thanks man !

doponko reply Replies: 0 || 2008-03-24 00:00:00
I have this boot,here is the track list.
Disc 1
1.Grown-Up 2.Disappointed 3.Monochrome 4.Fate
5.A Tragic Hero 6.Love,And Trust 7. Every Day
8.Existence 9.Frustrations 10. Depression
11.It's Too Late 12.To New York City? 13.Shelly, My Doughter 14.Noreen 15.Healt Problems 16. Pling Plong 17.My Father 18.Morning News 19.A Little Effort 20.Out Of Control 21. To Get A Grip
22.You Should Carry More 23.Visions Of SpongeBob
24.Refleshing 25.Robert King Spritzel 26.Family 27.I Can It Get Together

Disc 2
1.Living Funeral 2.Hot Apple Pie 3.Melanchromy 4.Trust 5.Archery Lesson 6.Tartar Sauce 7.New York 8.Mini Bar 9.A Living Funeral 10.Fast Food 11.There's Always Looking After 12.Who Knows? 13.Reduction 14.Hello America

Enjoy the CD!

DemonStar reply Replies: 0 || 2008-02-15 00:00:00
Nice score, which perfectly suits the mood of the movie. But as far as deep listening goes, it's not my cup of tea, though.

Sylvos reply Replies: 0 || 2008-02-12 00:00:00
I've got a feeling that no one really knows this film that well or else we would have something more than "Track #" instead of a tracklisting!

zimm44 reply Replies: 0 || 2008-02-07 00:00:00
Does anybody know anything about the release of Casi Divas score? Is it going to be released?

fabien reply Replies: 0 || 2008-02-06 00:00:00
That's a very nice score

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The Weather Man (Expanded Score) soundtrack - Hans Zimmer 2005